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in a car accident and is left in a coma with brain damage. A doctor, Takashi
Yoshizumi, meets with Nagashima the next day and tells him his wife was an organ donor, and that a young girl named Mariko Anzai in the hospital needs a donor kidney. He agrees to donate her kidneys on the condition he can have Kiyomi's liver. Nagashima takes the liver to his lab, dismissing the scientists so he can perform experiments on the organ. At the hospital, Mariko's health shows a marked improvement but at night she begins to scream, demanding the removal of something from her body; her caretakers dismiss her demands as nightmares. At his lab, Nagashima finds the liver samples growing at an exponential rate. One night, a gelatin from the liver mixes with samples from a bottle labeled "Eve" and possesses the lab assistant Sachiko. Later that night, Nagashima enters the lab and finds a gelatinous form that morphs itself into the form of Kiyomi. Nagashima approaches her, and they embrace and have sex on the lab floor. Afterwards, the being resembling Kiyomi deteriorates, leaving Nagashima alone.
310:), is left brain dead after a traffic accident on the day of their first wedding anniversary. Nagashima attempts to make Kiyomi live again by making a deal with a doctor who wants to harvest Kiyomi's kidneys for transplanting into a young girl in the same hospital. Nagashima agrees on the condition that he can have his wife's liver. While Nagashima experiments with the organ, the doctor finds one night the samples have emerged as a gelatinous form in the form of Toshiaki's dead wife and reveal themselves as an organization of sentient
375:
tells him to attend her presentation at a science conference. At the conference, Nagashima meets with
Yoshizumi, who says Mariko has grown stranger each day and that even her uterus is changing. Sachiko begins to present, revealing herself to be a mitochondria collective that will replace humans and can control the mitochondria in humans. The creature says they have found an ideal womb in which to continue their process. Nagashima asks whether the creature is Eve, before it causes a man in the audience to
507:, who had to reorganize the non-linear approach of Sena's novel and edit the technical terms used in the novel to make it appropriate for a screenplay. Director Masayuki Ochiai stated he was "not really happy with the circumstances I was under when I had to create ... First of all I was forced by the producers to make it a love story. There were so many compromises I had to make that it couldn't be a true horror movie." Among the cast was
459:. Sena had a background in pharmacology and his day job consisted of testing mitochondria with drugs to test their ability to convert fatty acids into energy. A television documentary he viewed gave him the idea of the mitochondria having a will of their own and being unwilling to continue their symbiotic relationship. This was the basis for his novel, which was very popular in Japan and was the first book to be awarded the
388:, and that the mitochondria controlled all events in Kiyomi's life that led to this point, including manipulating her to fall in love with Nagashima. Nagashima calls out to Kiyomi as the creature tells him to go away and sets his arms on fire. Nagashima continues forwards and embraces Kiyomi, and they both erupt into flames. Takashi arrives on the roof and rescues Mariko as the creature and Nagashima continue to burn.
346:. Ochiai was not entirely pleased with the result of the film, feeling he was pressured to push the love story element of the story, later saying there were "so many compromises I had to make that it couldn't be a true horror movie". The film was released in Japan on February 1, 1997, with limited release outside the country. It received mixed reviews;
511:, who was best known for her appearances in Japanese television in this period. Ochai stated he looked for someone "who could enact the sensitivity of the character. i found that quality within Hazuki." Due to her popularity, Ochiai was concerned her fans would just go to see her nude in the film. To avoid this, he was inspired by a
31:
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and teaches how they are passed between generations from the mother's side of a family and their possible use for tissue regeneration through the liver. Toshiaki's wife Kiyomi visits him at his workplace for their anniversary, which she finds he has forgotten. While traveling home, Kiyomi is involved
374:
At home, Nagashima finds Kiyomi's journals, which reveal she was losing control of herself and hearing voices that made her attracted to
Nagashima's work, and to manipulate her actions to get Nagashima to perform his experiments, leading up to the previous night. Sachiko approaches Nagashima and
674:
as a "flawed but fascinating" film that is "held together by Ochiai's assured style and plenty of unsettling moments". The review concluded Ochiai "maintains a dead-serious tone in the face of rampant silliness" and that the film is "an accomplished debut, proving that Ochiai is one of the more
383:
At the hospital, Mariko's abdomen convulses wildly as staff try to help. When
Nagashima and Yoshizumi arrive, they find Mariko has fainted and the creature is attempting to escape with her. The creature slowly leaves while setting people on fire as she moves through the hallways. Nagashimai and
384:
Yoshizumi attempt to use security doors to prevent the creature from escaping so she move to the roof with Mariko. Nagashima pleads with the creature, calling her Kiyomi, to let Mariko go. The creature responds her form is a new evolution, that Mariko will bear the real
521:
that involved men-hating women who were set to take over the world. Tezuka drew these women without nipples, an idea Ochiai used for Hazuki in the film, feeling it would make her "sexual" and "bizarre and horrific without being exploitative".
379:
through the mitochondria in his body, which leaves the audience in a panic. Nagashima tells the doctor the creature has collected sperm and is looking for a womb in which to cultivate it, and they both rush to the hospital.
651:
and the acting of
Hiroshi Mikami, and said the film succeeds better as a text "about mourning and melancholia" rather than a horror film, which she said has a "relatively slow pace" and "not so special effects".
664:, describing it as "mildly enjoyable at times" but said it "whitewashes the novel" and that "creativity is lacking and all of it seems too much like an overblown TV drama". An anonymous reviewer in
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329:'s Motion Picture Division. Ochiai made his debut as a feature film director, having worked in Japanese television on horror series such as
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647:(1998), which contains similar themes of genetic disaster due to science running amok. Balmain praised the "evocative score" by
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domestically. It was not among the highest-grossing
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549:(US$ 826, 446) during its five-week run in about 150 Japanese theaters. The film grossed a total of
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is often being overlooked due its limited distribution in Japan and overseas in comparison to
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decided to use its film production side of its business to develop a film version of
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decided to use the film production side of its business to develop a film version of
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on August 31, 1998; the same company released it on DVD and VHS on August 14, 2001.
325:, making it its first film in three years. The film was co-produced by Kadokawa and
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Beifuss, John (October 30, 2001). "Halloween
Howlers Run From Silent to Very Bad".
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boom of the late 1990s and early 2000s, and has similar plot threads to
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931:"「1997年邦画作品配給収入」" [1997 Japanese Film Distribution Gross].
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that are bent on making a new species that will wipe out humanity.
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J-horror: The
Definitive Guide to The Ring, The Grudge and Beyond
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was released theatrically in Japan, where it was distributed by
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Balmain, Colette (2012). "Parasite Eve". In Berra, John (ed.).
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is a 1997 Japanese science fiction film that was directed by
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England, Norman (August 2000). "All Eyes on The
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The Toho Studios Story: A History and Complete Filmography
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1169:"Ochiai's 'Parasite' Feeds on Television Cliches"
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630:. According to Balmain, it was a key film in the
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1112:England, Norman (March 2008). "Shutter Speed".
352:found the film "mildly enjoyable at times" and
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339:was filmed in eight weeks with a budget of
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937:(in Japanese). February 1998. p. 168.
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812:. No. 207. October 2001. p. 34.
690:List of science fiction films of the 1990s
479:'s Motion Picture Division. The film cost
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675:original forces in new Japanese cinema".
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951:(in Japanese). Eiren.org
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1385:Ju-On: The Final Curse
566:School Ghost Stories 3
453:novel of the same name
438:as Takatsugu Yoshizumi
398:The Toho Studios Story
1221:Kalat, David (2007).
658:reviewed the film in
451:is based on the 1995
408:as Toshiaki Nagashima
1517:1990s Japanese films
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1167:(February 6, 1997).
1130:Galbraith IV, Stuart
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1430:Parasite Eve
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1313:Parasite Eve
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1259:Parasite Eve
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1248:Parasite Eve
1247:
1225:. Vertical.
1222:
1210:. Retrieved
1206:the original
1199:
1183:. Retrieved
1179:the original
1172:
1165:Gerow, Aaron
1153:. Retrieved
1134:
1113:
1094:
1083:
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1043:Balmain 2012
1038:
1026:. Retrieved
1022:the original
1008:
1001:Beifuss 2001
996:
984:. Retrieved
977:
953:. Retrieved
943:
934:Kinema Junpo
932:
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919:England 2008
914:
907:England 2000
881:
809:
793:, p. 8.
742:Balmain 2012
672:Parasite Eve
671:
665:
659:
654:
649:Joe Hisaishi
642:
635:
625:
622:Hideo Nakata
618:Parasite Eve
617:
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602:Parasite Eve
601:
595:
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578:Parasite Eve
577:
575:
564:
561:¥2.3 billion
554:
551:¥490 million
547:¥100 million
542:
535:Parasite Eve
534:
533:
524:Parasite Eve
523:
519:Osamu Tezuka
512:
509:Riona Hazuki
494:
488:
473:Parasite Eve
472:
469:Parasite Eve
468:
457:Hideaki Sena
449:Parasite Eve
448:
447:
427:Hisako Manda
412:Riona Hazuki
397:
395:
382:
373:
368:mitochondria
365:
353:
347:
337:Parasite Eve
336:
330:
323:Parasite Eve
322:
316:
312:mitochondria
304:Riona Hazuki
300:Hideaki Sena
295:Parasite Eve
293:
264:Parasite Eve
263:
262:
261:
256:¥490 million
248:¥550 million
220:Running time
211: (Japan)
196:Release date
152:Joe Hisaishi
110:Riona Hazuki
84:Yutaka Okawa
72:Hideaki Sena
66:Parasite Eve
64:
24:Parasite Eve
18:
1442:Video games
1155:October 29,
656:Aaron Gerow
606:A.D. Vision
484:550 million
463:. In 1997,
344:550 million
224:120 minutes
119:Ayako Omura
90:Toru Horibe
87:Jiro Komaki
78:Produced by
41:Directed by
1562:Toho films
1512:1997 films
1506:Categories
1085:The Record
886:Kalat 2007
874:Kalat 2007
834:Kalat 2007
791:Gerow 1997
776:Kalat 2007
759:Kalat 2007
696:References
670:described
496:Night Head
444:Production
332:Night Head
302:. Kiyomi (
253:Box office
207:1997-02-01
159:Production
51:Written by
1345:Infection
1212:April 27,
1122:0164-2111
1105:0164-2111
818:0164-2111
701:Footnotes
641:s sequel
612:Reception
576:In 2001,
569:grossing
559:grossing
317:In 1997,
161:companies
140:Edited by
1481:Aya Brea
1264:AllMovie
1132:(2008).
1114:Fangoria
1096:Fangoria
1018:AllMovie
955:June 14,
810:Fangoria
679:See also
667:Fangoria
636:The Ring
632:J-horror
597:Cat Soup
355:Fangoria
274:パラサイト・イヴ
270:Japanese
240:Japanese
237:Language
148:Music by
98:Starring
61:Based on
1353:Shutter
1201:Variety
1185:June 9,
1053:Sources
1028:June 3,
986:June 9,
591:Uzumaki
543:Variety
530:Release
501:Fuji TV
477:Fuji TV
327:Fuji TV
278:Hepburn
229:Country
205: (
1388:(2015)
1380:(2014)
1372:(2014)
1364:(2010)
1356:(2008)
1348:(2004)
1340:(2004)
1332:(2000)
1324:(1999)
1321:Saimin
1316:(1997)
1229:
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1103:
1071:
816:
644:Spiral
245:Budget
1491:Music
1474:Other
639:'
514:manga
232:Japan
1486:Film
1253:IMDb
1227:ISBN
1214:2016
1187:2020
1157:2013
1144:ISBN
1118:ISSN
1101:ISSN
1069:ISBN
1030:2024
988:2020
957:2020
814:ISSN
627:Ring
594:and
563:and
539:Toho
499:for
392:Cast
362:Plot
189:Toho
1433:by
1262:at
1251:at
624:'s
584:in
517:by
455:by
298:by
70:by
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