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126:
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92:(Karlsruhe 65.45). By the early fourth century the inclusion of the archon's name appears on these vases, the earliest almost intact one being Asteios 373/2 BC. (Oxford, 1911.257). There is a fragment that bears the name Hippodamas of 375/4 BC, however, which may also be a panathenaic, and Beazley suggests there may be a preceding one, Pythokles of 392/1.
95:
As the century progressed, the profile of the vases became elongated and the decoration more mannered. The last known dated vase is from 312/11, although production continues into the third and second centuries, the archons are no longer named, instead, the treasurers and stewards of the games are
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The survival rate of Greek pottery as a whole may be calculated from the remnant of panathenaic amphorae that exist. After approximately 350 BC at least 1,450 vases were awarded every four years in the greater
Panathenaia. Assuming the number of events was consistent throughout the history of the
210:
The public record of the goods sold off by the state after
Alcibiades's disgrace has been partially preserved, IG I 422.21, 41-60, includes mention of 102 panathenaics, Broadman (ABFV, p.170) suggests these sold for on average half a drachma each. See also AW Johnston,
73:. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's
103:
games and that all prizes were in the form of decorated amphora, dividing the number of unique vases known by the total production run, gives the figure of between 0.5% and 1% of all Greek vases awarded are still extant.
224:
R. M. Cook's Die
Bedeutung der bemalten Keramik fur den griechischen Handel, JdI lxxiv II4-23. See also Philip Sapirstein Painters, Potters, and the Scale of the Attic Vase-Painting Industry, AJA 117 No4
137:
287:
Panathenäische
Preisamphoren: eine athenische Vasengattung und ihre Funktion vom 6. - 4. Jahrhundert v. Chr. Basel, Vereinigung der Freunde Antiker Kunst 1998 (Antike Kunst: Beihefte; 18)
80:
The vases were commissioned by the state from the leading pottery workshops of the day in large numbers. Their canonical shape was set by 530 BC, but the earliest known example is the
149:
99:
Some vases were used as grave goods by the families of the victors, some were dedicated to sanctuaries, and still others sold, hence their wide distribution in the Greek world.
50:. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the
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team. This may mean that the vase predates the festival's reorganization in 566 since it is not an athletic event. The cock column is first seen on a panathenaic by
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482:
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technique, and continued to be so, long after the black figure style had fallen out of fashion. Some
Panathenaic amphorae depicted
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42:. Some were ten imperial gallons (12 US gal; 45 L) and 60–70 cm (24–28 in) high. This oil came from the
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432:
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84:(British Museum, B130), which depicts Athena's owl nestling on the neck of the vase and on the reverse is a
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Panathenaïka : Symposion zu den
Panathenäischen Preisamphoren, Rauischholzhausen 25.11. - 29.11.1998
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77:'s name written on it making finds of those vases archaeologically important.
38:, large ceramic vessels, that contained the olive oil given as a prize in the
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Goddess and Polis: The
Panathenaic Festival in Ancient Athens
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Musical competition, pseudo-Panathenaic amphora (500–485 BC)
65:
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316:, The Art Bulletin, Vol. 21, No. 2 (Jun., 1939), pp. 160-178
272:. Hood Museum of Art and Art and Princeton University Press.
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and Athena, miniature example (early fourth century BC)
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Belly
Amphora by the Andokides Painter (Munich 2301)
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256:: CS1 maint: location missing publisher (
314:The Iconography of the Cock on the Column
298:Martin Bentz; Norbert Eschbach (Hrsg.):
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25:National Archaeological Museum of Athens
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397:Neck Amphora by Exekias (Berlin F 1720)
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433:Two-handled amphora (Boston 63.1515)
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198:Development of Attic Black-Figure
71:"(one) of the prizes from Athens"
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23:Athena on a Panathenic amphora (
382:Amphora of Hermonax in Würzburg
16:Special shape of attic amphoras
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244:Athenian Black Figure Vases
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509:Sports trophies and awards
392:Judgement of Paris Amphora
312:Sterling Adolph Callisen:
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213:Trade Marks on Greek Vases
96:recorded in their place.
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468:
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302:. Mainz, Zabern 2001.
119:ca. 565 BC, BM, London
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334:at Wikimedia Commons
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504:Panathenaic amphorae
470:Panathenaic amphorae
332:Panathenaic amphoras
131:Runners (ca. 500 BC)
32:Panathenaic amphorae
402:Nikosthenic amphora
483:Euphiletos amphora
443:Melian pithamphora
412:Tyrrhenian amphora
67:τῶν Ἀθήνηθεν ἄθλων
48:Athena at Akademia
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514:Panathenaic Games
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387:Horsehead Amphora
330:Media related to
174:race (340–339 BC)
40:Panathenaic Games
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52:black figure
44:sacred grove
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225:pp.493-510.
117:Burgon vase
82:Burgon vase
498:Categories
180:References
252:cite book
246:. London.
34:were the
268:(1992).
242:(1974).
196:(1986).
172:apobates
156:Poseidon
36:amphorae
233:Sources
215:, 1979.
90:Exekias
86:synoris
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75:archon
284:]
61:aegis
304:ISBN
290:ISBN
258:link
115:The
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