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her mother and returns to her usual activities with Amber. After Amber compliments Lea's bracelet, she feels compelled to try and phone Tom several times, but his mobile number is disconnected. She goes to the motel and knocks on his door, but it goes unanswered. She inquires about Tom's whereabouts from an upstairs tenant she had seen Tom helping out before, and the girl reluctantly dials his number and puts her through to Tom. Lea sobs into the phone and asks why Tom abandoned her. The film ends with Lea's affirmations of her feelings for Tom and she smiles hearing him reciprocate his love for her.
317:, but Lea is left behind when she hesitates to follow them. When she does try running out, a cook accosts her, but the same man from earlier intervenes and Lea is able to get away. As she walks home, the older man drives his truck alongside her and coaxes her into getting in and giving her a ride home. He introduces himself as Tom and tells Lea he is 34 years old, while Lea shares her age. Before she departs, he adds his mobile number into her cell phone.
422:, saying, "I was thinking a lot about some relationships I had when I was younger, and how, when I was in them I thought that I was in control of them and consciously choosing them for myself. But now that I am an adult, when I look back on them, I realize that that wasn’t necessarily the case. I wanted to write this character who kind of serves as a proxy for my younger self, which allowed me to explore what had happened to me, but also what
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that her friends and family's opinions don't matter. He also gifts her a bracelet inscribed with an inside joke they share. When he asks if she wants to go on a vacation with him, Lea agrees without hesitation and the two head to a hotel. On their second night at the hotel, Tom sits Lea down and asks her if she can do something for him. He says she needs to sleep with another man for money, and if she loves him she'll do it for him. Having
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he insists to Lea that he was just helping out a female neighbor with her drunk boyfriend. On a day out with Tom at the beach, Lea is spotted by a friend from school, and Tom introduces himself to her. Word gets back to Amber, and Lea makes her promise not to tell anyone about their relationship. Tom also asks Lea not to see other guys, telling her affectionately, "You're mine". Lea appreciates feeling wanted and desired.
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validation, and he acts sympathetically to her problems, telling her that he too does not have a close relationship with his parents. When Lea asks Tom what he does for a living, he vaguely responds that he runs his own small business doing home repairs and remodeling, a job that grants him complete freedom.
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Later, while Lea is out drinking and smoking with friends, Jared mockingly jokes she has been seen "hanging out with the geriatric". Lea, angry that Amber is the one who told Jared, storms off and shows up distraught at Tom's motel room. Tom comforts Lea by telling her he loves her and reassuring her
336:
by Tom, Lea asks why she would need help, and the waitress mentions that Tom frequents the eatery with other young girls. When Tom returns, he can sense Lea's unease and gets her to talk about what's troubling her. When she confesses the waitress said she's seen him before with other girls, he plays
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Tom takes her to get food at a restaurant, and Lea uses an excuse to go to the restroom as an opportunity to leave, walking to a nearby gas station by herself. She tearfully calls Amber to come pick her up, and when she arrives the two reconcile. At home, Lea makes an effort to spend more time with
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Lea soon enters into a romantic relationship with Tom. When she agrees to spend the night with him, he takes her to a motel, reasoning he is temporarily staying there until he finds a new place. Lea senses something is wrong when Tom must leave the room to attend to a domestic dispute upstairs, but
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Lea is charmed by Tom and confides to Amber that she has met someone, but doesn't disclose the details and says the guy is a boy at another school. Lea's relationship with her mom becomes further strained when she welcomes an ex-boyfriend back into their house. Lea turns to Tom for attention and
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conceded, "the revelation of , when it arrives, is a shock nonetheless, to Lea and to viewers... clear in a powerful, agonizing scene that Dack films with a supreme inspiration of empathy and understanding distilled into a single, fixed-frame, five-minute-plus shot, during which the anguish of
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wrote, "Tucker’s performance here is so mesmerizingly disquieting", and he uses "the ability to temper the predatory glint in his eye with soft-spoken sensitivity" to "tremendously unsettling effect". Hadadi added the film "doesn't deviate from where you predict it will go", but concluded "the
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The short and the feature were inspired from a series of 35-millimeter film photographs that Dack took in her native
Southern California. The title refers to the "suburban malaise that experiencing… is one of the things that cause her to be vulnerable to manipulation".
345:, he leaves her with a middle-aged man. The unnamed man coaxes a reluctant Lea into oral and vaginal sex. While the man is in the shower, an emotional Lea packs her things and leaves the room, but Tom catches her in an embrace before she can leave the hotel.
570:, Brian Tallerico called the film "a character study that’s anchored by a moving breakthrough performance from Lily McInerny, and one that ably supports and balances it from Jonathan Tucker." Tomris Laffly of
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with his new family. Lea and Amber hang out with boys their age, and Lea has a casual relationship with one of them, Jared. However, Jared only values Lea for sex and their hookups are not satisfying for her.
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directed by Jamie Dack in her feature directorial debut, based on her 2018 short film of the same name. The screenplay by Dack and Audrey
Findlay is from a story by Dack. The film stars
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1721:"Spirit Award Noms 2023: 'Everything Everywhere All At Once' Leads & Will Vie For Best Picture With 'Bones And All', 'Our Father, The Devil', 'Tár' & 'Women Talking'"
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332:. When Tom steps outside to take a phone call, the waitress covertly tells Lea that if she needs to get away, she can help her. Confused and unaware that she is being
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One night, as the group of friends eat at a diner, Lea makes eye contact with an older guy sitting at another table who winks at her on his way out. Lea's friends
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1022:"'Palm Trees and Power Lines' Scored Raves at Sundance, But Its Director Says No One Wanted to Buy the Controversial Film: 'People Were Scared'"
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commented "This is a movie operating on the principle that the most routine form of this violence isn’t sensational, but subtle." Writing for
557:, which uses a weighted average, the film has a score of 73 out of 100 based on 20 critic reviews, indicating "generally favorable reviews".
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549:, the film holds an approval rating of 90% based on 77 reviews, with an average score of 7.6/10. The website's critics consensus reads, "
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589:, with a brave query into the notion of consent and a gut-wrenching parting note that feels like a scream stuck in one's throat."
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430:, including "targeting a victim, gaining their trust, filling a need, isolating them, and then whatever the abuse ends up being."
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Lea is a 17-year-old girl spending the last few weeks of her summer hanging out with her best friend Amber. She lives in suburban
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have happened to me." The script, which was written by Dack and Audrey
Findlay, was constructed to show the different stages of
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tells a difficult story with searing skill – and marks Lily McInerny as a young actor with brilliant potential". On
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as a Cinéfondatio selection in 2018. Dack said she was inspired to revisit the story and further explore themes of
1081:"Sundance Unveils 2022 Feature Lineup, Including Films From Lena Dunham, Amy Poehler and Netflix's Kanye West Doc"
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993:"Jamie Dack Talks 'Palm Trees And Power Lines,' Filmmaking Inspirations & More [Sundance Interview]"
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1638:"SFFILM announces prestigious Golden Gate Award winners at the 65th San Francisco International Film Festival"
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1315:"Momentum Pictures acquires US, UK rights to Sundance award winner 'Palm Trees And Power Lines' (exclusive)"
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relationship McInerny and Tucker build is so convincing in its mixture of exploitation and yearning that
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907:"'Palm Trees and Power Lines' Review: The Gripping Drama of a Teenager Drawn Into an Affair of Darkness"
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with her emotionally absent single mother, Sandra. Lea's father is not present in her life and lives in
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on
January 24, 2022, where Dack won the U.S. Dramatic Competition Directing Award. It was released in
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1695:"Jamie Dack's Sundance Winner 'Palm Trees and Power Lines' Triumphs at Torino Film Festival"
1667:"'Aftersun,' 'War Pony,' 'Palm Trees and Power Lines' Win Top Prizes at Deauville Festival"
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1137:"SFFILM Festival Unveils 65th Lineup, from Michelle Yeoh Tribute to 'Cha Cha Real Smooth'"
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1193:"Deauville Film Festival Unveils Competition Lineup, Including 'War Pony' and 'Aftersun'"
1055:"Filmmaker Interview: JAMIE DACK, writer/director/producer of PALM TREES AND POWER LINES"
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1109:"Sundance 2022 Award Winners: 'Nanny,' 'Cha Cha Real Smooth,' and 'Navalny' Win Big"
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on
January 24, 2022, where it won the U.S. directing award. It also screened at the
1554:""Palm Trees and Power Lines," Reviewed: An Arachnid Groomer and His Abstract Prey"
1343:"'Palm Trees and Power Lines' Trailer Turns Jonathan Tucker Into a Cautionary Tale"
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1463:"Sundance 2022: Cha Cha Real Smooth, Palm Trees and Power Lines, Alice, Blood"
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Lea and Tom are at a restaurant one day and the waitress suspects Lea is in a
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as a disconnected teenage girl falling into a relationship with a man (
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While some critics said the film felt "frustratingly underdeveloped",
1165:"10 must-see films at the Melbourne International Film Festival 2022"
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1489:"The 15 Must-See Movies from This Year's Sundance Film Festival"
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it off and claims she must have him mistaken with someone else.
1585:"'Palm Trees and Power Lines' Review: A Teen's Cautionary Tale"
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1287:"Palm Trees and Power Lines (2022) - Awards & Festivals"
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capably secures what Lea desires most too: your attention."
1221:"The Full Lineup for the BFI London Film Festival is Out"
1520:"A Grim, Mesmerizing Portrait of Romantic Manipulation"
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due to a personal connection to the material and the
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576:wrote the film "goes somewhere even darker than
617:anticipation yields to terror and revulsion."
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1719:D'Alessandro, Anthony (November 22, 2022).
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1163:Bird de la Coeur, Sidonie (July 21, 2022).
1838:Sundance Film Festival award-winning films
1693:Abbatescianni, Davide (December 4, 2022).
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1219:Prusakowski, Steven (September 2, 2022).
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1382:from the original on December 24, 2022
1053:McCormack, Colin (February 27, 2023).
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491:Valladolid International Film Festival
437:The film was shot over 25 days in the
1665:Keslassy, Elsa (September 10, 2022).
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1461:Tallerico, Brian (January 25, 2022).
1341:Oddo, Marco Vito (February 6, 2023).
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905:Gleiberman, Owen (January 24, 2022).
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487:SĂŁo Paulo International Film Festival
467:Melbourne International Film Festival
1433:Collins, K. Austin (March 2, 2023).
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991:Gates, Marya E. (January 28, 2022).
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1611:Debruge, Peter (January 28, 2022).
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1487:Laffly, Tomris (February 1, 2022).
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1848:English-language independent films
1818:American coming-of-age drama films
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1135:Lattanzio, Ryan (March 30, 2022).
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499:Tallinn Black Nights Film Festival
406:of the same name premiered at the
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1250:Busan International Film Festival
483:Busan International Film Festival
1518:Hadadi, Roxana (March 7, 2023).
1313:Kay, Jeremy (November 4, 2022).
1191:Keslassy, Elsa (July 27, 2022).
1079:Lang, Brent (December 9, 2021).
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1808:2020s coming-of-age drama films
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762:Jamie Dack and Audrey Findlay
287:38th Independent Spirit Awards
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1828:Features based on short films
1020:Lang, Brent (March 5, 2023).
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809:Best Breakthrough Performance
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343:coerced her into prostitution
1843:English-language drama films
1813:2020s English-language films
1788:2022 directorial debut films
1402:"Palm Trees and Power Lines"
1370:"Palm Trees and Power Lines"
959:"Palm Trees and Power Lines"
932:"Palm Trees and Power Lines"
884:NYU Tisch School of the Arts
879:"Palm Trees and Power Lines"
852:"Palm Trees and Power Lines"
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822:Best Supporting Performance
386:Timothy Taratchila as Jared
271:38th Sundance Film Festival
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1823:American independent films
1763:Palm Trees and Power Lines
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666:Palm Trees and Power Lines
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551:Palm Trees and Power Lines
528:release on March 3, 2023.
518:Palm Trees and Power Lines
457:The film premiered at the
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248:Palm Trees and Power Lines
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392:Kenny Johnston as Jimmy
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16:2022 film by Jamie Dack
1798:2022 independent films
651:Sundance Film Festival
459:Sundance Film Festival
383:Quinn Frankel as Amber
160:Neon Heart Productions
796:Best First Screenplay
560:K. Austin Collins of
330:coercive relationship
281:on March 3, 2023, by
1803:2020s American films
1256:on December 24, 2022
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696:New Directors Award
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408:Cannes Film Festival
211: (United States)
140:Christopher Radcliff
132:Chananun Chotrungroj
714:September 10, 2022
315:run out on the bill
303:Southern California
251:is a 2022 American
156:Fiesta Island Films
1726:Deadline Hollywood
1590:The New York Times
857:Festival de Cannes
781:Best First Feature
746:Best Feature Film
543:review aggregation
522:limited theatrical
512:In November 2022,
291:Best First Feature
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937:Momentum Pictures
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631:Date of ceremony
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749:Jamie Dack
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224:110 minutes
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1783:2022 films
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1386:August 18,
838:References
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192:2022-01-24
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