298:
322:
310:
358:
194:; and here a less Byzantine flair is demonstrated, presenting figures that have been inserted into life-like spaces illusionistically depicted. Also in the stories of Christ and John the Baptist, frescoed on the walls, appear finely calculated architectural representations into which the painter has inserted his solemn, static images. The figures represented in the surrounding scenes, however, appear freer, for example in the Wedding Feast at Cana, where a group of servants moves naturally about the room in contrast to the static diners. From the analysis of these stylistic choices it is clear that the use of
141:
17:
346:
99:
334:
25:
210:
time. God the Father can interrupt the course of natural events to manifest His will to mankind: which occurred during the three hours of darkness that accompanied the agony and death of Jesus. Through his angels, represented here, God dominates and neutralizes the influence of the planetary demons
89:
in 1405, Venetian soldiers demolished the grand burial monuments and covered the numerous emblems of
Francesco il Vecchio with green paint. After various partial restorations in the 20th century, the work is currently awaiting an important full restoration.
198:
effects was for Giusto a precise component willingly chosen to bring about an expressive and symbolic end: he was perhaps the only 14th century painter with the presence of mind to make conscious selections among these different pictorial languages.
72:
began in the 12th century, probably on top of an existing structure; it underwent various reworkings in the following century, and was consecrated by Guido, patriarch of Grado, in 1281. Between 1370 and 1379 it was restored and adapted as a
122:, around which turns a hypnotic wheel with multi-layered spokes made of angels and saints, whose golden halos as seen from below seem to be the work of a magnificent goldsmith. At the center of the Paradise is also the
114:, is considered a masterpiece. With respect to previous works, Padua must have been struck by the Romanesque and Byzantine rigidity, as can be seen in the Paradise of the baptistery's
436:
321:
220:
171:, also by Guisto de' Menabuoi, sits on the altar itself. Painted on the walls surrounding the altar, in the apse, are monstrous figures and images of the
309:
297:
357:
225:
382:
421:
149:
283:
431:
426:
111:
82:
78:
57:
244:
275:
81:
and his wife, Fina
Buzzaccarini. The latter oversaw the decorative work, entrusting it to
8:
45:
345:
333:
172:
119:
279:
16:
129:
37:
184:
85:(whose burial site was later found outside the building). With the fall of the
140:
415:
397:
384:
124:
374:
190:
69:
41:
179:
167:
86:
74:
98:
128:. The paintings that cover the walls show scenes from the life of
24:
207:
203:
115:
107:
53:
110:
cycle decorating the walls, painted between 1375 and 1376 by
49:
152:
Polyptych by Giusto de' Menabuoi on the baptistery altar
157:
On the walls adjacent to the altar are represented the
52:, Italy. Preserved inside is one of the most important
245:
Padova - il
Battistero - la Bestia con la tiara papale
437:
12th-century Roman
Catholic church buildings in Italy
221:
History of medieval Arabic and
Western European domes
188:, while prophets and evangelists look down from the
165:(frescoed on the cupola of the altar), and a large
413:
132:(to the left of the entrance), Mary, and Jesus.
327:Adam and Even thrown out of the Garden of Eden
202:In the scene of the creation of the world the
56:cycles of the 14th century, a masterpiece by
272:Guida d'Italia (serie Guide Rosse) - Veneto
226:Padua's fourteenth-century fresco cycles
97:
23:
15:
211:here in the world underneath the moon.
414:
13:
206:show Christ's function as Lord of
118:: the scene is organized around a
14:
448:
368:
422:Roman Catholic churches in Padua
356:
344:
332:
320:
308:
296:
139:
265:
79:Francesco il Vecchio da Carrara
249:
238:
93:
1:
7:
256:Astrologia, magia, alchimia
214:
10:
453:
258:, Dizionari dell'arte, ed.
163:Descent of the Holy Spirit
63:
315:The wedding feast of Cana
289:
48:next to the cathedral in
28:The creation of the world
231:
68:The construction of the
103:
29:
21:
432:Baptisteries in Italy
427:Catholic baptisteries
303:Underneath the cupola
276:Touring Club Italiano
101:
27:
19:
182:are scenes from the
130:St. John the Baptist
38:St. John the Baptist
398:45.4068°N 11.8718°E
394: /
112:Giusto de' Menabuoi
87:House of Da Carrara
83:Giusto de' Menabuoi
58:Giusto de' Menabuoi
375:Web Gallery of Art
363:Joseph in the well
173:Book of Revelation
120:Christ Pantocrator
104:
30:
22:
444:
409:
408:
406:
405:
404:
403:45.4068; 11.8718
399:
395:
392:
391:
390:
387:
360:
348:
336:
324:
312:
300:
259:
253:
247:
242:
143:
46:Piazza del Duomo
34:Padua Baptistery
452:
451:
447:
446:
445:
443:
442:
441:
412:
411:
402:
400:
396:
393:
388:
385:
383:
381:
380:
371:
364:
361:
352:
349:
340:
339:The three kings
337:
328:
325:
316:
313:
304:
301:
292:
268:
263:
262:
254:
250:
243:
239:
234:
217:
185:book of Genesis
155:
154:
153:
151:
146:
145:
144:
102:A frescoed wall
96:
66:
36:, dedicated to
12:
11:
5:
450:
440:
439:
434:
429:
424:
378:
377:
370:
369:External links
367:
366:
365:
362:
355:
353:
350:
343:
341:
338:
331:
329:
326:
319:
317:
314:
307:
305:
302:
295:
291:
288:
287:
286:
267:
264:
261:
260:
248:
236:
235:
233:
230:
229:
228:
223:
216:
213:
148:
147:
138:
137:
136:
135:
134:
95:
92:
65:
62:
9:
6:
4:
3:
2:
449:
438:
435:
433:
430:
428:
425:
423:
420:
419:
417:
410:
407:
376:
373:
372:
359:
354:
347:
342:
335:
330:
323:
318:
311:
306:
299:
294:
293:
285:
284:88-365-0441-8
281:
277:
273:
270:
269:
257:
252:
246:
241:
237:
227:
224:
222:
219:
218:
212:
209:
205:
200:
197:
193:
192:
187:
186:
181:
176:
174:
170:
169:
164:
160:
150:
142:
133:
131:
127:
126:
125:Mother of God
121:
117:
113:
109:
100:
91:
88:
84:
80:
76:
71:
61:
59:
55:
51:
47:
43:
39:
35:
26:
18:
379:
351:Annunciation
271:
266:Bibliography
255:
251:
240:
201:
195:
189:
183:
177:
166:
162:
158:
156:
123:
105:
67:
33:
31:
401: /
191:pendentives
159:Crucifixion
94:Description
77:for prince
416:Categories
389:11°52′18″E
386:45°24′24″N
70:baptistery
42:baptistery
180:tholobate
168:polyptych
75:mausoleum
215:See also
161:and the
20:Exterior
178:In the
64:History
44:on the
40:, is a
290:Images
282:
208:cosmic
204:zodiac
116:cupola
108:fresco
54:fresco
232:Notes
196:rétro
50:Padua
280:ISBN
106:The
32:The
418::
278:,
274:,
175:.
60:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
