543:
story, and between Owen and the boy. Owen emerges from the meeting with Sir Philip to state that he has been disinherited. Mrs Julian cries at this news, and reveals that she had hoped that Kate and Owen would be married to be able to preserve their social status. Lechmere then steps in to offer himself to Kate. Kate momentarily encourages him, and asks
Lechmere if he would even sleep in the "haunted room" for her sake. Lechmere says that he would. Owen makes a motion to light the ladies' candles, but Miss Wingrave deliberately snubs him and turns to Lechmere for this task.
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resurfaces. When she mentions
Lechmere, Owen scolds her for her flirtation with him. Kate replies that Owen is a coward, which causes Owen's anger to flare more strongly. He replies that he is no coward, and she demands proof. After he asks her what proof she wants, she asks that he sleep in the "haunted room". Owen initially refuses, but after one last taunting remark from Kate, Owen agrees, and even says that she can lock him in the room.
463:, Coyle is instructing Owen Wingrave and Lechmere on war and command in battle. Owen tells Coyle of his disdain for war, which is contrary to the family history of the Wingraves as soldiers. Coyle replies that Owen must change his attitude, and warns him that his family will disapprove. Owen stands by his words. Alone, Coyle wonders how he shall tell this news to Owen's family.
511:
brought this trouble upon himself, Owen replies that Coyle taught him to "use my mind" and to understand war "too well". Coyle reveals that he has not visited on a friendly call, but rather to try to persuade Owen to renounce his new thinking. Coyle ironically notes that Owen is "a fighter", in spite of his new pacifism.
560:
about to check on Owen, Kate cries from outside the "haunted room". The Coyles and
Lechmere rush to her, joined soon by Mrs Julian and Miss Wingrave. Kate now regrets her challenge to Owen, but it is too late: when Sir Philip appears and opens the door to the room, they see Owen dead, lying on the floor.
542:
Owen and Coyle are in the ancestral hall at
Paramore, recalling this story and walking by the same room where the two deaths had occurred. Kate still cannot accept Owen's assertions. Sir Philip demands a private meeting with Owen. Coyle notices the similarity between Sir Philip and the old man of the
559:
Later, Lechmere, unable to sleep, visits Coyle. He tells Coyle that he heard Kate's taunting of Owen to sleep in the "haunted room". Mrs Coyle expresses concern for Owen's safety, but Coyle finds a grim satisfaction in that this act will prove the
Wingrave family wrong about Owen. Just as Coyle is
519:
The entire
Wingrave family, with the Coyles and Lechmere, are at dinner. Sir Philip and Miss Wingrave demand Owen's obedience to the family tradition. Mrs. Coyle is most sympathetic to Owen of the characters, and mentions that Owen does have "scruples". The Wingraves, Kate and Mrs. Julian ridicule
493:
At
Paramore, Mrs Julian, her daughter Kate and Miss Wingrave await Owen's arrival, themselves distressed by the news of Owen, and determined to bring him back into the Wingrave traditions. They leave the ancestral hall where the portraits of the Wingrave ancestors hang, so that Owen arrives to no
484:
Back at Coyle's establishment, Lechmere, Coyle and Mrs Coyle talk about what they feel to be Owen's "strange ideas" about soldiering and war. Lechmere says that he will help to "bring him round". Owen overhears this and emphasises that he will not be brought round. Coyle tells Owen that he is to
510:
The Coyles have arrived at
Paramore. Mrs. Coyle is shocked at the treatment of Owen by his own family. Coyle himself confesses unease, and hints about ghosts in the house, of past Wingrave ancestors. Owen greets the Coyles warmly, with Lechmere also present. When Coyle points out that Owen has
546:
Left alone after Coyle has said goodnight, Owen soliloquises in the ancestral hall that he has found his strength in peace rather than war. Kate comes back into the hall, at first unaware of Owen's presence. They sing a duet of their earlier life. Kate's distress at Owen's pacifist thinking
475:
and Miss
Wingrave's London residence. In Hyde Park, Owen muses to himself that he is strong, not weak, in his disdain for war. At Miss Wingrave's lodgings, she and Coyle discuss Owen. Miss Wingrave asserts that Owen will change his mind once he returns to his family at Paramore.
533:
A ballad singer sings of a past family episode when one of the
Wingrave boys did not fight another boy when challenged. The father took his son into a room, struck him and killed him. Later, the father was found dead in that same room, "without a wound".
494:
greeting from his family or loved ones, but only from the portraits. One by one, Mrs. Julian, Kate and Miss Wingrave enter the hall and denounce Owen. Owen tries to respond, but finds no support. He then goes to meet his grandfather, Sir Philip.
226:
in 1997, following performances by Glyndebourne Touring Opera in 1995. A new production by The Royal Opera opened in April 2007 in the Linbury Studio Theatre, with a reduced orchestration by David Matthews. It was performed in May 2009 at the
190:
Britten had never owned a television at that time. It has been reported that he hated television and never owned a set at all. This is not strictly true. Perhaps he would have never purchased a set himself, but he was given one by
555:
The scene begins in the Coyles' bedroom, where Mrs. Coyle is reflecting on Lechmere's flirtatious behaviour and Kate's headstrongness. Coyle noted that earlier in the evening, Owen seemed "resigned" and "at peace".
502:
Over the space of a week, Sir Philip, Kate, Miss Wingrave and Mrs Julian continually express their contempt for Owen. Mrs Julian finally tells Owen that he is "not worthy of Paramore".
235:
in Vienna directed by Nicola Raab with English baritone Andrew Ashwin in the title role. A new production was presented in January 2010 by Opera Frankfurt and directed by
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2005: DVD recording of a newer TV production on Kultur, with the setting updated to the 1950s at the time of the Suez crisis. The cast credits are as follows:
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return to Paramore. Owen recalls his grandfather's love of war, his father's death in battle and his own mother's death with a stillborn brother.
618:(Miss Wingrave), Janice Watson (Mrs Coyle), Sarah Fox (Mrs Julian), Robin Leggate (General Sir Philip Wingrave and Narrator); Tiffin Boys Choir;
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1971: The original commercial recording of the opera is the Decca recording with the same cast, chorus and orchestra as in the first performance.
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176:. In addition to its being an expression of Britten's own pacifism, he was reported as saying that this opera was partly a response to the
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an opera for television from him in 1966 and, in 1968, he and Piper began work on the libretto. The work was completed by August 1970.
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Britten originally intended the work for both television and the stage, although after the stage premiere on 10 May 1973 at the
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Britten had been aware of the story since his work with Piper on his previous opera modelled after a James work,
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in November 1970 and first broadcast on BBC2 on 16 May 1971. The music is influenced by Britten's interest in
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The opera closes with the ballad singer intoning the steadfastness of the Wingrave boy against his foe.
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239:. Opera Trionfo (Netherlands) presented the opera in 2013 directed by Floris Visser and conducted by
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Owen's "scruples". At the end of the scene, Owen angrily states that he would make war a crime.
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in Germany; this production premiered on 16 January 2016 under the baton of Daniel Inbal.
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produced a video version of the opera as part of its 2020 "Interim Season", directed by
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The costumes were designed by Charles Knode, who also designed some of the costumes for
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Depiction of the Wingrave family portraits at Paramore, the Wingraves' ancestral home.
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and a planned reprise in 2014. Visser also directed the opera at Theater
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1188:, Vol. Three, pp. 803–804. London: MacMillan Publishers, Inc. 1998
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section anticipates the musical treatment of his next (and last) opera,
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583:(Kate), Peter Savidge (Coyle), Hilton Marlton (Lechmere),
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138:. It was originally written for televised performance.
1103:The production can be seen on the internet - Act I
906:
2157:Benjamin Britten: A Life in the Twentieth Century
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954:
1233:
1543:Diversions for Piano Left Hand and Orchestra
814:
122:. 85, is an opera in two acts with music by
1711:Canticle I: My beloved is mine and I am his
680:Peter Evans, "Britten's television opera".
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49:in the role of General Sir Philip Wingrave
40:
1504:The Young Person's Guide to the Orchestra
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599:, conductor; Margaret Williams, director.
1973:Prelude and Fugue on a Theme of Vittoria
1036:"Trionfo's Owen Wingrave naar OsnabrĂĽck"
860:
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195:for his 60th birthday in November 1973.
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908:"Owen Wingrave, Linbury Studio, London"
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1922:Sacred and Profane (8 medieval lyrics)
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921:from the original on 11 December 2022.
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1472:Variations on a Theme of Frank Bridge
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1062:"Spielplandetail - Theater OsnabrĂĽck"
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614:(Coyle), James Gilchrist (Lechmere),
2089:Britten Pears Young Artist Programme
1729:Canticle IV: The Journey of the Magi
1592:Serenade for Tenor, Horn and Strings
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1132:, Decca Classics ADD 0440 074 3330 0
636:on operadis-opera-discography.org.uk
593:Deutsches Symphonie-Orchester Berlin
2171:Cantus in Memoriam Benjamin Britten
1769:Songs and Proverbs of William Blake
1086:Seymour, Claire (1 December 2020).
957:"Opera Theater, Mozart get serious"
882:Seckerson, Edward (27 April 2007).
13:
2042:Variations on an Elizabethan Theme
1723:Canticle III: Still falls the rain
1088:"Owen Wingrave: Grange Park Opera"
861:Clements, Andrew (27 April 2007).
663:, "Military ghost gets a re-shoot"
14:
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1185:The New Grove Dictionary of Opera
790:Church, Michael (23 April 2007),
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955:John von Rhein (12 March 2008).
820:"In pursuit of Britten's 'dodo'"
1142:Andrew Clements (6 June 2008).
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1011:"OPERA TRIONFO | Owen Wingrave"
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905:Clark, Andrew (27 April 2007).
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591:(General Sir Philip Wingrave);
1717:Canticle II: Abraham and Isaac
1698:Britten's Purcell realizations
1691:The Holy Sonnets of John Donne
932:Picard, Anna (29 April 2007).
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753:. 9 April 2007. Archived from
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250:In September 2020, during the
166:serialist techniques. A large
16:1970 opera by Benjamin Britten
1:
1683:Seven Sonnets of Michelangelo
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602:2008: Chandos CHAN 10473(2);
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471:The scene cross-cuts between
158:The premiere was recorded at
2003:Nocturnal after John Dowland
1981:Six Metamorphoses after Ovid
394:General Sir Philip Wingrave
7:
2099:Snape Maltings Concert Hall
424:
10:
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2229:Operas by Benjamin Britten
1989:Fanfare for St Edmundsbury
1042:(in Dutch). 6 January 2016
281:Premiere cast, 16 May 1971
219:directing the production.
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1948:String Quartet in D major
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1761:Sechs Hölderlin-Fragmente
1675:Beware! Three Early Songs
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1388:The Burning Fiery Furnace
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1345:A Midsummer Night's Dream
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773:"I say no to shoplifting"
745:"Colin Graham (obituary)"
699:"Skeletons in the closet"
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134:, after a short story by
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2125:Benjamin Britten Academy
2120:Benjamin Britten (train)
2104:The Red House, Aldeburgh
1213:Britten-Pears Foundation
863:"Owen Wingrave (review)"
842:"Owen Wingrave (review)"
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437:
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2234:English-language operas
2094:Britten-Pears Orchestra
1785:Who Are These Children?
1560:Vocal/Choral Orchestral
620:City of London Sinfonia
430:Time: Late 19th century
98:broadcast, recorded at
1992:(three trumpets, 1959)
1753:Songs from the Chinese
989:Royal Academy of Music
718:"Britten at his best?"
457:cramming establishment
2249:Operas set in England
2244:Operas for television
1640:Cantata misericordium
1576:The Company of Heaven
1329:The Turn of the Screw
1066:theater-osnabrueck.de
944:on 30 September 2007.
894:on 30 September 2007.
455:At Coyle's military "
229:Chicago Opera Theater
144:The Turn of the Screw
88:16 May 1971
2254:Operas set in London
2034:Homage to Paderewski
2016:String Quartet No. 3
1966:String Quartet No. 2
1960:String Quartet No. 1
1956:(oboe quartet, 1932)
1941:Chamber/Instrumental
1898:A Hymn of St Columba
1844:A Ceremony of Carols
1737:A Charm of Lullabies
1708:(1947–75, including
1289:The Rape of Lucretia
1258:List of compositions
816:Christiansen, Rupert
804:on 30 September 2007
608:Pamela Helen Stephen
604:Peter Coleman-Wright
2177:English Opera Group
2113:Named after Britten
1868:Rejoice in the Lamb
1568:Our Hunting Fathers
1488:Sinfonia da Requiem
824:The Daily Telegraph
777:The Daily Telegraph
750:The Daily Telegraph
668:The Daily Telegraph
581:Charlotte Hellekant
199:Performance history
2164:Britten's Children
2084:Britten Pears Arts
2079:Aldeburgh Festival
2012:(1964, 1967, 1972)
1914:Children's Crusade
1852:Hymn to St Cecilia
1648:Children's Crusade
1496:Matinées musicales
1265:Opera and operetta
757:on 25 August 2007.
316:John Shirley-Quirk
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1906:The Golden Vanity
1876:Five Flower Songs
1836:Advance Democracy
1812:Friday Afternoons
1793:A Birthday Hansel
1624:Cantata academica
1584:Les Illuminations
1530:(1939, rev. 1958)
1524:(1938, rev. 1945)
1464:Soirées musicales
840:(25 April 2007).
838:Morrison, Richard
818:(25 April 2007).
716:Alfred Hickling,
688:, 425–428 (1971).
616:Elizabeth Connell
606:(Owen Wingrave),
585:Josephine Barstow
579:(Owen Wingrave),
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256:Grange Park Opera
252:COVID-19 pandemic
233:Wiener Kammeroper
205:Royal Opera House
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2149:Related articles
2140:Britten Sinfonia
2053:Film adaptations
1954:Phantasy Quartet
1884:Hymn to St Peter
1860:Festival Te Deum
1546:(1940 rev. 1954)
1396:The Prodigal Son
1305:The Little Sweep
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1976:(organ, 1946)
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38:
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27:
24:Owen Wingrave
22:
19:
2181:
2169:
2162:
2155:
2135:Britten Hall
2060:
2040:
2032:
2010:Cello suites
2001:
1996:Cello sonata
1987:
1984:(oboe, 1951)
1979:
1971:
1930:Jubilate Deo
1928:
1920:
1912:
1904:
1896:
1891:Missa Brevis
1882:
1874:
1866:
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1828:Te Deum in C
1826:
1818:
1810:
1791:
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1745:Winter Words
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1533:
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1470:
1462:
1454:
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1380:Curlew River
1378:
1359:
1352:
1351:
1343:
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1319:
1311:
1303:
1295:
1287:
1281:Peter Grimes
1279:
1271:
1183:
1175:
1165:
1164:
1152:. Retrieved
1148:The Guardian
1147:
1137:
1128:
1123:
1095:. Retrieved
1091:
1081:
1069:. Retrieved
1065:
1056:
1044:. Retrieved
1039:
1030:
1018:. Retrieved
1014:
1005:
993:. Retrieved
987:
978:
966:. Retrieved
960:
950:
942:the original
937:
927:
912:
900:
892:the original
887:
877:
868:The Guardian
866:
856:
845:
832:
823:
810:
802:the original
795:
785:
776:
763:
755:the original
748:
739:
730:
725:
712:
704:The Guardian
702:
697:Tim Ashley,
693:
685:
681:
676:
666:
653:
645:
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629:
626:, conductor.
562:
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454:
450:
449:
446:
442:
441:
413:Peter Pears
379:Kate Julian
283:(Conductor:
249:
241:Ed Spanjaard
224:Glyndebourne
221:
217:Colin Graham
202:
189:
184:
182:
171:
157:
153:commissioned
142:
140:
114:
113:
112:
18:
2239:1971 operas
2063:(1989 film)
2061:War Requiem
1815:(1932–1935)
1726:(1954) and
1705:5 Canticles
1632:War Requiem
1515:Concertante
1449:Sinfonietta
1407:Film/Ballet
1273:Paul Bunyan
1154:30 December
1092:Opera Today
597:Kent Nagano
589:Martyn Hill
401:Peter Pears
388:Janet Baker
366:Mrs Julian
178:Vietnam War
164:twelve-tone
151:television
136:Henry James
78:Henry James
47:Peter Pears
2218:Categories
1442:Orchestral
1423:Night Mail
1313:Billy Budd
641:References
567:Recordings
353:Mrs Coyle
277:Voice type
92:1971-05-16
55:Librettist
1678:(1922–26)
1480:Mont Juic
1111:, Act II
847:The Times
612:Alan Opie
473:Hyde Park
461:Bayswater
407:Narrator
340:Dramatic
322:Lechmere
245:OsnabrĂĽck
147:in 1954.
104:Aldeburgh
2205:Category
1720:(1952),
1616:Nocturne
1321:Gloriana
919:Archived
630:Source:
610:(Kate),
529:Prologue
425:Synopsis
369:Soprano
356:Soprano
296:Baritone
128:libretto
84:Premiere
73:Based on
65:Language
1700:(1945)+
1656:Phaedra
1182:(ed.),
1117:YouTube
1109:YouTube
1097:25 July
995:15 July
551:Scene 2
538:Scene 1
515:Scene 7
506:Scene 6
498:Scene 5
489:Scene 4
480:Scene 3
467:Scene 2
451:Scene 1
443:Prelude
418:Chorus
342:soprano
102:, near
90: (
68:English
2224:Operas
2072:Legacy
2045:(1953)
2037:(1941)
2018:(1975)
1998:(1961)
1968:(1945)
1962:(1941)
1950:(1931)
1933:(1961)
1925:(1974)
1917:(1968)
1909:(1966)
1901:(1962)
1893:(1959)
1887:(1955)
1879:(1950)
1871:(1943)
1863:(1944)
1855:(1942)
1847:(1942)
1839:(1938)
1831:(1934)
1823:(1933)
1804:Choral
1796:(1975)
1788:(1969)
1780:(1965)
1772:(1965)
1764:(1958)
1756:(1957)
1748:(1954)
1740:(1947)
1732:(1971)
1694:(1945)
1686:(1940)
1659:(1975)
1651:(1969)
1643:(1963)
1635:(1961)
1627:(1959)
1619:(1958)
1611:(1949)
1603:(1948)
1595:(1943)
1587:(1939)
1579:(1937)
1571:(1936)
1552:(1963)
1538:(1939)
1507:(1946)
1499:(1941)
1491:(1940)
1483:(1937)
1475:(1937)
1467:(1937)
1459:(1934)
1451:(1932)
1434:(1956)
1426:(1936)
1418:(1931)
1399:(1968)
1391:(1966)
1383:(1964)
1364:(1973)
1356:(1971)
1348:(1960)
1340:(1958)
1332:(1954)
1324:(1953)
1316:(1951)
1308:(1949)
1300:(1947)
1292:(1946)
1284:(1945)
1276:(1941)
1199:
1192:
1178:", in
1071:29 May
1046:29 May
1020:29 May
968:14 May
686:112(1)
433:Place:
410:Tenor
397:Tenor
1667:Vocal
1113:Video
1105:Video
646:Notes
524:Act 2
459:" in
438:Act 1
326:Tenor
273:Role
266:Roles
193:Decca
30:Opera
1197:ISBN
1190:ISBN
1156:2008
1150:. UK
1099:2021
1073:2018
1048:2018
1022:2018
997:2021
970:2008
126:and
1174:, "
1115:on
1107:on
149:BBC
130:by
32:by
2220::
1714:,
1146:.
1090:.
1064:.
1038:.
1013:.
986:.
959:.
936:.
917:.
911:.
886:.
865:.
844:.
822:.
794:,
775:.
747:.
701:.
684:,
665:.
622:;
595:;
287:)
254:,
207:,
187:.
180:.
120:Op
118:,
1241:e
1234:t
1227:v
1158:.
1101:.
1075:.
1050:.
1024:.
999:.
972:.
871:.
850:.
826:.
779:.
94:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
