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Othello (1951 film)

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681:, where a full copy of the score survives, the restorers chose to transcribe the music from the poor-quality audio of the print they had, with numerous mistakes having been made — Lavagnino's son has gone so far as to argue the new score is so different it is no longer his father's work. The new score was also recorded with arguably less impressive resources than the original version—although Welles only used a single microphone for a monaural soundtrack, he had 40 mandolins playing in his version, while the new stereo soundtrack used three. Further, Rosenbaum states that by refusing to give permission for her father's version to be shown or released, Beatrice Welles "effectively made her father’s version of the film (as well as, more indirectly, his final feature 453:
project. When he ran out of money as well, he needed to stop filming for months at a time to raise money, mostly by taking part in other productions. Because of lack of funds, production was stopped at least three times. The film found some imaginative solutions to a range of logistical problems; the scene in which Roderigo is murdered in a Turkish bath was shot in that form because the original costumes were impounded and using replacements would have meant a delay. One of the fight scenes starts in Morocco, but the ending was shot in Rome several months later. Welles used the money from his acting roles, such as in
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greeted with positive reviews upon its release, it subsequently came under attack for numerous technical flaws and alterations. Further alterations were made between the restoration's theatrical release and its home media release, after complaints that the opening scene lacked the Gregorian chanting it had previously had, and another scene was missing entirely. This is the only version which has been available on VHS and DVD since the mid-1990s, since legal action by Beatrice Welles has blocked either version released by Orson Welles from being sold. This version runs to 91 minutes.
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storage facility in New Jersey — as its source, not a distribution print. The audio came from a distribution print that was resynchronized, virtually syllable by syllable, by the restoration team to match the master positive. As some voice parts had music underneath, the newly recorded music and effects track had to match whatever music was underneath the dialogue, leading to inconsistencies. The flaw in the American cut's soundtrack is how
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Rosenbaum makes several charges of incompetence on the restoration team's part, including that the restoration team were unaware of the European cut's existence, and instead based their work on the American cut which was farther from Welles's original vision. The team recut the order of entire scenes
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was filmed erratically over three years. Shooting began in 1949, but was forced to shut down when the film's original Italian producer announced on one of the first days of shooting that he was bankrupt. Instead of abandoning filming altogether, Welles as director began pouring his own money into the
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Anderegg particularly criticizes the bold claims made by the restorers at the time of the film's 1992 release, including Beatrice Welles's statements "This is a film that no one has seen", that it was a "lost film", and that it was "never given a theatrical release" (all of which are untrue), and he
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on 10 May 1952, and went on general release in Europe. Unlike that of the subsequent American cut, the soundtrack was generally without flaws, apart from some dubbing that was slightly out of sync. It features different edits of many scenes from the other two versions, with alternative camera angles
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is audible in the background throughout dialogue and music, but that the noise cuts out when there is no action—meaning the white noise is more noticeable whenever it returns. The restoration sought to minimize this problem, but it is still present in places. By contrast, the white noise problem is
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that was staged to raise funds to complete the film. Paul Squitieri, in a 1993 PhD study of the film in its various forms, argues that the U.S. version represents a "compromise", with some of the changes forced on Welles, and that the original European cut represents the truest version. A Criterion
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and was shown to acclaim in the United States although the sound restoration would subsequently be criticized. The film has a 93% approval rating on Rotten Tomatoes, based on 32 reviews with an average rating of 7.9/10. The website's critical consensus states "This ragged take on Othello may take
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argued that numerous changes were made against Welles's intent and that the restoration was incompetent, having used as its source an original distribution print with a flawed soundtrack. In fact, the visual elements of the 1992 restoration utilized a fine-grain master positive — discovered in a
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The first main scene shows Iago's complaining to Roderigo about not being advised of the marriage between Othello and Desdemona. Roderigo is contemplating killing himself but Iago says “Ere I would say I would drown myself for the love of a guinea hen, I would change my humanity with a baboon,”
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In 1992, Beatrice Welles-Smith, daughter of Orson Welles, supervised a restoration of the film, which saw over $ 1,000,000 spent on improving the picture quality, resynchronizing the audio, adding extra sound effects, and completely rerecording the music in stereo. Although the restoration was
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was simply seldom screened. Jonathan Rosenbaum has defended the out-of-synchronization dubbing of some lines in Welles's original version, pointing out it was typical of European films of the early 1950s, and likening modern attempts to resynchronize it to the proposed colorisation of
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The film closely follows the plot of the play, but restructures and reorders individual scenes. Welles trimmed the source material, which is generally around three hours when performed, to a little over 90 minutes for the film. The opening funeral scene is not in the original play.
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for the American market, a 93-minute cut released on 12 September 1955 in New York City. This had a number of minor editing and several major soundtrack changes, including Welles's replacement of his spoken-word titles with written credits (requested by the film's distributor,
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This new 2K DCP digital edition is based on the 1992 restoration (supervised by Welles's daughter Beatrice Welles-Smith) that greatly improved existing versions' visual quality and audio clarity (the latter with alterations that drew divided responses from film critics and
687:) illegal, so that she can make more money on her own version", since she only receives royalties on the version which she restored. Many of these criticisms have been subsequently echoed by other scholars such as David Impastato and Michael Anderegg. 475:, he insisted that the coat his character, Bayan, wore be lined with mink, even though it would not be visible. Despite the expense, the producers agreed to his request. At the end of filming, the coat disappeared, but could subsequently be seen in 357:
Desdemona's father Brabantio is furious about the marriage after being told of it by Iago and Roderigo. Brabantio accuses Othello of bewitching his daughter. Othello convinces Brabantio that it was not witchcraft but rather by his tragic tales.
611:, but these had all been completely reedited by him for the documentary, and so do not appear in the original film in the same form. The clips were accompanied by a voiceover from Welles, so that no part of the original soundtrack was heard in 354:
meaning Iago would rather be a baboon than kill himself over a woman. Iago further says "Put but money in thy purse" and urges Roderigo to sell all his lands and give the money to Iago, who will use it to convince Desdemona to have sex.
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The Grand Prix du Festival International du Film was the original award granted by the Cannes Film Festival during its early years. Grand Prix du Festival International du Film changed its name to
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to make the dialogue match. One scene was inexplicably missing from the cinema release, but restored for the video/DVD release. The opening scene, in cinema release, was lacking the important
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By planting a handkerchief, Iago convinces Othello that Desdemona is having an affair with Cassio. Othello previously promoted Cassio to lieutenant over Iago, hence Iago's jealousy.
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reported that the monaural soundtrack was a great improvement on the previous version of the restoration — "much more appropriate for a low-budget, black-and-white 1952 release."
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under the Moroccan flag. Welles could not find the film a distributor in the United States for over three years, and even after its U.S. release it was largely ignored.
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dismisses as hyperbolic the judgment of film restorer Michael Dawson that Welles's original dubbing was like "Japanese sci-fi." Instead, Anderegg argues that
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as Bianca. Three different versions of the film have seen theatrical release — two supervised by Welles and a 1992 restoration supervised by his daughter
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LaserDisc of this version came out in 1994, but was withdrawn from sale after legal action by Welles's daughter, Beatrice Welles.
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was filmed on location over a three-year period in Morocco, Venice, Tuscany and Rome as well as at the Scalera Studios in Rome.
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Othello strangles Desdemona. Iago knifes Emilia to death as she protests Desdemona's innocence. Othello realises his mistake.
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premiered in Rome, Italy on 29 November 1951. Welles's original English-language version premiered at the
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liberties with the source material, but Orson Welles's genius never fails to impress."
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In 2014 Carlotta Films U.S. released a 2K digital restoration of the 1992 version on
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Welles was reportedly extremely satisfied with the film's musical score by
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The film was re-released to theaters in a 1992 restoration that screened "
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Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship
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not present to begin with in Welles's original 1952 European cut.
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on Blu-ray and DVD. Special features include the short film
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It's All True: Based on an Unfinished Film by Orson Welles
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Orson Welles - Othello - Mogador. Aufenthalte in Essaouira
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Multiple film historians criticized the restoration work.
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and the Welles-Smith Restoration: Definitive Version?",
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used. A print remains stored in the Paris Cinematheque.
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Magician: The Astonishing Life and Work of Orson Welles
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Paul Squitieri, "The twofold corpus of Orson Welles's
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The movie opens with Othello and Desdemona's funeral.
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This digital version premiered in Dallas at the 2014
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2641: 2637: 2636: 2631: 2627: 2626: 2621: 2617: 2616: 2615:Padre Padrone 2611: 2607: 2606: 2601: 2600: 2598: 2594: 2586: 2585: 2580: 2576: 2575: 2570: 2566: 2565: 2560: 2556: 2555: 2550: 2546: 2545: 2540: 2536: 2535: 2530: 2526: 2525: 2520: 2516: 2515: 2510: 2506: 2505: 2500: 2495: 2491: 2490: 2485: 2481: 2480: 2475: 2471: 2470: 2465: 2461: 2460: 2455: 2451: 2450: 2445: 2441: 2440: 2435: 2431: 2430: 2425: 2421: 2420: 2415: 2411: 2410: 2405: 2401: 2400: 2399:La dolce vita 2395: 2391: 2390: 2389:Black Orpheus 2385: 2381: 2380: 2375: 2371: 2370: 2365: 2361: 2360: 2355: 2351: 2350: 2345: 2341: 2340: 2335: 2331: 2330: 2325: 2321: 2320: 2315: 2311: 2310: 2305: 2301: 2300: 2295: 2291: 2290: 2285: 2280: 2276: 2275: 2274:The Third Man 2270: 2265: 2261: 2260: 2255: 2251: 2250: 2245: 2241: 2240: 2235: 2231: 2230: 2225: 2221: 2220: 2215: 2211: 2210: 2205: 2201: 2200: 2195: 2191: 2190: 2185: 2181: 2180: 2175: 2171: 2170: 2165: 2161: 2160: 2155: 2151: 2150: 2145: 2141: 2140: 2135: 2131: 2130: 2125: 2121: 2120: 2115: 2111: 2110: 2105: 2100: 2096: 2095: 2094:Union Pacific 2090: 2089: 2087: 2083: 2079: 2072: 2067: 2065: 2060: 2058: 2053: 2052: 2049: 2037: 2034: 2033: 2031: 2027: 2020: 2019: 2015: 2012: 2011: 2007: 2004: 2003: 1999: 1996: 1995: 1991: 1988: 1987: 1983: 1980: 1979: 1975: 1972: 1971: 1967: 1964: 1963: 1962:A Double Life 1959: 1956: 1955: 1951: 1948: 1947: 1943: 1940: 1939: 1935: 1932: 1931: 1927: 1926: 1924: 1918: 1912: 1911: 1907: 1905: 1904:Othello error 1902: 1901: 1899: 1895: 1888: 1884: 1883: 1881: 1877: 1871: 1870: 1866: 1865: 1863: 1861: 1857: 1850:(2008; album) 1849: 1848: 1843: 1840: 1839: 1835: 1831: 1830: 1825: 1822: 1821: 1817: 1816: 1814: 1810: 1803: 1802: 1798: 1795: 1794: 1790: 1787: 1786: 1782: 1779: 1778: 1774: 1771: 1770: 1766: 1763: 1762: 1761:Catch My Soul 1758: 1755: 1754: 1750: 1747: 1746: 1742: 1741: 1739: 1737: 1731: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1701: 1699: 1697: 1693: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 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Aldo 3884:" (1938) 3877:" (1938) 3533:The Deep 3096:Parasite 2956:L'Enfant 2936:Elephant 1938:Carnival 1930:Carnival 1645:Bandanna 1457:Roderigo 1358:AllMovie 914:Filming 879:July 20, 826:Archived 770:in 1955. 743:See also 627:won the 498:(1969). 463:'s book 237:Language 164:Music by 82:Starring 57:Based on 4026:Related 3875:Dracula 3808:Othello 3721:Theatre 3380:trailer 3279:Othello 3271:Macbeth 3056:Dheepan 2885:Rosetta 2855:The Eel 2685:Missing 2514:M*A*S*H 2309:Othello 2199:Torment 2029:Related 1922:a story 1897:Related 1879:Phrases 1869:Othello 1635:Othello 1615:Othello 1543:Othello 1427:Othello 1410:Othello 1353:Othello 1342:Othello 1291:Othello 1093:Othello 984:Othello 965:Othello 916:Othello 838:website 832:in the 821:Othello 731:Othello 693:Othello 631:at the 625:Othello 603:Othello 595:Othello 578:Othello 566:Othello 502:Release 477:Othello 450:Othello 443:Othello 376:as Iago 291:Othello 256:Othello 240:English 232:Morocco 204: ( 62:Othello 22:Othello 4090:(2018) 4082:(2014) 4074:(1993) 4018:(1996) 4010:(1992) 3991:(1970) 3983:(1946) 3948:(1946) 3932:(1945) 3924:(1944) 3870:(1938) 3854:(1937) 3835:(1960) 3827:(1955) 3819:(1953) 3811:(1951) 3803:(1946) 3795:(1943) 3787:(1941) 3779:(1938) 3768:Caesar 3763:(1937) 3755:(1936) 3747:(1936) 3732:(1932) 3713:(1979) 3705:(1964) 3697:(1958) 3689:(1956) 3681:(1955) 3673:(1955) 3654:(1999) 3646:(1999) 3638:(1972) 3630:(1947) 3611:(1969) 3603:(1960) 3595:(1955) 3587:(1949) 3579:(1944) 3571:(1943) 3544:(1981) 3528:(1967) 3512:(1942) 3504:(1938) 3485:(1984) 3469:(1971) 3451:(1969) 3443:(1968) 3440:Vienna 3430:(1970) 3422:(1958) 3414:(1955) 3406:(1953) 3398:(1950) 3390:(1946) 3382:(1940) 3373:(1934) 3365:(1933) 3354:Shorts 3346:(2018) 3338:(1978) 3330:(1973) 3322:(1968) 3314:(1965) 3306:(1962) 3298:(1958) 3290:(1955) 3282:(1951) 3274:(1948) 3266:(1947) 3258:(1946) 3250:(1942) 3242:(1941) 3144:(2024) 3134:(2023) 3124:(2022) 3114:(2021) 3111:Titane 3099:(2019) 3089:(2018) 3079:(2017) 3069:(2016) 3059:(2015) 3049:(2014) 3039:(2013) 3029:(2012) 3019:(2011) 3009:(2010) 2999:(2009) 2989:(2008) 2979:(2007) 2969:(2006) 2959:(2005) 2949:(2004) 2939:(2003) 2929:(2002) 2919:(2001) 2898:(2000) 2888:(1999) 2878:(1998) 2868:(1997) 2858:(1997) 2848:(1996) 2838:(1995) 2828:(1994) 2818:(1993) 2808:(1993) 2798:(1992) 2788:(1991) 2778:(1990) 2768:(1989) 2758:(1988) 2748:(1987) 2738:(1986) 2728:(1985) 2718:(1984) 2708:(1983) 2698:(1982) 2688:(1982) 2678:(1981) 2668:(1980) 2658:(1980) 2648:(1979) 2638:(1979) 2628:(1978) 2618:(1977) 2608:(1976) 2587:(1975) 2577:(1974) 2567:(1973) 2557:(1973) 2547:(1972) 2537:(1972) 2527:(1971) 2517:(1970) 2507:(1969) 2504:if.... 2492:(1967) 2489:Blowup 2482:(1966) 2472:(1966) 2462:(1965) 2452:(1964) 2442:(1963) 2432:(1962) 2422:(1961) 2412:(1961) 2402:(1960) 2392:(1959) 2382:(1958) 2372:(1957) 2362:(1956) 2352:(1955) 2342:(1954) 2332:(1953) 2322:(1952) 2312:(1951) 2302:(1951) 2292:(1951) 2277:(1949) 2262:(1947) 2252:(1947) 2242:(1947) 2232:(1947) 2222:(1947) 2212:(1946) 2202:(1946) 2192:(1946) 2182:(1946) 2172:(1946) 2162:(1946) 2152:(1946) 2142:(1946) 2132:(1946) 2122:(1946) 2112:(1946) 2097:(1939) 2005:(1990) 1997:(1988) 1973:(1961) 1965:(1947) 1957:(1936) 1949:(1931) 1838:Otello 1820:Otello 1804:(2008) 1796:(2006) 1793:Omkara 1788:(2004) 1780:(2001) 1772:(1997) 1764:(1974) 1756:(1962) 1748:(1956) 1605:Otello 1595:Otello 1583:ballet 1570:(2011) 1546:(1951) 1538:(1835) 1530:(1633) 1522:(1623) 1497:Cintio 1472:Source 1452:Bianca 1447:Emilia 1442:Cassio 1077:16 May 1049:16 May 947:  901:  707:D.C.P. 318:Cassio 3999:Books 3843:Radio 3141:Anora 3026:Amour 2349:Marty 2249:Dumbo 1785:Souli 1745:Jubal 1658:Films 1579:Opera 1508:Stage 1143:(PDF) 755:Notes 230:Italy 1734:Film 1724:2001 1719:1994 1714:1990 1709:1981 1686:1995 1681:1965 1676:1955 1671:1951 1666:1922 1581:and 1437:Iago 1347:IMDb 1079:2015 1051:2015 945:ISBN 899:ISBN 881:2023 437:and 336:Plot 302:Iago 2695:Yol 1356:at 1345:at 532:by 441:in 312:as 300:as 66:by 4111:: 1696:TV 1295:. 1227:. 1187:. 1070:. 1059:^ 1041:. 1012:. 988:. 852:. 793:. 702:. 615:. 332:. 320:, 3880:" 3873:" 3178:e 3171:t 3164:v 2070:e 2063:t 2056:v 1889:" 1885:" 1777:O 1398:e 1391:t 1384:v 1326:. 1305:. 1293:" 1273:. 1252:. 1202:. 1172:. 1152:. 1140:" 1081:. 1053:. 1027:. 998:. 986:" 883:. 862:. 797:. 555:) 549:( 544:) 540:( 526:. 208:)

Index


Orson Welles
Othello
William Shakespeare
Micheál Mac Liammóir
Suzanne Cloutier
Robert Coote
Anchise Brizzi
G.R. Aldo
George Fanto
Jenö Csepreghy
Renzo Lucidi
Angelo Francesco Lavagnino
United Artists
Orson Welles
Shakespearean play
title role
Palme d'Or
1952 Cannes Film Festival
United Artists
Micheál Mac Liammóir
Iago
Robert Coote
Suzanne Cloutier
Desdemona
Cassio
Fay Compton
Doris Dowling
Beatrice Welles
Othello § Plot

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