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OkayAfrica

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We realized that there is no place on the web that acted as a hub for all the new music, culture, art and politics and the amazing culture that was being generated on the continent that was really relevant to youth culture today. We came up with the concept of creating a one-stop shop, interactive
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Today, the site attracts 1 million unique page views a month, mostly from the United States, South Africa, Kenya and Nigeria. Additionally, the site offers different editions, covering all 54 countries in Africa to cater to the complexity of the continent.
321:, particularly those in the diaspora. The term is used to describe OkayAfrica's target audience, a new generation of Africans who are creative, politically aware, multicultural, and with roots firmly on the African continent. 355:, media, music, literature, TV and film, sports and wellness, style and beauty, business and economics, politics and activism and art. The 2019 list was dedicated to youth culture and it was announced at the BAMcafe featuring 278:
Magazine, former CEO Abiola Oke underscores the sites popularity as a sign that African entertainment and music culture is going through a golden age online. At the age of 34, he was appointed CEO of OkayAfrica.
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notes that one of the biggest selling points is that it's made by Africans for Africans. She believes OkayAfrica allows Africans to exercise control over their own narratives in mainstream media.
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In 2017 okayafrica created a platform to highlight 100 leading African women. The list has been published each year since then. The list is assembled in ten categories
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writes that platforms like OkayAfrica are important because they promote accessibility to information and participation in cultural, political, and social dialogue.
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The site allows young people living in the diaspora to stay abreast of what's happening in their home countries. Oke says the site's main age group is 25–35.
359:. The emphasis was to find women who were disrupting their own local youth culture whilst at the same time demanding equal access to the global stage. 352: 772: 241:. Today, OkayAfrica is the largest US-based website focusing on new and progressive music, art, politics, and culture from the African continent. 575: 153: 415: 309:, America's longest running free outdoor festival. This was the first time in history that African musicians had headlined the festival. 91: 777: 306: 473: 526: 189: 171: 113: 52: 264:
community where our main focus is new progressive African music and also feature culture, film, art and lifestyle.
527:"NYC Will Never Forget 'Okayafrica: Afrobeat x Afrobeats' with Davido + Antibalas at Lincoln Center Out of Doors" 95: 667:
Mabanckou, Alain; Thomas, Dominic (2008-01-01). "New Technologies and the Popular: Alain Mabanckou's Blog".
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Somolu, Oreoluwa (2007-01-01). "'Telling Our Own Stories': African Women Blogging for Social Change".
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OkayAfrica popularity is also reflected in the site's social media presence It has 250,000 likes on
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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The site has received praise from African artists and intellectuals. Nigerian sociologist
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OkayAfrica is also an event promoter and producer. On July 29, 2016, OkayAfrica organized
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OkayAfrica is one of the few websites that predominantly cover and center modern
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Since its founding in 2011, OkayAfrica has gained a strong following with
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for modern African music and culture. In an interview with
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personal reflection, personal essay, or argumentative essay
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for promoting knowledge production amongst African youth.
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Archived from 346: 7: 312: 307:Lincoln Center Out of Doors 10: 794: 387:praised OkayAfrica at the 339:and 50,000 + followers on 244: 638:10.1080/13552070701630640 681:10.2979/RAL.2008.39.4.58 552:"OKAYAFRICA - 100 WOMEN" 335:, 100,000 followers on 626:Gender and Development 556:OKAYAFRICA's 100 WOMEN 440:"Rethink Africa Party" 266: 211:digital media platform 152:by rewriting it in an 268:OkayAfrica created a 261: 249:In an interview with 96:neutral point of view 369:Oreoluwa Somolu Lesi 601:"Moonchild Sanelly" 297:and Brooklyn-based 88:promotional content 154:encyclopedic style 141:is written like a 90:and inappropriate 763:American websites 357:Moonchild Sanelly 200: 199: 192: 182: 181: 174: 124: 123: 116: 57: 785: 758:African websites 744: 743: 741:Official website 726: 725: 723: 722: 707: 701: 700: 664: 658: 657: 621: 615: 614: 612: 611: 597: 591: 590: 588: 587: 572: 566: 565: 563: 562: 548: 542: 541: 539: 538: 523: 517: 516: 514: 513: 498: 485: 484: 482: 481: 462: 451: 450: 448: 447: 436: 430: 429: 427: 426: 420:Black Enterprise 412: 275:Black Enterprise 252:The One Magazine 195: 188: 177: 170: 166: 163: 157: 134: 133: 126: 119: 112: 108: 105: 99: 77:an advertisement 68: 67: 60: 49: 27: 26: 19: 793: 792: 788: 787: 786: 784: 783: 782: 748: 747: 739: 738: 735: 730: 729: 720: 718: 709: 708: 704: 665: 661: 622: 618: 609: 607: 599: 598: 594: 585: 583: 574: 573: 569: 560: 558: 550: 549: 545: 536: 534: 525: 524: 520: 511: 509: 500: 499: 488: 479: 477: 464: 463: 454: 445: 443: 438: 437: 433: 424: 422: 414: 413: 406: 401: 389:Goethe-Institut 377:Alain Mabanckou 365: 349: 315: 247: 215:African culture 196: 185: 184: 183: 178: 167: 161: 158: 150:help improve it 147: 135: 131: 120: 109: 103: 100: 81: 69: 65: 28: 24: 17: 12: 11: 5: 791: 781: 780: 775: 770: 768:Music websites 765: 760: 746: 745: 734: 733:External links 731: 728: 727: 702: 659: 632:(3): 477–489. 616: 592: 567: 543: 518: 486: 452: 431: 403: 402: 400: 397: 385:Achille Mbembe 364: 361: 348: 345: 314: 311: 246: 243: 198: 197: 180: 179: 138: 136: 129: 122: 121: 92:external links 72: 70: 63: 58: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 790: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 755: 753: 742: 737: 736: 716: 712: 706: 698: 694: 690: 686: 682: 678: 674: 670: 663: 655: 651: 647: 643: 639: 635: 631: 627: 620: 606: 602: 596: 581: 577: 571: 557: 553: 547: 532: 528: 522: 507: 503: 497: 495: 493: 491: 476:on 2017-01-18 475: 471: 467: 461: 459: 457: 441: 435: 421: 417: 411: 409: 404: 396: 394: 390: 386: 383:Intellectual 382: 378: 374: 370: 360: 358: 354: 344: 342: 338: 334: 329: 325: 322: 320: 310: 308: 304: 300: 296: 292: 287: 285: 280: 277: 276: 271: 270:digital space 265: 260: 258: 254: 253: 242: 240: 236: 232: 228: 224: 220: 216: 213:dedicated to 212: 208: 205:(stylized as 204: 194: 191: 176: 173: 165: 162:February 2024 155: 151: 145: 144: 139:This article 137: 128: 127: 118: 115: 107: 104:February 2024 97: 93: 89: 85: 79: 78: 73:This article 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 719:. 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Index

improve it
talk page
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an advertisement
improve it
promotional content
external links
neutral point of view
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personal reflection, personal essay, or argumentative essay
help improve it
encyclopedic style
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Learn how and when to remove this message
digital media platform
African culture
music
politics
The Roots
Questlove
Okayplayer
diaspora
The One Magazine
digital space
Black Enterprise
Afrobeats
Davido
Afrobeat
Antibalas
Lincoln Center Out of Doors

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