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Wodehouse and Bolton and Kern are my favorite indoor sport, anyway. I like the way they go about a musical comedy. ... I like the way the action slides casually into the songs. ... I like the deft rhyming of the song that is always sung in the last act, by two comedians and one comedienne. And oh, how do I like Jerome Kern's music – those nice, soft, polite little tunes that always make me wish I'd been a better girl. And all these things are even more so in
285:
123:, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
33:
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with Bill's charade. May arrives; it turns out that she has been hired as a dressmaker for the wedding by Molly's mother. May admits that she is no longer interested in Bill and wishes him well, and she returns Hale's interest. But when Molly returns, she is confronted by Fanny, who is pretending to be Bill's girlfriend – and the pearls are missing.
236:
situations or the nature of the characters. Kern's exquisitely flowing melodies were employed to further the action or develop characterization. ... P. G. Wodehouse, the most observant, literate, and witty lyricist of his day, and the team of Bolton, Wodehouse, and Kern had an influence which can be felt to this day.
390:
Debonair but penniless
Willoughby "Bill" Finch is set to marry Long Island society gal Molly Farringdon, although he has not charmed his formidable future mother-in-law. Bill's sassy former fiancée, May, has met and piqued the interest of his affable friend and best man, Hale. Hale recognizes Bill's
315:
Well, Wodehouse and Bolton and Kern have done it again. Every time these three are gathered together, the
Princess Theatre is sold out for months in advance. ... You can get a seat at the Princess, somewhere along around the middle of August, for just about the price of one on the stock exchange. ...
300:
previewed the show, calling the plot "measurably novel" with bright lines and lyrics, said the music demonstrated "easy gaity" and praised the show's casting and "artistic excellence". The paper called Segal "wonderfully pleasing" and praised both her and
Randall's dancing. Its review began: "Once
407:
Molly comes to talk with Bill, and they have a romantic moment before her mother shows up. Bill awkwardly tries to explain to Mrs. Farrington what happened, and Hale asks May to marry him. But Molly and her mother find May at Bill's bedroom door and conclude that Bill had been entertaining her in
403:
That night, Hale hosts a party on the roof of Bill's
Greenwich Village apartment. Molly's mother has called off the wedding. May is flirting with various men, making Hale jealous. Spike and Fanny arrive to announce that they are now married. Fanny tells Spike that she does not have the pearls, but
394:
May calls unexpectedly on Bill's wedding day, to say that she will soon arrive, and she points out that they are still engaged. Bill and Hale scheme to convince her that he is a ladies' man, and not worthy to marry her. Hale catches Fanny trying to pocket the pearls and forces her to agree to help
235:
These shows built and polished the mold from which almost all later major musical comedies evolved. As they all dealt with the smart set they were stylishly mounted .... The characters and situations were, within the limitations of musical comedy license, believable and the humor came from the
391:
valet, Spike, as an ex-convict; Spike is guarding the pearls that Bill has bought for Molly as her wedding gift. Spike's sticky-fingered girlfriend, Fanny, tries to persuade him to pocket the wedding gifts, but he wishes that they could put their old prison days behind them.
172:
to write a series of musicals tailored to the theatre, with an intimate style and modest budgets. These "Princess
Theatre shows" had coherent, clever plots that provided an alternative to the other musical entertainments that then dominated Broadway: star-studded
331:, was cut just two days before the show opened. In the song, Mollie reflects on her love for a young man that her mother dislikes. Kern used the song nine years later, with the music slightly revised and the lyrics correspondingly revised by
220:
The shows featured modern
American settings and simple scene changes (one set for each act) to suit the small theatre, eschewing operetta traditions of foreign locales and elaborate scenery. The collaboration was much praised. According to
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proved to be the last success in the series, The collaborators went on to other projects, with each of Kern and
Wodehouse continuing to work separately with Bolton. The trio combined for one more show together in 1924,
252:
on
January 7, 1918 at Bleecker Hall. After some revisions and touring, the musical opened at the Princess Theatre on February 1, 1918, to uniformly rave reviews and ran for 219 performances, finishing its run at the
781:
The score's contents page incorrectly indicates that the song is sung by Miss
Clarette Cupp, but the music shows Hale to be the intended soloist, and the masculine nature of the lyrics confirms this.
301:
more
Comstock, Elliott, and Gest have shown their allegiance to the policy of supplying popular entertainment which is mitigated by all availabie talent and good taste". In April 1918,
130:
as Mollie Farringdon. The songs include "Not Yet", "When Ships Come Home", "Greenwich Village", the innovative "Moon Song" and "Our Little Nest". The song "
212:(1917), which ran for an extraordinary 463 performances. Two more of their shows written for the theatre ran at other theatres during the long runs of
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his apartment. Finally, the real thief confesses, Molly finds out that May and Hale are engaged, and a happy ending ensues with a double wedding.
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Recent productions include one by the Musicals Tonight troupe in New York City in 2006 and one by
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665:, Volume 3 (Schirmer Reference, New York, 2001), accessed May 10, 2010 (requires subscription)
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703:... A Good Story, Clever Lines, Tasteful Music, and Girls Long on Grace and Refinement"
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as Mollie Farringdon, one of her earliest roles, and Carl Randall as Bill Finch.
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593:. A recording of a concert performance is available from the Comic Opera Guild.
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1999:
1985:
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812:, Library for the Performing Arts, New York Public Library, August 27, 2012
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1992:
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played Fanny Welch, a jewel thief. Early drafts of the show were called
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104:
49:
645:
Musicals 101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film
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1252:
1080:
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165:
108:
71:
718:"Dorothy Parker: Complete Broadway, 1918–1923", iUniverse, 2014, p. 1
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136:
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1937:
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New York Times review of the Carnegie Hall 1985 concert production
200:(1915), Kern and Bolton had a hit with an original musical called
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It's a Hard, Hard World for a Man – Bill, Hale and Cyril Twombley
404:
she is very nervous when a British private detective shows up.
284:
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32:
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Financial disagreements arose between Wodehouse and Kern, and
887:
174:
168:, later joined by British humorist and lyricist/playwright
277:, but the title of the show was eventually taken from a
840:
Black Dog & Leventhal Publishers, New York, 2004.
838:
Broadway Musicals: The 101 Greatest Shows of all Time.
257:. The production was produced by William Elliott and
504:
I'm to Be Married Today – Mollie Farrington and Girls
206:(1915). Wodehouse joined the team for another hit,
643:"History of The Musical Stage 1910-1919: Part I",
522:You Found Me and I Found You – May Barber and Hale
510:Do It Now – Spike Hudgins, Hale Underwood and Bill
156:house that seated only 299 people. Theatre agent
628:. "Jerome David Kern: Innovator/Traditionalist",
540:Little Ships Come Sailing Home – Mollie and Girls
115:and lyrics by Wodehouse. It was written for the
2602:
737:History of The Musical Stage 1910-1919: Part I
1175:
903:
824:, Comic Opera Guild, accessed October 1, 2014
564:
772:, 42nd Street Moon, accessed October 1, 2014
756:, Musicals Tonight, accessed October 1, 2014
663:Baker's Biographical Dictionary of Musicians
621:
619:
617:
189:revivals and gaudy adaptations of European
1182:
1168:
910:
896:
411:
31:
657:Slonimsky, Nicholas and Laura Kuhn (ed).
546:Greenwich Village – Bill, Spike and Fanny
265:, who also choreographed it. It starred
1979:The Eighteen-Carat Kid and Other Stories
614:
537:Waiting Around the Corner – May and Boys
283:
140:, was cut before the production opened.
678:, Hal Leonard Corporation, 1996, p. 26
607:
605:
569:In 1920 the musical was adapted into a
513:Our Little Nest – Spike and Fanny Welch
2603:
2576:Jeeves and Wooster in Perfect Nonsense
852:P. G. Wodehouse – A Literary Biography
635:
534:Moon (The Moon Song) – Hale and Chorus
430:Willoughby "Bill" Finch – Carl Randall
1163:
891:
651:
602:
493:
1189:
13:
632:, 1985, Vol. 71, No. 4, pp. 468-73
543:Before I Met You – Bill and Mollie
516:Do Look at Him! – Mollie and Girls
488:
261:and directed by Robert Milton and
14:
2642:
865:
791:The AFI Catalog of Feature Films:
854:, Pavilion Books, London, 1981.
836:Bloom, Ken and Vlastnik, Frank.
519:Oh, Lady! Lady! – Bill and Girls
815:
798:
784:
775:
759:
676:Broadway musicals, show by show
507:Not Yet – Mollie and Bill Finch
382:, Long Island and Waverly Mews
371:
288:Sheet music to "Not Yet", from
1896:Blandings Castle and Elsewhere
1764:Pearls, Girls and Monty Bodkin
917:
822:"Comic Opera Guild Recordings"
743:
728:
712:
688:
668:
611:Bloom and Vlastnik, pp. 230–31
452:Spike's pick-pocket sweetheart
240:
40:and Randall as Mollie and Bill
1:
2007:Tales of Wrykyn and Elsewhere
830:
549:Wheatless Days – Hale and May
143:
1972:The Swoop! and Other Stories
1659:Jeeves and the Feudal Spirit
1575:Uncle Fred in the Springtime
583:. In 1927 Wodehouse adapted
472:a clueless British detective
7:
10:
2647:
1812:The Man with Two Left Feet
878:Internet Broadway Database
565:Adaptations and recordings
126:The original cast starred
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2153:
2016:
1958:The Uncollected Wodehouse
1947:
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770:(1918) – 2007 Production"
479:a building superintendent
81:
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55:
45:
30:
21:
2631:Musicals set in New York
2304:The Clicking of Cuthbert
1917:Eggs, Beans and Crumpets
1910:Lord Emsworth and Others
1833:The Clicking of Cuthbert
1736:Do Butlers Burgle Banks?
1568:The Code of the Woosters
709:, February 1, 1918, p. 7
674:Green, Stanley and Kay.
596:
196:After a modest success,
2626:Musicals by Jerome Kern
2074:The Girl Behind the Gun
1826:Indiscretions of Archie
1708:Stiff Upper Lip, Jeeves
1547:The Luck of the Bodkins
1449:The Adventures of Sally
1330:Love Among the Chickens
1316:William Tell Told Again
966:Till the Clouds Roll By
950:Week-End at the Waldorf
806:"Musical of the Month:
648:, accessed May 27, 2008
462:Willoughby's ex-fiancée
412:Roles and original cast
2483:The World of Wodehouse
2352:The Passionate Plumber
2296:A Gentleman of Leisure
2240:A Gentleman of Leisure
1778:Aunts Aren't Gentlemen
1743:A Pelican at Blandings
1365:A Gentleman of Leisure
740:, accessed 11 May 2010
327:One of Segal's songs,
325:
292:
238:
2416:Thunder and Lightning
1840:The Inimitable Jeeves
1798:Tales of St. Austin's
1344:Not George Washington
659:Kern, Jerome (David)"
630:The Musical Quarterly
417:Mollie Farrington –
313:
287:
233:
177:and extravaganzas of
2584:A Damsel in Distress
2475:The World of Wooster
2440:The Girl on the Boat
2408:A Damsel in Distress
2312:The Golden Butterfly
2272:The Prince and Betty
2256:A Damsel in Distress
2162:The Play's the Thing
2137:The Three Musketeers
1875:Mr Mulliner Speaking
1757:Much Obliged, Jeeves
1722:Galahad at Blandings
1701:Service with a Smile
1687:Jeeves in the Offing
1442:The Girl on the Boat
1421:A Damsel in Distress
1379:The Prince and Betty
587:into a novel called
333:Oscar Hammerstein II
187:Gilbert and Sullivan
2491:Wodehouse Playhouse
2424:Her Cardboard Lover
2400:Step Lively, Jeeves
2328:The Cardboard Lover
2201:Bring On the Girls!
1965:Sunset at Blandings
1861:The Heart of a Goof
1771:Bachelors Anonymous
1638:Barmy in Wonderland
1124:Bring On the Girls!
134:", later famous in
2499:Jeeves and Wooster
2392:Thank You, Jeeves!
2320:The Small Bachelor
2288:Their Mutual Child
2176:Leave It to Psmith
2169:Good Morning, Bill
2025:The Beauty of Bath
1903:Young Men in Spats
1694:Ice in the Bedroom
1596:Joy in the Morning
1477:The Small Bachelor
1463:Bill the Conqueror
1456:Leave It to Psmith
1428:The Coming of Bill
1393:Psmith, Journalist
1372:Psmith in the City
1108:A Song of Sixpence
707:The New York Times
590:The Small Bachelor
320:than they were in
297:The New York Times
293:
181:, thinly-plotted,
2621:Original musicals
2611:Broadway musicals
2598:
2597:
2594:
2593:
2570:
1882:Very Good, Jeeves
1729:Company for Henry
1624:The Mating Season
1589:Money in the Bank
1533:Thank You, Jeeves
1484:Money for Nothing
1435:Jill the Reckless
1386:The Little Nugget
1337:The White Feather
1323:The Head of Kay's
1302:A Prefect's Uncle
1157:
1156:
1148:Marguerite Namara
750:"April-May 2006:
724:978-1-4917-2267-1
561:
560:
423:Mrs. Farrington,
228:The Musical Times
158:Elisabeth Marbury
92:
91:
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2368:Summer Lightning
2229:
2228:
2109:The Beauty Prize
2102:The Cabaret Girl
2067:Oh, Lady! Lady!!
2053:The Riviera Girl
2046:Leave It to Jane
1931:A Few Quick Ones
1868:Meet Mr Mulliner
1854:Carry On, Jeeves
1805:The Man Upstairs
1750:The Girl in Blue
1631:The Old Reliable
1561:Summer Moonshine
1540:Right Ho, Jeeves
1491:Summer Lightning
1243:Blandings Castle
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1161:
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1041:Oh, Lady! Lady!!
1017:Leave It to Jane
958:Ziegfeld Follies
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873:Oh, Lady! Lady!!
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804:Frankos, Laura.
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768:Oh, Lady! Lady!!
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641:Kenrick, John.
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585:Oh, Lady! Lady!!
494:
484:Mollie's friends
474:– Reginald Mason
470:Cyril Twombley,
456:Florence Shirley
433:Hale Underwood,
362:42nd Street Moon
346:Oh, Lady! Lady!!
318:Oh, Lady! Lady!!
290:Oh, Lady! Lady!!
271:Florence Shirley
250:Albany, New York
246:Oh, Lady! Lady!!
183:musical comedies
179:Florenz Ziegfeld
150:Princess Theatre
117:Princess Theatre
96:Oh, Lady! Lady!!
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24:Oh, Lady! Lady!!
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2534:What Ho! Jeeves
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2208:Performing Flea
2193:Autobiographies
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2183:Come On, Jeeves
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2012:
1950:published books
1949:
1943:
1924:Nothing Serious
1889:Mulliner Nights
1789:
1783:
1673:Something Fishy
1652:Ring for Jeeves
1645:Pigs Have Wings
1400:Something Fresh
1282:
1226:
1193:
1191:P. G. Wodehouse
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1116:Come On, Jeeves
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1001:Very Good Eddie
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942:Devil's Lottery
934:Ambassador Bill
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626:Bordman, Gerald
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491:
489:Musical numbers
477:William Watty,
466:Carroll McComas
447:– Edward Abeles
445:an ex-con valet
443:Spike Hudgins,
439:Harry C. Browne
427:– Margaret Dale
414:
374:
259:F. Ray Comstock
243:
214:Very Good Eddie
203:Very Good Eddie
170:P. G. Wodehouse
164:and librettist
160:urged composer
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113:P. G. Wodehouse
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2360:Leave It to Me
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2344:Brother Alfred
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2280:Oh, Lady, Lady
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2000:The Luck Stone
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1986:A Man of Means
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351:Sitting Pretty
303:Dorothy Parker
281:catch-phrase.
267:Vivienne Segal
255:Casino Theatre
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223:Gerald Bordman
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128:Vivienne Segal
103:with music by
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2248:Uneasy Money
2246:
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2215:Over Seventy
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2199:
2181:
2174:
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2160:
2142:
2135:
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2114:
2107:
2100:
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2088:Oh, My Dear!
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2081:Kissing Time
2079:
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2005:
1998:
1991:
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1948:Posthumously
1936:
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1615:
1610:Spring Fever
1608:
1601:
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1559:
1554:Laughing Gas
1552:
1545:
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1512:Doctor Sally
1510:
1503:
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1489:
1482:
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1407:Uneasy Money
1405:
1398:
1391:
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1377:
1370:
1363:
1356:
1349:
1342:
1335:
1328:
1321:
1314:
1309:The Gold Bat
1307:
1300:
1293:
1258:Mr. Mulliner
1202:Bibliography
1122:
1114:
1106:
1087:
1079:
1071:
1063:
1055:
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1040:
1039:
1033:Kissing Time
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581:Bebe Daniels
574:
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555:
478:
471:
461:
460:May Barber,
451:
444:
434:
424:
406:
402:
393:
389:
376:
375:
372:Plot summary
359:
350:
345:
343:
336:
328:
326:
321:
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314:
306:
295:
294:
289:
274:
263:Edward Royce
245:
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217:
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207:
201:
197:
195:
152:was a small
147:
135:
125:
107:, a book by
95:
94:
93:
22:
2571:(1975/1996)
2225:Adaptations
1993:Plum Stones
1790:collections
1788:Short story
1268:Drones Club
926:Screenplays
308:Vanity Fair
248:debuted in
241:Productions
162:Jerome Kern
105:Jerome Kern
82:Productions
50:Jerome Kern
2605:Categories
2467:Television
1351:The Swoop!
1253:Uncle Fred
1212:Characters
1150:(2nd wife)
1081:Girl Crazy
919:Guy Bolton
831:References
425:her mother
341:(1927).
166:Guy Bolton
144:Background
109:Guy Bolton
72:Guy Bolton
2567:By Jeeves
2545:(1985–92)
2542:Blandings
2537:(1973–81)
2518:(2013–14)
2515:Blandings
2502:(1990–93)
2494:(1975–78)
2486:(1967–68)
2478:(1965–67)
2448:By Jeeves
2123:Show Boat
2060:Miss 1917
1603:Full Moon
1519:Hot Water
1498:Big Money
1217:Locations
1025:Miss 1917
699:Is After
579:starring
380:Hempstead
368:in 2007.
353:, at the
338:Show Boat
305:wrote in
191:operettas
137:Show Boat
2336:Oh, Kay!
2116:Oh, Kay!
2039:Oh, Boy!
2017:Musicals
1938:Plum Pie
1144:(sister)
1073:Oh, Kay!
1065:Tip-Toes
1049:Primrose
1009:Oh, Boy!
993:Musicals
808:Oh, Boy!
701:Oh, Boy!
377:Setting:
322:Oh, Boy!
275:Say When
218:Oh, Boy!
209:Oh, Boy!
154:Broadway
121:Broadway
87:Broadway
2565:(later
2130:Rosalie
1847:Ukridge
1273:Ukridge
876:at the
101:musical
16:Musical
2587:(2015)
2579:(2013)
2561:Jeeves
2510:(1995)
2459:(2004)
2451:(2001)
2443:(1961)
2435:(1956)
2427:(1942)
2419:(1938)
2411:(1937)
2403:(1937)
2395:(1936)
2387:(1936)
2379:(1936)
2371:(1933)
2363:(1933)
2355:(1932)
2347:(1932)
2339:(1928)
2331:(1927)
2323:(1927)
2315:(1926)
2307:(1924)
2299:(1923)
2291:(1920)
2283:(1920)
2275:(1919)
2267:(1919)
2259:(1919)
2251:(1918)
2243:(1915)
1287:Novels
1248:Psmith
1238:Jeeves
1231:Series
1135:Family
1127:(1953)
1119:(1952)
1111:(1930)
1092:(1935)
1084:(1930)
1076:(1926)
1068:(1926)
1060:(1925)
1052:(1924)
1044:(1918)
1036:(1918)
1028:(1917)
1020:(1917)
1012:(1917)
1004:(1915)
985:(1962)
977:(1948)
969:(1946)
961:(1945)
953:(1945)
945:(1932)
937:(1931)
858:
844:
722:
682:
573:film,
571:silent
556:
399:Act II
175:revues
56:Lyrics
2553:Stage
2526:Radio
2154:Plays
2095:Sally
1222:Songs
1100:Other
597:Notes
529:Act 2
499:Act 1
386:Act I
335:, in
99:is a
85:1918
46:Music
38:Segal
2232:Film
1358:Mike
856:ISBN
842:ISBN
720:ISBN
680:ISBN
357:.
329:Bill
216:and
148:The
132:Bill
111:and
74:and
67:Book
705:.
364:in
231:,
193:.
119:on
2607::
661:.
616:^
604:^
464:–
454:–
437:–
311::
185:,
2569:)
1183:e
1176:t
1169:v
911:e
904:t
897:v
810:"
766:"
754:"
695:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
