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Oh! Calcutta!

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301: 540:, wrote that "the humor is so doggedly sophomoric and soporific", adding: "The failure here is almost exclusively a failure of the writers and the producers. The director, Jacques Levy, has done his best with the weak material at hand ... the nude scenes, while derivative, are attractive enough. The best effects—including the rather sweet grope-in immediately after the intermission—have been taken from 44: 569:
jokes." He noted that the enjoyment and lack of embarrassment of the cast helped the audience to accept the more insubstantial elements of the revue's material and that the stage sets' screen projections assisted the dance numbers considerably, concluding: "In many ways, it is a ghastly show: ill-written, juvenile, and attention-seeking. But it is not a menace."
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but none based on ideas that strike me as more sympathetic. Namely that the ordinary human body is an object well worth attention: and that there is no reason why the public treatment of sex should not be extended to take in not only lyricism and personal emotion but also the rich harvest of bawdy
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Players come out to sing the finale, also doing voiceover as to what the theater patrons are really thinking about the experience. Examples include: "She has pretty eyes" (the joke being that all of the actors are nude at this point), "How come none of the guys have
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A song of five letters written by anonymous authors about their sexual preferences. They were actual letters to the editor from various newspapers from olden times in London and, later in the Suite, contemporary letters from sexual newspapers of the day.
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in select cities in 1971, and was released theatrically in 1972. In both cases, many cities and municipalities banned its screening. Frank Herold, an editor who worked on the film, commented on that in a brief post he contributed to the relevant
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A boy and a girl who just met are in their own playland, with the boy constantly trying to find ways to seduce the girl, who is afraid of him because he is a boy. The sketch ends with the girl in a coma after the boy rapes her.
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Note: the revue takes place in the form of sketches. These are taken from the 1971 pay-per-view production with lyrics and music by Robert Dennis, Peter Schickele and Stanley Walden (unless otherwise noted).
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on September 24, 1976, and closed on August 6, 1989 after 5,959 performances, again directed and choreographed by Levy and Sappington. The revival briefly became the longest-running show in
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sent its panel of experts, including two retired headmistresses, to see The Roundhouse production. Their judgement that it was not obscene enabled it to transfer to London's West End.
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The Spanish-language premiere production opened on October 9, 1977 at Teatro Príncipe in Madrid, Spain, directed by Juan José Alonso Millán, who also translated the show.
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to make a series of paintings of erogenous zones on which the revue would be based. Boty died of cancer in July 1966 so only managed to complete one painting, her last:
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A pre-recorded section, where the actors are nude outside doing interpretive dance ("Much Too Soon", music and lyrics by Jacques Levy, Dennis, Schickele and Walden).
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The show sparked considerable controversy at the time due to its extended scenes of total nudity, both male and female. The title is taken from a painting by
594: 231:, was used as a Prologue in the original New York staging, but Beckett eventually withdrew permission for its use. Tynan commissioned British Pop artist 152:
revival that ran for 5,959 performances, making the show the longest-running revue in Broadway history, the second longest-running revival (after
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in 1970. It ran in London for over 3,900 performances, and in New York initially for 1,314. Revivals enjoyed even longer runs, including a 1976
737: 1331: 589:, which sent two officers to a preview of the show. One of the officers returned twice more, before recommending a prosecution under the 764: 321: 159: 181:
would direct the production, in order to give it avant-garde legitimacy, but Pinter declined. Sketches were written by, among others,
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A chaste woman is caught by her admirer, who then proceeds to learn that she is not as chaste as he thinks she is. It was written by
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on January 28, 1974, where it ran until February 1980, for a total of 3,918 performances. The London show was produced by
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A man participates in a sex study and the whole experience ends up turning into one big farce. The scene plays like the
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on February 17, 1971, and closed on August 12, 1972, after a total of 1,314 performances. It was directed by
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Tynan came up with the idea of putting on an erotic revue in the early summer of 1966. Tynan had hoped that
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is likely to disappoint different people in different ways, but disappointment is the order of the night."
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After a man rambles on about painting the fence and building a rock garden, his son talks about what girls
1139: 765:"New movie reveals life of producer and playboy Michael White who was secret king of showbiz in Scotland" 707: 1316: 939: 927: 821: 586: 421: 858: 977: 386:
The actors dance and remove their robes to the opening song ("Taking Off the Robe" (Oh! Calcutta!)).
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An uptight girl gets a lesson in loosening up after her lover is sick of her constantly stiff ways.
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game cannot seem to think of anything to masturbate to (this sketch's first draft was written by
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on September 30, 1970, running until January 27, 1974. The show then transferred to the
1054: 1026: 863: 536: 279: 1203: 1167: 1089: 1082: 951: 590: 275:, Nancy Tribush, Philip Gibson and George Welbes, and three "Open Window" composers. 154: 613: 1270: 1153: 1103: 1075: 545: 516: 317: 309: 283: 260: 149: 145: 109: 104: 1306: 1110: 619: 290: 286: 252: 210: 198: 166: 60: 932: 920: 817: 1249: 1129: 1096: 578: 541: 433: 370: 313: 218: 202: 182: 66: 1290: 1275: 1260: 1224: 1068: 555: 445: 374: 227: 206: 194: 178: 137: 1146: 531: 495: 336: 268: 256: 232: 141: 99: 1265: 1255: 993: 548:', and the show uses the same projected media designers ... In sum, 520: 499: 272: 190: 186: 129: 944: 805: 1033: 515:?" "That's my boyfriend—that IS a hard-on" and "If they showed this in 300: 618:
mixes photographic collage and oil techniques; the inscription is a (
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Wardle, Irving (28 July 1970). "Sometimes funny – not a menace".
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after meeting the middle-aged couple who answers their ad.
672:"'Oh! Calcutta!' at 50: Still Naked After All These Years" 623: 457:"Who, Whom (Exchanges of Information)" (added during run) 263:. The cast included Sappington, future television stars 738:"John Walsh meets... Michael White, sultan of swingers" 859:"Theater: 'Oh, Calcutta!' a Most Innocent Dirty Show" 278:
The musical premiered in London on July 27, 1970, at
225:, known as The Open Window. Beckett's contribution, 885: 756: 324:and the longest-running revue in Broadway history. 523:would shit!" ("Coming Together, Going Together"). 420:A young couple starts to rethink getting into the 698:guidetomusicaltheatre.com, accessed July 31, 2009 630: ), an admiring exclamation on the woman's 1288: 870: 564:in 1970, said: "I have seen better revues than 1127: 978: 838:Absolute Elsewhere: The Spirit Of John Lennon 881:. No. 57929. Times Newspapers Limited. 771:. Scottish Daily Record and Sunday Mail Ltd 16:Avant-garde, risque theatrical revue (1969) 985: 971: 729: 834:"Lennon Lore & Legacy: Oh! Calcutta!" 710:broadwayworld.com, accessed July 31, 2009 581:, London, attracted the attention of the 744:. Independent Digital News and Media Ltd 647:, France, Weidenfeld and Nicolson, 1994. 572: 299: 762: 669: 247:The musical opened off-Broadway at the 209:and Tynan, and featured the cast nude. 21:Oh! Calcutta! (The Lawrence Arms album) 1289: 891: 966: 735: 660:, Copyright 1969 by Grove Press, Inc. 377:" (until licence withdrawn by author) 251:on June 21, 1969, transferred to the 526: 894:"How two dames saved Oh! Calcutta!" 763:Roberts, Lesley (3 November 2013). 330: 169:, a portrait of a reclining nude. 13: 1332:Obscenity controversies in theatre 14: 1348: 914: 892:Travis, Alan (23 December 2000). 670:Soloski, Alexis (June 17, 2019). 474:Another nude interpretive dance. 19:For The Lawrence Arms album, see 136:created by British drama critic 42: 23:. For the restaurant brand, see 992: 851: 826: 811: 799: 783: 736:Walsh, John (23 October 2011). 595:Director of Public Prosecutions 416:Will Answer All Serious Replies 320:history. It remains Broadway's 791:"The Asterisks of Oh Calcutta" 713: 701: 689: 663: 650: 637: 606: 242: 213:(also known as the creator of 25:Speciality Restaurants Limited 1: 600: 304:Billboard on Broadway in 1981 172: 1062:Geography of a Horse Dreamer 721:The Diaries of Kenneth Tynan 708:Oh Calcutta West End listing 448:at a sex research facility. 7: 1337:Counterculture of the 1960s 1327:Nudity in theatre and dance 1140:Curse of the Starving Class 934:​Oh, Calcutta!​ 922:​Oh, Calcutta!​ 351: 339:video production played on 322:eighth longest-running show 10: 1353: 940:Internet Broadway Database 928:Internet Broadway Database 822:Internet Broadway Database 587:Obscene Publications Squad 462:Life Is Over Much Too Soon 18: 1241: 1181: 1018: 1000: 876: 643:Tynan, Kathleen (editor) 534:, in his 1969 review for 440:Was It Good for You, Too? 341:closed-circuit television 282:, and transferred to the 94: 84: 72: 56: 51:original cast album cover 41: 32: 924:(June 17, 1969 original) 723:, A&C Black (2002), 451: 361: 144:in 1969 and then in the 948:(film of 1969 original) 936:(Sept 24, 1976 revival) 615:Oh! Calcutta! Calcutta! 577:The 1970 production at 399:A Suite of Five Letters 346:Internet Movie Database 305: 160:eighth longest-running 645:Kenneth Tynan Letters 612:Trouille's 1946 work 573:Obscenity allegations 428:Delicious Indignities 303: 259:and choreographed by 217:), Robert Dennis and 1322:Plays by Sam Shepard 1118:Kicking a Dead Horse 696:Oh!Calcutta! listing 308:A revival opened on 162:Broadway show ever. 132:, risquĂ© theatrical 1232:Don't Come Knocking 593:for obscenity. The 583:Metropolitan Police 382:Taking Off the Robe 1055:The Tooth of Crime 864:The New York Times 676:The New York Times 537:The New York Times 422:swingers lifestyle 306: 1317:Broadway musicals 1284: 1283: 1204:Renaldo and Clara 1190:Me and My Brother 1177: 1176: 1168:A Lie of the Mind 1090:Suicide in B Flat 725:p. 76, footnote 1 591:Theatres Act 1968 527:Critical response 221:were the revue's 121: 120: 1344: 1271:Brownsville Girl 1125: 1124: 987: 980: 973: 964: 963: 909: 908: 906: 904: 889: 883: 882: 874: 868: 867:, June 18, 1969. 855: 849: 848: 846: 844: 830: 824: 815: 809: 803: 797: 796:, August 8, 1989 787: 781: 780: 778: 776: 760: 754: 753: 751: 749: 733: 727: 719:Tynan, Kenneth, 717: 711: 705: 699: 693: 687: 686: 684: 682: 667: 661: 654: 648: 641: 635: 610: 494:A newcomer to a 331:Filmed recording 261:Margo Sappington 76:Peter Schickele 46: 36: 30: 29: 1352: 1351: 1347: 1346: 1345: 1343: 1342: 1341: 1287: 1286: 1285: 1280: 1237: 1197:Zabriskie Point 1173: 1123: 1111:The God of Hell 1027:Icarus's Mother 1014: 996: 991: 917: 912: 902: 900: 890: 886: 875: 871: 857:Barnes, Clive. 856: 852: 842: 840: 832: 831: 827: 816: 812: 804: 800: 788: 784: 774: 772: 761: 757: 747: 745: 742:The Independent 734: 730: 718: 714: 706: 702: 694: 690: 680: 678: 668: 664: 655: 651: 642: 638: 611: 607: 603: 575: 529: 454: 390:Jack & Jill 364: 354: 333: 291:Duchess Theatre 287:Royalty Theatre 253:Belasco Theatre 245: 211:Peter Schickele 175: 167:Clovis Trouille 113: 107: 102: 90:Various Artists 79: 77: 65: 63: 61:Peter Schickele 52: 34: 28: 17: 12: 11: 5: 1350: 1340: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1282: 1281: 1279: 1278: 1273: 1268: 1263: 1258: 1253: 1250:Family Trilogy 1245: 1243: 1239: 1238: 1236: 1235: 1228: 1221: 1214: 1207: 1200: 1193: 1185: 1183: 1179: 1178: 1175: 1174: 1172: 1171: 1164: 1157: 1150: 1143: 1135: 1133: 1130:Family Trilogy 1122: 1121: 1114: 1107: 1100: 1093: 1086: 1079: 1072: 1065: 1058: 1051: 1044: 1037: 1030: 1022: 1020: 1016: 1015: 1013: 1012: 1007: 1001: 998: 997: 990: 989: 982: 975: 967: 961: 960: 956:BroadwayWorld 954: 942: 930: 916: 915:External links 913: 911: 910: 884: 869: 850: 825: 810: 798: 794:New York Times 782: 755: 728: 712: 700: 688: 662: 649: 636: 628:quel cul t'as! 604: 602: 599: 579:The Roundhouse 574: 571: 542:Robert Joffrey 528: 525: 508: 507: 492: 491: 480: 479: 472: 471: 464: 463: 459: 458: 453: 450: 442: 441: 434:Sherman Yellen 430: 429: 418: 417: 410: 409: 401: 400: 392: 391: 384: 383: 379: 378: 371:Samuel Beckett 368: 363: 360: 353: 350: 332: 329: 314:Edison Theatre 280:The Roundhouse 244: 241: 219:Stanley Walden 203:Sherman Yellen 183:Samuel Beckett 174: 171: 119: 118: 96: 92: 91: 88: 82: 81: 80:Stanley Walden 78:Robert Dennis 74: 70: 69: 67:Stanley Walden 64:Robert Dennis 58: 54: 53: 47: 39: 38: 15: 9: 6: 4: 3: 2: 1349: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1312:1969 musicals 1310: 1308: 1305: 1303: 1300: 1298: 1297:British plays 1295: 1294: 1292: 1277: 1274: 1272: 1269: 1267: 1264: 1262: 1261:Jessica Lange 1259: 1257: 1254: 1252: 1251: 1247: 1246: 1244: 1240: 1234: 1233: 1229: 1227: 1226: 1225:Silent Tongue 1222: 1220: 1219: 1215: 1213: 1212: 1208: 1206: 1205: 1201: 1199: 1198: 1194: 1192: 1191: 1187: 1186: 1184: 1180: 1170: 1169: 1165: 1163: 1162: 1161:Fool for Love 1158: 1156: 1155: 1151: 1149: 1148: 1144: 1142: 1141: 1137: 1136: 1134: 1132: 1131: 1126: 1120: 1119: 1115: 1113: 1112: 1108: 1106: 1105: 1101: 1099: 1098: 1094: 1092: 1091: 1087: 1085: 1084: 1080: 1078: 1077: 1076:Killer's Head 1073: 1071: 1070: 1066: 1064: 1063: 1059: 1057: 1056: 1052: 1050: 1049: 1045: 1043: 1042: 1041:Oh! Calcutta! 1038: 1036: 1035: 1031: 1029: 1028: 1024: 1023: 1021: 1017: 1011: 1008: 1006: 1003: 1002: 999: 995: 988: 983: 981: 976: 974: 969: 968: 965: 959: 955: 953: 949: 947: 946:Oh, Calcutta! 943: 941: 937: 935: 931: 929: 925: 923: 919: 918: 899: 895: 888: 880: 873: 866: 865: 860: 854: 839: 835: 829: 823: 819: 814: 807: 806:Oh! Calcutta! 802: 795: 792: 786: 770: 766: 759: 743: 739: 732: 726: 722: 716: 709: 704: 697: 692: 677: 673: 666: 659: 658:OH! CALCUTTA! 656:Front piece, 653: 646: 640: 633: 629: 625: 621: 617: 616: 609: 605: 598: 596: 592: 588: 584: 580: 570: 567: 566:Oh! Calcutta! 563: 562: 558:, writing in 557: 556:Irving Wardle 553: 551: 550:Oh! Calcutta! 547: 543: 539: 538: 533: 524: 522: 518: 514: 505: 504: 503: 501: 497: 489: 488: 487: 485: 477: 476: 475: 469: 468: 467: 461: 460: 456: 455: 449: 447: 446:Marx Brothers 439: 438: 437: 435: 427: 426: 425: 423: 415: 414: 413: 408:Dick and Jane 407: 406: 405: 398: 397: 396: 389: 388: 387: 381: 380: 376: 372: 369: 366: 365: 359: 358: 349: 347: 342: 338: 328: 325: 323: 319: 315: 311: 302: 298: 296: 295:Michael White 292: 288: 285: 281: 276: 274: 271:, as well as 270: 266: 262: 258: 254: 250: 240: 238: 234: 230: 229: 224: 220: 216: 212: 208: 207:Jules Feiffer 204: 200: 196: 195:Leonard Melfi 192: 188: 184: 180: 179:Harold Pinter 170: 168: 163: 161: 157: 156: 151: 147: 143: 139: 138:Kenneth Tynan 135: 131: 127: 126: 125:Oh! Calcutta! 117: 111: 106: 101: 97: 93: 89: 87: 83: 75: 71: 68: 62: 59: 55: 50: 49:Oh! Calcutta! 45: 40: 37: 35:Oh! 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Index

Oh! Calcutta! (The Lawrence Arms album)
Speciality Restaurants Limited

Peter Schickele
Stanley Walden
Book
Off-Broadway
West End
Broadway
Madrid
avant-garde
revue
Kenneth Tynan
Off-Broadway
West End
Broadway
Chicago
eighth longest-running
Clovis Trouille
Harold Pinter
Samuel Beckett
John Lennon
Sam Shepard
Leonard Melfi
Edna O'Brien
Sherman Yellen
Jules Feiffer
Peter Schickele
PDQ Bach
Stanley Walden

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