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Number Seventeen

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after the train. Ben is revealed to have the necklace. Sheldrake discovers this, and the thieves fight each other. Sheldrake claims that Doyle, is in fact, a detective posing as a thief. A chase scene occurs on the train as the thieves go after Doyle, who escapes and later handcuffs Nora. Barton’s bus races after the train. The thieves, realizing that the train is accelerating, try to find the brakes. They operate controls helplessly and notice Barton's/Fordyce's bus.
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murder. Barton, who introduces himself as Fordyce, asks the stranger about the contents of his pockets before the shadow of a hand is shown reaching for a doorknob. The stranger, who later introduces himself as Ben, a homeless derelict, searches the dead body and finds handcuffs and a pistol, which he takes.
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The Detective returns from investigating weird sounds and finds the handcuffs that the stranger had left on the ground. A woman called Ms. Ackroyd is seen through shadows crawling on the roof. After falling through the roof, she is revived and cries out for her father. She explains that her father is
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The bell tolls half past midnight, and the dead body has disappeared. Three people arrive at the windswept house: Brant, Nora (a deaf-mute woman) and a third person named Henry Doyle. Ben produces a pistol and accidentally shoots Barton/Fordyce in the arm. Brant produces a pistol of his own and asks
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The train departs with Ben aboard and he stumbles onto crates of wine to consume. The thieves, after dispatching the conductor, walk to the front of the train, shoot the fireman and catch the driver as he faints. Barton, who failed to board the train before it departed, commandeers a bus and chases
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Doyle tells Barton/Fordyce that he is Detective Barton. But "Fordyce”, who is the real Barton, reveals to Doyle that he's made a couple of mistakes. First, the cops weren't just after the necklace; they were also after Sheldrake. They knew that the necklace would draw Sheldrake out, and hence,
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Sheldrake wins the fistfight and frees Brant, Doyle, and Nora. Rose and Barton/Fordyce are bound again. Nora reveals that she is able to speak and says, "I'm coming back." She returns and frees Rose and Barton. Rose faints but recovers. Nora returns to the basement to allay the suspicions of the
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Sheldrake reaches out and appears to strangle Ben, who is only feigning unconsciousness. The supposed corpse turns out to be alive and pretends to be Sheldrake in order to fool the thieves. (He is, in fact, Rose's missing father, a police officer). Brant suggests binding Rose and Barton/Fordyce.
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Along a coastline in rural England, police Detective Barton arrives at a house, Number 17, marked for sale or rent. The door is unlocked, and he wanders in. An unknown person with a candle is wandering about and a dead body is found. When confronted, the mysterious person claims innocence of the
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Despite the thieves' efforts, the train only accelerates, leaving them unable to escape. At the dock, the ferry arrives. As Barton watches, the train hurtles through the dock, crashes into the train on the ferry at full speed and pushes it out to sea, dragging the remaining cars into the ocean.
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Doyle to search Barton/Fordyce, Ben and Miss Rose Ackroyd. A telegram is revealed to Brant. A man named Sheldrake shows up and retrieves a diamond necklace, which he has hidden in the upper portion of a toilet. Ben causes a commotion and is locked away with Sheldrake in the toilet.
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wrote in August 1932: "Like the play, the story is vague and, despite its intended eeriness, unconvincing. It is asking a lot of an audience—even a picture one—to make them believe a woman accomplice of a band of thieves will fall in
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with a detective and prevent his being done in by her associates." The review observed that the climactic train crash scene was "very good, but not sufficient to make it anything but a program feature."
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Officer Ackroyd manages to lock away the three thieves and frees his daughter and Barton. He opens the door behind which Ben is locked away with Sheldrake and engages in a fistfight with Sheldrake.
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that Sheldrake would surely draw Doyle out. Second, Doyle was foolish enough to impersonate a detective, and Barton, of all detectives... "The comic part of it is," Barton says, in conclusion, "
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other thieves and to buy time for the rest to escape. They free Ben and Ackroyd. The thieves arrive at the railyard and board a departing freight train bound for the German States.
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on home video. However, various licensed, restored releases have appeared on DVD disc and video-on-demand services. On December 7, 2021, the film was released on
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Barton." All of the thieves except Nora are apprehended by the police. In the final shot, Ben reveals to Nora and Barton that he has the diamond necklace.
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calls the film "highly entertaining but practically incomprehensible" and an "unsatisfactory early tongue-in-cheek comedy/suspense yarn."
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offered a similar verdict, telling Hitchcock that he had found the film "quite funny, but the story was rather confusing."
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People are rescued from the water. Possibly due to being drunk, Ben is among the last to get rescued.
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continues to garner generally negative reviews; the critical consensus published by review aggregator
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This is one of the few Hitchcock thrillers that Hitchcock himself doesn't have a cameo in.
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The film makes extensive use of miniature sets, including a model train, bus and ferry.
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Many critics who may be unfamiliar with the film's comedy origins have judged
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Upon the film's initial release, some audience members reacted to
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for the film, which was intended as a comedy-oriented thriller.
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Although the opening credits confirm the picture's title as
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had a different project for Hitchcock: a filmed version of
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celebrating local boy Alfred Hitchcock in the subway at
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on the roof and that they are next door in Number 15.
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The Dark Side of Genius: The Life Of Alfred Hitchcock
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as a failed attempt at serious drama. A reviewer for
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Films shot at British International Pictures Studios
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Alfred Hitchcock Collectors’ Guide: Number Seventeen
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with confusion and disappointment. In the 1966 book
738: 533: 541:is copyrighted worldwide, but it has been widely 399:Hitchcock returned to England from a trip to the 1992: 583: 581: 1683: 853: 578: 435:, who directed the 1932 film adaptation of 1690: 1676: 1577:Alfred Hitchcock: The Art of Making Movies 860: 846: 621: 619: 617: 473:, Hitchcock called the film a "disaster." 36: 1584:Alfred Hitchcock and the Making of Psycho 1539:German Concentration Camps Factual Survey 689:"Alfred Hitchcock: Dial © for Copyright" 289: 614: 264:. The film, which is based on the 1925 1993: 604:"A Brief History of Hitchcock Remakes" 168:Associated British Picture Corporation 1671: 947:The Lodger: A Story of the London Fog 841: 736: 1597:Remakes of films by Alfred Hitchcock 867: 601: 403:with a new idea for a film. 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Index

17 (disambiguation)

Alfred Hitchcock
Alma Reville
Rodney Ackland
Number Seventeen
Joseph Jefferson Farjeon
John Maxwell
John Stuart
Anne Grey
Leon M. Lion
Donald Calthrop
Barry Jones
Ann Casson
Jack Cox
Bryan Langley
Adolph Hallis
Associated British Picture Corporation
Wardour Films
comedy
thriller film
Alfred Hitchcock
John Stuart
Anne Grey
Leon M. Lion
burlesque
Number Seventeen
Joseph Jefferson Farjeon
English Channel

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