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236:, and a second edition was published in 2009. A broadly expanded third edition, released in the summer of 2020, documents the grass-roots spread of 'Hardware Hacking' through local art and music organizations and collectives, often in conjunction with feminist and/or regional cultural concerns, from Brazil to Indonesia. He was a major influence on the establishment of the
81:, all of whom he worked with closely, Collins also immersed himself in the New York Improvised Music scene of the 1980s. Using home-built instruments that combined circuitry, simple computers and traditional instruments such as trombones and slide guitars, he collaborated and performed with
120:
As a studio artist at PS1 in 1983-84, Collins exhibited sound sculptures of 'backwards guitars'—found instruments modified so the pick-ups resonated the guitar strings with live radio signals. Subsequent installation projects at
117:(2016) in which the digital data of photographic images is played as sound in a room, where it is allowed to decay, and the decay is reflected in the photograph, which changes and eventually disappears as sound fades to silence.
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He has also been active as a curator, policy adviser, and board member for numerous cultural organizations, since first taking on the post of
Curator of Music Performances and Sound Installations at PS1/The Clocktower (now
133:(Karlsruhe); and the Sonambiente sound art festival (Berlin), featured performing devices such a model train that 'plays'a long amplified wire, as well as multi-channel video works.
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In the 1980s
Collins was "a pioneer in the use of microcomputers in live performance, and has made extensive use of 'home-made' electronic circuitry, radio,
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109:(1993), in which a solo trumpet player improvises against a skipping CD of Renaissance brass music. More recent works include
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Nicolas
Collins, "Grazing the buffet : the musical menu after Cage," in Schröder, J. and Straebel, V. ed.
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and others. Collins's compositions frequently ask performers to respond to unpredictable musical cues, as in
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material, and transformed musical instruments." Trained in the experimental compositional tradition of
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168:(DAAD) composer-in-residence fellowship. From 1997 to 2017 Collins served as Editor-in-Chief of the
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NewMusicBox cover: Nic
Collins in conversation with Molly Sheridan, April 18, 2007 (includes video)
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This article is about the US experimental music composer. For the UK computer music composer, see
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NewMusicBox asks
Nicolas Collins: How do composers use the web as a creative medium for music?
113:(2008), in which a birthday candle 'plays' a light-sensitive circuit until it burns down; and
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Collins' musical compositions have been presented at venues around the world, ranging from
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Nicolas
Collins, "Beim nächsten Ton ist es..." ("At The Tone The Time Will Be..."), in
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Proceedings of the symposium John Cage und die Folgen / Cage & Consequences
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591:"Faculty alpha listing : SAIC - School of the Art Institute of Chicago"
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105:(1985), in which the performer DJs with snippets of live scanning radio, or
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Collins lives and works in Berlin, Chicago and rural
Massachusetts.
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Acoustic Arts & Artifacts: Technology, Aesthetics, Communication
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152:) in 1985. In 1992 he left New York to become Artistic Director of
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Nicolas
Collins, "Live Electronic Music," in Collins, N. ed.,
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613:"Whitney Museum of American Art: Christian Marclay: Festival"
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45:, a sound artist and writer. He received his BA and MA from
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419:, another author with a focus on somewhat identical topics
209:, and has been guest professor at Institute of Sonology,
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638:"Hardware Hacking with Nicolas Collins - ausland-berlin"
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Handmade
Electronic Music: The Art of Hardware Hacking
353:
Handmade
Electronic Music: The Art of Hardware Hacking
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Nicolas Collins's "Devil"s Music 1" (Excerpt) (3:15)
174:, a peer-reviewed academic journal published by the
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260:, compiled with Ron Kuivila's works (Lovely Music)
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389:Dialog III: Musik im Klangkunst und Musiktheater
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313:, collaboration with Peter Cusack (Plate Lunch)
200:Resonancias – Revista de Investigación Musical
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699:February 1995 by and copyright © Brian Duguid
491:"Nicolas Collins, Nonpop New Music Composer"
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378:The Cambridge Companion to Electronic Music
180:Resonance: the Journal of Sound and Culture
156:(Studio for Electro Instrumental Music) in
23:. For other people with similar names, see
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297:100 of the World's Most Beautiful Melodies
178:., and he sits on the editorial boards of
53:. Upon graduating from Wesleyan, he was a
566:"Leonardo On-Line: About Nicolas Collins"
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219:Pontificia Universidad Católica de Chile
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717:School of the Art Institute of Chicago
207:School of the Art Institute of Chicago
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205:Collins is Professor of Sound at the
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1103:20th-century American male musicians
213:; Kunsthochschule Kassel, Germany;
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1063:American male classical composers
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366:, Paris: van Dieren Éditeur, 2015
25:Nicholas Collins (disambiguation)
1058:20th-century classical composers
1053:21st-century classical composers
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265:Let The State Make The Selection
166:German Academic Exchange Service
1098:20th-century American composers
1093:21st-century American composers
1083:American experimental composers
983:Experimental musical instrument
820:Predecessors and early pioneers
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466:"Nicolas Collins: Prose Scores"
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211:Royal Conservatory of The Hague
712:Tellus Audio Cassette Magazine
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304:It Was a Dark and Stormy Night
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184:University of California Press
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223:Technische Universität Berlin
215:Universität der Künste Berlin
1068:American classical composers
662:Kraus, Pat (24 March 2014).
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946:Musical Electronics Library
668:Musical Electronics Library
441:"Nicolas Collins Interview"
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311:A Host, Of Golden Daffodils
238:Musical Electronics Library
111:In Memoriam Michel Waiswicz
16:American classical composer
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1048:Wesleyan University alumni
1017:Category: Electronic music
382:Cambridge University Press
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722:CDeMusic: Nicolas Collins
258:Going Out With Slow Smoke
225:, among other locations.
51:University of East Anglia
33:(born March 26, 1954, in
1088:American noise musicians
925:BBC Radiophonic Workshop
341:(Trace Elements Records)
196:Journal of Sound Studies
904:Speak & Spell (toy)
406:, Berlin: Podewil, 1994
198:(The Netherlands), and
192:Fondazione Giorgio Cini
49:, and his PhD from the
21:Nick Collins (composer)
1078:Musicians from Chicago
470:www.nicolascollins.com
228:In 2006 Collins' book
171:Leonardo Music Journal
318:Sound Without Picture
160:, and later moved to
127:Gemeente Museum Hague
934:Elektronmusikstudion
281:(Banned Productions)
796:Modular synthesizer
445:media.hyperreal.org
47:Wesleyan University
937:Casper Electronics
878:Atari Punk Console
664:"MEL prehistory 1"
396:Matthias Osterwold
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1024:
642:ausland-berlin.de
516:"Nicolas Collins"
404:Pfeiffen im Walde
394:Nicolas Collins,
362:Nicolas Collins,
232:was published by
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842:Delia Derbyshire
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595:www.saic.edu
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1038:1954 births
988:Acousmonium
967:Bart Hopkin
871:Instruments
852:David Tudor
768:DIY culture
647:17 February
525:17 February
500:17 February
475:17 February
450:17 February
417:Bart Hopkin
286:Robert Poss
284:1988 (with
251:Discography
242:New Zealand
107:Still Lives
79:David Tudor
67:found sound
1032:Categories
883:Drum Buddy
623:2010-08-30
576:2010-08-30
551:2010-08-30
424:References
320:(Periplum)
41:of mostly
888:Kraakdoos
811:Tape loop
801:Hackspace
697:Interview
357:Routledge
234:Routledge
202:(Chile).
176:MIT Press
158:Amsterdam
99:John Zorn
61:Biography
897:Circuits
847:Bob Moog
786:Chiptune
411:See also
339:Salvaged
325:Pea Soup
150:MoMA PS1
83:Tom Cora
39:composer
955:Writers
673:15 July
391:, 1999.
384:, 2007.
337:2015 -
330:2009 -
323:2004 -
316:1999 -
309:1999 -
302:1992 -
295:1989 -
277:1988 -
270:1986 -
263:1984 -
256:1982 -
140:to the
37:) is a
1015:
993:Glitch
162:Berlin
77:, and
930:STEIM
164:on a
154:STEIM
675:2014
649:2019
527:2019
502:2019
477:2019
452:2019
288:) -
138:CBGB
770:in
355:, (
240:in
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131:ZKM
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