67:. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary,
79:, a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by
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116:. He largely provided these texts for performances given to mark special occasions - birthdays in the royal family, for example, or possibly
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celebrations or court weddings. Minato was a popular librettist and after his death his works were frequently revived by composers such as
112:. In addition to his duties as a writer of secular works, Minato was also a prolific producer of sacred texts, often described as
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83:. In 1665 he became a prominent figure in the running of the Teatro San Salvador. While there he collaborated with composer
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Die Oper am Hofe Kaiser
Leopolds I. mit besonderer Berücksichtigung der Tätigkeit von Minato und Draghi
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At Vienna he wrote over 170 librettos, averaging around 5 a year, in genres as diverse as
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E. Rosand: Opera in
Seventeenth-Century Venice: the Creation of a Genre (Berkeley, 1991)
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Funktionen des
Operntheaters in Neapel bis 1700 und die Rolle Alessandro Scarlattis
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in 1667. In 1669 he left Venice to take up a post in Vienna as court poet to the
71:. Minato was also a member of several literary academies, including, along with
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The Minato-Cavalli Operas: the search for
Structure in Libretto and Solo Scene
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228:, Jb der Geschichte für Wiener Theaterforschung 1951–2 (1955), 7–96
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Minato is best remembered for his vast output as a librettist for
42:. His career can be divided into two parts: the years he spent at
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Rosand, Ellen & Seifert, Herbert (2001). "Nicolò Minato". In
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235:, Colloquium Alessandro Scarlatti: Würzburg 1975, 13–111
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157:The New Grove Dictionary of Music and Musicians
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188:Venetian Opera in the Seventeenth Century
284:Italian male dramatists and playwrights
16:Italian poet, librettist and impresario
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209:Minato and the Venetian Opera Libretto
46:, from 1650 to 1669, and the years at
30:, 28 February 1698) was an Italian
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226:Barocktheater am Wiener Kaiserhof
204:(diss., U. of Washington, 1979)
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50:, from 1669 until his death.
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221:(diss., U. of Vienna, 1974)
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211:, CMc, no.27 (1982), 84–91
77:Accademia degli Imperfetti
259:Italian opera librettists
160:(2nd ed.). London:
87:in revising his opera
63:, written in 1650 for
264:Writers from Bergamo
162:Macmillan Publishers
279:Italian impresarios
90:Zenobia e Radamisto
20:Count Nicolò Minato
274:Italian male poets
186:S. T. Worsthorne:
130:Giovanni Bononcini
122:Johann Adolf Hasse
171:978-1-56159-239-5
95:Emperor Leopold I
85:Giovanni Legrenzi
69:Giovanni Faustini
65:Francesco Cavalli
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81:Antonio Sartorio
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103:opera seria
243:Categories
217:N. Hiltl:
140:References
40:impresario
36:librettist
114:oratorios
73:Busenello
154:(eds.).
134:Telemann
60:Orimonte
195:Cavalli
24:Bergamo
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150:&
132:, and
126:Handel
118:Lenten
75:, the
48:Vienna
44:Venice
28:Vienna
55:opera
166:ISBN
106:and
38:and
32:poet
22:(b.
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