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with an image of God in the middle and 96 portrait of angels' heads. With so many faces of smiling children, the chapel looks very cheerful, unlike other
European art of that time.
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carrying torches as if peering out of the doors of the underworld. Above them there are niches with sculptures of Christ and the apostles, among of which are
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in 1468. Just like the Šibenik cathedral, it was composed of large stone blocks with extreme precision. In cooperation with a disciple of
Giorgio,
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Metropolitan Museum of Art
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Work on Šibenik cathedral inspired Niccolò for his work on the expansion of
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St.Michael, sculpture by Niccolò di
Giovanni Fiorentino on the dome of the
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The grave of Ser
Vittore Cappello in the Church of Saint Helen in
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a collection catalog with material on
Fiorentino (see index)
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of blessed John of Trogir. Surrounding this are reliefs of
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77:, following the original plans of Giorgio.
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92:Before 1457 he probably worked with
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204:15th-century Italian architects
209:15th-century Italian sculptors
32:Niccolò di Giovanni Fiorentino
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199:Italian Renaissance sculptors
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27:, made by Niccolò Fiorentino.
52:Italian Renaissance sculptor
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194:People from Bagno a Ripoli
54:and architect, active in
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214:Italian male sculptors
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88:of St James, Croatia
71:Giorgio da Sebenico
40:Nicolas of Florence
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143:Šibenik Cathedral
86:Šibenik Cathedral
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36:Nikola Firentinac
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131:coffered ceiling
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127:Nativity
60:Dalmatia
48:Šibenik
117:genies
56:Venice
25:Venice
122:putti
98:Padua
75:dome
58:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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