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The New York
Etching Club held regular exhibitions through the early 1890s in which members and invited guests displayed their etchings for sale to the general public. From 1879 to 1881, works by members of the New York Etching Club were also featured in a periodical called
206:, it further popularized etching as a medium and the New York Etching Club as a professional organization. The success of the New York Etching Club helped spawn similar organizations in other major American cities in the late 19th century.
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that had blossomed in France and
England in the middle of the 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right.
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where etchings were printed from a press that Farrer built. The club was formed by Dr. Yale, Robert Swain
Gifford and James David Smillie, with Yale as its first President.
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182:. For most members, etching was an important side-interest to their main occupation as painters. That was not the case, however, for
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TURNER, SIMON, ANTONY GRIFFITHS, HENRI ZERNER, RUTH BROMBERG, GIORGIO MARINI, ROBERT A. GERARD, JÜRGEN DÖRING, et al. “Notes.”
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To promote interest in original etching through exhibitions, illustrated catalogues, sales and other forms of public outreach
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Schneider, Rona. “The
American Etching Revival: Its French Sources and Early Years.”
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The first meeting of the New York
Etchers Club took place in the studio of
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Breitenbach, Edgar. “American
Graphics in the Late Nineteenth Century.”
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Other important members of the New York
Etching Club included
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was printed on a small press under the supervision of Dr.
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Eventually, bi-monthly meetings moved to the studio of
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an etching by
Charles Frederick William Mielatz, 1918.
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Professional associations based in the United States
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467:"New York Etching Club (Worldcat Identities)"
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381:Yale Family Collection and Artwork Collection
417:Marantz Cohen, Paula (January 23, 2015).
558:1877 establishments in New York (state)
548:Organizations based in New York (state)
394:"THE FINE ARTS.; NEW-YORK ETCHING CLUB"
563:Arts organizations established in 1877
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359:E. T. L. “The New York Etching Club.”
292:Smithsonian American Art Museum (SAAM)
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312:"American Etchers Abroad, 1880-1939"
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176:Charles Frederick William Mielatz
516:Archives of American Art Journal
254:The Print Collector's Newsletter
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127:on May 2, 1877. An etching by
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216:List of American print clubs
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518:30, no. 1/4 (1990): 19–26.
361:The Art Journal (1875-1887)
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204:Museum of Fine Arts, Boston
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448:16, no. 4 (1999): 370–92.
419:"Stumbling on the sublime"
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66:Professional organization
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250:"Print Clubs in America"
288:"New York Etching Club"
196:The American Art Review
164:Frederick Stuart Church
200:Sylvester Rosa Koehler
248:Peters, Lisa (1982).
184:Edith Loring Getchell
160:William Merritt Chase
133:Leroy Milton Yale Jr.
104:New York Etchers Club
100:New York Etching Club
92:New York Etchers Club
17:New York Etching Club
337:American Art Journal
180:Thomas Waterman Wood
129:Robert Swain Gifford
50:Robert Swain Gifford
30:Bit of Central Park,
471:Worldcat Identities
144:Charles Adams Platt
125:James David Smillie
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398:The New York Times
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79:Headquarters
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102:, formally
42:May 2, 1877
537:Categories
501:2021-11-29
403:2021-11-29
322:2021-08-19
297:2021-08-19
232:References
55:Founded at
430:August 8,
266:0032-8537
39:Formation
454:41824992
274:44131087
210:See also
82:New York
58:New York
543:Etching
524:1557637
496:cnx.org
476:Nov 28,
226:Etching
119:History
108:etching
71:Purpose
47:Founder
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178:, and
520:JSTOR
450:JSTOR
270:JSTOR
478:2021
432:2017
262:ISSN
186:and
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