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New Music USA

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98:'s Concerto for Piano and Orchestra. The works also include Gunther Schuller's Seven Studies on Themes by Paul Klee, which is among the very first Third Stream orchestra works. In the early 1960s, the Center initiated its Copying Assistance Program, later renamed the Composer Assistance Program, which gave grants directly to composers to assist in the preparation of performance materials. In subsequent decades, the center established additional grant programs including one which funded the live performance of music at dance presentations as well as programs to support recorded music. For many years the American Music Center ran the grant program of the Aaron Copland Fund. 374: 85:
For many years the main activity of the center was the accumulation of a library of American music which accepted score submissions from all composers who joined as members. The center's library, which eventually contained over 60,000 individual scores, featured published materials as well as
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was a United States organization founded in 1974 by the New York State Council on the Arts. Initially, it was a program at NYSCA called Composer in Performance, after a few years, the Council then asked the American Music Center to take the project over as one of its own program and
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was hired as program director. John Duffy then gave it the name: Meet The Composer. In later years, Meet The Composer was spun off by the American Music Center as an independent organization run by John Duffy. It sought to assist composers in making a living through
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In the 1950s, the Center created a landmark program funded by the Ford Foundation, to commission, perform, and record new American orchestral works, which resulted in 18 commissioned orchestral works, 72 performances, 12 recordings, and a
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unpublished manuscripts, many of which were unavailable elsewhere. (On June 29, 2001, the entire collection was transferred to The New York Public Library for the Performing Arts at Lincoln Center.)
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on November 8, 2011. The new organization retains the granting programs of the two former organizations as well as two media programs originally created at the American Music Center:
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For many years, the American Music Center was run by composer Ray Green. Other directors included Margaret Jory, Nancy Clarke, Toni Greenberg, and Richard Kessler. In 2019
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Meet The Composer's mission was, "to increase opportunities for composers by fostering the creation, performance, dissemination, and appreciation of their music."
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organization which aimed to promote the creating, performing, and enjoying new American music. It was founded in 1939 as a membership organization by composers
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arts and social service institutions to receive part of a $ 20 million grant from the
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by sponsoring commissioning, residency, education, and audience interaction programs.
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American Music Center and Meet The Composer Have Officially Merged as New Music USA
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American Music Center collection of score manuscripts, 1935-1996
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In 1999, the American Music Center launched the web magazine
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Opportunities: New Music USA / Grants / Call for Musicians
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is a new music organization formed by the merging of the
315: 285: 992: 323:"Twenty Million Dollars In New York City Grants" 297:"City Groups Get Bloomberg Gift of $ 20 Million" 1016:Music organizations based in the United States 549: 446: 16:Other organization in New York, United States 427:Music Division, The New York Public Library. 116:was appointed as the new president and CEO. 202: 193:AMC Library Moves to NYPL at Lincoln Center 556: 542: 453: 439: 372: 23: 146:In 2005, Meet The Composer was among 406 931:Los Angeles Philharmonic New Music Group 462:Music organizations in the United States 386:American Music Center records, 1939-2009 41: 1001:1974 establishments in New York (state) 831:Martha Baird Rockefeller Fund for Music 291: 1021:Arts organizations established in 1974 993: 27: 563: 537: 434: 407:New Music USA (current official site) 1011:Classical music in the United States 751:Third Street Music Settlement School 119: 415:American Music Center (former site) 13: 14: 1032: 341: 327:Carnegie Corporation of New York 235:NPO Spotlight: Meet The Composer 411:Meet The Composer (former site) 329:. July 5, 2005. Archived from 261: 244: 227: 185: 168: 1: 885:The Harlem School of the Arts 161: 737:Group for Contemporary Music 398:How to use archival material 7: 10: 1037: 907:Cleveland Chamber Symphony 371:JPB 13-39; JPB 15-64  239:PhilanthropyNewsDigest.org 925:Minnesota Composers Forum 571: 468: 380: 367: 357: 620:Juilliard String Quartet 598:Green Bay Symphonietta 919:Society for New Music 875:American Music Center 523:The Recording Academy 48:American Music Center 42:American Music Center 24:American Music Center 895:Center for New Music 757:Alice M. Ditson Fund 152:Carnegie Corporation 973:Phyllis Bryn-Julson 955:Gregg Smith Singers 362:Library of Congress 107:Counterstream Radio 36:Counterstream Radio 1006:American composers 901:Boston Musica Viva 863:Raymond Des Roches 781:Nelson Rockefeller 687:Margaret L. Crofts 653:William Strickland 302:The New York Times 280:EarShotNetwork.org 274:2014-05-31 at the 988: 987: 979:innova Recordings 943:David Alan Miller 857:Nicolas Slonimsky 815:Meet the Composer 763:Leopold Stokowski 683:Walter Hinrichsen 659:Bethany Beardslee 651:Helen Thompson / 565:Laurel Leaf Award 531: 530: 403: 402: 392: 391: 156:Michael Bloomberg 125:Meet The Composer 120:Meet The Composer 28:Meet The Composer 1028: 967:Harold Rosenbaum 937:Speculum Musicae 889:Mimi Stern-Wolfe 851:Ernest S. Heller 787:Gunther Schuller 769:MacDowell Colony 725:Fromm Foundation 667:Samuel Rosenbaum 558: 551: 544: 535: 534: 455: 448: 441: 432: 431: 388: 376: 355: 354: 346: 345: 335: 334: 319: 313: 312: 310: 309: 295:(July 6, 2005). 289: 283: 269:EarShot Partners 265: 259: 248: 242: 231: 225: 224: 222: 220: 206: 200: 189: 183: 172: 96:John La Montaine 1036: 1035: 1031: 1030: 1029: 1027: 1026: 1025: 991: 990: 989: 984: 913:Leonard Slatkin 793:Arthur Weisberg 747:Harris Danziger 715:Lawrence Morton 642:Howard Mitchell 567: 562: 532: 527: 464: 459: 384: 344: 339: 338: 321: 320: 316: 307: 305: 290: 286: 276:Wayback Machine 266: 262: 256:ArtistTrust.org 249: 245: 232: 228: 218: 216: 208: 207: 203: 197:NewMusicBox.org 190: 186: 180:NewMusicBox.org 173: 169: 164: 122: 44: 17: 12: 11: 5: 1034: 1024: 1023: 1018: 1013: 1008: 1003: 986: 985: 983: 982: 976: 970: 964: 958: 952: 946: 940: 934: 928: 922: 916: 910: 904: 898: 892: 878: 872: 869:Francis Thorne 866: 860: 854: 840: 834: 828: 822: 819:Joseph Machlis 808: 802: 796: 790: 784: 778: 772: 766: 760: 754: 740: 734: 728: 718: 708: 705:Elizabeth Ames 694: 680: 670: 656: 649: 639: 629: 623: 613: 610:Robert Whitney 607: 601: 595: 589: 586:Anahid Ajemian 579: 572: 569: 568: 561: 560: 553: 546: 538: 529: 528: 526: 525: 520: 515: 510: 505: 500: 495: 490: 485: 480: 475: 469: 466: 465: 458: 457: 450: 443: 435: 429: 428: 422: 417: 401: 400: 394: 393: 390: 389: 382: 378: 377: 369: 365: 364: 359: 351: 350: 343: 342:External links 340: 337: 336: 333:on 2009-01-16. 314: 284: 260: 243: 226: 210:"Vanessa Reed" 201: 184: 166: 165: 163: 160: 121: 118: 105:and, in 2007, 92:Pulitzer Prize 43: 40: 15: 9: 6: 4: 3: 2: 1033: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 998: 996: 980: 977: 974: 971: 968: 965: 962: 959: 956: 953: 950: 947: 944: 941: 938: 935: 932: 929: 926: 923: 920: 917: 914: 911: 908: 905: 902: 899: 896: 893: 890: 886: 882: 879: 876: 873: 870: 867: 864: 861: 858: 855: 852: 848: 844: 841: 838: 835: 832: 829: 826: 825:Carter Harman 823: 820: 816: 812: 809: 806: 803: 800: 797: 794: 791: 788: 785: 782: 779: 776: 775:Teresa Sterne 773: 770: 767: 764: 761: 758: 755: 752: 748: 744: 741: 738: 735: 732: 731:Aaron Copland 729: 726: 722: 719: 716: 712: 709: 706: 702: 701:Avery Claflin 698: 695: 692: 691:Max Pollikoff 688: 684: 681: 678: 674: 673:Carl Haverlin 671: 668: 664: 660: 657: 654: 650: 647: 646:Oliver Daniel 643: 640: 637: 633: 632:Martha Graham 630: 627: 624: 621: 617: 616:Howard Hanson 614: 611: 608: 605: 602: 599: 596: 593: 592:Herman Neuman 590: 587: 583: 580: 577: 574: 573: 570: 566: 559: 554: 552: 547: 545: 540: 539: 536: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 470: 467: 463: 456: 451: 449: 444: 442: 437: 436: 433: 426: 423: 421: 418: 416: 412: 408: 405: 404: 399: 396: 395: 387: 383: 379: 375: 370: 366: 363: 360: 356: 353: 352: 348: 347: 332: 328: 324: 318: 304: 303: 298: 294: 288: 281: 277: 273: 270: 264: 257: 253: 247: 240: 236: 230: 215: 214:New Music USA 211: 205: 198: 194: 188: 181: 177: 171: 167: 159: 157: 153: 149: 148:New York City 144: 141: 139: 138:writing music 134: 131: 126: 117: 115: 110: 108: 104: 99: 97: 93: 87: 83: 81: 80:Quincy Porter 77: 73: 72:Harrison Kerr 69: 68:Howard Hanson 65: 64:Aaron Copland 61: 57: 53: 49: 39: 37: 33: 29: 25: 21: 20:New Music USA 814: 805:Ralph Shapey 743:Otto Luening 711:Henry A. Moe 697:Henry Cowell 626:Thor Johnson 604:George Szell 492: 331:the original 317: 306:. Retrieved 300: 293:Roberts, Sam 287: 279: 263: 255: 246: 238: 229: 217:. Retrieved 213: 204: 196: 187: 179: 170: 145: 142: 124: 123: 114:Vanessa Reed 111: 103:NewMusicBox, 102: 100: 88: 84: 76:Otto Luening 60:Marion Bauer 51: 47: 45: 19: 18: 961:Fred Sherry 949:Lou Rodgers 881:Betty Allen 847:Max Schubel 799:James Dixon 677:Claire Reis 420:NewMusicBox 368:Identifiers 349:Archives at 32:NewMusicBox 995:Categories 837:Lukas Foss 811:John Duffy 636:Jack Benny 308:2018-03-03 219:2 December 162:References 133:John Duffy 56:non-profit 663:Hugh Ross 576:WGBH (FM) 843:Opus One 358:Location 272:Archived 130:composer 54:) was a 199:(2001). 182:(2011). 981:(2012) 975:(2009) 969:(2008) 963:(2007) 957:(2003) 951:(1999) 945:(1998) 939:(1997) 933:(1996) 927:(1995) 921:(1994) 915:(1993) 909:(1992) 903:(1991) 897:(1990) 891:(1989) 877:(1988) 871:(1987) 865:(1986) 859:(1985) 853:(1984) 839:(1983) 833:(1982) 827:(1981) 821:(1980) 807:(1979) 801:(1978) 795:(1977) 789:(1976) 783:(1975) 777:(1974) 771:(1973) 765:(1972) 759:(1971) 753:(1970) 739:(1969) 733:(1968) 727:(1967) 717:(1966) 707:(1965) 693:(1964) 679:(1963) 669:(1962) 655:(1961) 648:(1960) 638:(1959) 628:(1958) 622:(1957) 612:(1956) 606:(1955) 600:(1954) 594:(1953) 588:(1952) 578:(1951) 413:, and 381:Source 78:, and 26:with 721:WBAI 584:and 582:Maro 518:RIAA 503:IFPI 498:FNCI 221:2020 94:for 46:The 34:and 665:/ 661:/ 513:PMA 508:IPA 493:AMC 488:AMA 483:AGI 478:ACF 473:ACA 278:", 254:", 237:", 195:", 178:", 52:AMC 997:: 887:/ 883:/ 849:/ 845:/ 817:/ 813:/ 749:/ 745:/ 723:/ 713:/ 703:/ 699:/ 689:/ 685:/ 675:/ 644:/ 634:/ 618:/ 409:, 325:. 299:. 212:. 158:. 82:. 74:, 70:, 66:, 62:, 38:. 557:e 550:t 543:v 454:e 447:t 440:v 311:. 282:. 267:" 258:. 250:" 241:. 233:" 223:. 191:" 174:" 50:(

Index

American Music Center
Meet The Composer
NewMusicBox
Counterstream Radio
non-profit
Marion Bauer
Aaron Copland
Howard Hanson
Harrison Kerr
Otto Luening
Quincy Porter
Pulitzer Prize
John La Montaine
Counterstream Radio
Vanessa Reed
composer
John Duffy
writing music
New York City
Carnegie Corporation
Michael Bloomberg
American Music Center and Meet The Composer Have Officially Merged as New Music USA
AMC Library Moves to NYPL at Lincoln Center
"Vanessa Reed"
NPO Spotlight: Meet The Composer
Opportunities: New Music USA / Grants / Call for Musicians
EarShot Partners
Archived
Wayback Machine
Roberts, Sam

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