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Mr. Arkadin

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an impoverished noblewoman in Paris, and a heroin addict he tortures with withdrawal—Stratten learns that the pre-1927 Arkadin was involved in a sex trafficking ring in Warsaw, abducting girls and selling them into prostitution in South America. "Sophie" is the former leader of the ring and Arkadin's old girlfriend, from whom he stole the money that he found in his pocket in Switzerland. She proves to be a relaxed, tolerant woman who remembers Arkadin with affection and has no intention of publicizing his past.
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evidence, all of whom have been murdered. Mily is also dead and Stratten has been framed for killing her, with the implication that he too will be silenced before the police catch him. Stratten hastens to find Jakob Zouk, the last surviving member of the sex trafficking ring, hoping to use him as some kind of weapon against Arkadin. Zouk grudgingly consents to go into hiding, but Arkadin soon traces him and has him stabbed to death.
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remains an approximation; for instance, Welles remarked that his version of the film began with a woman's body (Mily) on a beach, including a close-up that makes her identity apparent. Whilst the Criterion edit restores the film opening on a woman's body on the beach, only a long shot exists (taken from the Corinth version) in which it is unclear whose body it is; no close-up of Mily could be used, as the footage no longer exists.
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pursues him in a private plane. Stratten and Raina connect at the airport, but she is almost immediately summoned to the control tower to talk to her father on the radio. With no time to explain, Stratten convinces her to say "it's too late". The lie fills Arkadin with despair, and he commits suicide by hurling himself out of his plane.
683:(95 mins) is the U.S. release version which entirely removes the film's flashback structure and presents a simpler, linear narrative. Rosenbaum describes it as "the least satisfactory version", which is a "clumsily truncated" edit of the "Corinth" version, often editing out half-sentences, making some dialogue incomprehensible. 1064:, (University of California Press, Berkeley and Los Angeles, California, 2007) pp.147, 159. Note that in the original article, Rosenbaum erroneously believed this version to be an edit of "Confidential Report" rather than the "Corinth" version. The updated introduction to the 2007 reprint of the article corrects this mistake. 623:, has substantial differences from the film versions. The screenplay follows a strictly chronological structure rather than the back-and-forth structure of the film. Many of the scenes in the film are set in different countries, and a lengthy sequence in Mexico is entirely missing from the final film. 563:
took the film out of his hands and released several edits of the film, none of which were approved by Welles. Adding to the confusion is a novel of the same title that was credited to Welles, though Welles claimed that he was unaware of the book's existence until he saw a copy in a bookshop. Welles's
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Stratten makes a desperate new plan and buys the last seat on a plane to Barcelona. Raina has agreed to meet him at the airport; there he intends to reveal her father's secret, in the hope that this will break Arkadin’s spirit and make him abandon the plot. Arkadin realizes what Stratten is doing and
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Arkadin has already learned of Stratten and Mily’s interest in him, and of the couple’s criminal history. Instead of turning them away he openly offers to pay for information about his past, which has been blotted out by amnesia. Arkadin says that in 1927 he woke up in a square in Switzerland, with a
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Guy Van Stratten, a small-time American smuggler working in Europe, seeks out a Munich resident named Jakob Zouk to warn him about a plot against his life. Zouk is terminally ill and receives the news with apathy, so Stratten explains his personal reasons for wanting to keep Zouk alive. His narrative
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Arkadin takes Mily on a yacht cruise, while Stratten travels the world searching for clues. He communicates periodically with Raina and a romance forms between the two, much to Arkadin’s displeasure. From interviews with a strange series of people—the proprietor of a flea circus, a junk-shop owner,
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Welles always denied authorship of the book, and French actor-writer Maurice Bessy, who is credited as having translated the book into French, was long rumoured to be the real author. Rosenbaum suggested that the book was written in French and then translated into English, as lines from the script
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and Jonathan Rosenbaum giving technical assistance. It uses all available English-language footage, and attempts to follow Welles's structure and editing style as closely as possible and also incorporates his comments over the years on where the other editions of the film went wrong. However, it
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9. Whilst no version of the film can claim to be definitive as Welles never finished editing the film, this version (105 mins) is likely the closest to Welles's original vision, though the creators of this restored version express their doubts as to the "correctness" of altering another artist's
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Stratten attends Arkadin's Christmas Eve party in Munich, where he learns the real purpose of his investigation. Arkadin wished to cover up his criminal past, fearing especially that Raina might learn of it and cease to love him. He used Stratten to locate people possessing potentially dangerous
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Stratten’s story begins in Naples, where he gets a tip that Gregory Arkadin, a famous international oligarch of Russian heritage, possesses a dark secret centered on the name “Sophie”. Stratten and his girlfriend and accomplice Mily travel to Arkadin’s castle in Spain, hoping to use this meager
669:, premiered in London in August 1955. Differences to this version include off-screen narration from Van Stratten. Rosenbaum speculates that the editing of this version was based on an early draft of Welles' screenplay, as its exposition is far simpler than that of the "Corinth" version. 856: 324:
In the closing stages of the investigation, Stratten discovers that Arkadin has been following him and visiting all the witnesses. He confers with Raina, who startles him by saying that her father does not have amnesia; the entire pretext for hiring Stratten was a fraud.
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entitled "The Case of the Number Thirty-One," chiefly the similar-sounding name George Arkaris, the mysterious birthplace, the French Riviera property, and the Spanish castle. Most of the other key elements for Arkadin's character come from a real-life arms dealer,
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was first published in French in Paris in 1955, and then in English in 1956, both in London and New York. Welles was credited as author, and the book's dustjacket boasted: "It is perhaps surprising that Orson Welles … has not written a novel before."
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Paola Mori...spoke English only through a thick accent (her voice in this film was dubbed by Billie Whitelaw)...It is also disconcerting to hear Welles dubbing several actors in the film - not just the bit parts, but major performers like
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large sum of money in his pocket and no memory of his identity or past career. He successfully rebuilt his life, but is troubled by not knowing how it began; Stratten impresses him as sufficiently discreet and enterprising to find out.
639:(93 mins) was filmed back-to-back with the English-language version and was the first to be released, premiering in Madrid in March 1955. Although the cast and crew were largely the same, two characters were played by Spanish actors: 631:
Crucially, none of the versions available before 2006 contained all the footage found in the others; each had some elements missing from other versions, and each has substantial editing differences from the others.
590:, written, directed by and starring Welles. The basic plot of a wealthy Mr. Arkadian (spelt with three As in this version) commissioning a confidential report on his former life can be found in the episode 558:
identified seven different versions of the story, and since its initial publication, two more versions have emerged, including a novel and a stage play. When Welles missed an editing deadline, producer
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plays Sophie Radzweickz Martinez. The two scenes with the actresses were reshot in Spanish, but all others had Spanish dubbing over English dialogue. This version credits Robert Arden as "Bob Harden".
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Ultimately Raina cannot condemn Stratten for the death of her father, but their love affair is at an end. She arranges for an old boyfriend to drive her away from the airport, leaving Stratten alone.
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In his 1991 essay "The Seven Arkadins", film historian Jonathan Rosenbaum identified seven different versions of the story, and since the essay's initial publication, two more versions have emerged.
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6. The "Corinth" version (99 mins) is named after Corinth Films, the initial U.S. distributor of the film. Until the 2006 re-edit, it was believed to be the closest version to Welles' conception.
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information for blackmail. By striking up a friendship with Arkadin's daughter Raina, seemingly the only person for whom Arkadin feels affection, Stratten gets himself invited into the castle.
535:, become Welles's third wife in 1955, some time during the film's production. The film started Welles's longtime relationship with Spain, where he lived for several periods in his life. 165: 608:
is replaced by the less sympathetic Guy Van Stratten, since Welles did not own the copyright to the Lime character as character rights had been bought by Harry Alan Towers for the
815:, which gives me different emotions every time I see it. Achieving this kind of indetermination in a film is the highest goal that I always hope for, but can never achieve." 2193: 826:
Top 10 from 2013, "No one could make much of a case for Welles’ abortive movie overall" but that the film contains "heartbreaking glimpses of the great man’s genius".
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but as the film is a European co-production its copyright does not expire until 2068, seventy years after the 1998 death of the last surviving co-creator, composer
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were approximations that seemed to have been translated from English to French and back to English. Research by film scholar François Thomas in the papers of
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the most comprehensive version in existence, reedited by the Filmmuseum MĂĽnchen after Welles's passing to restore the film closer to his intended vision.
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discovered its existence in 1961 and secured its first U.S. release in 1962, seven years after alternative versions of the film were released in Europe.
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as the "biggest disaster" of his life because of his loss of creative control. The film was not released in the United States until 1962.
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Several differing versions of the film were released. In his 1991 essay "The Seven Arkadins", film historian
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it got under hardcovers, or who got paid for that." It was serialised in the U.K. newspaper the
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as one of the greatest films of all time. In 2012 he said, "No other movie is destructive as
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Countess Paola Di Girfalco, who played the role of Arkadin's daughter under her stage name of
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Additionally, Welles dubbed several vocal parts (including Mischa Auer's lines), and actress
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New introduction, Jonathan Rosenbaum, "The Seven Arkadins", Jonathan Rosenbaum (ed.),
694:. The vast majority of DVD releases are very poor quality bootlegs of the US version. 2027: 1906: 1663: 1492: 1235: 1109: 1091: 1041: 819: 746: 711: 673: 83: 1129:, (University of California Press, Berkeley and Los Angeles, California, 2007) p.147 392: 1981: 1765: 1749: 1541: 1186: 386: 125: 67: 2170: 2155: 2051: 2035: 1457: 640: 478: 446: 368: 568:, a French screenwriter, is generally considered to be the author of the novel. 1874: 1866: 1859: 1020:
The existence of a second Spanish-language cut is mentioned in Joseph McBride,
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and Claude Bertemes of the Cinémathèque municipale de Luxembourg, with both
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Whatever Happened to Orson Welles? A portrait of an independent career
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Jonathan Rosenbaum, "The Seven Arkadins", Jonathan Rosenbaum (ed.),
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Jonathan Rosenbaum, "The Seven Arkadins", Jonathan Rosenbaum (ed.),
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has uncovered documentary proof that Bessy was indeed the author.
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dubbed Paola Mori's dialogue to cover her thick Italian accent.
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Despite the System: Orson Welles Versus the Hollywood Studios
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This version is often erroneously thought of as being in the
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It's All True: Based on an Unfinished Film by Orson Welles
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The Criterion Collection release includes the following:
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Interview with Orson Welles, 1982, Arena, BBC Television
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work. It was compiled in 2006 by Stefan Drössler of the
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Magician: The Astonishing Life and Work of Orson Welles
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4. There is a second, longer Spanish-language cut of
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Different edits of the film released in Welles' life
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The main Spanish-language version of 343: 2188:Orson Welles Paul Masson advertisements 1264:Welles Amazed: The Lives of Mr. Arkadin 871:"Mr. Arkadin (Aka Confidential Report)" 309:is accompanied by scenes in flashback. 2353:Films with screenplays by Orson Welles 2230: 1176: 950:"The Bootleg files : Mr. Arkadin" 868: 584:1. Three episodes of the radio series 2068:The Mercury Summer Theatre of the Air 1281: 1157:"Out of Print - Criterion Collection" 1003:from the original on 13 December 2021 850: 419:as the woman with a baguette in Paris 538:Released in some parts of Europe as 679:7. The most widely seen version of 13: 2253:1950s psychological thriller films 1801:Around the World with Orson Welles 14: 2374: 1223: 869:Miller, John M. 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Hoberman 1253:Mr. Arkadin 1242:Mr. Arkadin 1231:Mr. Arkadin 1198:21 November 1007:4 September 875:www.tcm.com 704:Mr. Arkadin 681:Mr. Arkadin 667:Mr. Arkadin 652:Mr. Arkadin 637:Mr. Arkadin 621:Mr. Arkadin 526:Mr. Arkadin 413:as Thaddeus 405:Mischa Auer 278:Costa Brava 256:Mr. Arkadin 230:Switzerland 96:Produced by 43:Directed by 24:Mr. Arkadin 2238:1955 films 2232:Categories 1982:The Shadow 1955:Rhinoceros 1907:Native Son 1785:Television 1450:F for Fake 845:References 818:Filmmaker 785:Harry Lime 783:The three 617:Masquerade 533:Paola Mori 485:Production 453:Gert Fröbe 375:Paola Mori 286:Valladolid 245:Box office 189:1955-10-20 118:Paola Mori 89:uncredited 2176:Oja Kodar 2087:(1951–52) 1589:Moby Dick 1426:The Trial 839:§ Origins 824:Criterion 799:Reception 724:in 1955. 395:as Bracco 270:film noir 235:Languages 223:Countries 168:(Spain), 142:Edited by 2007:" (1938) 2000:" (1938) 1656:The Deep 1247:AllMovie 1180:(2012). 1001:archived 880:10 March 830:See also 580:Pre-film 546:(1949). 431:as Oskar 152:Music by 108:Starring 61:Based on 2149:Related 1998:Dracula 1931:Othello 1844:Theatre 1503:trailer 1402:Othello 1394:Macbeth 1271:at the 1256:at the 807:listed 564:friend 371:as Mily 282:Segovia 240:Spanish 238:English 187: ( 2213:(2018) 2205:(2014) 2197:(1993) 2141:(1996) 2133:(1992) 2114:(1970) 2106:(1946) 2071:(1946) 2055:(1945) 2047:(1944) 1993:(1938) 1977:(1937) 1958:(1960) 1950:(1955) 1942:(1953) 1934:(1951) 1926:(1946) 1918:(1943) 1910:(1941) 1902:(1938) 1891:Caesar 1886:(1937) 1878:(1936) 1870:(1936) 1855:(1932) 1836:(1979) 1828:(1964) 1820:(1958) 1812:(1956) 1804:(1955) 1796:(1955) 1777:(1999) 1769:(1999) 1761:(1972) 1753:(1947) 1734:(1969) 1726:(1960) 1718:(1955) 1710:(1949) 1702:(1944) 1694:(1943) 1667:(1981) 1651:(1967) 1635:(1942) 1627:(1938) 1608:(1984) 1592:(1971) 1574:(1969) 1566:(1968) 1563:Vienna 1553:(1970) 1545:(1958) 1537:(1955) 1529:(1953) 1521:(1950) 1513:(1946) 1505:(1940) 1496:(1934) 1488:(1933) 1477:Shorts 1469:(2018) 1461:(1978) 1453:(1973) 1445:(1968) 1437:(1965) 1429:(1962) 1421:(1958) 1413:(1955) 1405:(1951) 1397:(1948) 1389:(1947) 1381:(1946) 1373:(1942) 1365:(1941) 1162:4 July 1112:  1090:, and 1044:  931:, 2006 910:11 May 290:Munich 226:France 195:Madrid 193: ( 2122:Books 1966:Radio 887:Auer. 521:Arena 228:Spain 172:(USA) 74:from 1236:IMDb 1200:2012 1164:2022 1110:ISBN 1042:ISBN 1009:2018 912:2010 882:2022 771:and 760:The 340:Cast 304:Plot 1245:at 1234:at 716:how 661:5. 615:2. 70:and 66:by 2234:: 1184:. 1098:, 999:, 952:, 884:. 873:. 795:. 515:. 284:, 280:, 2003:" 1996:" 1301:e 1294:t 1287:v 1216:. 1202:. 1166:. 1050:. 914:. 197:) 191:) 91:) 87:(

Index


Orson Welles
Ernest Bornemann
The Lives of Harry Lime
Harry Alan Towers
Louis Dolivet
Robert Arden
Paola Mori
Akim Tamiroff
Michael Redgrave
Jean Bourgoin
Renzo Lucidi
Paul Misraki
Filmorsa/Cervantes Films/Sevilla
Warner Bros.
Madrid
co-production
film noir
Orson Welles
Costa Brava
Segovia
Valladolid
Munich
French Riviera
Château de Chillon

Robert Arden
Orson Welles
Robert Arden
Patricia Medina

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