Knowledge

Morris Weitz

Source 📝

201:
Oxford philosophy". Meskin suggests the work also "illuminates the course of Weitz’s career" - the "task of elucidating both ordinary and technical concepts" becoming central to his philosophical pursuits and his philosophical method becoming "one of conceptual analysis, so long as this pursuit is not understood to be predicated on the goal of providing necessary and sufficient conditions".
1755: 79:("an author and renowned scholar of French women, French culture and the French Resistance") and the father of three children, Richard, David, and Catherine (the former being a director of the Center for Political-Military Analysis and a Senior Fellow at the Hudson Institute). Morris Weitz died on February 1, 1981, in hospital in 22: 200:
Weitz argued that postwar Oxford philosophy was not unified by any general meta-philosophical position but rather by a commitment to investigating the logic of concepts". Meskin notes that this "was a significant publication in the United States as it served for many as an introduction to postwar
58:; July 24, 1916 – February 1, 1981) "was an American philosopher of aesthetics who focused primarily on ontology, interpretation, and literary criticism". From 1972 until his death he was Richard Koret Professor of Philosophy at 1554: 204:
Weitz is perhaps best known for his "influential and frequently anthologized" 1956 paper "The Role of Theory in Aesthetics" which was to win him a 1955 Matchette Prize (an award now replaced by the
253:
refers to Weitz's paper and includes its author amongst those who, in support of the contention "that it is a mistake to attempt to discuss what art, or beauty, or the aesthetic, or a poem,
283:. Storm critiques Weitz's appeal to "family resemblance" as ultimately circular, and instead suggests that Weitz's criticism points to broader issues surrounding the nature of 265:". Mandelbaum claims that though he has "placed this at the forefront of his discussion.. Professor Weitz made no attempt to analyze, clarify, or defend the doctrine itself". 439: 268:
Weitz's 1956 paper has been, as Meskin notes, "one of the most influential works in contemporary philosophy of art, and... continues to generate debate and discussion".
75:
Morris Weitz was born on July 24, 1916, in Detroit, his parents having emigrated from Europe (and his father having worked as a painting contractor). He was husband to
656: 310: 484: 1604: 351: 133:
where, in 1972, he was named Richard Koret Professor of Philosophy in 1972, a position he retained until his death. He was also a visiting professor at
228:
in support of the position that theories of art should be 'open'". Supporters of Weitz's later view "for similar but non-identical reasons" include
567: 284: 220:
Weitz "overturned his original claim.. that his empirical and organic theory could produce a closed or real definition of art" according to
1534: 1800: 664: 195: 382: 1805: 1795: 1790: 753: 107:, which directed Weitz's interests towards philosophy. He received his Masters and, in 1943, his PhD in philosophy from the 816: 697: 341: 275:
argued that most attempts to answer Weitz's critique of a singular definition of art have failed, including those based on
376: 358: 205: 773: 409: 213: 1435: 1128: 494: 208:
book and article prizes). This essay explicitly modified the theory of art initially provided in his 1950 book
1113: 1038: 404: 1737: 1664: 237: 367: 1263: 1093: 276: 970: 1248: 524: 1624: 1408: 809: 179: 150: 118: 1163: 1684: 1634: 1058: 1188: 1614: 1564: 1321: 1023: 889: 108: 96: 539: 1742: 1316: 1291: 1269: 1178: 1003: 976: 950: 884: 272: 146: 126: 100: 84: 1785: 1780: 1704: 1584: 1574: 1482: 1455: 1358: 879: 162: 1138: 628:
Mandelbaum, Maurice (1965). "Family Resemblances and Generalization concerning the Arts".
8: 1747: 1714: 1689: 1524: 1477: 1472: 1286: 1243: 1233: 1183: 1068: 920: 874: 869: 864: 859: 802: 399: 258: 134: 130: 59: 1203: 1709: 1699: 1669: 1644: 1430: 1368: 1228: 1158: 1028: 935: 854: 839: 778: 689: 637: 600: 512: 333: 262: 241: 142: 138: 1759: 1719: 1594: 1487: 1461: 1103: 1063: 998: 955: 930: 849: 844: 749: 681: 575: 500: 490: 372: 1223: 1173: 1118: 1033: 1018: 965: 673: 325: 104: 35: 1555:
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
1108: 1048: 925: 743: 300: 113: 80: 1694: 1674: 1544: 1301: 1253: 1213: 1148: 1098: 1078: 1013: 122: 76: 1774: 1724: 1514: 1373: 1296: 1238: 1153: 1133: 993: 945: 685: 579: 504: 174: 170: 21: 915: 1328: 1193: 1073: 1053: 905: 288: 233: 229: 224:
and it is "this revised version that many philosophers have considered the
166: 774:"Obituary:Dr. Morris Weitz, 64, a Professor Who Wrote Books on Philosophy" 1497: 1450: 1306: 1258: 1218: 1168: 960: 714: 641: 249: 1467: 1445: 1338: 1123: 1083: 1043: 910: 825: 280: 185: 693: 337: 1378: 1348: 1143: 1088: 1008: 940: 1679: 1413: 1363: 1343: 1208: 677: 329: 165:
which led to lifelong friendships with Oxford philosophers such as
156: 1492: 1440: 1398: 1383: 1353: 568:"Dr. Morris Weitz, 64, a Professor Who Wrote Books on Philosophy" 232:, W. E. Kennick and Benjamin R. Tilghman and detractors include 221: 1425: 1403: 1333: 1311: 117:. During the course of his career he taught philosophy at the 44: 1198: 794: 352:
Aesthetics and the Philosophy of Art: The Analytic Tradition
190: 114:
The Method of Analysis in the Philosophy of Bertrand Russell
1419: 1393: 250:
Family Resemblances and Generalizations Concerning the Arts
1388: 537: 90: 715:"Article Prize - The American Philosophical Association" 83:
after a long illness aged 64, having lived latterly in
540:"Margaret Collins Weitz Papers (MS109): A Finding Aid" 212:
which had been "ubject to devastating criticisms from
1605:
The Work of Art in the Age of Mechanical Reproduction
99:. While doing graduate work in French history at the 50: 41: 444:(University of Dayton) History of Philosophy Commons 47: 489:. Bristol: Thoemmes Continuum. pp. 2550–2554. 38: 1772: 349:reprinted in P. Lamarque and S. H. Olsen (eds), 157:Philosophical thought, influence, and criticisms 368:Hamlet and the philosophy of literary criticism 196:The Dictionary of Modern American Philosophers 810: 1535:The Literary Mind and the Carving of Dragons 483:Meskin, Aaron (2005). Shook, John R. (ed.). 355:, (Oxford: Blackwell, 2004), pp. 12–18. 665:The Journal of Aesthetics and Art Criticism 817: 803: 627: 605:John Simon Guggenheim Memorial Foundation 437: 748:. Chicago: University of Chicago Press. 20: 737: 735: 318:Journal of Aesthetics and Art Criticism 1773: 482: 91:Tertiary education and academic career 798: 741: 654: 308: 732: 623: 621: 478: 476: 474: 472: 470: 468: 466: 464: 462: 460: 433: 431: 429: 427: 425: 745:Metamodernism: The Future of Theory 149:in 1959, and was also honored as a 95:Weitz obtained his BA in 1938 from 13: 1801:20th-century American philosophers 657:"The Role of Theory in Aesthetics" 311:"The Role of Theory in Aesthetics" 206:American Philosophical Association 189:(1953). In the same, according to 129:(1954–69). In 1969 Weitz moved to 14: 1817: 766: 618: 457: 422: 410:Classificatory disputes about art 177:and, in 1953, the publication in 1753: 630:American Philosophical Quarterly 218:The Role of Theory in Aesthetics 70: 34: 742:Storm, Jason Josephson (2021). 538:Moakley Archive and Institute. 257:is" have made "explicit use of 824: 707: 648: 593: 560: 531: 1: 1806:University of Michigan alumni 1796:Ohio State University faculty 415: 405:List of American philosophers 247:Mandelbaum in his 1965 paper 1791:American philosophers of art 1665:Aestheticization of politics 65: 7: 438:Bresnahan, Aili W. (2014). 393: 145:. He was recognised with a 111:with a dissertation titled 10: 1822: 1733: 1657: 1506: 1279: 986: 898: 832: 360:Philosophy in literature 294: 236:, M.W. Beal, Lee Brown, 180:The Philosophical Review 151:Fulbright Senior Scholar 119:University of Washington 1685:Evolutionary aesthetics 1635:The Aesthetic Dimension 486:WEITZ, Morris (1916–81) 1615:Avant-Garde and Kitsch 1565:Lectures on Aesthetics 655:Weitz, Morris (1956). 385:Problems in aesthetics 309:Weitz, Morris (1956). 302:Philosophy of the Arts 210:Philosophy of the Arts 161:Weitz spent a year in 109:University of Michigan 97:Wayne State University 77:Margaret (nĂ©e) Collins 26: 1760:Philosophy portal 273:Jason Josephson Storm 271:In a 2021 monograph, 147:Guggenheim Fellowship 127:Ohio State University 101:University of Chicago 24: 1705:Philosophy of design 1585:In Praise of Shadows 1575:The Critic as Artist 703:on February 3, 2018. 574:. February 4, 1981. 347:on February 3, 2018. 281:aesthetic experience 16:American philosopher 1715:Philosophy of music 1690:Mathematical beauty 547:Suffolk University 400:American philosophy 263:family resemblances 216:among others". In 131:Brandeis University 60:Brandeis University 1710:Philosophy of film 1700:Patterns in nature 1670:Applied aesthetics 1645:Why Beauty Matters 1431:Life imitating art 1292:Art for art's sake 782:. February 4, 1981 779:The New York Times 572:The New York Times 242:Maurice Mandelbaum 27: 1768: 1767: 1720:Psychology of art 1595:Art as Experience 755:978-0-226-78665-0 719:www.apaonline.org 214:Margaret McDonald 186:Oxford Philosophy 87:, Massachusetts. 1813: 1758: 1757: 1756: 1650: 1640: 1630: 1620: 1610: 1600: 1590: 1580: 1570: 1560: 1550: 1540: 1530: 1520: 819: 812: 805: 796: 795: 791: 789: 787: 760: 759: 739: 730: 729: 727: 725: 711: 705: 704: 702: 696:. Archived from 661: 652: 646: 645: 625: 616: 615: 613: 611: 597: 591: 590: 588: 586: 564: 558: 557: 555: 553: 544: 535: 529: 528: 522: 518: 516: 508: 480: 455: 454: 452: 450: 435: 348: 346: 340:. Archived from 315: 105:Bertrand Russell 57: 56: 53: 52: 49: 46: 43: 40: 1821: 1820: 1816: 1815: 1814: 1812: 1811: 1810: 1771: 1770: 1769: 1764: 1754: 1752: 1729: 1653: 1648: 1638: 1628: 1625:Critical Essays 1618: 1608: 1598: 1588: 1578: 1568: 1558: 1548: 1538: 1528: 1518: 1502: 1275: 1189:Ortega y Gasset 982: 894: 828: 823: 785: 783: 772: 769: 764: 763: 756: 740: 733: 723: 721: 713: 712: 708: 700: 659: 653: 649: 626: 619: 609: 607: 599: 598: 594: 584: 582: 566: 565: 561: 551: 549: 542: 536: 532: 520: 519: 510: 509: 497: 481: 458: 448: 446: 436: 423: 418: 396: 344: 313: 297: 261:'s doctrine of 191:Aaron W. Meskin 159: 125:(1945–48), and 93: 73: 68: 37: 33: 17: 12: 11: 5: 1819: 1809: 1808: 1803: 1798: 1793: 1788: 1783: 1766: 1765: 1763: 1762: 1750: 1745: 1740: 1734: 1731: 1730: 1728: 1727: 1722: 1717: 1712: 1707: 1702: 1697: 1695:Neuroesthetics 1692: 1687: 1682: 1677: 1675:Arts criticism 1672: 1667: 1661: 1659: 1655: 1654: 1652: 1651: 1641: 1631: 1621: 1611: 1601: 1591: 1581: 1571: 1561: 1551: 1545:On the Sublime 1541: 1531: 1521: 1510: 1508: 1504: 1503: 1501: 1500: 1495: 1490: 1485: 1480: 1475: 1470: 1465: 1458: 1453: 1448: 1443: 1438: 1433: 1428: 1423: 1416: 1411: 1409:Interpretation 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1366: 1361: 1356: 1351: 1346: 1341: 1336: 1331: 1326: 1325: 1324: 1319: 1309: 1304: 1302:Artistic merit 1299: 1294: 1289: 1283: 1281: 1277: 1276: 1274: 1273: 1266: 1261: 1256: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1196: 1191: 1186: 1181: 1176: 1171: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1061: 1056: 1051: 1046: 1041: 1036: 1031: 1026: 1021: 1016: 1011: 1006: 1001: 996: 990: 988: 984: 983: 981: 980: 973: 968: 963: 958: 953: 951:Psychoanalysis 948: 943: 938: 933: 928: 923: 918: 913: 908: 902: 900: 896: 895: 893: 892: 887: 882: 877: 872: 867: 862: 857: 852: 847: 842: 836: 834: 830: 829: 822: 821: 814: 807: 799: 793: 792: 768: 767:External links 765: 762: 761: 754: 731: 706: 678:10.2307/427491 647: 636:(3): 219–228. 617: 601:"MORRIS WEITZ" 592: 559: 530: 495: 456: 440:"Morris Weitz" 420: 419: 417: 414: 413: 412: 407: 402: 395: 392: 391: 390: 379: 377:978-0226892399 364: 356: 330:10.2307/427491 306: 296: 293: 222:Aili Bresnahan 158: 155: 123:Vassar College 92: 89: 72: 69: 67: 64: 15: 9: 6: 4: 3: 2: 1818: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1782: 1779: 1778: 1776: 1761: 1751: 1749: 1746: 1744: 1741: 1739: 1736: 1735: 1732: 1726: 1725:Theory of art 1723: 1721: 1718: 1716: 1713: 1711: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1662: 1660: 1656: 1647: 1646: 1642: 1637: 1636: 1632: 1627: 1626: 1622: 1616: 1612: 1606: 1602: 1597: 1596: 1592: 1587: 1586: 1582: 1576: 1572: 1567: 1566: 1562: 1557: 1556: 1552: 1547: 1546: 1542: 1537: 1536: 1532: 1527: 1526: 1522: 1517: 1516: 1515:Hippias Major 1512: 1511: 1509: 1505: 1499: 1496: 1494: 1491: 1489: 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1463: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1422: 1421: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1374:Entertainment 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1327: 1323: 1320: 1318: 1315: 1314: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1297:Art manifesto 1295: 1293: 1290: 1288: 1287:Appropriation 1285: 1284: 1282: 1278: 1272: 1271: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1179:Merleau-Ponty 1177: 1175: 1172: 1170: 1167: 1165: 1162: 1160: 1157: 1155: 1152: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 994:Abhinavagupta 992: 991: 989: 985: 979: 978: 974: 972: 969: 967: 964: 962: 959: 957: 954: 952: 949: 947: 946:Postmodernism 944: 942: 939: 937: 934: 932: 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 903: 901: 897: 891: 888: 886: 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 837: 835: 831: 827: 820: 815: 813: 808: 806: 801: 800: 797: 781: 780: 775: 771: 770: 757: 751: 747: 746: 738: 736: 720: 716: 710: 699: 695: 691: 687: 683: 679: 675: 671: 667: 666: 658: 651: 643: 639: 635: 631: 624: 622: 606: 602: 596: 581: 577: 573: 569: 563: 548: 541: 534: 526: 514: 506: 502: 498: 492: 488: 487: 479: 477: 475: 473: 471: 469: 467: 465: 463: 461: 445: 441: 434: 432: 430: 428: 426: 421: 411: 408: 406: 403: 401: 398: 397: 388: 386: 380: 378: 374: 370: 369: 365: 363: 361: 357: 354: 353: 343: 339: 335: 331: 327: 323: 319: 312: 307: 305: 303: 299: 298: 292: 290: 289:natural kinds 286: 282: 278: 277:phenomenology 274: 269: 266: 264: 260: 256: 252: 251: 245: 243: 239: 238:George Dickie 235: 231: 227: 223: 219: 215: 211: 207: 202: 199: 197: 192: 188: 187: 182: 181: 176: 175:Isaiah Berlin 172: 168: 164: 154: 152: 148: 144: 140: 136: 132: 128: 124: 120: 116: 115: 110: 106: 102: 98: 88: 86: 82: 78: 71:Personal life 63: 61: 55: 31: 23: 19: 1643: 1633: 1623: 1593: 1583: 1563: 1553: 1543: 1533: 1523: 1513: 1460: 1436:Magnificence 1418: 1268: 1234:Schopenhauer 1069:Coomaraswamy 987:Philosophers 975: 906:Aestheticism 786:December 20, 784:. Retrieved 777: 744: 722:. Retrieved 718: 709: 698:the original 672:(1): 27–35. 669: 663: 650: 633: 629: 608:. Retrieved 604: 595: 583:. Retrieved 571: 562: 550:. Retrieved 546: 533: 485: 447:. Retrieved 443: 389:(1959, 1970) 384: 366: 359: 350: 342:the original 324:(1): 27–35. 321: 317: 301: 270: 267: 259:Wittgenstein 254: 248: 246: 226:sine qua non 225: 217: 209: 203: 194: 184: 178: 167:Gilbert Ryle 160: 112: 94: 74: 30:Morris Weitz 29: 28: 25:Morris Weitz 18: 1786:1981 deaths 1781:1916 births 1529:(c. 335 BC) 1519:(c. 390 BC) 1498:Work of art 1451:Picturesque 1307:Avant-garde 1264:Winckelmann 1139:Kierkegaard 1064:Collingwood 1034:Baudrillard 961:Romanticism 931:Historicism 865:Mathematics 724:February 1, 610:February 1, 585:February 1, 552:February 1, 521:|work= 449:February 1, 255:essentially 234:M.H. Abrams 230:W.B. Gallie 193:writing in 171:H.L.A. Hart 121:(1944–45), 1775:Categories 1468:Recreation 1446:Perception 1339:Creativity 1039:Baumgarten 1029:Baudelaire 911:Classicism 826:Aesthetics 496:1843710374 416:References 381:editor of 1473:Reverence 1379:Eroticism 1349:Depiction 1322:Masculine 1224:Santayana 1184:Nietzsche 1129:Hutcheson 1119:Heidegger 1104:Greenberg 1059:Coleridge 1024:Balthasar 1009:Aristotle 971:Theosophy 966:Symbolism 941:Modernism 926:Formalism 686:0021-8529 580:0362-4331 523:ignored ( 513:cite book 505:276357640 66:Biography 1748:Category 1680:Axiology 1549:(c. 500) 1539:(c. 100) 1414:Judgment 1369:Emotions 1364:Elegance 1344:Cuteness 1317:Feminine 1280:Concepts 1249:Tanizaki 1229:Schiller 1214:Richards 1204:RanciĂšre 1174:Maritain 1109:Hanslick 1049:Benjamin 921:Feminism 890:Theology 870:Medieval 860:Japanese 855:Internet 642:20009169 394:See also 135:Columbia 1743:Outline 1658:Related 1525:Poetics 1493:Tragedy 1483:Sublime 1456:Quality 1441:Mimesis 1399:Harmony 1384:Fashion 1359:Ecstasy 1354:Disgust 1270:more... 1239:Scruton 1164:Lyotard 1099:Goodman 1079:Deleuze 1014:Aquinas 1004:Alberti 977:more... 956:Realism 936:Marxism 916:Fascism 899:Schools 885:Science 840:Ancient 371:(1964) 143:Harvard 139:Cornell 103:he met 81:Roxbury 1649:(2009) 1639:(1977) 1629:(1946) 1619:(1939) 1609:(1935) 1599:(1934) 1589:(1933) 1579:(1891) 1569:(1835) 1559:(1757) 1426:Kitsch 1404:Humour 1334:Comedy 1312:Beauty 1254:Vasari 1244:Tagore 1219:Ruskin 1159:LukĂĄcs 1149:Langer 1094:Goethe 1019:BalĂĄzs 999:Adorno 880:Nature 845:Africa 752:  694:427491 692:  684:  640:  578:  503:  493:  375:  362:(1963) 338:427491 336:  304:, 1950 285:social 240:, and 173:, and 163:Oxford 141:, and 85:Newton 1738:Index 1507:Works 1488:Taste 1478:Style 1259:Wilde 1199:Plato 1194:Pater 1154:Lipps 1114:Hegel 1084:Dewey 1074:Danto 1054:Burke 875:Music 850:India 833:Areas 701:(PDF) 690:JSTOR 660:(PDF) 638:JSTOR 543:(PDF) 345:(PDF) 334:JSTOR 314:(PDF) 295:Works 1462:Rasa 1420:Kama 1394:Gaze 1329:Camp 1209:Rand 1144:Klee 1134:Kant 1124:Hume 1044:Bell 788:2014 750:ISBN 726:2018 682:ISSN 612:2018 587:2018 576:ISSN 554:2018 525:help 501:OCLC 491:ISBN 451:2018 373:ISBN 287:and 279:and 1389:Fun 1169:Man 1089:Fry 674:doi 326:doi 183:of 1777:: 1617:" 1607:" 1577:" 776:. 734:^ 717:. 688:. 680:. 670:15 668:. 662:. 632:. 620:^ 603:. 570:. 545:. 517:: 515:}} 511:{{ 499:. 459:^ 442:. 424:^ 332:. 322:15 320:. 316:. 291:. 244:. 198:," 169:, 153:. 137:, 62:. 45:iː 1613:" 1603:" 1573:" 818:e 811:t 804:v 790:. 758:. 728:. 676:: 644:. 634:2 614:. 589:. 556:. 527:) 507:. 453:. 387:" 383:" 328:: 54:/ 51:s 48:t 42:w 39:ˈ 36:/ 32:(

Index


/ˈwiːts/
Brandeis University
Margaret (née) Collins
Roxbury
Newton
Wayne State University
University of Chicago
Bertrand Russell
University of Michigan
The Method of Analysis in the Philosophy of Bertrand Russell
University of Washington
Vassar College
Ohio State University
Brandeis University
Columbia
Cornell
Harvard
Guggenheim Fellowship
Fulbright Senior Scholar
Oxford
Gilbert Ryle
H.L.A. Hart
Isaiah Berlin
The Philosophical Review
Oxford Philosophy
Aaron W. Meskin
The Dictionary of Modern American Philosophers
American Philosophical Association
Margaret McDonald

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑