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along, negotiating extremes of human circumstance—barrenness, the (fated) pursuit of glamour, madness, death—struggling, all the while, to plant roots in shifting sand." Many of the stories dealt with the lives of
African women negotiating concerns such as barrenness, polygamy and widowhood. Wood has said that "these are the writings of a womanist and a feminist. I have a great empathy, a well of feeling for what women go through. I don’t feel these are given adequate treatment in the writings of male writers, so it's really up to us, the female writers, to privilege the voices and experiences of women."
132:—all by the age of eleven or twelve. There is a sense in which you're always out of time, out of place—and the years in Britain merely compounded that. The feeling doesn’t go away with return to Nigeria, it merely mutates, as people remark about me coming across as someone from ‘away’, even when I’m trying to blend in. I am therefore pretty sensitive to the permutations of dislocation and re-integration.
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calling it "a reader's pleasure". As
Oyebade Dosunmu writes: "Wood tells stories of people who inhabit in between ‘indigo’ spaces: the borderland of immigration, the no-man's-land of multiculturalism and the frontiers of social mobility. These worlds spiral into one another and their inhabitants spin
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Born in
Nigeria, Molara Wood has lived what she describes as "a fairly peripatetic life", encompassing two decades in Britain, where she had initially gone to study ("Three or four years max, was the plan. But life happens. You don’t see the years rolling into each other, then you wake up one day,
57:(born 1967) is a Nigerian creative writer, journalist and critic. She has been described as "one of the eminent voices in the Arts in Nigeria". Her short stories, flash fiction, poetry and essays have appeared in numerous publications. These include
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was a huge tableau for me to observe this theatre of human experience as far as
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and has been a participant in many literary events, including the Lagos Book & Art
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and you’ve been in
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newspaper (which ceased publication in 2011), and currently writes an Arts column for
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408:"Molara Wood kicks off CORA Book Trek 2016 with reading from Indigo, Route 234"
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Per Contra: The
International Journal of the Arts, Literature and Ideas
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Per Contra: The
International Journal of the Arts, Literature and Ideas
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510:"Peripatetic Lives: An Interview with Molara Wood, Author of Indigo"
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Commonwealth
Broadcasting Press Association (20 November 2007).
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325:"Zambian Woman Wins Commonwealth Short Story Comp | Scoop News"
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143:'s Short Story Competition. In 2008 she won the inaugural
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In 2022, she was appointed a writer-in-residence by the
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16:Nigerian writer, journalist and critic (born 1967)
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521:"Molara Wood, The Per Contra Interview"
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429:by Molara Wood" (review)
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541:Categories
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371:(Nigeria).
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119:Background
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