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Modern dance

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327: 647: 770: 6772: 249: 291:"skirt" dancer experimenting with the effect that gas lighting had on her silk costumes. Fuller developed a form of natural movement and improvisation techniques that were used in conjunction with her revolutionary lighting equipment and translucent silk costumes. She patented her apparatus and methods of stage lighting, that included the use of coloured gels and burning chemicals for luminescence, and her voluminous silk stage costumes. 982: 42: 626:(1979) was unmatched by other choreographers. Often presenting his dancers in constrictive spaces and costumes with complicated sound and sets, he focused their attention on the physical tasks of overcoming obstacles he placed in their way. Nikolais viewed the dancer not as an artist of self-expression, but as a talent who could investigate the properties of physical space and movement. 942: 753:, who approached performances from the viewpoint of a movement specialist rather than as a reviewer of music or drama. Educators accepted modern dance into college and university curricula, first as a part of physical education, then as performing art. Many college teachers were trained at the Bennington Summer School of the Dance, established at 239:"Music and rhythmic bodily movement are twin sisters of art, as they have come into existence simultaneously...today we see in the artistic work of Isadora Duncan, Maud Allan, and others the use of a form of dancing which strives to portray in movements what the music master expresses in his compositions—interpretative dancing." 732:
and release. In Graham's teachings, she wanted her students to "Feel". To "Feel", means having a heightened sense of awareness of being grounded to the floor while, at the same time, feeling the energy throughout your entire body, extending it to the audience. Her principal contributions to dance are
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led to, among other changes, a new interest in health and physical fitness. "It was in this atmosphere that a 'new dance' was emerging as much from a rejection of social structures as from a dissatisfaction with ballet." During that same period, "the champions of physical education helped to prepare
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According to Treva Bedinghaus, "Modern dancers use dancing to express their innermost emotions, often to get closer to their inner-selves. Before attempting to choreograph a routine, the modern dancer decides which emotions to try to convey to the audience. Many modern dancers choose a subject near
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Of the Bennington program, Agnes de Mille wrote, "...there was a fine commingling of all kinds of artists, musicians, and designers, and secondly, because all those responsible for booking the college concert series across the continent were assembled there. ... free from the limiting strictures of
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Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to the continued development of modern dance in the United States and Europe. Moving into the 1960s, new ideas about dance began to emerge as a response to earlier dance
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Modern dance has evolved with each subsequent generation of participating artists. Artistic content has morphed and shifted from one choreographer to another, as have styles and techniques. Artists such as Graham and Horton developed techniques in the Central Modern Period that are still taught
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which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against,
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and dear to their hearts, such as a lost love or a personal failure. The dancer will choose music that relates to the story they wish to tell, or choose to use no music at all, and then choose a costume to reflect their chosen emotions."
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the three big monopolistic managements, who pressed for preference of their European clients. As a consequence, for the first time American dancers were hired to tour America nationwide, and this marked the beginning of their solvency."
83:. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. 811:, African and Caribbean movement integrated with ballet and modern dance. Taking inspiration from African-based dance where one part of the body plays against one another, she focused on articulating the torso in her choreography. 2106: 1417: 500:- In 1946, after studying and performing with Doris Humphrey and Charles Weidman, LimĂłn established his own company with Humphrey as artistic director. It was under her mentorship that LimĂłn created his signature dance 1729: 277:. She was inspired by classical Greek arts, folk dances, social dances, nature, natural forces, and new American athleticism such as skipping, running, jumping, leaping, and abrupt movements. She thought that 490:). Presenting dramatic contemporary imagery, Sokolow's compositions were generally abstract, often revealing the full spectrum of human experience reflecting the tension and alienation of the time and the 281:
was ugly and meaningless gymnastics. Although she returned to the United States at various points in her life, her work was not well received there. She returned to Europe and died in Nice in 1927.
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with his non-linear, non-climactic, non-psychological abstract work. In these works each element is in and of itself expressive, and the observer (in large part) determines what it communicates.
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drew on African and Caribbean dances to create strong dramatic works characterized by large leaps. She often based her dances on the work of black writers and on racial issues, such as
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were pupils at the school and members of the dance company. Seeking a wider and more accepting audience for their work, Duncan, Fuller, and Ruth St. Denis toured
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in the arts. Choreographers no longer created specific 'schools' or 'styles'. The influences from different periods of dance became more vague and fragmented.
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sought to develop distinctively American movement styles and vocabularies, and developed clearly defined and recognizable dance training systems. In the
2011: 966:, Japanese contemporary dancing that developed in the 1950s. It incorporates modern European influences, via the work of pioneers like Isadora Duncan. 2043: 1782: 887:
forms. Although often producing divergent dance forms, many seminal dance artists share a common heritage that can be traced back to free dance.
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Bird's Eye View: Dancing with Martha Graham and on Broadway/Dorothy Bird and Joyce Greenberg; with an introduction by Marcia B. Siegel, 1997
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Danceworks rehearsal of "Stone Soup" in 2011 with semi-improvised music from composer Seth Warren-Crow and Apple iLife sound clip "Tour Bus"
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elements. It can use elements from non-Western dance cultures, such as African dancing with bent knees as a characteristic trait, and
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developed theories of human movement and expression, and methods of instruction that led to the development of European modern and
1644: 431:, founded the New York Wigman School of Dance in 1931 (which became the Hanya Holm Studio in 1936) introducing Wigman technique, 551:, became a soloist and the first male dancer in Martha Graham's dance company. In 1951, Hawkins, interested in the new field of 6388: 2603: 2559: 1679: 1492: 1482: 1565: 1517: 3547: 1961: 1380: 2136: 5583: 1465: 852: 6316: 2648: 2634: 2617: 2589: 2573: 2545: 2531: 2517: 2503: 2489: 2475: 2461: 2447: 2433: 2419: 2405: 2391: 2349: 2335: 2321: 2307: 2293: 2279: 2265: 2251: 1945: 1715:
Siegel, Marcia B. "The Shapes of Change: Images of American Dance". University of California Press, 1979, p. 168-169.
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movement (flexible torso and spine, articulated pelvis, isolation of the limbs, and polyrhythmic movement).
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the focus of the 'center' of the body (as contrast to ballet's emphasis on limbs), coordination between
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American modern dance can be divided (roughly) into three periods or eras. In the Early Modern period (
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Dance Was Her Religion: The Spiritual Choreography of Isadora Duncan, Ruth St. Denis and Martha Graham
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emerged in the 1950s as the dance form that is combining the modern dance elements and the classical
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Modern dance is often considered to have emerged as a rejection of, or rebellion against, classical
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is characteristic of his choreography. Former members of the Paul Taylor Dance Company included
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Shelton, Suzanne. Divine Dancer: A Biography of Ruth St. Denis. New York: Doubleday, 1981.
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Exploring dance forms and styles: a guide to concert, world, social, and historical dance
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attracted the attention of several major choreographers. Performing in the companies of
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In 1927, newspapers regularly began assigning dance critics, such as Walter Terry, and
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This list illustrates some important teacher-student relationships in modern dance.
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exercises served as technical starting points for young women who longed to dance."
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Ware, Susan. "Notable American Women". Harvard University Press, 2004, p. 305-306.
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Modern Dance Terminology: The ABC's of Modern Dance as Defined by its Originators
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The Contributions of Martha Hill to American Dance and Dance Education, 1900-1995
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artists would reject the formalism of modern dance, and include elements such as
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were pioneering new forms and practices in what is now called improvisational or
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in Europe, the radical dancers tried to raise consciousness by dramatizing the
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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey
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to the cannon of 20th-century dance techniques. Cunningham set the seeds for
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Cullen, Frank. "Vaudeville: Old & New". Psychology Press, 2007, p. 449.
1730:"Erick Hawkins, a Pioneering Choreographer of American Dance, Is Dead at 85" 1458:
Modern Bodies Dance and American Modernism from Martha Graham to Alvin Ailey
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developed in the 1960s in United States when society questioned truths and
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1880–1923), characterized by the work of Isadora Duncan, Loie Fuller,
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as inspiration. His most popular and critically acclaimed work is
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began offering "aesthetic dance" courses by the end of the 1880s.
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worldwide and numerous other types of modern dance exist today.
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Scheff, Helene; Marty Sprague; Susan McGreevy-Nichols (2010).
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Martha Graham: The Evolution of Her Dance Theory and Training
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was the first modern dance composition to be televised on
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The Vision of Modern Dance: In the Words of Its Creators
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Brown, J. Woodford, C, H. and Mindlin, N. (Eds) (1998) (
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In the late 19th century, modern dance artists such as
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Ted Shawn, father of American dance : a biography
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The Pina Bausch Sourcebook: The Making of Tanztheater
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The legacy of modern dance can be seen in lineage of
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American Dance Theater perform "Revelations" in 2011.
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A Sunday Afternoon on the Island of La Grande Jatte
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Prime Movers: The Makers of Modern Dance in America
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Basic Concepts in Modern Dance: A Creative Approach
685:is often regarded as the founding mother of modern 2137:"Difference Between Modern and Contemporary Dance" 1582: 1534: 469:. Holm choreographed extensively in the fields of 2482:Shawn's Fundamentals of Dance (Language of Dance) 1585:Art Without Boundaries: The world of modern dance 650:Martha Graham and Bertram Ross in 1961; photo by 6786: 2328:Martha : The Life and Work of Martha Graham 1938:Martha : The Life and Work of Martha Graham 1404: 1402: 1400: 1398: 573:School of Dance. In 1952 his performance at the 1625:. New York: A. S. Barnes Company. p. v-vi. 1608:. Lewisto n: The Edwin Mellen Press. p. 5. 1589:. Iowa City: University of Iowa Press. p.  1451: 1449: 1447: 1445: 1443: 1441: 1439: 1437: 1435: 1051:Humphrey-Weidman technique (fall and recovery) 973: 741:, and a dancer's relationship with the floor. 614:. Nikolais use of multimedia in works such as 322:Expressionist and early modern dance in Europe 3541: 2669: 2510:The Illustrated Dance Technique of Jose Limon 2496:Modern Dance in America: the Bennington Years 2412:Martha Graham: Blood Memory: An Autobiography 2067:"Alvin Ailey: Believer in the Power of Dance" 1395: 835:(1945). Her dance company developed into the 6463: 6452: 3646: 3635: 3589: 3578: 2258:Ballet & Modern Dance: A Concise History 2155: 1986: 604:, Laura Dean, Dan Wagoner, and Senta Driver. 27:Genre of western concert or theatrical dance 3717: 1659: 1541:. Boston: Little, Brown & Co. pp.  1432: 988:and pupils at his dance school, Berlin 1929 3548: 3534: 2676: 2662: 2386:. The University of North Carolina Press. 2314:Done into Dance: Isadora Duncan in America 1841: 1839: 1837: 1835: 1724: 661:school and dance company with her husband 593:in 1954. The use of everyday gestures and 514:in 1944. Influenced by Cage and embracing 427:and an instructor at the Wigman School in 2466:Humphrey, D. and Pollack, B. (Ed) (1991) 1603: 878: 297:(born in 1879) influenced by the actress 87:forms and to social changes. Eventually, 2426:The Erick Hawkins Modern Dance Technique 2181: 2001: 1935: 1580: 980: 940: 768: 645: 439:in Bennington (1934). Holm's dance work 325: 247: 40: 2424:Hawkins, E. and Celichowska, R. (2000) 2064: 1896: 1894: 1832: 1558:Introduction to Modern Dance Techniques 1510:Introduction to Modern Dance Techniques 1455: 859:. He drew upon his "blood memories" of 630: 14: 6787: 2440:Quintet: Five American Dance Companies 2272:Ballet and Modern Dance (World of Art) 2207: 2065:Dunning, Jennifer (10 December 1989). 1865: 1665: 1460:. University of North Carolina Press. 6389:Six Characters in Search of an Author 3529: 2657: 1908:from the original on 22 February 2012 1532: 930: 837:Pearl Primus Dance Language Institute 641: 2129: 1891: 1879:from the original on 17 October 2018 1688:from the original on 6 November 2023 1647:from the original on 28 January 2021 1618: 1555: 1507: 1383:from the original on 8 February 2021 1367: 1365: 1363: 1361: 1359: 657:In 1915, Ruth St. Denis founded the 2524:The Black Tradition in Modern Dance 2370:Dunning, Jennifer (11 March 1989). 2169:from the original on 2 January 2012 2143:from the original on 30 August 2012 890: 764: 24: 5584:Nude Descending a Staircase, No. 2 2552:The Complete Guide to Modern Dance 2355:Dunning, Jennifer (2 March 1991). 2236: 2195:from the original on 31 March 2012 1853:from the original on 31 March 2012 1785:from the original on 14 April 2016 1666:MĂŒller, Hedwig (21 August 2012) . 1420:from the original on 23 April 2021 853:Alvin Ailey American Dance Theater 25: 6816: 2627:Denishawn: The Enduring Influence 2566:The Rise and Fall of Modern Dance 2288:). Independent Publishers Group. 2242:Adshead-Lansdale, J. (Ed) (1994) 2117:from the original on 29 July 2019 2087:from the original on 29 July 2019 2046:from the original on 29 July 2019 2014:from the original on 6 March 2020 1356: 744: 637:Modern dance in the United States 525:processes, Cunningham introduced 194:movements, and paved the way for 6771: 6770: 2584:. Independent Publishers Group. 2540:. Independent Publishers Group. 2428:. Independent Publishers Group. 2302:. Independent Publishers Group. 2260:. Independent Publishers Group. 1989:Katherine Dunham: Dancing a Life 1940:. Random House. pp. 20–30. 1811:from the original on 7 June 2013 1752: 708:in 1923, where she performed in 589:(in that order), he founded the 387: 3470:Dance in mythology and religion 2456:. University Press of Florida. 2342:The technique of Isadora Duncan 2189:"Origins of Contemporary Dance" 2099: 2058: 2026: 1995: 1991:. University of Illinois Press. 1980: 1954: 1929: 1920: 1847:"Origins of Contemporary Dance" 1823: 1797: 1771: 1763:(February 1995). Archived from 1746: 1718: 1709: 1700: 1629: 1612: 6538:Grosvenor School of Modern Art 6531:Fourth dimension in literature 2442:. William Morrow and Company. 2398:The Notebooks of Martha Graham 2244:Dance History: An Introduction 1597: 1574: 1549: 1526: 1501: 1487:. Human Kinetics. p. 87. 1474: 801:Katherine Dunham Dance Company 223:the way for modern dance, and 13: 1: 3555: 2598:. Morton Publishing Company. 2596:Modern Dance: Body & Mind 1674:. Routledge. pp. 19–30. 1670:. In Climenhaga, Royd (ed.). 1604:McPherson, Elizabeth (2008). 1350: 728:, that hinged on concepts of 484: 243: 205: 151: 123: 107: 2480:Hutchinson Guest, A. (1998) 2163:"Contemporary Dance History" 1987:Aschenbenner, Joyce (2002). 916:. This period was marked by 55:is a broad genre of western 32:For the Pere Ubu album, see 7: 6631:List of avant-garde artists 5608:The Cabinet of Dr. Caligari 1537:Isadora: A sensational life 1328: 974:Teachers and their students 795:trained in ballet, founded 720:. Graham developed her own 220:Victorian social strictures 126:1923–1946), choreographers 57:concert or theatrical dance 10: 6821: 6489:Classical Hollywood cinema 2004:"Pearl Primus (1919–1994)" 2002:Mennenga, Lacinda (2008). 1456:Foulkes, Julia L. (2002). 1299:Katherine Dunham Technique 934: 894: 885:20th-century concert dance 822:The Negro Speaks of Rivers 809:Katherine Dunham Technique 783:blended modern dance with 687:20th-century concert dance 634: 372:. Other pioneers included 337: 258: 31: 6752: 6430: 6271: 6139: 5979: 5728: 5717: 5560:Les Demoiselles d'Avignon 5514: 5340: 4900: 4383: 4374: 4251: 4035: 3777: 3768: 3563: 3425: 3112: 3022: 2897: 2787: 2719: 2691: 2683: 616:Masks, Props, and Mobiles 591:Paul Taylor Dance Company 396:and the rising threat of 4345:The Master and Margarita 2568:. Chicago Review Press. 2526:. Smithmark Publishers. 2468:The Art of Making Dances 1936:de Mille, Agnes (1991). 1041:The Art of Making Dances 716:, and worked on her own 6638:List of modernist poets 6524:Fourth dimension in art 5700:Meshes of the Afternoon 2494:Kriegsman, S, A.(1981) 2452:Horosko, M (Ed) (2002) 2316:. Wesleyan Univ Press. 2274:. Thames & Hudson. 2215:"What Is Modern Dance?" 1873:"Modern Dance Pioneers" 1641:Encyclopedia Britannica 1581:Anderson, Jack (1997). 1377:Encyclopedia Britannica 1265:Beverly Schmidt Blossom 575:American Dance Festival 437:American Dance Festival 6722:Second Viennese School 6464: 6453: 4357:The Sound and the Fury 4261:In Search of Lost Time 3718: 3647: 3636: 3590: 3579: 2608:Roseman, J, L. (2004) 2382:Foulkes, J, L. (2002) 1902:"Modern Dance History" 1414:www.kennedy-center.org 989: 952: 879:Legacy of modern dance 781:African American dance 777: 654: 416:crises of their time. 335: 256: 241: 49: 6701:Reactionary modernism 6624:List of art movements 2512:. Princeton Book Co. 2039:The Los Angeles Times 1556:Legg, Joshua (2011). 1508:Legg, Joshua (2011). 1278:Émile Jaques-Dalcroze 1029:(school and company) 984: 950: 799:in 1936 and then the 772: 649: 457:(1948) was the first 358:Émile Jaques-Dalcroze 329: 287:(born in 1862) was a 251: 237: 103:, and improvisation. 97:contact improvisation 44: 6545:Hanshinkan Modernism 6401:The Threepenny Opera 6317:PellĂ©as et MĂ©lisande 3435:Dance and disability 2564:McDonagh, D. (1990) 2550:McDonagh, D. (1976) 2508:Lewis, D, D. (1999) 2326:de Mille, A. (1991) 2256:Anderson, J. (1992) 2042:. 17 November 1996. 1728:(24 November 1994). 1340:List of dance styles 1169:—"Horton Technique" 1107:Cunningham technique 631:In the United States 535:Cunningham technique 533:to choreography and 301:and Japanese dancer 275:emotional expression 6603:International Style 6353:Afternoon of a Faun 5632:Battleship Potemkin 5536:Mont Sainte-Victoir 3480:Dance on television 2625:Sherman, J. (1983) 2578:Mazo, J, H. (2000) 2522:Long, R. A. (1995) 2470:Princeton Book Co. 2438:Hodgson, M. (1976) 2113:. 30 January 2019. 1619:Rath, Emil (1914). 1216:Expressionist dance 1089:)—Hawkins technique 571:Connecticut College 565:- A student of the 370:Expressionist dance 340:Expressionist dance 6482:Buddhist modernism 6439:American modernism 6365:The Rite of Spring 4333:The Sun Also Rises 4309:The Magic Mountain 2594:Minton, S. (1984) 2410:Graham, M. (1992) 2396:Graham, M. (1973) 2376:The New York Times 2344:. Dance Horizons. 2340:Duncan, I. (1937) 2298:Cheney, G. (1989) 2072:The New York Times 1962:"Katherine Dunham" 1735:The New York Times 1533:Kurth, P. (2001). 1022:Shawn Fundamentals 990: 956:Contemporary dance 953: 937:Contemporary dance 931:Contemporary dance 778: 755:Bennington College 696:as too one-sided: 655: 642:Early modern dance 494:of human movement. 441:Metropolitan Daily 336: 257: 148:Late Modern period 50: 6782: 6781: 6510:Experimental film 6426: 6425: 6413:Waiting for Godot 5713: 5712: 4370: 4369: 4273:The Metamorphosis 3523: 3522: 3475:Dance occupations 3412:Wallis and Futuna 2639:Terry, W. (1976) 2604:978-0-89582-102-7 2560:978-0-385-05055-5 2414:. Pan Macmillan. 1968:on 25 August 2019 1742:on 13 April 2016. 1681:978-1-136-44920-8 1622:Aesthetic Dancing 1494:978-0-7360-8023-1 1232:Dancing with Time 1087:George Balanchine 948: 587:George Balanchine 569:of Music and the 549:George Balanchine 527:chance procedures 502:The Moor's Pavane 392:Disturbed by the 382:Harald Kreutzberg 354:Francois Delsarte 216:industrialization 186:introduced clear 101:release technique 16:(Redirected from 6812: 6774: 6773: 6745: 6743:Vulgar modernism 6738: 6736:Underground film 6731: 6724: 6717: 6710: 6703: 6696: 6689: 6682: 6675: 6668: 6661: 6654: 6647: 6640: 6633: 6626: 6619: 6612: 6605: 6598: 6589: 6582: 6575: 6568: 6561: 6559:Hippie modernism 6554: 6547: 6540: 6533: 6526: 6519: 6512: 6505: 6498: 6491: 6484: 6477: 6475:Bloomsbury Group 6470: 6469: 6459: 6458: 6448: 6441: 6419: 6418: 6407: 6406: 6395: 6394: 6383: 6382: 6371: 6370: 6359: 6358: 6347: 6346: 6335: 6334: 6323: 6322: 6311: 6310: 6299: 6298: 6287: 6286: 6264: 6257: 6250: 6243: 6236: 6229: 6222: 6215: 6208: 6201: 6194: 6187: 6180: 6173: 6166: 6159: 6152: 6132: 6125: 6118: 6111: 6104: 6097: 6090: 6083: 6076: 6069: 6062: 6055: 6048: 6041: 6034: 6027: 6020: 6013: 6006: 5999: 5992: 5972: 5965: 5958: 5951: 5944: 5937: 5930: 5923: 5916: 5909: 5902: 5895: 5888: 5881: 5874: 5867: 5860: 5853: 5846: 5839: 5832: 5825: 5818: 5811: 5804: 5797: 5790: 5783: 5776: 5769: 5762: 5755: 5748: 5741: 5726: 5725: 5706: 5705: 5694: 5693: 5682: 5681: 5672: 5671: 5662: 5661: 5656:Un Chien Andalou 5650: 5649: 5638: 5637: 5626: 5625: 5620:Ballet MĂ©canique 5614: 5613: 5602: 5601: 5590: 5589: 5578: 5577: 5566: 5565: 5554: 5553: 5548:The Starry Night 5542: 5541: 5530: 5529: 5507: 5500: 5493: 5486: 5479: 5472: 5465: 5458: 5451: 5444: 5437: 5430: 5423: 5416: 5409: 5402: 5395: 5388: 5381: 5374: 5367: 5360: 5353: 5333: 5326: 5319: 5312: 5305: 5298: 5291: 5284: 5277: 5270: 5263: 5256: 5249: 5242: 5235: 5228: 5221: 5214: 5207: 5200: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5137: 5130: 5123: 5116: 5109: 5102: 5095: 5088: 5081: 5074: 5067: 5060: 5053: 5046: 5039: 5032: 5025: 5018: 5011: 5004: 4997: 4990: 4983: 4976: 4969: 4962: 4955: 4948: 4941: 4934: 4927: 4920: 4913: 4893: 4886: 4879: 4877:Toulouse-Lautrec 4872: 4865: 4858: 4851: 4844: 4837: 4830: 4823: 4816: 4809: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4564: 4557: 4550: 4543: 4536: 4529: 4522: 4515: 4508: 4501: 4494: 4487: 4480: 4473: 4466: 4459: 4452: 4445: 4438: 4431: 4424: 4417: 4410: 4403: 4396: 4381: 4380: 4363: 4362: 4351: 4350: 4339: 4338: 4327: 4326: 4315: 4314: 4303: 4302: 4291: 4290: 4279: 4278: 4267: 4266: 4244: 4237: 4230: 4223: 4216: 4209: 4202: 4195: 4188: 4181: 4174: 4167: 4160: 4153: 4146: 4139: 4132: 4125: 4118: 4111: 4104: 4097: 4090: 4083: 4076: 4069: 4062: 4055: 4048: 4028: 4021: 4014: 4007: 4000: 3993: 3986: 3979: 3972: 3965: 3958: 3951: 3944: 3937: 3930: 3923: 3916: 3909: 3902: 3895: 3888: 3881: 3874: 3867: 3860: 3853: 3846: 3839: 3832: 3825: 3818: 3811: 3804: 3797: 3790: 3775: 3774: 3761: 3754: 3747: 3740: 3733: 3724: 3723: 3713: 3706: 3699: 3692: 3683: 3676: 3669: 3660: 3653: 3652: 3642: 3641: 3638:Der Blaue Reiter 3631: 3624: 3617: 3610: 3603: 3596: 3595: 3585: 3584: 3574: 3550: 3543: 3536: 3527: 3526: 3510:History of dance 3495:Dance technology 3440:Dance and health 3390:African-American 2678: 2671: 2664: 2655: 2654: 2536:Love, P. (1997) 2379: 2366: 2330:. Random House. 2312:Daly, A. (2002) 2231: 2230: 2228: 2226: 2217:. Archived from 2211: 2205: 2204: 2202: 2200: 2185: 2179: 2178: 2176: 2174: 2159: 2153: 2152: 2150: 2148: 2133: 2127: 2126: 2124: 2122: 2103: 2097: 2096: 2094: 2092: 2062: 2056: 2055: 2053: 2051: 2030: 2024: 2023: 2021: 2019: 1999: 1993: 1992: 1984: 1978: 1977: 1975: 1973: 1958: 1952: 1951: 1933: 1927: 1924: 1918: 1917: 1915: 1913: 1898: 1889: 1888: 1886: 1884: 1869: 1863: 1862: 1860: 1858: 1843: 1830: 1827: 1821: 1820: 1818: 1816: 1805:"Alwin Nikolais" 1801: 1795: 1794: 1792: 1790: 1775: 1769: 1768: 1753:Mazo, Joseph H. 1750: 1744: 1743: 1738:. Archived from 1726:Kisselgoff, Anna 1722: 1716: 1713: 1707: 1704: 1698: 1697: 1695: 1693: 1663: 1657: 1656: 1654: 1652: 1633: 1627: 1626: 1616: 1610: 1609: 1601: 1595: 1594: 1588: 1578: 1572: 1571: 1567:978-0-87127-3253 1553: 1547: 1546: 1540: 1530: 1524: 1523: 1519:978-0-87127-3253 1505: 1499: 1498: 1478: 1472: 1471: 1453: 1430: 1429: 1427: 1425: 1406: 1393: 1392: 1390: 1388: 1369: 1295:Katherine Dunham 1255:decentralization 1185:Rudolf von Laban 1122:Margaret Jenkins 1111:Postmodern dance 1103:Merce Cunningham 1073:Graham technique 1047:Humphrey-Weidman 1008:Grete Wiesenthal 1003:Duncan technique 986:Rudolf von Laban 949: 902:Postmodern dance 897:Postmodern dance 891:Postmodern dance 793:Katherine Dunham 765:African American 726:Graham technique 710:musical comedies 652:Carl van Vechten 579:Merce Cunningham 567:Juilliard School 539:postmodern dance 508:Merce Cunningham 489: 486: 394:Great Depression 305:, developed her 229:Women's colleges 196:postmodern dance 164:Merce Cunningham 153: 136:Katherine Dunham 125: 109: 89:postmodern dance 62:classical ballet 35:The Modern Dance 21: 6820: 6819: 6815: 6814: 6813: 6811: 6810: 6809: 6785: 6784: 6783: 6778: 6769: 6761: 6748: 6741: 6734: 6729:Structural film 6727: 6720: 6713: 6706: 6699: 6692: 6685: 6680:New Objectivity 6678: 6671: 6666:Neo-romanticism 6664: 6659:Neo-primitivism 6657: 6650: 6643: 6636: 6629: 6622: 6615: 6608: 6601: 6594: 6585: 6578: 6571: 6564: 6557: 6550: 6543: 6536: 6529: 6522: 6515: 6508: 6501: 6494: 6487: 6480: 6473: 6462: 6451: 6444: 6437: 6422: 6416: 6410: 6404: 6398: 6392: 6386: 6380: 6374: 6368: 6362: 6356: 6350: 6344: 6338: 6332: 6326: 6320: 6314: 6308: 6305:VerklĂ€rte Nacht 6302: 6296: 6290: 6284: 6278: 6267: 6260: 6253: 6246: 6239: 6232: 6225: 6218: 6211: 6204: 6197: 6190: 6183: 6176: 6169: 6162: 6155: 6148: 6135: 6128: 6121: 6114: 6107: 6100: 6093: 6086: 6079: 6072: 6065: 6058: 6051: 6044: 6037: 6030: 6023: 6016: 6009: 6002: 5995: 5988: 5975: 5968: 5961: 5954: 5947: 5940: 5933: 5926: 5919: 5912: 5905: 5898: 5891: 5884: 5877: 5870: 5863: 5856: 5849: 5842: 5835: 5828: 5821: 5814: 5807: 5800: 5793: 5786: 5779: 5772: 5765: 5758: 5751: 5744: 5737: 5720: 5709: 5703: 5697: 5691: 5685: 5679: 5675: 5669: 5665: 5659: 5653: 5647: 5641: 5635: 5629: 5623: 5617: 5611: 5605: 5599: 5593: 5587: 5581: 5575: 5569: 5563: 5557: 5551: 5545: 5539: 5533: 5527: 5521: 5510: 5503: 5496: 5489: 5482: 5475: 5468: 5461: 5454: 5447: 5440: 5433: 5426: 5419: 5412: 5405: 5398: 5391: 5384: 5377: 5370: 5363: 5356: 5349: 5336: 5329: 5322: 5315: 5308: 5301: 5294: 5287: 5280: 5273: 5266: 5259: 5252: 5245: 5238: 5231: 5224: 5217: 5210: 5203: 5196: 5189: 5182: 5175: 5168: 5161: 5154: 5147: 5140: 5133: 5126: 5119: 5112: 5105: 5098: 5091: 5084: 5077: 5070: 5063: 5056: 5049: 5042: 5035: 5028: 5021: 5014: 5007: 5000: 4993: 4986: 4979: 4972: 4965: 4958: 4951: 4944: 4937: 4930: 4923: 4916: 4909: 4896: 4889: 4882: 4875: 4868: 4861: 4854: 4847: 4840: 4833: 4826: 4819: 4812: 4805: 4798: 4791: 4784: 4777: 4770: 4763: 4756: 4749: 4742: 4735: 4728: 4721: 4714: 4707: 4700: 4693: 4686: 4679: 4672: 4665: 4658: 4651: 4644: 4637: 4630: 4623: 4616: 4609: 4602: 4595: 4588: 4581: 4574: 4567: 4560: 4553: 4546: 4539: 4532: 4525: 4518: 4511: 4504: 4497: 4490: 4483: 4476: 4469: 4462: 4455: 4448: 4441: 4434: 4427: 4420: 4413: 4406: 4399: 4392: 4366: 4360: 4354: 4348: 4342: 4336: 4330: 4324: 4318: 4312: 4306: 4300: 4294: 4288: 4282: 4276: 4270: 4264: 4258: 4247: 4240: 4233: 4226: 4219: 4212: 4205: 4198: 4191: 4184: 4177: 4170: 4163: 4156: 4151:Lowell (Robert) 4149: 4142: 4135: 4128: 4121: 4114: 4107: 4100: 4093: 4086: 4079: 4072: 4065: 4058: 4051: 4044: 4031: 4024: 4017: 4010: 4003: 3996: 3989: 3982: 3975: 3968: 3961: 3954: 3947: 3940: 3933: 3926: 3919: 3912: 3905: 3898: 3891: 3884: 3877: 3870: 3863: 3856: 3849: 3842: 3835: 3828: 3821: 3814: 3807: 3800: 3793: 3786: 3764: 3757: 3750: 3743: 3736: 3729: 3716: 3709: 3702: 3695: 3688: 3679: 3672: 3665: 3656: 3645: 3634: 3627: 3620: 3613: 3606: 3599: 3588: 3577: 3570: 3559: 3554: 3524: 3519: 3455:Dance etiquette 3421: 3180:Burma (Myanmar) 3120: 3116: 3108: 3057:Lead and follow 3018: 2954:Country–western 2893: 2874:Novelty and fad 2832:Hoochie coochie 2783: 2742:closed position 2715: 2711:List of dancers 2687: 2682: 2369: 2354: 2239: 2237:Further reading 2234: 2224: 2222: 2221:on 7 April 2008 2213: 2212: 2208: 2198: 2196: 2187: 2186: 2182: 2172: 2170: 2161: 2160: 2156: 2146: 2144: 2135: 2134: 2130: 2120: 2118: 2105: 2104: 2100: 2090: 2088: 2063: 2059: 2049: 2047: 2032: 2031: 2027: 2017: 2015: 2000: 1996: 1985: 1981: 1971: 1969: 1960: 1959: 1955: 1948: 1934: 1930: 1925: 1921: 1911: 1909: 1900: 1899: 1892: 1882: 1880: 1871: 1870: 1866: 1856: 1854: 1845: 1844: 1833: 1828: 1824: 1814: 1812: 1803: 1802: 1798: 1788: 1786: 1777: 1776: 1772: 1751: 1747: 1723: 1719: 1714: 1710: 1705: 1701: 1691: 1689: 1682: 1664: 1660: 1650: 1648: 1635: 1634: 1630: 1617: 1613: 1602: 1598: 1579: 1575: 1568: 1554: 1550: 1531: 1527: 1520: 1506: 1502: 1495: 1479: 1475: 1468: 1454: 1433: 1423: 1421: 1408: 1407: 1396: 1386: 1384: 1371: 1370: 1357: 1353: 1331: 1060:LimĂłn technique 1037:Charles Weidman 976: 941: 939: 933: 925:experimentation 899: 893: 881: 817:Langston Hughes 767: 747: 722:dance technique 675:Charles Weidman 644: 639: 633: 610:- A student of 547:- A student of 487: 475:musical theater 423:- A student of 390: 346: 324: 299:Sarah Bernhardt 263: 246: 208: 140:Charles Weidman 93:performance art 39: 28: 23: 22: 15: 12: 11: 5: 6818: 6808: 6807: 6802: 6797: 6780: 6779: 6762: 6754: 6753: 6750: 6749: 6747: 6746: 6739: 6732: 6725: 6718: 6711: 6704: 6697: 6690: 6687:Poetic realism 6683: 6676: 6669: 6662: 6655: 6648: 6641: 6634: 6627: 6620: 6617:Late modernity 6613: 6610:Late modernism 6606: 6599: 6592: 6591: 6590: 6583: 6576: 6562: 6555: 6552:High modernism 6548: 6541: 6534: 6527: 6520: 6513: 6506: 6499: 6496:Degenerate art 6492: 6485: 6478: 6471: 6466:Ballets Russes 6460: 6449: 6442: 6434: 6432: 6428: 6427: 6424: 6423: 6421: 6420: 6408: 6396: 6384: 6372: 6360: 6348: 6336: 6324: 6312: 6300: 6288: 6275: 6273: 6269: 6268: 6266: 6265: 6258: 6251: 6244: 6237: 6230: 6223: 6216: 6209: 6202: 6195: 6188: 6181: 6174: 6167: 6160: 6153: 6145: 6143: 6137: 6136: 6134: 6133: 6126: 6119: 6112: 6105: 6098: 6091: 6084: 6077: 6070: 6063: 6056: 6049: 6042: 6035: 6028: 6021: 6014: 6007: 6000: 5993: 5985: 5983: 5977: 5976: 5974: 5973: 5966: 5959: 5952: 5945: 5938: 5931: 5924: 5917: 5910: 5903: 5896: 5889: 5882: 5875: 5868: 5861: 5854: 5847: 5840: 5833: 5826: 5819: 5812: 5805: 5798: 5791: 5784: 5777: 5770: 5763: 5756: 5749: 5742: 5734: 5732: 5723: 5715: 5714: 5711: 5710: 5708: 5707: 5695: 5683: 5673: 5663: 5651: 5639: 5627: 5615: 5603: 5591: 5579: 5567: 5555: 5543: 5531: 5518: 5516: 5512: 5511: 5509: 5508: 5501: 5494: 5487: 5480: 5473: 5466: 5459: 5452: 5445: 5438: 5431: 5424: 5417: 5410: 5403: 5396: 5389: 5382: 5375: 5368: 5361: 5354: 5346: 5344: 5338: 5337: 5335: 5334: 5327: 5320: 5313: 5306: 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5215: 5212:Ray (Satyajit) 5208: 5205:Ray (Nicholas) 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5117: 5110: 5103: 5096: 5089: 5082: 5075: 5068: 5061: 5054: 5047: 5040: 5033: 5026: 5019: 5012: 5005: 4998: 4991: 4984: 4977: 4970: 4963: 4956: 4949: 4942: 4935: 4928: 4921: 4914: 4906: 4904: 4898: 4897: 4895: 4894: 4887: 4880: 4873: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4586: 4579: 4572: 4565: 4558: 4551: 4544: 4537: 4530: 4523: 4516: 4509: 4502: 4495: 4488: 4481: 4474: 4467: 4460: 4453: 4446: 4439: 4432: 4425: 4418: 4411: 4404: 4397: 4389: 4387: 4378: 4372: 4371: 4368: 4367: 4365: 4364: 4352: 4340: 4328: 4316: 4304: 4297:The Waste Land 4292: 4280: 4268: 4255: 4253: 4249: 4248: 4246: 4245: 4238: 4231: 4224: 4217: 4210: 4203: 4196: 4189: 4182: 4175: 4168: 4161: 4154: 4147: 4140: 4133: 4126: 4119: 4112: 4105: 4098: 4091: 4084: 4077: 4070: 4063: 4056: 4049: 4041: 4039: 4033: 4032: 4030: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3910: 3903: 3896: 3889: 3882: 3875: 3868: 3861: 3854: 3847: 3840: 3833: 3826: 3819: 3812: 3805: 3798: 3791: 3783: 3781: 3772: 3766: 3765: 3763: 3762: 3755: 3748: 3741: 3734: 3727: 3726: 3725: 3707: 3700: 3693: 3686: 3685: 3684: 3670: 3663: 3662: 3661: 3654: 3643: 3625: 3618: 3611: 3608:Constructivism 3604: 3597: 3586: 3575: 3567: 3565: 3561: 3560: 3553: 3552: 3545: 3538: 3530: 3521: 3520: 3518: 3517: 3515:Women in dance 3512: 3507: 3502: 3497: 3492: 3487: 3485:Dance research 3482: 3477: 3472: 3467: 3462: 3460:Dance notation 3457: 3452: 3447: 3442: 3437: 3431: 3429: 3423: 3422: 3420: 3419: 3414: 3409: 3404: 3399: 3394: 3393: 3392: 3382: 3377: 3372: 3367: 3362: 3357: 3352: 3347: 3342: 3337: 3332: 3327: 3322: 3317: 3312: 3307: 3302: 3297: 3292: 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Dial Press. 2637: 2623: 2620: 2612:. Hohm Press. 2606: 2592: 2576: 2562: 2548: 2534: 2520: 2506: 2492: 2478: 2464: 2450: 2436: 2422: 2408: 2394: 2380: 2367: 2362:New York Times 2352: 2338: 2324: 2310: 2296: 2282: 2270:Au, S. (2002) 2268: 2254: 2238: 2235: 2233: 2232: 2206: 2180: 2154: 2128: 2098: 2057: 2025: 1994: 1979: 1953: 1946: 1928: 1919: 1890: 1864: 1831: 1822: 1807:. Arts Alive. 1796: 1781:. Arts Alive. 1770: 1767:on 5 May 2009. 1760:Dance Magazine 1745: 1717: 1708: 1699: 1680: 1658: 1628: 1611: 1596: 1573: 1566: 1548: 1525: 1518: 1500: 1493: 1473: 1467:978-0807853672 1466: 1431: 1394: 1373:"Modern dance" 1354: 1352: 1349: 1348: 1347: 1345:Women in dance 1342: 1337: 1330: 1327: 1326: 1325: 1324: 1323: 1313: 1312: 1311: 1301: 1292: 1291: 1290: 1285: 1275: 1274: 1273: 1272: 1271: 1270: 1269: 1268: 1267: 1262: 1251:Alwin Nikolais 1248: 1246:Valerie Bettis 1238: 1237: 1236: 1209: 1208: 1207: 1182: 1181: 1180: 1175: 1173:Bella Lewitzky 1164: 1163: 1162: 1161: 1160: 1159: 1158: 1153: 1148: 1147: 1146: 1136: 1135: 1134: 1132:Richard Alston 1129: 1124: 1119: 1100: 1095: 1090: 1066: 1065: 1064: 1063: 1062: 1033:Doris Humphrey 1024: 1013:Ruth St. Denis 1010: 1005: 999:Isadora Duncan 996: 975: 972: 935:Main article: 932: 929: 895:Main article: 892: 889: 880: 877: 849:Bella Lewitzky 843:studied under 766: 763: 746: 745:Popularization 743: 692:Graham viewed 671:Doris Humphrey 643: 640: 635:Main article: 632: 629: 628: 627: 608:Alwin Nikolais 605: 560: 542: 505: 495: 478: 389: 386: 330:Dancer at the 323: 320: 319: 318: 295:Ruth St. Denis 292: 282: 267:Isadora Duncan 259:Main article: 253:Isadora Duncan 245: 242: 207: 204: 188:abstractionism 132:Doris Humphrey 112:Ruth St. Denis 69:Isadora Duncan 26: 9: 6: 4: 3: 2: 6817: 6806: 6803: 6801: 6798: 6796: 6793: 6792: 6790: 6777: 6767: 6766: 6765:Postmodernism 6760: 6759: 6751: 6744: 6740: 6737: 6733: 6730: 6726: 6723: 6719: 6716: 6712: 6709: 6708:Metamodernism 6705: 6702: 6698: 6695: 6691: 6688: 6684: 6681: 6677: 6674: 6673:New Hollywood 6670: 6667: 6663: 6660: 6656: 6653: 6649: 6646: 6642: 6639: 6635: 6632: 6628: 6625: 6621: 6618: 6614: 6611: 6607: 6604: 6600: 6597: 6593: 6588: 6584: 6581: 6577: 6574: 6570: 6569: 6567: 6566:Impressionism 6563: 6560: 6556: 6553: 6549: 6546: 6542: 6539: 6535: 6532: 6528: 6525: 6521: 6518: 6514: 6511: 6507: 6504: 6500: 6497: 6493: 6490: 6486: 6483: 6479: 6476: 6472: 6468: 6467: 6461: 6457: 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5852: 5848: 5845: 5841: 5838: 5834: 5831: 5827: 5824: 5820: 5817: 5813: 5810: 5806: 5803: 5799: 5796: 5792: 5789: 5785: 5782: 5778: 5775: 5771: 5768: 5764: 5761: 5757: 5754: 5750: 5747: 5743: 5740: 5736: 5735: 5733: 5731: 5727: 5724: 5722: 5716: 5702: 5701: 5696: 5690: 5689: 5684: 5678: 5674: 5668: 5664: 5658: 5657: 5652: 5646: 5645: 5640: 5634: 5633: 5628: 5622: 5621: 5616: 5610: 5609: 5604: 5598: 5597: 5592: 5586: 5585: 5580: 5574: 5573: 5568: 5562: 5561: 5556: 5550: 5549: 5544: 5538: 5537: 5532: 5526: 5525: 5520: 5519: 5517: 5513: 5506: 5502: 5499: 5495: 5492: 5488: 5485: 5481: 5478: 5474: 5471: 5467: 5464: 5460: 5457: 5453: 5450: 5446: 5443: 5439: 5436: 5432: 5429: 5425: 5422: 5418: 5415: 5411: 5408: 5404: 5401: 5397: 5394: 5393:Hundertwasser 5390: 5387: 5383: 5380: 5376: 5373: 5369: 5366: 5362: 5359: 5355: 5352: 5348: 5347: 5345: 5343: 5339: 5332: 5328: 5325: 5321: 5318: 5314: 5311: 5307: 5304: 5300: 5297: 5293: 5290: 5286: 5283: 5279: 5276: 5272: 5269: 5265: 5262: 5258: 5255: 5251: 5248: 5244: 5241: 5237: 5234: 5230: 5227: 5223: 5220: 5216: 5213: 5209: 5206: 5202: 5199: 5195: 5192: 5188: 5185: 5181: 5178: 5174: 5171: 5167: 5164: 5160: 5157: 5153: 5150: 5146: 5143: 5139: 5136: 5132: 5129: 5125: 5122: 5118: 5115: 5111: 5108: 5104: 5101: 5097: 5094: 5090: 5087: 5083: 5080: 5076: 5073: 5069: 5066: 5062: 5059: 5055: 5052: 5048: 5045: 5041: 5038: 5034: 5031: 5027: 5024: 5020: 5017: 5013: 5010: 5006: 5003: 4999: 4996: 4992: 4989: 4985: 4982: 4978: 4975: 4971: 4968: 4964: 4961: 4957: 4954: 4950: 4947: 4943: 4940: 4936: 4933: 4929: 4926: 4922: 4919: 4915: 4912: 4908: 4907: 4905: 4903: 4899: 4892: 4888: 4885: 4881: 4878: 4874: 4871: 4867: 4864: 4860: 4857: 4853: 4850: 4846: 4843: 4839: 4836: 4832: 4829: 4825: 4822: 4818: 4815: 4811: 4808: 4804: 4801: 4797: 4794: 4790: 4787: 4783: 4780: 4776: 4773: 4769: 4766: 4762: 4759: 4755: 4752: 4748: 4745: 4741: 4738: 4734: 4731: 4727: 4724: 4720: 4717: 4713: 4710: 4706: 4703: 4699: 4696: 4692: 4689: 4685: 4682: 4678: 4675: 4671: 4668: 4664: 4661: 4657: 4654: 4650: 4647: 4643: 4640: 4636: 4633: 4629: 4626: 4622: 4619: 4615: 4612: 4608: 4605: 4601: 4598: 4594: 4591: 4587: 4584: 4580: 4577: 4573: 4570: 4566: 4563: 4559: 4556: 4552: 4549: 4545: 4542: 4538: 4535: 4531: 4528: 4524: 4521: 4517: 4514: 4510: 4507: 4503: 4500: 4496: 4493: 4489: 4486: 4482: 4479: 4475: 4472: 4468: 4465: 4461: 4458: 4454: 4451: 4447: 4444: 4440: 4437: 4433: 4430: 4426: 4423: 4419: 4416: 4412: 4409: 4405: 4402: 4398: 4395: 4391: 4390: 4388: 4386: 4382: 4379: 4377: 4373: 4359: 4358: 4353: 4347: 4346: 4341: 4335: 4334: 4329: 4323: 4322: 4317: 4311: 4310: 4305: 4299: 4298: 4293: 4287: 4286: 4281: 4275: 4274: 4269: 4263: 4262: 4257: 4256: 4254: 4250: 4243: 4239: 4236: 4232: 4229: 4225: 4222: 4218: 4215: 4211: 4208: 4204: 4201: 4197: 4194: 4190: 4187: 4183: 4180: 4176: 4173: 4169: 4166: 4162: 4159: 4155: 4152: 4148: 4145: 4141: 4138: 4134: 4131: 4127: 4124: 4120: 4117: 4113: 4110: 4106: 4103: 4099: 4096: 4092: 4089: 4085: 4082: 4078: 4075: 4071: 4068: 4064: 4061: 4057: 4054: 4050: 4047: 4043: 4042: 4040: 4038: 4034: 4027: 4023: 4020: 4016: 4013: 4009: 4006: 4002: 3999: 3995: 3992: 3988: 3985: 3981: 3978: 3974: 3971: 3967: 3964: 3960: 3957: 3953: 3950: 3946: 3943: 3939: 3936: 3932: 3929: 3925: 3922: 3918: 3915: 3911: 3908: 3904: 3901: 3897: 3894: 3890: 3887: 3883: 3880: 3876: 3873: 3869: 3866: 3862: 3859: 3855: 3852: 3848: 3845: 3841: 3838: 3834: 3831: 3827: 3824: 3820: 3817: 3813: 3810: 3806: 3803: 3799: 3796: 3792: 3789: 3785: 3784: 3782: 3780: 3776: 3773: 3771: 3770:Literary arts 3767: 3760: 3756: 3753: 3749: 3746: 3742: 3739: 3735: 3732: 3728: 3722: 3721: 3715: 3714: 3712: 3711:Neoplasticism 3708: 3705: 3701: 3698: 3694: 3691: 3687: 3682: 3678: 3677: 3675: 3674:Functionalism 3671: 3668: 3664: 3659: 3655: 3651: 3650: 3644: 3640: 3639: 3633: 3632: 3630: 3629:Expressionism 3626: 3623: 3619: 3616: 3612: 3609: 3605: 3602: 3601:Ashcan School 3598: 3594: 3593: 3587: 3583: 3582: 3576: 3573: 3569: 3568: 3566: 3562: 3558: 3551: 3546: 3544: 3539: 3537: 3532: 3531: 3528: 3516: 3513: 3511: 3508: 3506: 3505:Dancing mania 3503: 3501: 3498: 3496: 3493: 3491: 3490:Dance science 3488: 3486: 3483: 3481: 3478: 3476: 3473: 3471: 3468: 3466: 3465:Dance in film 3463: 3461: 3458: 3456: 3453: 3451: 3450:Dance costume 3448: 3446: 3443: 3441: 3438: 3436: 3433: 3432: 3430: 3428: 3424: 3418: 3415: 3413: 3410: 3408: 3405: 3403: 3400: 3398: 3395: 3391: 3388: 3387: 3386: 3385:United States 3383: 3381: 3378: 3376: 3373: 3371: 3368: 3366: 3363: 3361: 3358: 3356: 3353: 3351: 3348: 3346: 3343: 3341: 3338: 3336: 3333: 3331: 3328: 3326: 3323: 3321: 3318: 3316: 3313: 3311: 3308: 3306: 3303: 3301: 3298: 3296: 3293: 3291: 3288: 3286: 3283: 3281: 3278: 3276: 3273: 3271: 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3251: 3248: 3246: 3243: 3241: 3238: 3236: 3233: 3231: 3228: 3226: 3225:Faroe Islands 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3186: 3183: 3181: 3178: 3176: 3173: 3171: 3168: 3166: 3163: 3161: 3158: 3156: 3153: 3151: 3148: 3146: 3143: 3141: 3138: 3136: 3133: 3131: 3128: 3127: 3125: 3122: 3115: 3111: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3068: 3065: 3064: 3063: 3060: 3058: 3055: 3053: 3050: 3048: 3045: 3043: 3040: 3038: 3035: 3033: 3030: 3029: 3027: 3025: 3021: 3015: 3012: 3010: 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2990: 2987: 2985: 2982: 2980: 2977: 2975: 2972: 2970: 2967: 2965: 2962: 2960: 2957: 2955: 2952: 2950: 2947: 2945: 2942: 2940: 2937: 2935: 2932: 2928: 2925: 2923: 2920: 2919: 2918: 2915: 2913: 2910: 2908: 2905: 2904: 2902: 2900: 2896: 2890: 2887: 2885: 2882: 2880: 2877: 2875: 2872: 2870: 2867: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2845: 2843: 2842:Neo-Burlesque 2840: 2838: 2835: 2833: 2830: 2828: 2825: 2823: 2820: 2819: 2818: 2815: 2813: 2810: 2808: 2805: 2803: 2800: 2798: 2795: 2794: 2792: 2790: 2786: 2778: 2775: 2773: 2770: 2768: 2765: 2763: 2760: 2758: 2755: 2753: 2750: 2748: 2747:open position 2745: 2743: 2740: 2738: 2737:close embrace 2735: 2734: 2733: 2730: 2728: 2725: 2724: 2722: 2720:Participation 2718: 2712: 2709: 2707: 2704: 2702: 2699: 2697: 2694: 2693: 2690: 2686: 2679: 2674: 2672: 2667: 2665: 2660: 2659: 2656: 2650: 2649:0-8037-8557-7 2646: 2642: 2638: 2636: 2635:0-8057-9602-9 2632: 2628: 2624: 2621: 2619: 2618:1-890772-38-0 2615: 2611: 2607: 2605: 2601: 2597: 2593: 2591: 2590:0-87127-211-3 2587: 2583: 2582: 2577: 2575: 2574:1-55652-089-1 2571: 2567: 2563: 2561: 2557: 2553: 2549: 2547: 2546:0-87127-206-7 2543: 2539: 2535: 2533: 2532:0-8317-0763-1 2529: 2525: 2521: 2519: 2518:0-87127-209-1 2515: 2511: 2507: 2505: 2504:0-8161-8528-X 2501: 2497: 2493: 2491: 2490:2-88124-219-7 2487: 2484:. Routledge. 2483: 2479: 2477: 2476:0-87127-158-3 2473: 2469: 2465: 2463: 2462:0-8130-2473-0 2459: 2455: 2451: 2449: 2448:0-688-08095-2 2445: 2441: 2437: 2435: 2434:0-87127-213-X 2431: 2427: 2423: 2421: 2420:0-333-57441-9 2417: 2413: 2409: 2407: 2406:0-15-167265-2 2403: 2399: 2395: 2393: 2392:0-8078-5367-4 2389: 2385: 2381: 2377: 2373: 2368: 2364: 2363: 2358: 2353: 2351: 2350:0-87127-028-5 2347: 2343: 2339: 2337: 2336:0-394-55643-7 2333: 2329: 2325: 2323: 2322:0-8195-6560-1 2319: 2315: 2311: 2309: 2308:0-916622-76-2 2305: 2301: 2297: 2295: 2294:0-87127-205-9 2291: 2287: 2283: 2281: 2280:0-500-20352-0 2277: 2273: 2269: 2267: 2266:0-87127-172-9 2263: 2259: 2255: 2253: 2252:0-415-09030-X 2249: 2246:. Routledge. 2245: 2241: 2240: 2220: 2216: 2210: 2194: 2190: 2184: 2168: 2164: 2158: 2142: 2138: 2132: 2116: 2112: 2108: 2102: 2086: 2082: 2078: 2074: 2073: 2068: 2061: 2045: 2041: 2040: 2035: 2029: 2013: 2009: 2005: 1998: 1990: 1983: 1967: 1963: 1957: 1949: 1947:0-394-55643-7 1943: 1939: 1932: 1923: 1907: 1903: 1897: 1895: 1878: 1874: 1868: 1852: 1848: 1842: 1840: 1838: 1836: 1826: 1810: 1806: 1800: 1784: 1780: 1779:"Paul Taylor" 1774: 1766: 1762: 1761: 1756: 1749: 1741: 1737: 1736: 1731: 1727: 1721: 1712: 1703: 1687: 1683: 1677: 1673: 1669: 1662: 1646: 1642: 1638: 1632: 1624: 1623: 1615: 1607: 1600: 1592: 1587: 1586: 1577: 1569: 1563: 1559: 1552: 1544: 1539: 1538: 1529: 1521: 1515: 1511: 1504: 1496: 1490: 1486: 1485: 1477: 1469: 1463: 1459: 1452: 1450: 1448: 1446: 1444: 1442: 1440: 1438: 1436: 1419: 1415: 1411: 1405: 1403: 1401: 1399: 1382: 1378: 1374: 1368: 1366: 1364: 1362: 1360: 1355: 1346: 1343: 1341: 1338: 1336: 1335:Concert dance 1333: 1332: 1322: 1321:Daniel Nagrin 1319: 1318: 1317: 1316:Helen Tamiris 1314: 1310: 1307: 1306: 1305: 1302: 1300: 1296: 1293: 1289: 1288:Marie Rambert 1286: 1284: 1281: 1280: 1279: 1276: 1266: 1263: 1261: 1258: 1257: 1256: 1252: 1249: 1247: 1244: 1243: 1242: 1239: 1234: 1233: 1228: 1225: 1224: 1223: 1220: 1219: 1217: 1213: 1210: 1205: 1201: 1198: 1197: 1195: 1194:Ausdruckstanz 1191: 1188: 1187: 1186: 1183: 1179: 1176: 1174: 1171: 1170: 1168: 1167:Lester Horton 1165: 1157: 1154: 1152: 1149: 1145: 1142: 1141: 1140: 1137: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1117:Yvonne Rainer 1115: 1114: 1112: 1108: 1104: 1101: 1099: 1098:May O'Donnell 1096: 1094: 1091: 1088: 1084: 1083:Erick Hawkins 1081: 1080: 1078: 1074: 1070: 1069:Martha Graham 1067: 1061: 1057: 1054: 1053: 1052: 1048: 1045: 1044: 1042: 1038: 1034: 1031: 1030: 1028: 1025: 1023: 1019: 1016: 1015: 1014: 1011: 1009: 1006: 1004: 1000: 997: 995: 992: 991: 987: 983: 979: 971: 967: 965: 961: 957: 938: 928: 926: 923: 919: 915: 911: 907: 903: 898: 888: 886: 876: 874: 870: 866: 863:, the blues, 862: 858: 854: 850: 846: 845:Lester Horton 842: 838: 834: 833: 832:Strange Fruit 828: 827:Lewis Allan's 824: 823: 818: 814: 810: 806: 802: 798: 794: 790: 786: 782: 775: 771: 762: 758: 756: 752: 742: 740: 736: 731: 727: 723: 719: 715: 711: 707: 706:New York City 703: 702:imperialistic 699: 695: 690: 688: 684: 683:Martha Graham 680: 676: 672: 668: 667:Martha Graham 664: 660: 653: 648: 638: 625: 621: 617: 613: 609: 606: 603: 599: 596: 592: 588: 584: 583:Martha Graham 580: 576: 572: 568: 564: 561: 558: 557:somatic dance 554: 550: 546: 545:Erick Hawkins 543: 540: 536: 532: 531:pure movement 528: 524: 520: 517: 513: 509: 506: 503: 499: 496: 493: 482: 479: 476: 472: 471:concert dance 468: 467:United States 464: 460: 456: 455: 454:Kiss Me, Kate 450: 446: 442: 438: 434: 430: 426: 422: 419: 418: 417: 415: 411: 407: 403: 399: 395: 388:Radical dance 385: 383: 379: 378:Ausdruckstanz 375: 371: 367: 363: 359: 355: 351: 345: 344:Ausdruckstanz 341: 334:, Berlin 1929 333: 328: 316: 312: 308: 304: 300: 296: 293: 290: 286: 283: 280: 276: 272: 268: 265: 264: 262: 254: 250: 240: 236: 234: 230: 226: 221: 217: 213: 203: 199: 197: 193: 189: 185: 181: 177: 173: 172:Erick Hawkins 169: 168:Talley Beatty 165: 161: 157: 149: 145: 144:Lester Horton 141: 137: 133: 129: 128:Martha Graham 121: 117: 113: 104: 102: 98: 94: 90: 84: 82: 78: 74: 70: 65: 63: 58: 54: 47: 46:Martha Graham 43: 37: 36: 30: 19: 6795:Modern dance 6763: 6756: 6503:Ecomodernism 6411: 6399: 6387: 6375: 6363: 6351: 6341:The Firebird 6339: 6327: 6315: 6303: 6291: 6279: 6140: 5698: 5688:Citizen Kane 5686: 5677:Fallingwater 5667:Villa Savoye 5654: 5642: 5630: 5618: 5606: 5596:Black Square 5594: 5582: 5570: 5558: 5546: 5534: 5522: 5414:Le Corbusier 5342:Architecture 4355: 4343: 4331: 4321:Mrs Dalloway 4319: 4307: 4295: 4283: 4271: 4259: 4144:Lowell (Amy) 3500:Dance troupe 3445:Dance awards 3340:Pontic Greek 3047:Dance theory 3037:Choreography 2988: 2949:Contemporary 2640: 2626: 2609: 2595: 2579: 2565: 2551: 2537: 2523: 2509: 2498:. G K Hall. 2495: 2481: 2467: 2453: 2439: 2425: 2411: 2400:. Harcourt. 2397: 2383: 2375: 2360: 2341: 2327: 2313: 2299: 2285: 2271: 2257: 2243: 2223:. Retrieved 2219:the original 2209: 2197:. Retrieved 2183: 2171:. Retrieved 2157: 2145:. Retrieved 2131: 2119:. Retrieved 2110: 2101: 2089:. Retrieved 2070: 2060: 2048:. Retrieved 2037: 2028: 2016:. Retrieved 2007: 1997: 1988: 1982: 1970:. Retrieved 1966:the original 1956: 1937: 1931: 1922: 1910:. Retrieved 1881:. Retrieved 1867: 1855:. Retrieved 1825: 1813:. Retrieved 1799: 1787:. Retrieved 1773: 1765:the original 1758: 1748: 1740:the original 1733: 1720: 1711: 1702: 1690:. Retrieved 1671: 1661: 1649:. Retrieved 1640: 1631: 1621: 1614: 1605: 1599: 1584: 1576: 1557: 1551: 1536: 1528: 1509: 1503: 1483: 1476: 1457: 1422:. Retrieved 1413: 1385:. Retrieved 1376: 1304:Pearl Primus 1298: 1260:Murray Louis 1254: 1230: 1227:Heike Hennig 1156:Ohad Naharin 1151:Trisha Brown 1127:Steve Paxton 1106: 1093:Anna Sokolow 1072: 1059: 1050: 1040: 1021: 1002: 977: 968: 954: 900: 882: 872: 836: 830: 820: 813:Pearl Primus 808: 800: 797:Ballet Negre 796: 779: 759: 748: 718:choreography 691: 656: 623: 622:(1960), and 619: 615: 534: 530: 526: 501: 491: 481:Anna Sokolow 459:choreography 452: 449:labanotation 440: 433:Rudolf Laban 391: 366:Rudolf Laban 352:in Germany, 347: 332:Laban school 313:culture and 307:translations 306: 238: 209: 200: 180:Anna Halprin 176:Anna Sokolow 160:Pearl Primus 154:1946–1957), 120:Eleanor King 105: 85: 66: 53:Modern dance 52: 51: 33: 29: 18:Modern Dance 6758:Romanticism 6715:Remodernism 6596:Incoherents 6455:Avant-garde 6446:Armory Show 6053:Maeterlinck 5956:Villa-Lobos 5942:Szymanowski 5921:Stockhausen 5858:LutosƂawski 5576:(1909–1910) 4376:Visual arts 4349:(1928–1940) 4265:(1913–1927) 3788:Apollinaire 3752:Synchromism 3592:Art Nouveau 3330:Philippines 3315:Netherlands 3305:Middle East 2857:Table dance 2822:Go go dance 2802:Competitive 2554:Doubleday. 2225:20 November 2199:28 February 2173:28 February 1912:28 February 1883:28 February 1857:28 February 1309:Garth Fagan 1283:Mary Wigman 1222:Ursula Cain 1212:Mary Wigman 1204:Tanztheater 1200:Pina Bausch 1178:Alvin Ailey 1144:Twyla Tharp 1139:Paul Taylor 1077:Louis Horst 1043:(Humphrey) 994:Loie Fuller 873:Revelations 841:Alvin Ailey 774:Alvin Ailey 751:Edwin Denby 730:contraction 714:music halls 602:Twyla Tharp 563:Paul Taylor 559:techniques. 553:kinesiology 488: 1930 463:copyrighted 425:Mary Wigman 362:Eurhythmics 350:Mary Wigman 348:In Europe, 285:Loie Fuller 192:avant-garde 184:Paul Taylor 77:Loie Fuller 6789:Categories 6645:Maximalism 6580:Literature 6255:Wiesenthal 6157:Cunningham 6150:Balanchine 6130:Witkiewicz 6102:Strindberg 6088:Pirandello 6060:Mayakovsky 5935:Stravinsky 5907:Schoenberg 5719:Performing 5644:Metropolis 5435:Mendelsohn 5240:Rossellini 5233:Richardson 5044:Fassbinder 5030:Eisenstein 4967:Cassavetes 4723:Modigliani 4597:Goncharova 4583:Giacometti 3977:Dos Passos 3779:Literature 3738:Surrealism 3649:Die BrĂŒcke 3397:Uzbekistan 3165:Azerbaijan 3074:Musicality 3042:Connection 2999:Postmodern 2969:Historical 2852:Striptease 2847:Pole dance 2797:Ceremonial 2752:slow dance 2629:. Twayne. 1651:1 February 1424:1 February 1387:1 February 1351:References 1241:Hanya Holm 1190:Kurt Jooss 1109:(also see 1056:JosĂ© LimĂłn 906:ideologies 865:spirituals 624:Count Down 612:Hanya Holm 523:postmodern 498:JosĂ© LimĂłn 451:score for 421:Hanya Holm 374:Kurt Jooss 338:See also: 303:Sada Yacco 261:Free dance 244:Free dance 206:Background 156:JosĂ© LimĂłn 81:free dance 73:Maud Allan 6800:Modernism 6694:Pulp noir 6652:Modernity 6517:Film noir 6241:St. Denis 6164:Diaghilev 5900:Schaeffer 5823:Hindemith 5795:Dutilleux 5767:Boulanger 5572:The Dance 5268:Tarkovsky 5261:Sternberg 5093:Hitchcock 5009:Dovzhenko 4925:Antonioni 4870:Stieglitz 4709:Metzinger 4660:Kokoschka 4639:Kandinsky 4053:Aldington 4046:Akhmatova 3963:Marinetti 3956:Mansfield 3907:Hemingway 3745:Symbolism 3564:Movements 3557:Modernism 3402:Venezuela 3365:Sri Lanka 3360:Singapore 3320:Nicaragua 3250:Indonesia 3155:Australia 3024:Technique 2922:formation 2837:Lap dance 2121:3 January 2091:3 January 2081:0362-4331 2050:3 January 2018:3 January 2008:BlackPast 1972:3 January 1027:Denishawn 1018:Ted Shawn 803:based in 789:Caribbean 757:in 1934. 735:breathing 663:Ted Shawn 659:Denishawn 595:modernist 516:modernist 512:John Cage 414:political 315:mythology 289:burlesque 233:Emil Rath 225:gymnastic 116:Ted Shawn 6776:Category 6377:Fountain 6281:Don Juan 6220:Nijinsky 6116:Wedekind 6095:Piscator 5990:Anderson 5914:Scriabin 5830:Honegger 5484:Sullivan 5470:Saarinen 5463:Rietveld 5456:Niemeyer 5428:Melnikov 5358:Bunshaft 5289:Truffaut 5254:Sjöström 5198:Pudovkin 5170:Minnelli 5135:Kurosawa 5128:Kuleshov 5058:Flaherty 4884:Vuillard 4863:Steichen 4821:Rousseau 4786:Pissarro 4765:O'Keeffe 4730:Mondrian 4681:Malevich 4674:Magritte 4646:Kirchner 4590:van Gogh 4541:Doesburg 4520:Delaunay 4513:Delaunay 4436:BrĂąncuși 4422:Boccioni 4385:Painting 4235:Williams 4158:MallarmĂ© 4074:Cendrars 3984:Platonov 3942:Lawrence 3935:Koestler 3872:Flaubert 3865:Faulkner 3830:Bulgakov 3759:Tonalism 3720:De Stijl 3704:Lettrism 3690:Futurism 3581:Art Deco 3417:Zimbabwe 3370:Thailand 3295:Malaysia 3280:Kiribati 3190:Cameroon 3185:Cambodia 3175:Bulgaria 3150:Assyrian 3119:national 3114:Regional 3094:Spotting 3089:Sequence 3067:glossary 3014:Two-step 2959:Flamenco 2944:Breaking 2939:Boogaloo 2917:Ballroom 2862:Twerking 2827:Grinding 2812:Ecstatic 2193:Archived 2167:Archived 2147:18 March 2141:Archived 2115:Archived 2111:The Star 2085:Archived 2044:Archived 2012:Archived 1906:Archived 1877:Archived 1851:Archived 1815:19 March 1809:Archived 1789:19 March 1783:Archived 1692:19 March 1686:Archived 1645:Archived 1418:Archived 1381:Archived 1329:See also 922:cultural 910:politics 875:(1960). 857:New York 819:'s 1944 739:movement 698:European 618:(1953), 598:ideology 519:ideology 447:and her 402:economic 6431:Related 6293:Ubu Roi 6248:Tamiris 6234:Sokolow 6213:Massine 6081:Osborne 6074:O'Neill 6067:O'Casey 6025:Chekhov 6011:Beckett 5997:Anouilh 5981:Theatre 5928:Strauss 5886:Russolo 5865:Milhaud 5844:Janáček 5816:GĂłrecki 5809:Feldman 5788:Debussy 5781:Copland 5739:Antheil 5477:Steiner 5400:Johnson 5379:Guimard 5372:Gropius 5219:Resnais 5121:Kubrick 5051:Fellini 5037:Epstein 5023:Edwards 4988:Cocteau 4974:Chaplin 4946:Bresson 4939:Bergman 4918:Aldrich 4911:Akerman 4856:Soutine 4828:Schiele 4779:Picasso 4772:Picabia 4702:Matisse 4576:Gauguin 4548:Duchamp 4506:Kooning 4485:Claudel 4478:Chirico 4471:Chagall 4464:CĂ©zanne 4457:Cassatt 4429:Bonnard 4415:Bellows 4408:Balthus 4285:Ulysses 4207:Stevens 4200:Seferis 4019:Unamuno 3858:Forster 3837:Chekhov 3802:Beckett 3731:Orphism 3697:Imagism 3681:Bauhaus 3667:Fauvism 3572:Acmeism 3427:Related 3407:Vietnam 3380:Ukraine 3290:Kurdish 3260:Ireland 3240:Hungary 3230:Georgia 3215:Denmark 3205:Croatia 3170:Belarus 3160:Austria 3145:Armenia 3135:Albania 3099:Turnout 2984:Lyrical 2964:Hip-hop 2807:Concert 2732:Partner 2701:Outline 1049:school— 805:Chicago 785:African 465:in the 429:Dresden 398:fascism 364:), and 255:in 1903 48:in 1948 6805:Dances 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Index

Modern Dance
The Modern Dance

Martha Graham
concert or theatrical dance
classical ballet
Isadora Duncan
Maud Allan
Loie Fuller
free dance
postmodern dance
performance art
contact improvisation
release technique
Ruth St. Denis
Ted Shawn
Eleanor King
Martha Graham
Doris Humphrey
Katherine Dunham
Charles Weidman
Lester Horton
Late Modern period
José Limón
Pearl Primus
Merce Cunningham
Talley Beatty
Erick Hawkins
Anna Sokolow
Anna Halprin

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