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raised is ending, leaving them with uncertain social futures. During these discussions, Tom reveals that he, too, was raised wealthy, but that his father abandoned the family to marry another woman, leaving Tom and his mother with limited financial resources. As a result, Tom harbors a love–hate relationship with wealth and the upper class.
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and
Charlie nonetheless instigate a fight with Rick, which ends with them being kicked out of his beach house. Afterward, Tom and Audrey talk on the beach, with Audrey saying that she is planning to attend college in France, and Tom contemplating going to visit her there. Tom, Audrey, and Charlie begin
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between 1984 and 1988 while running an illustration agency in New York, and financed it by selling his apartment for $ 50,000, as well as with a few contributions from family members and friends. Including post-production, the total cost of making the film was $ 210,000. Stillman wanted to set the
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with Rick and another girl from the Rat Pack named
Cynthia. Realizing that he has developed feelings for Audrey, Tom recruits Charlie to help him rescue her from Rick. The two travel to the Hamptons together, bonding en route. Against their expectations, they arrive to find Audrey in no peril. Tom
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is about the plight of
America's upper class, or what the film's characters call the "urban haute bourgeoisie", and the "possibility—the necessity—and the difficulty of breaking out of their world and connecting with the wider world, for the benefit of the wider world". Mark Henrie, editor of the
362:
Under Nick's tutelage, Tom ingratiates himself to the Rat Pack and soon becomes a full-fledged member. Much of the film is composed of dialogues in which Tom and the Rat Pack discuss the nebulous social scene they occupy, including how they are coming of age just as the culture in which they were
31:
530:(2001). According to her, the film tracks "the Austen phenomenon beyond Austen, into what the 'post-heritage' film, a kind of historical costume drama that uses the past in a deliberate or explicit way to explore current issues in cultural politics". In 2015,
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literature and develops a crush on Tom; and
Charlie, an overly philosophical friend with an unrequited love for Audrey. Tom learns that he and the Rat Pack have some common friends, including his ex-girlfriend Serena Slocum, with whom he remains infatuated.
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socialites known as the Sally Fowler Rat Pack, after the girl whose apartment they use for after-hours parties. Believing that they accidentally stole a taxi from Tom, they decide to invite him to their after-hours party, to prevent ill feelings.
385:" several years before, after which she committed suicide. Nick admits that the story was a "composite" of incidents from Rick's life, but insists that it was based on real events. Shortly thereafter, Nick leaves Manhattan, giving Tom his
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film, which uses "mocking affection, gentle irony, and a blizzard of witty dialogue" to bring us "to see what is admirable and necessary in the customs and conventions of
America's upper class". In 2009,
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apartment, where they discuss life, philosophy and their fate; form attachments, romances and intrigues; and react to an interesting but less well-to-do newcomer.
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Tom decides to attend the party, and befriends several other attendees, including Nick Smith, a cynic who takes Tom under his wing; Audrey, a shy girl who enjoys
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gently skewers the young socialite class with a smartly written dramedy whose unique, specific setting yields rich universal truths".
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dress ball one evening on a whim. After the ball, a mix-up leads to his meeting a small group of young
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The film grossed $ 2.9 million in the United States and Canada and $ 7 million worldwide.
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Klady, Leonard (October 2, 1995). "Indie niche getting packed with product".
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2015 interview featuring Whit
Stillman, Carolyn Farina, and Dylan Hundley
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Whit
Stillman, Carolyn Farina and Dylan Hundley on Metropolitan
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Jane Austen and Co.: Remaking the Past in
Contemporary Culture
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Doomed Bourgeois in Love: Essays on the Films of Whit Stillman
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have called the film a comedy of manners while in her book
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Cinema of Outsiders: The Rise of American Independent Film
1511:. Albany, New York: State University of New York Press.
1146:""Metropolitan" and the Enduring Plight of the U.H.B."
1289:"The 63rd Academy Awards (1991) Nominees and Winners"
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366:Serena has been dating Rick Von Sloneker, a young,
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973:"Ghost Wins Best Original Screenplay: 1991 Oscars"
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639:Best Screenplay – Written Directly for the Screen
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1079:. New York University Press. pp. 198–201.
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338:student Tom Townsend, an admirer of
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1216:. February 23, 2009. Archived from
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779:New York Film Critics Circle Awards
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1807:English-language independent films
1433:from the original on June 23, 2021
1351:"36 Years of Nominees and Winners"
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417:Edward Clements as Tom Townsend
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1458:New York Film Critics Circle
1007:. The Criterion Collection.
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462:Roger W. Kirby as man at bar
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607:Best Supporting Actor
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527:Bridget Jones's Diary
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1421:"1990 Award Winners"
221: (United States)
1701:Damsels in Distress
1157:on November 8, 2020
611:Christopher Eigeman
506:Jane Austen and Co.
421:Christopher Eigeman
312:63rd Academy Awards
277:is a 1990 American
87:Christopher Eigeman
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1220:on August 23, 2018
840:Pump Up the Volume
731:Best First Feature
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373:notorious for his
306:was nominated for
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1501:Bibliography
1493:sundance.org
1479:
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1218:the original
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502:Emanuel Levy
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490:Checker Cabs
477:Metropolitan
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394:the Hamptons
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383:pull a train
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342:, attends a
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304:Metropolitan
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282:comedy-drama
274:Metropolitan
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230:Running time
24:Metropolitan
18:
1303:October 20,
1224:December 1,
1192:October 11,
1126:, pp.
1015:October 24,
835:Allan Moyle
596:Nominee(s)
540:wrote that
524:(1993) and
510:Henry James
486:period film
399:hitchhiking
356:Regency-era
320:(1998) and
266:$ 7 million
144:Mark Suozzo
123:John Thomas
106:Bryan Leder
59:Produced by
41:Directed by
1732:1990 films
1726:Categories
1626:regarding
1615:Lucy Sante
1373:August 13,
1161:January 6,
1110:, p.
870:References
852:Tied with
833:Tied with
814:Nominated
791:Runner-up
773:7th Place
750:Nominated
725:Nominated
712:Nominated
671:Nominated
658:Nominated
643:Nominated
628:Nominated
615:Nominated
512:, such as
468:Production
375:womanizing
371:aristocrat
290:socialites
263:Box office
234:98 minutes
217:1990-08-03
202:1990-01-20
158:Production
148:Tom Judson
109:Will Kempe
51:Written by
1685:Barcelona
1047:March 22,
854:Jon Amiel
654:Best Film
593:Category
583:Accolades
564:Reception
482:Woodstock
344:debutante
336:Princeton
323:Barcelona
258:$ 225,000
160:companies
128:Edited by
1558:AllMovie
1527:55854380
1487:Archived
1463:Archived
1431:Archived
1405:June 12,
1399:Archived
1364:Archived
1329:Archived
1297:Archived
1267:Archived
1186:Archived
1095:55638553
1069:(1999).
1041:Archived
1009:Archived
989:June 12,
983:Archived
931:Archived
899:Archived
326:(1994).
279:romantic
247:Language
208:Sundance
138:Music by
67:Starring
1617:at the
1591:at the
1578:at the
1567:at the
1469:July 5,
1437:July 5,
1394:YouTube
1335:July 5,
1273:June 7,
1053:YouTube
978:YouTube
958:Variety
599:Result
387:top hat
310:at the
292:during
250:English
239:Country
215: (
200: (
1712:(2016)
1704:(2011)
1696:(1998)
1688:(1994)
1680:(1990)
1525:
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1093:
1083:
590:Award
496:Themes
368:titled
255:Budget
206: (
1367:(PDF)
1354:(PDF)
1293:AMPAS
821:Notes
545:book
1547:IMDb
1523:OCLC
1513:ISBN
1471:2021
1439:2021
1407:2022
1375:2021
1337:2021
1324:Mubi
1305:2011
1275:2021
1226:2022
1194:2022
1163:2021
1091:OCLC
1081:ISBN
1049:2020
1017:2018
991:2022
939:2018
907:2018
856:for
837:for
801:Won
758:Won
735:Won
692:Won
684:Won
405:Cast
330:Plot
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