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Messiah of Evil

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446:. Startled by Thom, Arletty stabs him in the arm with the shears. The two of them flee to the beach, but the townsfolk follow them. They swim out into the waves, hoping to reach a small boat, but Thom drowns. Arletty survives and is captured by the townspeople. Instead of killing her, she is freed under the condition that she spread word of the religious movement throughout California and the world. This causes her to be locked up in an insane asylum. Each day, all day, she sits in the sun painting, dreading the day the Messiah and his followers come to take her away. 608:, but his motivations are even more obscure than those of his female companions. Newman points out that the strange behavior of the seemingly normal characters adds to the surreal feeling of the film. The titular Messiah of Evil is never properly identified. Kay finds it problematic that no character reads the father's diary to the end until it is too late to prevent their fate. It is unclear whether the character Thom is the "dark stranger" himself (Michael Greer does in fact play the "dark stranger" in a flashback sequence), or a reincarnation, or a descendant. 412:-like female companions, Toni and Laura. Back at his motel, Thom interviews Charlie, a local eccentric. Charlie speaks at length about "the blood moon" and "the dark stranger" and how he has lived through both. He says very soon it will be the 100-year anniversary of the first appearance of the "dark stranger." When he returns, the Moon will turn red and the town will be overrun by evil. Charlie warns Arletty about her father, whom he says is "one of them" now. Moments later he is murdered. 863: 724: 393:
imploring Arletty to never look for him. His letter tells her to talk to the owner of the art gallery, who sells his paintings. The gallery owner says he has none of her father's paintings and does not sell them, that no one ever comes in looking to buy his works, and that he doesn't know where he went. He says Point Dume is "an artist colony," but he only vaguely remembers her father (his paintings are eerie
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Late one evening, Laura goes into the local Ralphs supermarket and is devoured by a crowd of people who are feasting on raw meat; the following day, Toni goes to see a movie and is devoured by the other theater patrons, who begin bleeding from one eye. That evening, the "blood moon" rises, the town's
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Thom, Toni, and Laura are kicked out of their hotel after interviewing Charlie, and they stay at Arletty's father's house. Arletty reads through her father's bizarre journal entries, in which he reveals his body temperature is 85 degrees and mentions fighting his "condition." Meanwhile, each night,
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The process of transformation for the infected is depicted on screen, but this process is also never really explained. The film features a distinctive pattern of symptoms for the infected population of Point Dune. They start bleeding from their eyes while becoming insensitive to pain. They consume
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While Thom is gone, Arletty is visited by her father, who begs her to leave and tell the world about Point Dune. He then attacks her, reluctantly giving in to his cannibalistic urges, whereupon she stabs him with garden shears and burns him alive. Thom returns to the house, where he finds Arletty
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A young woman named Arletty drives to the beach town of Point Dume to visit her estranged father, an artist. She finds his beachfront house abandoned. He left a diary in which he addresses her specifically, complaining about darkness consuming the town and horrible nightmares he is having and
685:(1978). He defines it as an era when writer-directors started their own film projects and then went in search of business partners and shady distributors. The films had commercial value, but the creators managed to express their personal concerns within the framework of the genre. He places 429:
drive up and fire their guns into a swarm of townsfolk; however, one of the cops suddenly begins to bleed from his eye, causing his now-former partner to shoot him and flee. Undaunted, the undead cop shoots his former partner, and he and the other townsfolk feast on his flesh.
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According to author Glenn Kay, one of the key weaknesses of the film is that "important plot points are never clarified" and that the motivations of the lead characters are insufficiently explained. In particular, Thom is identified as a collector of old
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among the one-off oddities produced in this era and notes that such oddities were regularly released alongside marketable hits that spawned sequels. Newman believes the era properly ended in the early 1980s, when formula-driven franchises such as
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portraits of groups of people in black, white, and gray, standing; the men are always dressed in black suits, white shirts, and black ties, as if at a funeral). It's never clear if these are townspeople, or figures from his visions, or both.
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meat regardless of its source, including human flesh and a mouse. Once fully transformed, they "become mere shells of their former selves". They all eagerly await the return of the so-called "dark stranger", passing the time by lighting
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survivor from the late 19th century. A vampire/cannibal, he came to spread a new "religion." He walked into the ocean, promising to return in a century and lead his people up the coast and inland. While Thom hides, two policemen in
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gave the film four out of five stars, praising the film's atmosphere, performances, tension, and visual style, calling it "a high point in creativity for the independent American horror film movement of the 1970s".
530:" horror film, which has both a convoluted narrative and a peculiar atmosphere. He draws attention to details such as the vanished father being a death-obsessed painter, the daughter falling in with a group of 980: 344:
Its plot follows a woman who travels to a remote coastal town in California to find her missing artist father; upon arrival, she finds herself in the midst of a series of bizarre incidents.
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The film premiered in Paris, Texas on December 11, 1974 and first appeared in Los Angeles in April 1975. It was released under several alternate titles in the following years, such as
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residents transform, and the titular "Messiah of Evil" returns. Through a voice-over of Charlie's taped interviews, we learn that this "Messiah" was a former minister and a
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Blauvelt, Christian; Erbland, Kate; Ehrlich, David; Kohn, Eric; Thompson, Anne; Righetti, Jamie; Nordine, Michael; O'Falt, Chris; Obenson, Tambay; Greene, Steve.
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identifies the film as an early example of "nightmare" films, meaning that it portrays many dream-like, psychedelic scenes in an eerie, ominous atmosphere.
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half-crazed; she is cold, cannot feel pain, and thinks she may be dead or undead. She even finds a spider in her mouth and immediately vomits up various
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on the beach and gathering round them. When the long-awaited return occurs, they are sent to spread their disease to other areas of California.
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rated the film a perfect score of 10 out of 10, calling it "unsettling", and praised the film's soundtrack and disturbing visuals. Ian Jane of
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Newman places the film within a specific era of horror film, which he names "the American Nightmare". He defines it as the era starting with
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When a victim is chased through a supermarket and devoured, the death is implied and not depicted. It seems to be a reference to
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dismissed the film as a "thoroughly dismal horror picture that is sleep-inducing rather than hair-raising". Nick Spacek from
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pale people gather on the beach in front of bonfires, ritually staring up at the Moon. The locals call it "The Waiting."
1379: 790:. The film was involved in a dispute in the 1978 over its title, when a Chicago distributor released it under the title 1781: 1566: 1444: 1776: 1415: 186: 844:
edition was released by Code Red in 2013. It had previous been released as a double feature DVD in 2003 paired with
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Released theatrically in late 1974, it would later be re-released under a number of alternate titles, including
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Katz later said the film "was a real bowwow", though Huyck claimed in 1984 that "it appeared on a marquee in a
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as an example. The undead hordes consist of strait-laced, suit-wearing people, while their targets include a
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Please expand the article to include this information. Further details may exist on the
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is lesser known, it’s full of iconic and memorable scenes that recall to mind some of
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on the film, while the depiction of the undead derives from their depiction in
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on October 27, 2009, fully remastered by Code Red DVD. A fortieth anniversary
567:. He states that there was a trend in this direction following the release of 1720: 1667: 707: 630: 520:
called it 'one of the top 10 classic, overlooked horror films of all time.'"
461: 455: 329: 325: 317: 158: 153: 98: 1357:"Messiah of Evil: The Second Coming : DVD Talk Review of the DVD Video" 804:. The Laurel Group (also known as Laurel Entertainment), founded in 1976 by 1695: 426: 421: 196: 629:(1978). Newman finds the highlight of the film to be the scene set in the 559:
Ian Cooper comments that the undead of the film seem to be ghoul-like and
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was one of the films that followed it. He cites, among other examples,
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Husband-and-wife team Huyck and Katz would go on to direct and write
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Screening the Undead: Vampires and Zombies in Film and Television
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from the original on April 17, 2022 – via Newspapers.com.
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decided that Romero did not hold exclusive rights to the terms
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Generation Zombie: Essays on the Living Dead in Modern Culture
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Riley, Brendan (2011). Boluk, Stephanie; Lenz, Wylie (eds.).
667: 535: 443: 1429:, in Hunt, Leon; Lockyer, Sharon; Williamson, Milly (eds.), 1173: 1171: 837: 1427:"Manson, Drugs Black Power: The Countercultural Vampire" 1168: 1146: 1144: 1142: 820:, but ruled against the use of the misleading title for 1561:. In Jess-Cooke, Carolyn; Verevis, Constantine (eds.). 794:. The title was chosen to make it sound as part of the 1559:"Redefining the Sequel: The Case of the (Living) Dead" 1377: 1074: 1072: 1070: 1068: 1030: 1220: 1139: 1107: 1105: 1103: 1101: 1099: 1563:
Second Takes: Critical Approaches to the Film Sequel
1210: 1208: 1156: 1665: 1371: 1084: 1065: 1596:is available for free viewing and download at the 1510:Nightmare Movies: Horror on Screen Since the 1960s 1096: 1048: 1205: 16:1973 horror film by Gloria Katz and Willard Huyck 1718: 1325: 526:considers this film to be a "neglected" and " 1651: 1191:"Saturday Nightmares: Messiah of Evil (1973)" 651:Brendan Riley notes that the zombie films of 316:co-written, co-produced, and co-directed by 49:about the film's production, and reception. 1658: 1644: 992: 990: 922:The 100 Greatest Horror Movies of All-Time 773: 80: 1405: 1036: 1020:"Messiah of Evil (1973) – Obscure Horror" 1380:"The 100 Best Horror Movies of All Time" 924:, with the film's entry stating, "While 623:similar to the satire of consumerism in 408:Thom and his two extremely provocative, 1797:Films with screenplays by Willard Huyck 1556: 1288:The Devil's Nightmare / Messiah of Evil 1226: 987: 1719: 1506: 1452: 1424: 1367:from the original on February 4, 2020. 1348: 1344:from the original on February 4, 2020. 1331: 1308: 1302: 1201:from the original on October 17, 2012. 1177: 1150: 1090: 1078: 1049:McNeil Jr., Donald (August 20, 1984). 983:from the original on October 20, 2019. 1802:Films with screenplays by Gloria Katz 1639: 1531: 1162: 961: 959: 957: 814:Motion Picture Association of America 1408:Star Wars: The Annotated Screenplays 1135:from the original on March 26, 2007. 857: 853: 765:, on a budget of under $ 1 million. 718: 381:Indiana Jones and the Temple of Doom 31: 1479: 1390:from the original on April 5, 2019. 1214: 1111: 1026:from the original on July 13, 2007. 1008:from the original on April 5, 2018. 13: 1837:English-language independent films 1567:State University of New York Press 1332:Spacek, Nick (February 21, 2018). 1311:"'Messiah' - The Horror of it All" 954: 303:(later also shown under the title 14: 1848: 1585: 1486:Zombie Movies: The Ultimate Guide 637:" as he calls her, is watching a 497:Bennie Robinson as Albino Trucker 1354: 1309:Thomas, Kevin (April 25, 1975). 861: 722: 36: 1812:Films produced by Willard Huyck 1787:Films directed by Willard Huyck 1280: 1254: 1232: 1183: 534:, the town people turning into 1117: 1042: 1012: 942:List of American films of 1973 916:The film was listed at #95 on 761:began on September 1, 1971 in 702:started dominating the genre. 503:as Stabbing Victim in Prologue 1: 1832:English-language horror films 1807:Films produced by Gloria Katz 1792:Films directed by Gloria Katz 1557:Verevis, Constantine (2010). 1459:The Zombie Movie Encyclopedia 947: 831: 784:Revenge of the Screaming Dead 714: 361:Revenge of the Screaming Dead 234:International Cine Film Corp. 1822:1970s English-language films 1817:1973 directorial debut films 1767:Films set in a movie theatre 972:AFI Catalog of Feature Films 578:Let's Scare Jessica to Death 7: 1406:Bouzereau, Laurent (1997). 1004:. Brooklyn, New York City. 935: 507: 247:December 11, 1974 10: 1853: 1747:American independent films 1398: 1290:(DVD). TGG Direct. 2003 . 768: 18: 1782:Films shot in Los Angeles 1674: 911: 836:The film was released on 792:Return of the Living Dead 780:Return of the Living Dead 699:A Nightmare on Elm Street 584:The Return of Count Yorga 401:Arletty meets a visiting 357:Return of the Living Dead 288: 280: 272: 262: 238: 230: 210: 202: 192: 182: 146: 129: 112: 91: 86:Theatrical release poster 79: 74: 25:List of messiah claimants 1777:Films shot in California 1482:"Messiah of Evil (1973)" 1334:"Messiah of Evil (1973)" 1268:). Code Red DVD. 2013 . 1125:"Messiah of Evil (1973)" 676:Night of the Living Dead 569:Night of the Living Dead 545:Night of the Living Dead 19:Not to be confused with 1772:Films set in California 1752:Films about cannibalism 1540:McFarland & Company 1463:McFarland & Company 1242:. Code Red DVD. 2009 . 977:American Film Institute 800:franchise and this was 774:Theatrical distribution 679:(1968) and ending with 449: 387: 1757:American vampire films 1742:1973 independent films 1453:Dendle, Peter (2001). 1340:. Starburst Magazine. 47:is missing information 1762:American zombie films 1515:Bloomsbury Publishing 1410:. New York: Del Rey. 1338:StarburstMagazine.com 847:The Devil's Nightmare 810:Richard P. Rubinstein 755:Principal photography 309:) is a 1973 American 1827:1970s American films 1507:Newman, Kim (2011). 1490:Chicago Review Press 1425:Cooper, Ian (2013), 1386:. Multiple authors. 1061:on January 10, 2011. 893:Kevin Thomas of the 670:and his two lovers. 655:are known for their 1480:Kay, Glenn (2008). 1131:. January 4, 2002. 788:Night of the Damned 641:of scenes from the 403:Portuguese-American 353:Night of the Damned 255: (Paris, Texas) 1666:Films directed by 1631:TCM Movie Database 1197:. March 20, 2010. 1180:, pp. 379–82. 1022:. Obscure Horror. 900:Starburst Magazine 873:. You can help by 734:. You can help by 646:Gone with the West 1737:1973 horror films 1714: 1713: 1576:978-1-438-43031-7 1549:978-0-786-46140-0 1524:978-1-408-81750-6 1499:978-1-569-76683-5 1472:978-0-786-45520-1 1455:"Messiah of Evil" 1315:Los Angeles Times 998:"Messiah of Evil" 967:"Messiah of Evil" 895:Los Angeles Times 891: 890: 854:Critical response 752: 751: 705:Matt Serafini of 375:American Graffiti 296: 295: 70: 69: 1844: 1688:French Postcards 1660: 1653: 1646: 1637: 1636: 1598:Internet Archive 1580: 1553: 1528: 1503: 1476: 1449: 1421: 1392: 1391: 1375: 1369: 1368: 1352: 1346: 1345: 1329: 1323: 1322: 1306: 1300: 1299: 1284: 1278: 1277: 1258: 1252: 1251: 1236: 1230: 1224: 1218: 1212: 1203: 1202: 1187: 1181: 1175: 1166: 1160: 1154: 1148: 1137: 1136: 1121: 1115: 1114:, pp. 72–3. 1109: 1094: 1088: 1082: 1076: 1063: 1062: 1057:. Archived from 1046: 1040: 1034: 1028: 1027: 1016: 1010: 1009: 994: 985: 984: 963: 930:George A. Romero 886: 883: 865: 858: 806:George A. Romero 747: 744: 726: 719: 682:Dawn of the Dead 657:social criticism 653:George A. Romero 626:Dawn of the Dead 571:(1968) and that 494:as Gas Attendant 372:, and write for 292:< $ 1 million 254: 252: 84: 72: 71: 65: 62: 56: 40: 32: 1852: 1851: 1847: 1846: 1845: 1843: 1842: 1841: 1717: 1716: 1715: 1710: 1704:Howard the Duck 1680:Messiah of Evil 1670: 1664: 1626:Messiah of Evil 1620:Rotten Tomatoes 1615:Messiah of Evil 1604:Messiah of Evil 1593:Messiah of Evil 1588: 1583: 1577: 1550: 1525: 1500: 1473: 1447: 1418: 1401: 1396: 1395: 1376: 1372: 1353: 1349: 1330: 1326: 1307: 1303: 1286: 1285: 1281: 1262:Messiah of Evil 1260: 1259: 1255: 1240:Messiah of Evil 1238: 1237: 1233: 1225: 1221: 1213: 1206: 1189: 1188: 1184: 1176: 1169: 1161: 1157: 1149: 1140: 1123: 1122: 1118: 1110: 1097: 1089: 1085: 1077: 1066: 1047: 1043: 1035: 1031: 1018: 1017: 1013: 1002:Nitehawk Cinema 996: 995: 988: 975:. Los Angeles: 965: 964: 955: 950: 938: 932:’s best work." 926:Messiah of Evil 914: 887: 881: 878: 871:needs expansion 856: 834: 776: 771: 759:Messiah of Evil 748: 742: 739: 732:needs expansion 717: 693:Friday the 13th 540:H. P. Lovecraft 510: 492:Charles Dierkop 486:Elisha Cook Jr. 452: 390: 369:Howard the Duck 342:Elisha Cook Jr. 324:, and starring 300:Messiah of Evil 265: 258: 250: 248: 241: 226: 225: 222:V/M Productions 215: 213: 178: 174:Elisha Cook Jr. 142: 125: 108: 87: 75:Messiah of Evil 66: 60: 57: 50: 41: 28: 17: 12: 11: 5: 1850: 1840: 1839: 1834: 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1784: 1779: 1774: 1769: 1764: 1759: 1754: 1749: 1744: 1739: 1734: 1729: 1712: 1711: 1709: 1708: 1700: 1692: 1684: 1675: 1672: 1671: 1663: 1662: 1655: 1648: 1640: 1634: 1633: 1622: 1611: 1600: 1587: 1586:External links 1584: 1582: 1581: 1575: 1554: 1548: 1529: 1523: 1504: 1498: 1477: 1471: 1450: 1446:978-1848859241 1445: 1422: 1416: 1402: 1400: 1397: 1394: 1393: 1370: 1347: 1324: 1301: 1279: 1253: 1231: 1219: 1204: 1182: 1167: 1165:, p. 195. 1155: 1153:, p. 109. 1138: 1129:They're Coming 1116: 1095: 1083: 1064: 1041: 1037:Bouzereau 1997 1029: 1011: 986: 952: 951: 949: 946: 945: 944: 937: 934: 913: 910: 889: 888: 868: 866: 855: 852: 833: 830: 775: 772: 770: 767: 750: 749: 729: 727: 716: 713: 592:/Dead of Night 554:gothic fiction 552:deriving from 509: 506: 505: 504: 498: 495: 489: 483: 482:as Joseph Lang 477: 471: 465: 459: 451: 448: 389: 386: 294: 293: 290: 286: 285: 282: 278: 277: 274: 270: 269: 266: 263: 260: 259: 257: 256: 244: 242: 239: 236: 235: 232: 231:Distributed by 228: 227: 224: 223: 219: 218: 216: 211: 208: 207: 206:Phillan Bishop 204: 200: 199: 194: 190: 189: 184: 183:Cinematography 180: 179: 177: 176: 171: 166: 161: 156: 150: 148: 144: 143: 141: 140: 137: 133: 131: 127: 126: 124: 123: 120: 116: 114: 110: 109: 107: 106: 101: 95: 93: 89: 88: 85: 77: 76: 68: 67: 44: 42: 35: 15: 9: 6: 4: 3: 2: 1849: 1838: 1835: 1833: 1830: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1753: 1750: 1748: 1745: 1743: 1740: 1738: 1735: 1733: 1730: 1728: 1725: 1724: 1722: 1706: 1705: 1701: 1698: 1697: 1693: 1690: 1689: 1685: 1682: 1681: 1677: 1676: 1673: 1669: 1668:Willard Huyck 1661: 1656: 1654: 1649: 1647: 1642: 1641: 1638: 1632: 1628: 1627: 1623: 1621: 1617: 1616: 1612: 1610: 1606: 1605: 1601: 1599: 1595: 1594: 1590: 1589: 1578: 1572: 1568: 1564: 1560: 1555: 1551: 1545: 1541: 1537: 1536: 1530: 1526: 1520: 1516: 1512: 1511: 1505: 1501: 1495: 1491: 1487: 1483: 1478: 1474: 1468: 1464: 1460: 1456: 1451: 1448: 1442: 1438: 1434: 1431: 1428: 1423: 1419: 1417:0-345-40981-7 1413: 1409: 1404: 1403: 1389: 1385: 1384:IndieWire.com 1381: 1374: 1366: 1362: 1358: 1351: 1343: 1339: 1335: 1328: 1320: 1316: 1312: 1305: 1297: 1293: 1289: 1283: 1275: 1271: 1267: 1263: 1257: 1249: 1245: 1241: 1235: 1229:, p. 17. 1228: 1223: 1217:, p. 72. 1216: 1211: 1209: 1200: 1196: 1195:Dread Central 1192: 1186: 1179: 1174: 1172: 1164: 1159: 1152: 1147: 1145: 1143: 1134: 1130: 1126: 1120: 1113: 1108: 1106: 1104: 1102: 1100: 1093:, p. 25. 1092: 1087: 1081:, p. 24. 1080: 1075: 1073: 1071: 1069: 1060: 1056: 1052: 1045: 1039:, p. 22. 1038: 1033: 1025: 1021: 1015: 1007: 1003: 999: 993: 991: 982: 978: 974: 973: 968: 962: 960: 958: 953: 943: 940: 939: 933: 931: 927: 923: 919: 909: 906: 902: 901: 896: 885: 876: 872: 869:This section 867: 864: 860: 859: 851: 849: 848: 843: 839: 829: 827: 823: 819: 815: 811: 807: 803: 799: 798: 793: 789: 785: 781: 766: 764: 760: 756: 746: 743:February 2020 737: 733: 730:This section 728: 725: 721: 720: 712: 710: 709: 708:Dread Central 703: 701: 700: 695: 694: 688: 684: 683: 678: 677: 671: 669: 666: 662: 658: 654: 649: 647: 644: 640: 636: 633:. Toni, the " 632: 631:movie theater 628: 627: 622: 617: 615: 609: 607: 601: 599: 598: 593: 591: 586: 585: 580: 579: 574: 570: 566: 562: 557: 555: 551: 547: 546: 541: 537: 533: 529: 525: 521: 519: 515: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 462:Marianna Hill 460: 457: 456:Michael Greer 454: 453: 447: 445: 441: 437: 431: 428: 423: 417: 413: 411: 407: 404: 399: 396: 385: 383: 382: 377: 376: 371: 370: 364: 362: 358: 354: 350: 345: 343: 339: 335: 331: 330:Michael Greer 327: 326:Marianna Hill 323: 319: 318:Willard Huyck 315: 312: 308: 307: 302: 301: 291: 287: 283: 279: 276:United States 275: 271: 267: 261: 246: 245: 243: 240:Release dates 237: 233: 229: 221: 220: 217: 209: 205: 201: 198: 195: 191: 188: 185: 181: 175: 172: 170: 167: 165: 162: 160: 159:Michael Greer 157: 155: 154:Marianna Hill 152: 151: 149: 145: 138: 136:Willard Huyck 135: 134: 132: 128: 121: 119:Willard Huyck 118: 117: 115: 111: 105: 102: 100: 99:Willard Huyck 97: 96: 94: 90: 83: 78: 73: 64: 54: 48: 45:This article 43: 39: 34: 33: 30: 26: 22: 1702: 1696:Best Defense 1694: 1686: 1679: 1678: 1625: 1614: 1603: 1591: 1562: 1534: 1509: 1485: 1458: 1433: 1430: 1407: 1383: 1373: 1363:. 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Index

Antichrist
List of messiah claimants

talk page

Willard Huyck
Gloria Katz
Marianna Hill
Michael Greer
Anitra Ford
Royal Dano
Elisha Cook Jr.
Stephen Katz
Scott Conrad
supernatural
horror film
Willard Huyck
Gloria Katz
Marianna Hill
Michael Greer
Anitra Ford
Royal Dano
Elisha Cook Jr.
Howard the Duck
American Graffiti
Indiana Jones and the Temple of Doom
pop art
Portuguese-American
aristocrat
groupie

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