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and tradition of
Christianity in Byzantium. This censer, along with the mosaics in the Church of San Vitale, remains a lasting monument to the magnificent legacy of Emperor Justinian and his era. Its value today is estimated to exceed 3 million euros, further confirming its significance and priceless worth.
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the procession of
Emperor Justinian and his entourage on the left side of the apse of the Church of San Vitale. Maximian was known for his dedication to the church and for completing the construction of the Church of San Vitale, as well as for his ivory bishop's throne, known as the Throne of Maximian.
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The bronze censer from the period of
Emperor Justinian is not just a liturgical item but also a symbol of the spiritual and cultural power of the Byzantine Empire. Its use in church ceremonies, along with its artistic craftsmanship, makes it an invaluable artifact that testifies to the rich history
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Bishop
Maximian, who served as the Bishop of Ravenna from 546 to 556 AD, was a key figure in the construction and decoration of the Church of San Vitale. Born around 499 AD in Istria, Maximian became the Bishop of Ravenna by the choice of Emperor Justinian. His image appears in the famous mosaic of
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and to the emendation of the Latin text of the Bible, and commissioned a large number of illuminated manuscripts. For the high altar in
Ravenna he had a hanging made of the most costly cloth, which was embroidered with a portrayal of the entire life of Jesus. In another hanging he had portraits of
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This censer is invaluable due to its age and association with the period of
Emperor Justinian. As part of the church inventory, it is a testament to the wealth and spiritual strength of the Byzantine Empire. Its bronze construction and decorations indicate high artistic value and the skill of
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He is regarded as a saint by both the
Catholic and Orthodox churches, though essentially local to Ravenna, where there is a church dedicated to him at Piazza S. Massimiano, Punta Marina, Ravenna, 48020.
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and shipped to
Ravenna. It consists of decorative floral panels framing various figured panels, including one with the complex monogram of the bishop.
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in San Vitale, Maximianus (named above the figure) is with
Emperor Justinian and his retinue. The saint holds a
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from Pola when he became the twenty-sixth bishop of
Ravenna. According to the ninth-century Ravennate priest
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of the bishop which was constructed entirely of ivory panels. It was probably carved in
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Selected Papers, volume 3, Late Antique, Early Christian and Mediaeval Art
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and was not their initial candidate. To a modern art historian
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His contribution to the iconography of the Ravenna mosaics
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Emperor Justinian and his retinue, Maximian on his right.
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Princeton, New Jersey: Princeton University Press, 1987.
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Sacred Fortress: Byzantine Art and Statecraft in Ravenna.
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168:, Maximianus was consecrated bishop of Ravenna in 546 by
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in Ravenna, and built several other churches, including
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Maximian's most remarkable episcopal furnishing is the
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160:town of Vistar (now Veštar) near Pola (
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464:6th-century writers in Latin
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16:Italian Roman Catholic saint
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309:Santa Maria del Canneto
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96:Eastern Orthodox Church
390:Saint Patrick's Church
365:Gazette des Beaux-Arts
207:in his native Istria.
197:Basilica of San Vitale
39:Detail of Maximian in
122:Maximianus of Ravenna
92:Roman Catholic Church
50:Archbishop of Ravenna
82:Exarchate of Ravenna
66:Ostrogothic Kingdom
459:People from Istria
454:Bishops of Ravenna
407:2019-12-23 at the
395:2019-12-30 at the
294:Throne of Maximian
224:Throne of Maximian
376:Otto von Simson.
292:Side view of the
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186:Justinian I
128:in Italy.
113:February 22
108:February 21
429:556 deaths
424:499 births
418:Categories
361:0701125144
336:References
41:San Vitale
27:Maximianus
43:, Ravenna
405:Archived
393:Archived
251:chasuble
228:cathedra
265:Gallery
255:pallium
166:Croatia
158:Istrian
130:Ravenna
78:Ravenna
367:, 1952
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239:mosaic
226:, the
178:deacon
174:Patras
115:(West)
110:(East)
316:Notes
103:Feast
23:Saint
357:ISBN
253:and
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162:Pula
152:Life
72:Died
62:Pula
56:Born
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