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Gertrud Heider, who also headed the Max
Lingner Circle of Friends. Since March 1999, Lingner's written estate as well as photographs of his work, press graphics and a small part of his artistic oeuvre have been in the archive of the Academy of Art, Berlin. The materials are being scientifically processed there and are available for public use. After Gertrud Heider's death in August 2007, the Max Lingner Foundation was founded in her will, which is supervised by the
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451:: Max Lingner's sketches have for ten years been the ornament of the proletarian press (...) Lingner scattered more than 6,000 drawings of a very particular sensitivity and expressive line. An opportunity arises to discover another no less human aspect of Lingner's work, for he is the painter of serious Parisian landscapes (...) and compositions to the glory of a youth whose attitudes speak of joie de vivre and health.
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140:. Here Lingner's great talent as a press artist became apparent, so that he was soon entrusted with the entire artistic design of the newspaper. The Monde appeared from 1928 until Barbusse's death in 1935. From 1931 onwards, Lingner's style shaped the appearance of the newspaper. He created drawings for title pages, but also drawings and illustrations for the published texts and literary supplements.
533:, came under criticism from government and cultural officials. Lingner was accused here not only of the lightness of the figures, which was typical of his "French" style, but also that he had not depicted a tractor in the painting accurately according to the actual model. The painting was eventually adapted to meet most of the points of criticism.
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In 1969, the Max
Lingner Archive was established in Lingner's former home and studio as a branch of the German Academy of Arts in Berlin (East), which remained in the possession of Lingner's widow until her death in 1997. The administration of the estate was then continued by the art historian Dr.
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proposed by the Max-Lingner-Stiftung in Berlin. The inauguration in the presence of representatives of the Max-Lingner-Stiftung took place on
Saturday 14 March, just before the confinement. The museum reopened on 3 June and the exhibition has been extended until 26 July:{{cite
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Gurs 1939 – 1945: ein
Internierungslager in Südwestfrankreich. Von der Internierung spanischer Republikaner und Freiwilliger der Internationalen Brigaden bis zur Deportation der Juden in die NS-Vernichtungslager.
178:, from 1936 to 1939 and from 1944 to 1949. He made many drawings on the front page, and illustrated several series of articles on the inside pages about Paris. Before the war, he also illustrated the serials of
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The paintings and drawings shown there were created alongside his daily work as a press illustrator. He also brought back hundreds of ink drawings from his forays through
Parisian working-class suburbs - the
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Max
Lingner - Werkverzeichnis 1898 bis 1931/32 [begleitet von der Ausstellung Max Lingner - Frühzeit und Frankreich, Museum im Kleihues-Bau, 17. Juli bis 26. September 2004, Museen der Stadt Kornwestheim
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377:). He participated in exhibitions of this group. In 1933, Lingner showed his first works at the Galerie Billet (Pierre Vorms), and further exhibitions took place in Paris in 1939 and 1947.
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but is free in its work. It supports the further processing of the part of the artistic estate remaining in the
Lingner House. Among others, the former Berlin Senator for Culture
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512:. During this period he came under suspicion of "Formalism", being accused of his French-influenced visual language. Even one of his most outstanding works, the monumental
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Three exhibitions of his works took place in Paris when he stayed there, in 1933, in 1939, both at the
Billiet-Worms Gallery and in 1947 at the La Boétie Gallery.
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387:- and motifs and people from these wanderings were often found in his paintings and press drawings. He liked to paint and draw motifs of French women.
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With these works, he found his way into
Parisian artistic life. In 1934, he joined the Association of Revolutionary Writers and Artists of France (
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identische
Ausgabe in der BRD: Röderberg, Frankfurt 1982. Ergänzte Neuauflage Claude Laharie; Jacques Abauzit; Jean-Francois Vergez;
76:(17 November 1888 – 14 March 1959) was a German painter, graphic artist, communist, and resistance fighter against the Nazi regime.
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http://www.museehistoirevivante.fr/expositions/exposition-du-14-mars-au-26-juillet-2020/max-lingner-a-la-recherche-du-temps-present
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Es gibt nur Verdammte in Gurs. Literatur, Kultur und Alltag in einem südfranzösischen Internierungslager. 1940–1942
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The first years in the French capital also passed without any great impressions for him. The tide turned when
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from 1919 to 1922, but failed as a farmer. From 1922 to 1927, he worked as a painter and graphic artist in
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and drawings to the "People of Progressive Germany". Among them was one of his most famous paintings,
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Gurs. Bericht und Aufruf. Zeichnungen aus einem französischen Internierungslager 1941
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In 1949, he returned to Germany and became professor of contemporary painting at the
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Exhibition presented by Jean Rollin, chief curator of the museum and art critic at
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This first page is reproduced in the book by Denis Cohen & Valère Staraselski,
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529:(today the Federal Ministry of Finance, during the Nazi era Reich Air Ministry) in
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and became a member of the soldiers' council in Kiel. He settled in the village of
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in southern France. He was interned, escaped and lived illegally under the name
433:.</ref> A slide show presents the work of Max Lingner and the exhibition:
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In First World War he had to fight on all fronts. In 1918, he took part in the
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Un peintre allemand en France. Max Lingner. 1929 - 1949 Paintings and drawings
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II. Klasse for Art and Literature for his entire body of work to date. (1952)
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in the house Beatrice-Zweig-Strasse 2. His grave is located in the municipal
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Seite über Max Lingner auf der Homepage des Deutschen Historischen Museums
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In 1939, during the exhibition of works by Max Lingner, the art critic
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is also one of Lingner's most important paintings. Lingner lived in
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French-language press titles in which Max Lingner has collaborated
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texte, Parti communiste français Auteur du (January 26, 1947).
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texte, Parti communiste français Auteur du (December 9, 1937).
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1949: 3 illustrations for a short story by the Soviet writer
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texte, Parti communiste français Auteur du (June 22, 1947).
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in 1943 and returned to Paris in 1944. Again, he worked for
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https://www.humanite.fr/un-journal-saisi-et-interdit-613264
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Der Eiserne Vorhang: die Unterdrückung Osteuropas 1944–1956
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Thomas Flierl, Wolfgang Klein und Angelika Weißbach (ed.):
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and, despite serious illness, devoted himself to painting.
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Seite der Max-Lingner-Stiftung und des Max-Lingner-Archivs
100:, where he completed his training in 1912 with a painting
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Musée de l'Histoire vivante, 14 March – 17 May 2020}}.
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Academic staff of the Weißensee Academy of Art Berlin
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Les aventures de Thyl Ulenspiegel et de Lanime Gœdzak
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Recipients of the Patriotic Order of Merit in silver
68:Mural on the Detlev-Rohwedder-Haus Berlin, Detailc
1143:and Max Lingner at the opening of the exhibition.
950:, éditions Le cherche midi, Paris, 2009, page 45.
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1032:"L'Humanité : journal socialiste quotidien"
1013:"L'Humanité : journal socialiste quotidien"
962:"L'Humanité : journal socialiste quotidien"
704:National Prize of the German Democratic Republic
458:he worked for the newspaper of the trade unions
859:. Munich: Siedler 2013, pp. 392–395.
769:. VEB Bibliographisches Institut, Leipzig 1968.
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811:5. edition. Volume 1. Ch. Links, Berlin 2010,
523:"Aufbau der Republik" from 1952 at the former
781:Max Lingner Werkverzeichnis 1898 bis 1931/32
692:(1952/53) at Detlev-Rohwedder-Haus in Berlin
425:Max Lingner. À la recherche du temps présent
824:Die Pariser Wochenzeitung Monde (1928-1935)
435:https://www.youtube.com/watch?v=Z2zWLaIRoxA
348:1948: illustrations for two short stories,
1364:Communist members of the French Resistance
1091:L'Almanach ouvrier et paysan de L'Humanité
1295:Works by Max Lingner on museum-digital.de
583:Lingner died in Berlin at the age of 70.
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401:Musée d'art et d'histoire de Saint-Denis
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312:1936: illustrations for a short story,
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750:Kunstler der Gegenwart 7 – Max Lingner
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337:1939: 26 illustrations for a novel by
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134:won him a job at the weekly newspaper
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776:. VEB Verlag der Kunst, Dresden 1970.
752:. VEB Verlag der Kunst, Dresden 1958.
732:. VEB Verlag der Kunst, Dresden 1955.
508:. In 1950, he and others founded the
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998:, 6 August 2016, Alexandre Courban:
826:, Aisthesis Verlag, Bielefeld 2012.
571:Honorary Grave of the City of Berlin
1244:Literature by and about Max Lingner
948:1909-2009 Un siècle de Vie ouvrière
839:Max Lingner. Das Spätwerk 1949-1959
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546:In addition to the mural, his work
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41:on his house, Straße 201 No. 2, in
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262:Union des jeunes filles de France
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1273:Ingeborg Ruthe (14 March 2009).
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884:: Attempto, 1996, pp. 285f.
514:Wandbilder aus Meißner Porzellan
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671:Der große Deutsche Bauernkrieg
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841:, Lukas Verlag, Berlin 2013,
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565:on Leonhard-Frank-Strasse in
365:The Last Tale of Scheherazade
319:1937: 26 illustrations for a
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1120:: article by the art critic
1000:Un journal saisi et interdit
774:Maler und Werk – Max Lingner
399:March - September 1970, the
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98:Dresden Academy of Fine Arts
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730:Mein Leben und meine Arbeit
416:Musée de l'Histoire vivante
414:In the spring of 2020, the
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332:La Commune n'est pas morte
295:Almanach ouvrier et paysan
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653:Zwei Kriege – zwei Witwen
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24:Max Lingner (right) with
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710:Patriotic Order of Merit
569:. It is dedicated as an
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1248:German National Library
801:Wer war wer in der DDR?
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343:Une nuit de réveillon
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127:, he moved to Paris.
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738:. Dietz, Berlin 1982
669:Arbeiten am Gemälde
475:Gurs internment camp
391:Exhibitions in Paris
251:A Tale of Two Cities
58:Berlin, partial view
39:Commemorative plaque
690:Aufbau der Republik
660:Aufbau der Republik
658:Arbeit am Wandbild
641:Mademoiselle Yvonne
556:Pankow Cemetery III
526:House of Ministries
506:Mademoiselle Yvonne
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847:978-3-86732-154-9
832:978-3-89528-930-9
817:978-3-86153-561-4
794:Kurzbiografie zu
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552:Niederschönhausen
405:Seine-Saint-Denis
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235:Fièvre au village
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