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192:, known in Italy where he was active for most of his life as 'Cavalier Pietro Tempesta'. Mulier was especially known for the stormy skies of his seascapes and Plattenberg's paintings are believed to anticipate Tempesta's early sea storms. Tempesta must have seen van Plattenberg's works in Italy. Some of the works of Monsù Montagna (Matthieu van Plattenberg) have in the past been attributed to Mulier. Van Plattenberg is also to be distinguished from
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In France, van
Plattenberg called himself 'Matthieu (de) Platte-Montaigne' or 'Platte-Montagne' and also signed his works with '(M) Montagne' or '(M) Montaigne'. Plattenberg's success gained him favour at the royal court and he was awarded the title of 'Peintre du Roy pour les mers' (Royal painter of
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has compared several dozen unsigned paintings of sea storms that traditionally were attributed to Monsù Montagna. He found that these paintings form a consistent group in that they combine
Flemish types with a broad painterly treatment resembling the work of
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His work has in the past been wrongly attributed to a presumed
Flemish or Dutch painter active in Italy around the time when van Plattenberg was working there. This painter was referred to as 'Monsù Montagna' or 'Renaud de la Montagne'. The art historian
171:. Roethlisberger is of the view that these works formerly attributed to 'Monsù Montagna' are in fact works by van Plattenberg. Since Plattenberg left Italy before Rosa began to paint, any influence was likely from van Plattenberg to Rosa.
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From around 1630 he worked in Paris. He was active as a painter and copper engraver as well as a designer of embroidery patterns. In Paris, he studied under the
Flemish émigré painter
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who was a well-established landscape painter and printmaker. Fouquier taught him how to etch. In 1631 he married in Paris the sister of the French painter, engraver and publisher
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Plattenberg also executed three dozen engravings depicting sea- and landscapes. These engravings were often published by his brother-in-law Jean Morin and were inscribed '
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74:. He spent most of his career abroad, first in Italy and then in France where he played an important role in the development of the painting of stormy seascapes.
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Plattenberg specialized in depictions of vividly coloured storms with turbulent, foaming seas. Van
Plattenberg seldom signed or dated his works.
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Other name variations: 'Matthias van
Plattenberg', 'Matieo Van Plattenberg', 'Matthieu van Platte-Montague', 'Matthieu van Platten'
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111:. Van Plattenberg and Morin collaborated on publishing projects for which van Plattenberg made the engravings.
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Die holländischen Gemälde des 17. Jahrhunderts: in der Gemäldegalerie der
Akademie der Bildenden Künste in Wien
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Matthieu van
Plattenberg, called Monsù Montagna (1608–1660), 'A Storm on a rocky Coast with Ships in Distress'
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in
Antwerp. He travelled together with van Eertvelt to Italy, where he worked in Florence.
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Matthieu Van
Plattenberg - Platte-Montagne o Montagne (Anversa 1608 - Parigi 1660)
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L. J. Wassink. "Plattenberg, Matthieu van." Grove Art Online. Oxford Art Online.
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Abecedario de P.J. Mariette: et autres notes inédites de cet ..., Volume 4
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Matthieu van Plattenberg, A Dutch Ship Running onto a Rocky Coast
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and remained a member until his death in Paris in the year 1660.
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in 1607 or 1608. He was likely a pupil of the marine painter
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seas'). He was one of the founding members in 1648 of the
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51:(1607 or 1608 – 19 September 1660) was a
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132:The son of Matthieu van Plattenberg, known as
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82:Matthieu van Plattenberg was born in
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26:Portrait of Matthieu van Plattenberg
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134:Nicolas de Plattemontagne
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389:Matthieu van Plattenberg
265:National Maritime Museum
206:Morin ex cum privil. Re.
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119:A Dutch ship in a storm
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282:. Web. 20 October 2014
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332:website
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78:Life
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