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Some critics considered Martin-Joseph's voice to be too harsh. However, he was an excellent actor. Martin-Joseph's musical talents did not stop with signing. He was also a composer. There are two surviving songs which deal with the aftermath of the French
Revolution and foreign invasion. The first
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In 1813, Martin-Joseph married the
Baroness Gabrielle-Constance de Philippy de Bucelly d'Estrées (1782-1854), daughter of Albert Philippi de Bucelly du Tronquoy, Baron d' Estrées (1745-1808) and Catherine Georgia (1753-1810). Martin-Joseph and Gabrielle-Constance issued two equally talented
79:(1811-1871). The artistic legacy of the Adrien brothers continued on to the next generations. In particular, the children of Delsarte become involved in painting and sculpting and so did his grand-children. Among DelSarte's notable descendants stands out the painters
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from 1785 to 1804 and took alternative operatic roles with another great singer, Auguste-Athanase Chéron (1760-1829); afterwards he became choirmaster at the opera. In March 1822 Martin-Joseph succeeded Lainé as professor of declamation at the
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Martin-Joseph came from an artistic family. He was the son of Martin-Joseph Adrien and Marie-Thérèse
Cantillon. In total, he had five siblings, many of them musicians. Martin-Joseph's two other brothers Arnold-Michel Adrien dit
104:(1756-1814) and Jacques-François-Ferdinand Adrien (1760-1830) were also involved in the Paris musical world. They composed music for the revolutionary government in Paris.
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75:(1806-1882) and Rosine-Charlotte Adrien, the wife of renowned music teacher
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38:, Belgium on 26 May 1766. He was the premier bass singer at the
26:; 26 May 1766 – 19 November 1822) was a French operatic bass.
55:(1795) and the second hymn to the martyrs for liberty.
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179:La Maison de PHILIPPI(Y) de BUCELLI(Y) d'ESTRÉES
201:La musique à entre deux révolutions (1789-1830)
77:François Alexandre Nicolas Chéri Delsarte
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