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The painting on the back wall is of an idealised shepherdess with the face replaced with that of a well-known prostitute. Immediately below this painting is a pair of comic legs belonging to a character in the tapestry behind, but appearing to belong to the
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with his drawing board. Traditionally, St Luke is said to have painted the first religious icons, pictures of the Virgin Mary. The ox is a beast associated with St Luke, and he is classically depicted taking a dictation from an
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Silvertongue is in his nightshirt and is escaping through the window. Hogarth provides a fleeting glimpse of
Silvertongue's genitalia to remind the viewer of the ridiculousness of the circumstances of the Countess's plea for
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Having burst in, the Earl has had a swordfight with
Silvertongue. Silvertongue's sword is on the floor in the foreground and can be seen to be very bloody - the Earl has been run through twice and is dying from his
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The young Earl has followed them and has clearly burst into the room as the staple of the door lock has been ripped out and thrown onto the floor where it can be seen along with the door key.
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The overturned piece of furniture (this time a table) seen in the bottom left corner is a device often used by
Hogarth to indicate disagreement and discordance.
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The Earl's head is framed by the mirror on the back wall, a reference to the first scene where the then young
Viscount is seen admiring himself in a mirror.
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The new Earl catches his wife with her lover, Silvertongue, and is fatally wounded by the scoundrel who makes his escape through the window.
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The
Countess and Silvertongue have retired to the Turk's Head after the masquerade. On the floor can be seen their masques and fancy dress.
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Silvertongue took unfair advantage of his opponent, fighting with the light from the fireplace behind him and in the Earl's eyes.
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The noise of the fight has awakened the master of the house who appears through the door to the right with the Watch.
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69.9 cm × 90.8 cm (27.5 in × 35.7 in)
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is the fifth canvas in the series of six satirical paintings known as
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The bed is unmade so clearly the Earl has found the couple in bed.
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This episode takes place in the Turk's Head Bagnio in
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665:Sigismunda mourning over the Heart of Guiscardo
226:Marriage A-la-Mode: 1. The Marriage Settlement
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133:" was originally a word used to describe a
328:Emblematical Print on the South Sea Scheme
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201:Amongst the wreckage are little drops of
577:Captain Lord George Graham in his Cabin
444:Credulity, Superstition, and Fanaticism
254:Marriage A-la-Mode: 6. The Lady's Death
179:On the rear wall is a tapestry of the '
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372:Strolling Actresses Dressing in a Barn
233:Marriage A-la-Mode: 2. The Tête à Tête
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240:Marriage A-la-Mode: 3. The Inspection
521:Scene from Shakespeare's The Tempest
617:The March of the Guards to Finchley
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247:Marriage A-la-Mode: 4. The Toilette
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35:Marriage A-la-Mode: 5. The Bagnio
18:Marriage à-la-mode: 5. The Bagnio
553:Portrait of Captain Thomas Coram
344:A Just View of the British Stage
220:List of works by William Hogarth
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641:Hogarth Painting the Comic Muse
205:, a contemporary treatment for
479:The Assembly at Wanstead House
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837:Paintings by William Hogarth
585:David Garrick as Richard III
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436:Satire on False Perspective
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27:Painting by William Hogarth
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420:The Four Stages of Cruelty
396:Characters and Caricaturas
364:The Company of Undertakers
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428:Columbus Breaking the Egg
336:The Bad Taste of the Town
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272:The Literary Encyclopedia
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412:Beer Street and Gin Lane
689:The Marriage Settlement
452:Five Orders of Periwigs
746:The Analysis of Beauty
625:Humours of an Election
811:Mary Edwards (Patron)
657:The Lady's Last Stake
529:Four Times of the Day
404:Industry and Idleness
388:The Enraged Musician
593:Painter and his Pug
569:The Graham Children
499:A Harlot's Progress
181:Judgment of Solomon
678:Marriage A-la-Mode
609:Hogarth's Servants
601:The Gate of Calais
561:Taste in High Life
108:Marriage A-la-Mode
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537:The Distrest Poet
507:A Rake's Progress
380:The Distrest Poet
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16:(Redirected from
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633:Sealing the Tomb
513:The Tavern Scene
460:John Wilkes Esq.
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267:National Gallery
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482:(c. 1728–1732)
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187:shepherdess.
173:forgiveness.
135:coffee house
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111:painted by
826:Categories
717:The Bagnio
510:(1732–33,
145:Commentary
123:Bow Street
102:The Bagnio
77:Dimensions
649:The Bench
494:(1730–31)
471:Paintings
757:Theories
612:(c.1750)
548:(c.1740)
524:(c.1735)
214:See also
207:syphilis
85:Location
789:Related
773:Museums
203:mercury
192:St Luke
160:wounds.
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487:Before
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359:(1736)
352:Before
347:(1724)
339:(1724)
331:(1721)
315:Prints
131:Bagnio
93:London
67:Medium
49:Artist
796:Trump
738:Books
491:After
356:After
489:and
354:and
62:1743
59:Year
195:ox.
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300:e
293:t
286:v
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20:)
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