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353:, aesthetic considerations of the marquee were dictated by the availability of labor and materials. Building materials such as steel, copper, bronze, and aluminum were limited. Even in the postwar years, these building materials were mostly dedicated to building civilian housing for returning soldiers and their families. Concrete and glass, two building materials that were not restricted, became essential to movie theater architects. Light was also an unrestricted resource for architects, and combined with glass it produced striking visual effects. The mild climate of certain locations, such as the American West Coast, also permitted the use of lightweight materials such as porcelain and plastics in marquees. Another benefit of using light and glass together (besides the dramatic appearance it created) was the economic bonus of it being cheap.
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influenced many elements of theater architecture. The marquee in particular became larger, and stood out from the street to serve as a physical and aesthetic landmark from other businesses along the sidewalk. The shape also evolved from a small rectangle to a trapezoid, making it more readable to
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automobile traffic. The text also became less detailed but larger. The larger size of the sign and text, combined with the flashing lights and color, made the façade easily visible to fast-passing cars. Movie marquee designs in the 1930s prompted theater historian
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that in US English refers specifically to a canopy projecting over the main entrance of a theater, which displays details of the entertainment or performers, was documented in the academic journal
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and the artist(s) appearing at that venue. The marquee is sometimes identifiable by a surrounding compound of light bulbs, usually yellow or white, that flash intermittently or as
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was also used to refer to various objects and fashions regarded as elegant or pleasing, hence: a kind of pear (1690), a canopy placed over a tent (1718), a type of
220:, the front door or main entrance of the big top." In British English "marquee" refers more generally to a large tent, usually for social uses. The English word
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Movie marquee designs in the United States are closely related to the social, political, and economic forces of the 20th century. The invention of the
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316:: "British actors mean little on an American movie marquee and Sherlock Holmes always seems old-fashioned."
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The Show Starts on the
Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee
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246:(late 19th century), and a style of woman's hat (1889). The oldest form of the word's root
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This article is about the structure on the front of a hotel or theatre. For other uses, see
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is playing, reads: 'One of the most exciting films ever shown.'
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meant "boundary, border." Other words that descended from this
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is most commonly a structure placed over the entrance to a
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Marquees are also used to illuminate the name of an
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27:Structure on the front of a hotel or theatre
415:. New Haven: Yale University Press, 1996.
127:Learn how and when to remove this message
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186:Etymology
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364:See also
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