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Marnie during a thunderstorm. Seeing him touch Marnie and believing he was trying to molest her, Bernice attacked him. As the man fended her off, she fell and injured her leg, leaving her disabled. Marnie, frightened and attempting to protect her mother, fatally struck the man in the head with a fireplace poker. The sight of his blood caused her aversion to the color red, the thunderstorm that night caused her fear of them, and the connection of the deadly night to sex caused her revulsion at physical intimacy. In the aftermath, Bernice told police that she killed the man and prayed Marnie would forget the event. Understanding the reason behind her behavior, Marnie asks for Mark's help. They leave holding each other closely.
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and non-Bond films would limit his career and turned down every non-Bond film that Eon offered him. When asked what he wanted to do, Connery replied that he wanted to work with Alfred
Hitchcock, which Eon arranged through their contacts. Connery also shocked many people at the time by asking to see a
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Mark takes Marnie to
Baltimore to confront her mother and uncover the truth about Marnie's past. They arrive in a thunderstorm. As it is revealed that Bernice was a prostitute, Marnie's long-suppressed memories resurface: when she was a small child, one of Bernice's clients tried to calm a frightened
366:
After overhearing Marnie on a phone call, Lil tips off Mark that Marnie's mother is not dead, as Marnie claimed. Mark hires a private detective to investigate. Meanwhile, Lil overhears Mark telling Marnie he has "paid off Strutt" on her behalf. Lil mischievously invites Strutt and his wife to a party
362:
On their honeymoon cruise, Marnie resists Mark's desire for physical intimacy, revealing that she finds sex repellent. Mark initially respects her wishes, and tries to woo her, but after a few nights, they quarrel over Marnie's aloofness, and it is implied that he rapes her offscreen when he persists
358:
Soon afterwards, Marnie steals money from Mark's company and flees again. Mark tracks her to the stable where she keeps Forio. He blackmails her into marrying him, much to the chagrin of Lil, the sister of Mark's late wife
Estelle, who is in love with him. Lil grows suspicious when she discovers Mark
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Some months later, Marnie, posing as Mary Taylor, applies for a job at Mark's company. Mark hires her after recognizing her, cryptically telling his co-worker why he is accepting an applicant without references that he is an "interested spectator." While working weekend overtime with Mark, Marnie has
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the title role in March 1962, and she accepted; but in Monaco, the reaction to the announcement was categorically negative. As he wrote: "Monegasques did not like the idea of their princess being filmed kissing another man. Little did they know that
Hitchcock also had plans for him to rape her". The
603:
Hitch held up his hands the way directors do when they're framing a shot. Palms out, fingers together, thumbs extended and touching to form a perfect square. Moving his hands toward my face, like a camera coming in for a close shot, he said, "Evan, when he sticks it in her, I want that camera right
825:
wrote a lukewarm assessment, calling it "at once a fascinating study of a sexual relationship and the master's most disappointing film in years". Archer's main criticisms were "an inexplicably amateurish script" and the casting of "relative newcomers" Hedren and
Connery in roles that "cry for the
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wrote that the film "opens quite brilliantly", but that "things get out of hand" after the marriage, "with both leading players floundering badly as
Hitchcock piles up his demands on them". The review suggested that "the trouble seems to be that the film falls between the two stools of straight
840:
wrote that the opening was slow, but once it got going
Hitchcock's story "generally keeps the action fairly fast-paced—provided audience can overlook certain puzzling aspects, such as why the lady became a thief—and gets strong performances from his two stars and other cast members". Philip K.
374:, the red riding coat worn by one of the hunters triggers another of Marnie's fits and Forio bolts, misses a jump, injures its legs, and is left lying on the ground screaming in pain. Marnie frantically runs to a nearby house, obtains a gun, and shoots her horse in an act of
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with
Hitchcock, and wrote several drafts. Hunter was unhappy with the rape scene in the original novel, as he felt the audience would lose sympathy for the male lead. The director, however, was enthusiastic about the scene, describing to Hunter how he intended to film it:
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film in many ways. Things like scarlet suffusions over the screen, back-projection and backdrops, artificial-looking thunderstorms—these are expressionist devices and one has to accept them. If one doesn't accept them then one doesn't understand and can't possibly like
401:
740:. When told by Hitchcock's agent that Grant did not ask to see even one of Hitchcock's scripts Connery replied, "I'm not Cary Grant". Hitchcock and Connery got on well during filming. Connery also said that he was happy with the film "with certain reservations".
391:
378:. Overcome with grief, Marnie goes home, where she finds the key to Mark's office. She goes to the office and opens the safe, but finds herself unable to take the money, even after Mark arrives and "urges" her to take it to test her new reluctance to theft.
708:. Hedren told writer Moral that she was "amazed" that Hitchcock would offer her this "incredible role", calling it a "once-in-a-lifetime opportunity". In 2005, more than 40 years after the film's release, Hedren declared in an interview that
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wrote: "As a story it seems naggingly improbable and, as drama, a nightmare from which the spectator constantly pulls away, struggling to wake up in a less disordered universe. No question, though, that it is at least fitfully effective".
858:
called the film "an idiotic and trashy movie with two terrible performances in the leading roles, and I had quite a good time watching it. There is something bracing about
Hitchcock at work, even when he is at his worst".
612:
Hunter wrote a draft containing the rape scene but also wrote an additional, substitute sequence, which he pleaded with
Hitchcock to use instead. Hunter was dismissed from the project on 1 May 1963. His replacement,
642:
anxious to preserve the country's public image. Grace's announcement that she would donate her $ 800,000 fee to Monaco charities did nothing to appease the critics, and she dropped out of the project in June 1962.
617:, later told him that "you just got bothered by the scene that was his reason for making the movie. You just wrote your ticket back to New York". Just as Hunter had been unaware of Stefano's earlier work on
282:
became a milestone for several reasons. It was the last time a "Hitchcock blonde" would have a central role in one of his films. It also marked the end of Hitchcock's collaborations with cinematographer
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at the Rutland mansion. Strutt recognizes Marnie, but Mark pressures him into doing nothing. When Marnie later admits to additional robberies, Mark works to reimburse her victims to drop charges.
555:, by then Princess Grace of Monaco, withdrew from the project when the citizens of Monaco objected to her appearing in a film, especially as a sexually disturbed thief. Also, when Kelly married
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unsuccessfully pursued the role as well. In the end, Hitchcock opted to use Tippi Hedren, a one-time model he had seen in a commercial for a diet drink in 1961, then cast successfully in
402:
751:, he "pressured her sexually all the more blatantly, crudely, and cruelly." Hedren did not yield to his advances. She asked to be released from her contract, but he refused.
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Margaret "Marnie" Edgar, posing under the identity Marion Holland, flees with nearly $ 10,000 she stole from the company safe of her employer, Sidney Strutt, the head of a
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2116:
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it holds an 81% rating based on 43 reviews. The critical consensus reads: "A coolly constructed mystery revolving around a character who's inscrutable to a fault,
866:
suspense (what is Marnie's secret?) and the full-dress character study that would only have been possible with a more experienced actress". The film ranked 3rd on
1319:
759:
In a making-of documentary for the DVD release, unit manager Hilton A. Green explains that shooting had been scheduled to begin on November 25, 1963, at
563:, which could have prevented her from working for another studio. As a consequence of Kelly's departure from the film, Hitchcock put it aside to work on
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Marnie travels to Virginia, where she stables a horse named Forio. She then visits her invalid mother, Bernice, whom she supports financially, in
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The film was a moderate box office success; it grossed $ 7 million in theatres on a budget of $ 3 million. In North America, it earned estimated
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The background to Hedren's casting in the title role and some of the production challenges were explored in the 2012 made-for-television movie
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was her favorite of the two films that she made with Hitchcock, because of the intriguing, complex, challenging character that she played.
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remains one of Alfred Hitchcock's greatest and darkest achievements" as "theme and technique meet on the highest level of film art".
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to Hitchcock for the title role. Hitchcock also considered two other actresses who were, like Hedren, under his personal contract,
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and she freezes without consent. The next morning, she attempts to drown herself in the ship's swimming pool, but Mark saves her.
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script, something that Connery did because he was worried about being typecast as a spy and he did not want to do a variation of
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895:, the film has a weighted average score of 73 out of 100 based on 15 critics, indicating "generally favourable reviews".
576:, Hitchcock returned to the Winston Graham adaptation. Stefano dropped out of the project due to his commitments to the
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company, whom she had charmed into hiring her without references. Mark Rutland, a wealthy widower who owns a
1708:
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are Hitchcock's ideal of visual storytelling at its purest, and the rest of the film is an underrated gem".
308:(1966), when Hitchcock and Universal studio executives wanted a pop-and-jazz-influenced score for the film.
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2014:
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can be seen five minutes into the film, entering from the left of a hotel corridor after Marnie passes by.
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1660:, 6 January 1965, p. 39. Please note this figure is rentals accruing to distributors, not total gross.
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328:, meets with Strutt on business; he learns about the theft and recalls Marnie from a previous visit.
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received nine total votes—six (out of 846) from critics and three (out of 358) from directors.
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that he considered it "Hitchcock's best film". In her 2012 review of the film Emily Cleaver of
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Archer, Eugene (July 23, 1964). "Hitchcock's 'Marnie', With Tippi Hedren and Sean Connery".
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2328:
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1236:"Can This Marriage Be Saved? A real actor joins the longest-running soap opera in history"
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621:, Presson Allen was not informed that she was the third writer to work on the adaptation.
8:
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Gottlieb, Sidney; Brookhouse, Christopher, eds. (2002). "An Interview with Evan Hunter".
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2019:
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811:(1968) also repeats the main theme in Marnie, although slightly altered in its harmony.
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Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes
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Hedren has claimed that Hitchcock made sexual overtures to her during the making of
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in which France threatened to revoke Monaco's special status, leaving the ruling
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1447:
Scheuer, Philip K. (August 6, 1964). "Hitchcock 'Marnie' Nightmare of Color".
662:, Hitchcock replied evasively that it was "an interesting idea". In his book
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1956:
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704:. According to Hedren, he offered her the role of Marnie during filming of
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547:, to work on the script. Stefano made extensive notes and wrote a 161-page
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1991:
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and believed that Herrmann was repeating himself. Herrmann's music for
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Hitchcock had noticed a strong similarity between Herrmann's score for
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467:
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955:, discusses the special effects of the film as having their roots in
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Male lead Sean Connery had been worried that being under contract to
332:
1262:"Marilyn Monroe: Nine Years of Stardom and a Legacy That Won't Quit"
905:
that while the film was "universally despised on its first release,
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1997:
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indicated that she would have loved to have played Marnie. Actress
371:
344:
971:'s German silent films; he was enormously influenced by that, and
801:. Lyrics were written to Herrmann's theme that were to be sung by
2248:
1348:
650:
sought the role of Marnie. Asked about this in an interview with
1939:
A Heart at Fire's Centre: The Life and Music of Bernard Herrmann
2597:
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but had to be postponed because the nation was in mourning for
500:
as Jessica "Jessie" Cotton, whom Bernice babysits (uncredited)
335:. Marnie suffers from recurring nightmares and has an intense
629:
According to royal biographer Craig Brown, Hitchcock offered
370:
Mark brings Forio to their estate, pleasing Marnie. During a
1871:
Framing Hitchcock: Selected Essays from the Hitchcock Annual
891:
finds Hitchcock luring audiences deeper into the dark". On
390:
35:
999:
527:
Alfred Hitchcock began developing the film adaptation of
1843:
When the Snow Melts: The Autobiography of Cubby Broccoli
775:
three days before. Filming concluded on March 14, 1964.
634:
film was also being developed during a tense period of
551:. The director's first choice to play the title role,
1016:
dressed up as Hedren's Marnie (whose outfits were by
967:. Very early on when he started making films, he saw
355:. Mark comforts, then kisses her. They begin dating.
541:, the screenwriter of Hitchcock's recently released
359:
has spent a considerable sum since marrying Marnie.
883:s reputation would greatly improve years later. On
736:, spy-themed movies directed by Hitchcock starring
1868:
1209:
819:Contemporary reviews were mixed. Eugene Archer of
19:This article is about a film. For other uses, see
1002:'s 2015 list of the 100 greatest American films.
559:in 1956, she had not fulfilled her contract with
2886:
1834:
646:Following the news of Kelly's unavailability,
428:as Lil Mainwaring, Mark's former sister-in-law
302:, who was fired during Hitchcock's next film,
2070:
1797:. Lanham, MD: Scarecrow Press. p. 423.
1507:"Cahiers du Cinema: Top Ten Lists 1951-2009"
1215:
682:and Claire Griswold, wife of director/actor
1840:
1352:. November 1965. p. 78. Archived from
1307:
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1137:
797:included excerpts in his special album for
2794:Alfred Hitchcock: The Art of Making Movies
2077:
2063:
2034:
2018:
2000:
1984:
1671:"Directors' 10 Greatest Films of All Time"
1609:""Marnie" Is The Cure For Hitchcock Mania"
1181:
1179:
1122:""Marnie" Is the Cure for Hitchcock Mania"
963:worked in German studios at first, in the
522:
34:
2801:Alfred Hitchcock and the Making of Psycho
2756:German Concentration Camps Factual Survey
1841:Broccoli, Albert R.; Zec, Donald (1999).
1290:. Santa Clarita Valley Historical Society
1288:"SCV Newsmaker of the Week: Tippi Hedren"
1085:
1083:
394:Mark and Marnie on their honeymoon cruise
1820:"Off-Camera Terrors on Hitchcock's Sets"
1467:(August 1, 1964). "The Current Cinema".
1240:New York Magazine, April 30–May 13, 2018
1134:
1008:continues to have its admirers. Actress
805:. Herrmann's later score for Truffaut's
397:
389:
3025:Films shot in Atlantic City, New Jersey
1849:
1818:Stanley, Alessandra (18 October 2012).
1817:
1635:
1446:
1221:
1176:
1143:
1091:"Marnie (1964) – Financial Information"
947:In a making-of documentary on the DVD,
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1747:
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1412:
1197:
1185:
1080:
990:poll of the greatest films ever made,
3040:English-language crime thriller films
2960:Films about rape in the United States
2950:American psychological thriller films
2164:The Lodger: A Story of the London Fog
2058:
1955:
1936:
1917:
1400:
1373:
1233:
1116:
590:, who had written the screenplay for
470:as the sailor from Marnie's childhood
2814:Remakes of films by Alfred Hitchcock
2084:
1905:(6). British Film Institute: 25–37.
1259:
1154:
1152:
670:revealed that a studio executive at
2763:Alfred Hitchcock's Mystery Magazine
1504:
1376:"Tippi Hedren and Alfred Hitchcock"
458:as Susan Clabon, Marnie's co-worker
13:
2990:Films produced by Alfred Hitchcock
2985:Films directed by Alfred Hitchcock
2925:1960s psychological thriller films
1941:. University of California Press.
1920:Hitchcock and the Making of Marnie
1794:Historical Dictionary of Film Noir
1328:. January 10, 1964. Archived from
1285:
942:22nd highest-grossing film of 1964
664:Hitchcock and the Making of Marnie
434:as Sidney Strutt, Marnie's ex-boss
14:
3051:
1968:
1731:"The 100 Greatest American Films"
1636:Cleaver, Emily (13 August 2012).
1344:"Playboy Interview: Sean Connery"
1149:
440:as Bernice Edgar, Marnie's mother
2995:Films scored by Bernard Herrmann
2955:American romantic thriller films
2869:
2868:
1873:. Wayne State University Press.
1638:"My favourite Hitchcock: Marnie"
2940:American mystery thriller films
1811:
1784:
1770:
1741:
1723:
1693:
1663:
1654:"Big Rental Pictures of 1964",
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1601:
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1845:. Trans-Atlantic Publications.
1227:
1210:Gottlieb & Brookhouse 2002
1203:
1191:
1110:
1063:List of American films of 1964
1020:) for the March 2008 issue of
1:
2980:Films based on romance novels
2970:Films based on British novels
2935:American crime thriller films
2930:1960s romantic thriller films
1374:Brody, Richard (2012-10-18).
1068:
925:wrote: "The opening shots of
872:Top 10 Films of the Year List
517:
464:as Mr. Rutland, Mark's father
16:1964 film by Alfred Hitchcock
2920:1960s mystery thriller films
2915:1960s English-language films
2770:Alfred Hitchcock's Anthology
2050:The Bernard Herrmann Society
2015:AFI Catalog of Feature Films
1922:. Rowman & Littlefield.
1835:General and cited references
1260:Gray, Tim (August 5, 2015).
1073:
814:
506:as young Marnie (uncredited)
160:Geoffrey Stanley Productions
7:
3005:Films set in country houses
2975:Films based on crime novels
1707:. BFI. 2012. Archived from
1677:. BFI. 2012. Archived from
1056:
953:Hitchcock's Films Revisited
287:, who died in 1968; editor
10:
3056:
2910:1960s crime thriller films
754:
624:
416:as Margaret "Marnie" Edgar
18:
3020:Films set on cruise ships
3015:Films set in Philadelphia
2965:Films adapted into operas
2864:
2843:
2714:
2700:Alfred Hitchcock Presents
2680:Alfred Hitchcock Presents
2671:
2620:
2526:The Man Who Knew Too Much
2363:
2305:The Man Who Knew Too Much
2222:
2137:
2130:
2092:
1937:Smith, Steven C. (1991).
1918:Moral, Tony Lee (2017) .
1487:The Monthly Film Bulletin
1234:Brown, Craig (May 2018).
862:The Monthly Film Bulletin
537:in 1961. He commissioned
337:aversion to the color red
233:
225:
217:
209:
199:
175:
165:
151:
141:
131:
121:
90:
82:
65:
55:
45:
40:Theatrical release poster
33:
28:
3035:Universal Pictures films
2856:Pat Hitchcock (daughter)
1850:De Rosa, Steven (2001).
1494:(367): 116. August 1964.
1430:"Film Reviews: Marnie".
1032:has been described as a
778:
747:, and that while making
512:Alfred Hitchcock's cameo
351:a panic attack during a
3010:Films set in New Jersey
2945:American neo-noir films
2661:The Fighting Generation
2107:Themes and plot devices
1961:The Dark Side of Genius
1791:Spicer, Ronald (2005).
1308:Broccoli & Zec 1999
636:France–Monaco relations
523:Development and writing
385:
311:
184:July 22, 1964
21:Marnie (disambiguation)
3000:Films set in Baltimore
2781:Transatlantic Pictures
2518:The Trouble with Harry
1751:(September 21, 2005).
1036:film by some authors.
982:
761:Universal City Studios
690:, star of Hitchcock's
610:
476:as the first detective
409:
395:
298:release; and composer
291:, who died soon after
262:novel of the same name
250:psychological thriller
2629:Always Tell Your Wife
2382:Foreign Correspondent
1711:on September 13, 2016
961:
601:
407:
393:
256:from a screenplay by
3030:Romantic crime films
2905:1960s American films
2749:Lord Camber's Ladies
2692:Incident at a Corner
2478:Strangers on a Train
2390:Mr. & Mrs. Smith
2241:Juno and the Paycock
1332:on October 23, 2012.
957:German Expressionism
808:The Bride Wore Black
446:as Mark's Cousin Bob
260:, based on the 1961
192: (New York City)
2851:Alma Reville (wife)
2776:Three Investigators
2297:Waltzes from Vienna
2148:The Pleasure Garden
2102:Unproduced projects
1963:. Ballantine Books.
1854:. Faber and Faber.
1753:"Catherine Deneuve"
1511:alumnus.caltech.edu
1436:: 6. June 10, 1964.
1120:(August 17, 2016).
998:was ranked 47th in
504:Melody Thomas Scott
408:Theatrical trailer.
248:is a 1964 American
2827:Hitchcock/Truffaut
2550:North by Northwest
2337:Young and Innocent
2156:The Mountain Eagle
2032:TCM Movie Database
1824:The New York Times
1701:"Votes for Marnie"
1586:The Chicago Reader
1416:The New York Times
1224:, pp. 199–200
902:The Chicago Reader
822:The New York Times
786:Joy in the Morning
727:North by Northwest
693:North by Northwest
674:suggested actress
672:Paramount Pictures
580:television series
410:
396:
322:publishing company
170:Universal Pictures
2882:
2881:
2645:Aventure Malgache
2637:An Elastic Affair
2616:
2615:
2494:Dial M for Murder
2446:The Paradine Case
2414:Shadow of a Doubt
2345:The Lady Vanishes
2188:The Farmer's Wife
2117:Awards and honors
1898:Sight & Sound
1804:978-0-8108-5960-9
1705:Sight & Sound
1681:on August 3, 2012
1675:Sight & Sound
1505:Johnson, Eric C.
1450:Los Angeles Times
1212:, pp. 204–05
1010:Catherine Deneuve
987:Sight & Sound
868:Cahiers du Cinéma
844:Los Angeles Times
615:Jay Presson Allen
572:After completing
405:
376:animal euthanasia
268:. The film stars
258:Jay Presson Allen
252:film directed by
241:
240:
60:Jay Presson Allen
3047:
2900:1964 crime films
2872:
2871:
2510:To Catch a Thief
2289:Number Seventeen
2281:Rich and Strange
2135:
2134:
2086:Alfred Hitchcock
2079:
2072:
2065:
2056:
2055:
2038:
2022:
2004:
1988:
1964:
1952:
1933:
1914:
1884:
1865:
1846:
1828:
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1633:
1627:
1626:
1624:
1622:
1617:. 17 August 2016
1605:
1599:
1598:
1596:
1594:
1589:. 25 August 2009
1577:
1571:
1570:
1559:
1553:
1552:
1550:
1548:
1532:
1526:
1525:
1523:
1522:
1513:. Archived from
1502:
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1455:
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1437:
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1114:
1108:
1107:
1105:
1103:
1087:
975:is basically an
936:of $ 3,250,000.
882:
658:
640:Grimaldi dynasty
583:The Outer Limits
456:Mariette Hartley
406:
300:Bernard Herrmann
297:
254:Alfred Hitchcock
191:
189:
146:Bernard Herrmann
86:Alfred Hitchcock
50:Alfred Hitchcock
38:
26:
25:
3055:
3054:
3050:
3049:
3048:
3046:
3045:
3044:
2885:
2884:
2883:
2878:
2860:
2839:
2735:The Short Night
2710:
2667:
2612:
2462:Under Capricorn
2365:
2359:
2257:Elstree Calling
2224:
2218:
2139:
2126:
2088:
2083:
2045:Eyegate Gallery
1971:
1949:
1930:
1881:
1862:
1837:
1832:
1831:
1816:
1812:
1805:
1789:
1785:
1775:
1771:
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1759:
1746:
1742:
1737:. 20 July 2015.
1729:
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1602:
1592:
1590:
1579:
1578:
1574:
1561:
1560:
1556:
1546:
1544:
1541:Rotten Tomatoes
1534:
1533:
1529:
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1518:
1503:
1499:
1483:
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1462:
1458:
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1302:
1293:
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1254:
1245:
1243:
1242:. pp. 8–14
1232:
1228:
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1216:
1208:
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1196:
1192:
1184:
1177:
1168:
1166:
1164:catalog.afi.com
1158:
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1111:
1101:
1099:
1089:
1088:
1081:
1076:
1071:
1059:
885:Rotten Tomatoes
880:
841:Scheuer of the
834:". A review in
817:
781:
771:, who had been
769:John F. Kennedy
757:
717:Eon Productions
698:Susan Hampshire
688:Eva Marie Saint
656:
627:
525:
520:
452:as man at track
422:as Mark Rutland
398:
388:
314:
295:
289:George Tomasini
202:
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136:George Tomasini
117:
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2742:The Blackguard
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2047:
2039:
2023:
2017:
2005:
1989:
1970:
1969:External links
1967:
1966:
1965:
1953:
1948:978-0520229396
1947:
1934:
1929:978-1442214330
1928:
1915:
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1614:The New Yorker
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1470:The New Yorker
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1393:
1381:The New Yorker
1366:
1335:
1311:
1300:
1286:Worden, Leon.
1278:
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1190:
1175:
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1133:
1127:The New Yorker
1118:Brody, Richard
1109:
1078:
1077:
1075:
1072:
1070:
1067:
1066:
1065:
1058:
1055:
1053:as Hitchcock.
1049:as Hedren and
916:The New Yorker
855:The New Yorker
816:
813:
780:
777:
756:
753:
684:Sydney Pollack
668:Tony Lee Moral
648:Marilyn Monroe
631:Princess Grace
626:
623:
557:Prince Rainier
539:Joseph Stefano
529:Winston Graham
524:
521:
519:
516:
508:
507:
501:
495:
494:as Mrs. Turpin
489:
483:
480:S. John Launer
477:
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423:
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318:tax consulting
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266:Winston Graham
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166:Distributed by
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122:Cinematography
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77:Winston Graham
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2555:
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2547:
2544:
2543:
2539:
2536:
2535:
2534:The Wrong Man
2531:
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2267:
2266:
2265:The Skin Game
2262:
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2136:
2133:
2131:Feature films
2129:
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2013:
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1995:
1994:
1990:
1987:
1982:
1978:
1977:
1973:
1972:
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1958:
1957:Spoto, Donald
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1758:
1754:
1750:
1749:Andrew, Geoff
1744:
1736:
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1726:
1710:
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1604:
1588:
1587:
1582:
1576:
1568:
1564:
1558:
1543:
1542:
1537:
1531:
1517:on 2012-03-27
1516:
1512:
1508:
1501:
1493:
1489:
1488:
1480:
1473:. p. 65.
1472:
1471:
1466:
1465:Oliver, Edith
1460:
1452:
1451:
1443:
1435:
1434:
1426:
1418:
1417:
1409:
1403:, p. 268
1402:
1397:
1383:
1382:
1377:
1370:
1356:on 2018-10-11
1355:
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1194:
1187:
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1165:
1161:
1160:"AFI|Catalog"
1155:
1153:
1146:, p. 199
1145:
1140:
1138:
1129:
1128:
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1113:
1098:
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1092:
1086:
1084:
1079:
1064:
1061:
1060:
1054:
1052:
1048:
1047:Sienna Miller
1044:
1043:
1037:
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1024:
1019:
1015:
1011:
1007:
1003:
1001:
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989:
988:
981:
978:
977:expressionist
974:
970:
966:
965:silent period
960:
958:
954:
950:
945:
943:
939:
935:
930:
928:
924:
923:
918:
917:
912:
911:Richard Brody
908:
904:
903:
898:
894:
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886:
879:
875:
873:
869:
864:
863:
857:
856:
851:
846:
845:
839:
838:
833:
829:
824:
823:
812:
810:
809:
804:
803:Nat King Cole
800:
799:Decca Records
796:
792:
788:
787:
776:
774:
770:
766:
762:
752:
750:
746:
741:
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734:
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562:
558:
554:
550:
546:
545:
540:
536:
535:
530:
515:
513:
510:In addition,
505:
502:
499:
498:Kimberly Beck
496:
493:
490:
487:
486:Edith Evanson
484:
481:
478:
475:
474:Henry Beckman
472:
469:
466:
463:
460:
457:
454:
451:
450:Milton Selzer
448:
445:
442:
439:
438:Louise Latham
436:
433:
430:
427:
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421:
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213:United States
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81:
78:
73:
72:
68:
64:
61:
58:
56:Screenplay by
54:
51:
48:
44:
37:
32:
27:
22:
2825:
2818:
2806:
2799:
2792:
2787:High Anxiety
2785:
2768:
2761:
2754:
2747:
2740:
2733:
2726:
2722:Hitchcockian
2699:
2690:
2678:
2659:
2651:
2643:
2635:
2627:
2604:
2596:
2588:
2582:Torn Curtain
2580:
2573:
2572:
2564:
2556:
2548:
2540:
2532:
2524:
2516:
2508:
2500:
2492:
2484:
2476:
2470:Stage Fright
2468:
2460:
2452:
2444:
2436:
2428:
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2122:Bibliography
2042:
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2008:
1992:
1975:
1960:
1938:
1919:
1902:
1896:
1893:Me and Hitch
1889:Hunter, Evan
1870:
1851:
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1795:
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1777:
1772:
1760:. Retrieved
1757:The Guardian
1756:
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1734:
1725:
1713:. Retrieved
1709:the original
1704:
1695:
1683:. Retrieved
1679:the original
1674:
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1655:
1650:
1642:The Guardian
1641:
1631:
1619:. Retrieved
1612:
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1591:. Retrieved
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1545:. Retrieved
1539:
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1515:the original
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1379:
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1354:the original
1347:
1338:
1330:the original
1323:
1320:"Canny Scot"
1314:
1303:
1292:. Retrieved
1281:
1271:December 23,
1269:. Retrieved
1265:
1255:
1244:. Retrieved
1239:
1229:
1222:De Rosa 2001
1217:
1205:
1200:, p. 37
1193:
1188:, p. 35
1167:. Retrieved
1163:
1144:De Rosa 2001
1125:
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1100:. Retrieved
1094:
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985:
984:In the 2012
983:
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946:
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922:The Guardian
920:
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850:Edith Oliver
842:
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773:assassinated
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696:(1959), and
691:
663:
660:Army Archerd
651:
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594:, developed
591:
581:
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509:
432:Martin Gabel
420:Sean Connery
414:Tippi Hedren
380:
369:
365:
361:
357:
353:thunderstorm
349:
330:
326:Philadelphia
315:
305:Torn Curtain
303:
292:
285:Robert Burks
279:
278:
274:Sean Connery
270:Tippi Hedren
244:
243:
242:
201:Running time
177:Release date
126:Robert Burks
113:Martin Gabel
103:Sean Connery
98:Tippi Hedren
69:
2621:Short films
2606:Family Plot
2502:Rear Window
2353:Jamaica Inn
2225:sound films
2212:The Manxman
2196:Easy Virtue
2097:Filmography
1778:Vanity Fair
1593:November 3,
1198:Hunter 1997
1186:Hunter 1997
1096:The Numbers
1023:Vanity Fair
1014:Naomi Watts
828:Grace Kelly
826:talents of
588:Evan Hunter
553:Grace Kelly
482:as Sam Ward
462:Alan Napier
444:Bob Sweeney
426:Diane Baker
237:$ 7 million
229:$ 3 million
205:130 minutes
108:Diane Baker
83:Produced by
46:Directed by
2895:1964 films
2889:Categories
2672:Television
2653:Bon Voyage
2430:Spellbound
1880:0814330614
1861:0571199909
1780:photograph
1621:August 18,
1567:Metacritic
1521:2017-12-17
1484:"Marnie".
1401:Smith 1991
1387:2023-04-04
1360:2019-10-04
1294:2005-03-05
1246:2018-05-05
1169:2021-10-03
1069:References
1051:Toby Jones
1026:magazine.
1018:Edith Head
980:Hitchcock.
969:Fritz Lang
949:Robin Wood
893:Metacritic
832:Cary Grant
765:California
738:Cary Grant
721:James Bond
680:Vera Miles
676:Lee Remick
518:Production
492:Meg Wyllie
468:Bruce Dern
234:Box office
188:1964-07-22
153:Production
2808:Hitchcock
2728:Number 13
2566:The Birds
2486:I Confess
2438:Notorious
2398:Suspicion
2366:and later
2364:Hollywood
2233:Blackmail
2204:Champagne
1911:0037-4806
1891:(1997). "
1074:Citations
1045:starring
913:wrote in
899:wrote in
897:Dave Kehr
874:in 1964.
815:Reception
745:The Birds
733:Notorious
719:for both
706:The Birds
702:The Birds
592:The Birds
574:The Birds
566:The Birds
549:treatment
531:'s novel
333:Baltimore
132:Edited by
2874:Category
2820:The Girl
2705:episodes
2685:episodes
2422:Lifeboat
2406:Saboteur
2329:Sabotage
2180:Downhill
2172:The Ring
1998:AllMovie
1959:(1983).
1581:"Marnie"
1563:"Marnie"
1547:March 5,
1536:"Marnie"
1057:See also
1042:The Girl
1034:neo-noir
940:was the
569:(1963).
372:fox hunt
345:hysteria
341:triggers
339:, which
218:Language
142:Music by
91:Starring
66:Based on
2715:Related
2703:(1985,
2683:(1955,
2542:Vertigo
2374:Rebecca
2249:Murder!
2223:British
2030:at the
2012:at the
1657:Variety
1453:: IV–9.
1433:Variety
1349:Playboy
1266:Variety
1102:May 25,
934:rentals
837:Variety
755:Filming
653:Variety
625:Casting
604:on her
488:as Rita
221:English
210:Country
186: (
155:company
2844:Family
2695:(1960)
2664:(1944)
2656:(1944)
2648:(1944)
2640:(1930)
2632:(1923)
2609:(1976)
2601:(1972)
2598:Frenzy
2593:(1969)
2585:(1966)
2577:(1964)
2574:Marnie
2569:(1963)
2561:(1960)
2558:Psycho
2553:(1959)
2545:(1958)
2537:(1956)
2529:(1956)
2521:(1955)
2513:(1955)
2505:(1954)
2497:(1954)
2489:(1953)
2481:(1951)
2473:(1950)
2465:(1949)
2457:(1948)
2449:(1947)
2441:(1946)
2433:(1945)
2425:(1944)
2417:(1943)
2409:(1942)
2401:(1941)
2393:(1941)
2385:(1940)
2377:(1940)
2356:(1939)
2348:(1938)
2340:(1937)
2332:(1936)
2324:(1936)
2316:(1935)
2308:(1934)
2300:(1934)
2292:(1932)
2284:(1931)
2276:(1931)
2268:(1931)
2260:(1930)
2252:(1930)
2244:(1930)
2236:(1929)
2215:(1929)
2207:(1928)
2199:(1928)
2191:(1928)
2183:(1927)
2175:(1927)
2167:(1927)
2159:(1926)
2151:(1925)
2138:Silent
2112:Cameos
2043:Marnie
2027:Marnie
2009:Marnie
1993:Marnie
1983:
1976:Marnie
1945:
1926:
1909:
1877:
1858:
1801:
1030:Marnie
1006:Marnie
996:Marnie
992:Marnie
973:Marnie
938:Marnie
927:Marnie
907:Marnie
889:Marnie
878:Marnie
795:Marnie
791:Marnie
749:Marnie
710:Marnie
657:'s
619:Marnie
596:Marnie
544:Psycho
534:Marnie
296:'s
293:Marnie
280:Marnie
245:Marnie
226:Budget
71:Marnie
29:Marnie
2590:Topaz
2140:films
1762:5 May
1715:5 May
1685:5 May
1419:: 19.
881:'
779:Music
2833:film
2454:Rope
2273:Mary
1981:IMDb
1943:ISBN
1924:ISBN
1907:ISSN
1875:ISBN
1856:ISBN
1799:ISBN
1764:2018
1717:2018
1687:2018
1623:2016
1595:2020
1549:2024
1325:Time
1273:2018
1104:2023
830:and
789:and
606:face
386:Cast
343:her
312:Plot
272:and
1996:at
1979:at
1895:".
1735:bbc
1000:BBC
870:'s
852:of
763:in
730:or
578:ABC
561:MGM
324:in
264:by
75:by
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