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Marion Terry

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Terry was born in England, into a theatrical family. Her birth name was Mary Ann Bessy Terry, and she was nicknamed "Polly". Her parents, Benjamin (1818–1896), of Irish descent, and Sarah (nΓ©e Ballard) (1819–1892), of Scottish ancestry, were comic actors in a touring company based in
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Terry died at her home in 1930, aged 76, of a cerebral haemorrhage and was buried at St Albans cemetery. She never married and, intensely private offstage, nothing is known of her romantic life. She left an estate of more than Β£12,000.
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Terry's sister Kate was a very successful actress until her marriage and retirement from the stage in 1867, and her sister Ellen became the greatest Shakespearean actress of her time. Her great nephew (Kate's grandson), Sir
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13 October 1853 – 21 August 1930) was an English actress. In a career spanning half a century, she played leading roles in more than 125 plays. Always in the shadow of her older and more famous sister
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in 1923, fifty years after her first professional appearance. Suffering from arthritis and other ailments, she retired from the stage. In her last years, Terry lived in
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Victorian actors and actresses in review: a dictionary of contemporary views of representative British and American actors and actresses
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Now an established actress, Terry continued to play leading roles in contemporary plays. She was Bathsheba in the stage adaptation of
747: 2743: 825: 495: 385: 780: 197: 2748: 85:, became one of the twentieth century's most respected actors. Terry attended a boarding-school for girls at Sunnyside, 2635: 2625: 1950: 912: 885: 849: 835: 816: 798: 2738: 942: 192:(1877), creating the role of Belinda Treherne with great success. Also during that period, she first appeared in 65:(where Sarah's father was a Wesleyan minister) and had eleven children. At least five of these became actors: 715: 235: 182: 2694: 499:. She toured in America and Canada in 1908 and 1909. Her last role was the Principessa della Cercola in 935: 269: 170: 2651: 470: 286: 394: 482: 436:. In 1900 she played the roles of Rosalind and Portia at the Stratford festival. She was Nina in 353:
by R. C. Carton. She continued to tour with Irving's Lyceum company in the 1890s, as Rosamund in
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The family members who were actors, or associated with the theatre, are highlighted in amber
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in Manchester. Her first West End appearance came in October 1873 as Isabelle in a farce by
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Terry's first professional stage appearance was in July 1873 as Ophelia in a production of
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and then moved with the company to the Haymarket, performing in revivals of
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Ellen Terry's memoirs, ed. E. Craig and C. St John (New York, 1932)
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In 1892 Terry played perhaps her most famous role, Mrs. Erlynne in
40:, Terry nevertheless achieved considerable success in the plays of 152: 297:. She substituted for her sister Ellen, who was ill, as Viola in 99: 21: 367:(one of her sister's signature roles), and again as Margaret. 123:. This was followed by the role of Lady Valeria in Morton's 323:
and then at the Haymarket. That year, she also appeared in
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at Footlightnotes.tripod.com, accessed 18 November 2009
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by Alfred C. Calmour (1890), and appeared in 1891 in
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W. S. Gilbert, A Classic Victorian & His Theatre
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Biography of Ellen Terry at the Stage Beauty website
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by Sutton Vane Sr. (1893). In 1895, she appeared in
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in another of her sister Ellen's roles, Margaret in
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Arthur Pearson, Ltd (1902) 791:Gilbert and Sullivan – A Dual Biography 614:Oxford Dictionary of National Biography 577:Oxford Dictionary of National Biography 2731: 2619: 2617: 2615: 2613: 2611: 2609: 811:, Sidgwick and Jackson, London, 1979. 788: 258:by James Albert and the title role in 2578: 2573: 2571: 2569: 2567: 2565: 2563: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2540: 2538: 2536: 2534: 2532: 2530: 2528: 2526: 2524: 2522: 2520: 2518: 2516: 2514: 2512: 2505: 2503: 2501: 2495: 2489: 2487: 2485: 2483: 2481: 2479: 2477: 2475: 2473: 2471: 2469: 2467: 2465: 2463: 2461: 2455: 2453: 2451: 2449: 2447: 2445: 2443: 2441: 2439: 2437: 2435: 2433: 2431: 2429: 2427: 2425: 2419: 2417: 2415: 2401: 2395: 2393: 2391: 2389: 2387: 2385: 2383: 2381: 2379: 2377: 2375: 2373: 2368: 2359: 2357: 2355: 2353: 2351: 2349: 2344: 2342: 2340: 2335: 2326: 2320: 2314: 2312: 2310: 2308: 2306: 2304: 2302: 2300: 2298: 2296: 2294: 2292: 2290: 2288: 2286: 2284: 2282: 2276: 2274: 2272: 2270: 2268: 2266: 2264: 2258: 2256: 2254: 2252: 2250: 2248: 2246: 2244: 2238: 2228: 2221: 2212: 2210: 2203: 2201: 2199: 2197: 2195: 2193: 2191: 2189: 2187: 2185: 2183: 2174: 2172: 2167: 2155: 2153: 2146: 2144: 2138: 2094: 2088: 2086: 2084: 2082: 2080: 2078: 2076: 2070: 2068: 2066: 2064: 2062: 2060: 2058: 2056: 2054: 2052: 2050: 2044: 2026: 1998: 1976: 1974: 1967: 1958: 1956: 1948: 1939: 1937: 1932: 1930: 1925: 1916: 1909: 1907: 1900: 1898: 1896: 1894: 1888: 1886: 1884: 1832: 1820: 1818: 1816: 1814: 1812: 1810: 1808: 1786: 1784: 1782: 1780: 1754: 1752: 1750: 1748: 1742: 1740: 1738: 1726: 1719: 1708: 1706: 1699: 1697: 1690: 1681: 1679: 1673: 1671: 1669: 1667: 1665: 1663: 1661: 1655: 1653: 1646: 1644: 1639: 1632: 1588: 1576: 1550: 1548: 1546: 1544: 1542: 1540: 1534: 1532: 1530: 1528: 1526: 1524: 1522: 1516: 1514: 1512: 1496: 1494: 1492: 1490: 1488: 1470: 1468: 1466: 1464: 1462: 1460: 1458: 1452: 1450: 1448: 1446: 1444: 1437: 1430: 1428: 1421: 1411: 1409: 1407: 1405: 1403: 1397: 1395: 1393: 1391: 1389: 1379: 1377: 1375: 1373: 1371: 1369: 1367: 1361: 1359: 1357: 1355: 1353: 1351: 1345: 1343: 1341: 1339: 1337: 1335: 1333: 1331: 1329: 1327: 1325: 1319: 1317: 1315: 1313: 1311: 1305: 1303: 1301: 1299: 1297: 1279: 1272: 1263: 1261: 1256: 1249: 1247: 1245: 1243: 1237: 1235: 1228: 1226: 1221: 1219: 1217: 1211: 1209: 1204: 1195: 1193: 1191: 1105: 1029: 1027: 1025: 1015: 1010: 1003: 1001: 999: 997: 995: 993: 991: 989: 987: 985: 983: 981: 979: 977: 975: 973: 971: 957: 931: 827:Lewis Carroll and the Victorian Stage 740: 610:"Terry, Dame Ellen Alice (1847–1928)" 567: 565: 563: 561: 559: 557: 555: 315:. In 1887, she joined the company of 160:Terry next joined the company at the 2674:"Neilson, Julia Emilie (1868–1957)", 2623: 2606: 840:Hartnoll, Phyllis and Peter Found, 793:. Oxford: Oxford University Press. 13: 728:, The Gilbert and Sullivan Archive 573:"Terry, Marion Bessie (1853–1930)" 552: 14: 2780: 918:Several portraits of Marion Terry 913:National Portrait Gallery, London 902: 844:. (1992) Oxford University Press 830:, Ashgate Publishing, Ltd., 2005 591: 466:, among many other engagements. 406:. This was followed by Hetty in 2666: 2644: 2597: 731: 709: 696: 687: 678: 669: 660: 343:The Real Little Lord Fauntleroy 307:in 1884. In 1885 she played in 2744:19th-century English actresses 651: 628: 619: 602: 582: 537: 469:In 1907, Terry performed in a 370: 1: 773: 125:All that Glitters Is Not Gold 496:Rosencrantz and Guildenstern 386:Rosencrantz and Guildenstern 341:. She played Mrs. Erroll in 55: 7: 880:. Oxford University Press. 870:Ellen Terry and her sisters 785:, Chatto & Windus, 1904 518: 448:(1902), Susan Throssell in 234:. In 1879 she moved to the 16:English actress (1853–1930) 10: 2785: 2749:Women of the Victorian era 923:1880 photo of Marion Terry 779:Adams, William Davenport. 460:Michael and His Lost Angel 289:in G. W. Godfrey's comedy 270:Far from the Madding Crowd 141:, and in 1875 appeared in 2716: 2589: 2493: 2491: 2459: 2457: 2423: 2421: 2399: 2397: 2366: 2333: 2318: 2316: 2280: 2278: 2262: 2260: 2242: 2240: 2219: 2181: 2179: 2165: 2163: 2142: 2140: 2132: 2130: 2128: 2120: 2114: 2112: 2110: 2104: 2102: 2092: 2090: 2074: 2072: 2048: 2046: 2042: 2038: 2032: 2024: 2020: 2018: 2016: 2014: 2012: 2010: 2004: 1965: 1946: 1923: 1914: 1892: 1890: 1878: 1870: 1868: 1866: 1860: 1858: 1856: 1852: 1850: 1848: 1846: 1844: 1842: 1840: 1830: 1826: 1806: 1802: 1800: 1798: 1796: 1794: 1792: 1778: 1774: 1772: 1766: 1764: 1762: 1760: 1746: 1744: 1734: 1717: 1715: 1688: 1677: 1675: 1659: 1657: 1637: 1626: 1620: 1618: 1616: 1610: 1608: 1606: 1598: 1596: 1594: 1586: 1582: 1578: 1574: 1570: 1568: 1566: 1564: 1562: 1556: 1538: 1536: 1520: 1518: 1510: 1506: 1504: 1502: 1498: 1474: 1472: 1456: 1454: 1435: 1419: 1401: 1399: 1383: 1381: 1365: 1363: 1349: 1347: 1323: 1321: 1309: 1307: 1270: 1254: 1241: 1239: 1215: 1213: 1202: 1185: 1183: 1181: 1179: 1177: 1175: 1173: 1167: 1165: 1163: 1161: 1155: 1153: 1151: 1145: 1143: 1141: 1135: 1133: 1131: 1125: 1123: 1121: 1119: 1117: 1115: 1113: 1103: 1099: 1097: 1095: 1093: 1091: 1089: 1087: 1085: 1083: 1081: 1079: 1077: 1075: 1073: 1071: 1069: 1063: 1061: 1059: 1057: 1055: 1053: 1051: 1049: 1047: 1045: 1043: 1041: 1039: 1037: 1035: 1008: 966: 876:Stedman, Jane W. (1996). 868:Pemberton, Thomas Edgar. 782:A Dictionary of the Drama 471:Royal Command Performance 426:, and as Mrs. Peverel in 287:Johnston Forbes-Robertson 236:Prince of Wales's Theatre 92: 863:Who's Who in the Theatre 789:Ainger, Michael (2002). 530: 501:Our Betters at the Globe 238:under the management of 164:and became a protege of 2739:English stage actresses 2697:. The Elmbridge Hundred 2695:"Edward William Godwin" 704:Footlight Notes No. 389 418:, in the title role in 171:Dan'l Druce, Blacksmith 73:, Marion, Florence and 2624:Law, Jonathan (2013). 724:29 August 2008 at the 458:(1902), and Audrie in 389: 364:The Merchant of Venice 157: 134:Much Ado About Nothing 26: 2168:Rosemary Gordon Craig 1721:Phyllis Neilson-Terry 809:An Actor and His Time 625:Hartnoll, pp. 815–17. 479:Still Waters Run Deep 395:Lady Windermere's Fan 378: 317:Herbert Beerbohm Tree 224:The Crushed Tragedian 218:, by Gilbert (1878), 204:by C. M. Rae (1877), 183:Pygmalion and Galatea 156:Marion Terry, c. 1880 155: 34:Mary Ann Bessy Terry; 24: 1960:Dennis Neilson-Terry 355:Alfred Lord Tennyson 345:(1889), appeared in 119:, in the company of 109:John Maddison Morton 87:Kingston upon Thames 2718:Family tree of the 351:Sunlight and Shadow 186:(1877 revival) and 177:The Palace of Truth 174:(1876) as Dorothy, 30:Marion Bessie Terry 858:, 1837–1901 (1983) 824:Foulkes, Richard. 608:Booth, Michael R. 571:Booth, Michael R. 549:, 1 September 1930 464:Henry Arthur Jones 404:St James's Theatre 390: 313:Arthur Wing Pinero 158: 27: 2726: 2725: 2630:. A&C Black. 2584: 2583: 1648:Mabel Terry-Lewis 896:A pride of Terrys 861:Parker, J. (ed.) 854:Mullin, D. (ed.) 446:Mrs. Humphry Ward 325:The Ballad-Monger 162:Haymarket Theatre 2776: 2707: 2706: 2704: 2702: 2691: 2680: 2670: 2664: 2663: 2661: 2659: 2648: 2642: 2641: 2621: 2604: 2601: 1640:Kate Terry-Lewis 969: 968: 952: 945: 938: 929: 928: 891: 865:, 6th edn (1930) 804: 767: 766:, 22 August 1930 760: 751: 744: 738: 735: 729: 716:Introduction to 713: 707: 700: 694: 691: 685: 682: 676: 673: 667: 664: 658: 655: 649: 646: 637: 632: 626: 623: 617: 606: 600: 595: 589: 586: 580: 569: 550: 541: 505:Somerset Maugham 481:, together with 212:(1877 revival), 180:(1876 revival), 2784: 2783: 2779: 2778: 2777: 2775: 2774: 2773: 2729: 2728: 2727: 2722: 2712: 2711: 2710: 2700: 2698: 2693: 2692: 2683: 2671: 2667: 2657: 2655: 2652:"Charles Terry" 2650: 2649: 2645: 2638: 2622: 2607: 2602: 2598: 2585: 2575: 2544: 2509: 2370: 2363: 2346: 2345:Eleanor Gielgud 2337: 2330: 2225: 2216: 2207: 2205:Anthony Hawtrey 2176: 2169: 2160: 2150: 1971: 1962: 1953: 1951:Charles Hawtrey 1943: 1934: 1927: 1920: 1911: 1904: 1723: 1712: 1703: 1694: 1685: 1650: 1641: 1634: 1441: 1432: 1425: 1416: 1276: 1267: 1258: 1251: 1232: 1223: 1206: 1199: 1012: 1005: 962: 956: 905: 888: 807:Gielgud, John. 801: 776: 771: 770: 761: 754: 745: 741: 736: 732: 726:Wayback Machine 714: 710: 701: 697: 692: 688: 683: 679: 674: 670: 665: 661: 656: 652: 648:Stedman, p. 158 647: 640: 633: 629: 624: 620: 607: 603: 596: 592: 588:Gielgud, p. 222 587: 583: 570: 553: 542: 538: 533: 521: 483:Charles Wyndham 416:Augustus Thomas 408:The Cotton King 373: 361:, as Portia in 244:T. 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Robertson 232:Dion Boucicault 194:The Danischeffs 117:Olympic Theatre 113:A Game of Romps 95: 58: 17: 12: 11: 5: 2782: 2772: 2771: 2766: 2761: 2756: 2751: 2746: 2741: 2724: 2723: 2717: 2714: 2713: 2709: 2708: 2681: 2665: 2643: 2636: 2605: 2595: 2594: 2590: 2587: 2586: 2582: 2580: 2579: 2577: 2572: 2570: 2568: 2566: 2564: 2562: 2560: 2558: 2556: 2554: 2552: 2550: 2548: 2546: 2539: 2537: 2535: 2533: 2531: 2529: 2527: 2525: 2523: 2521: 2519: 2517: 2515: 2513: 2511: 2504: 2502: 2499: 2497: 2496: 2494: 2492: 2490: 2488: 2486: 2484: 2482: 2480: 2478: 2476: 2474: 2472: 2470: 2468: 2466: 2464: 2462: 2460: 2458: 2456: 2454: 2452: 2450: 2448: 2446: 2444: 2442: 2440: 2438: 2436: 2434: 2432: 2430: 2428: 2426: 2424: 2422: 2420: 2418: 2416: 2413: 2412: 2410: 2408: 2406: 2403: 2402: 2400: 2398: 2396: 2394: 2392: 2390: 2388: 2386: 2384: 2382: 2380: 2378: 2376: 2374: 2372: 2367: 2365: 2361:Edward Carrick 2358: 2356: 2354: 2352: 2350: 2348: 2343: 2341: 2339: 2334: 2332: 2324: 2322: 2321: 2319: 2317: 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534: 532: 529: 528: 527: 520: 517: 485:, before King 451:Quality Street 424:J. Comyns Carr 372: 369: 321:Comedy Theatre 309:The Magistrate 305:Lyceum Theatre 279:J. Comyns Carr 228:My Little Girl 139:Strand Theatre 94: 91: 57: 54: 15: 9: 6: 4: 3: 2: 2781: 2770: 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2737: 2736: 2734: 2721: 2715: 2696: 2690: 2688: 2686: 2678: 2675: 2672:Roy, Donald. 2669: 2653: 2647: 2639: 2637:9781408145913 2633: 2629: 2628: 2620: 2618: 2616: 2614: 2612: 2610: 2600: 2596: 2593: 2588: 2581: 2543: 2508: 2507:Maina Gielgud 2500: 2498: 2414: 2411: 2409: 2407: 2405: 2404: 2369:Helen Godfrey 2362: 2329: 2328:Lewis Gielgud 2325: 2323: 2237: 2234: 2232: 2231: 2224: 2215: 2214:Geoffrey Keen 2206: 2159: 2149: 2137: 2134: 2126: 2124: 2122: 2118: 2116: 2108: 2106: 2100: 2098: 2097: 2040: 2036: 2034: 2030: 2028: 2022: 2008: 2006: 2002: 2000: 1997: 1994: 1992: 1990: 1988: 1986: 1984: 1982: 1980: 1979: 1970: 1961: 1952: 1942: 1919: 1903: 1883: 1880: 1876: 1874: 1872: 1864: 1862: 1854: 1838: 1836: 1835: 1828: 1824: 1822: 1804: 1790: 1788: 1776: 1770: 1768: 1758: 1756: 1737: 1732: 1730: 1729: 1722: 1711: 1702: 1693: 1684: 1649: 1633:Frank Gielgud 1631: 1628: 1624: 1622: 1614: 1612: 1604: 1602: 1600: 1592: 1591: 1584: 1580: 1572: 1560: 1558: 1554: 1552: 1508: 1500: 1487: 1484: 1482: 1480: 1478: 1477: 1440: 1424: 1423:Edward Godwin 1415: 1388: 1386: 1296: 1293: 1291: 1289: 1287: 1285: 1283: 1282: 1275: 1274:Julia Neilson 1266: 1250:Charles Terry 1231: 1198: 1190: 1187: 1171: 1169: 1159: 1157: 1149: 1147: 1139: 1137: 1129: 1127: 1111: 1109: 1108: 1101: 1067: 1065: 1033: 1031: 1024: 1021: 1019: 1018: 1011:Sarah Ballard 970: 965: 960: 953: 948: 946: 941: 939: 934: 933: 930: 924: 921: 919: 916: 914: 910: 907: 906: 897: 893: 889: 887:0-19-816174-3 883: 879: 874: 871: 867: 864: 860: 857: 853: 851: 850:0-19-866136-3 847: 843: 839: 837: 836:0-7546-0466-7 833: 829: 828: 823: 820: 818: 817:0-283-98573-9 814: 810: 806: 802: 800:0-19-514769-3 796: 792: 787: 784: 783: 778: 777: 765: 759: 757: 749: 746:Gillan, Don. 743: 734: 727: 723: 720: 719: 718:Broken Hearts 712: 705: 702:Culme, John. 699: 690: 681: 675:Adams, p. 274 672: 663: 654: 645: 643: 636: 631: 622: 615: 611: 605: 599: 594: 585: 578: 574: 568: 566: 564: 562: 560: 558: 556: 548: 547:Time Magazine 545: 540: 536: 526: 523: 522: 516: 512: 510: 506: 502: 498: 497: 492: 488: 484: 480: 476: 472: 467: 465: 461: 457: 453: 452: 447: 443: 439: 435: 431: 430: 425: 421: 420:Delia Harding 417: 413: 409: 405: 401: 397: 396: 388: 387: 382: 381:W. S. Gilbert 377: 368: 366: 365: 360: 356: 352: 348: 344: 340: 336: 332: 331: 330:Broken Hearts 326: 322: 319:first at the 318: 314: 310: 306: 302: 301: 300:Twelfth Night 296: 295:Court Theatre 292: 288: 284: 280: 276: 272: 271: 265: 263: 262: 257: 253: 250:and Bella in 249: 245: 241: 240:the Bancrofts 237: 233: 229: 225: 221: 217: 216: 211: 210:James PlanchΓ© 207: 203: 199: 196:, adapted by 195: 191: 190: 185: 184: 179: 178: 173: 172: 167: 166:W. S. Gilbert 163: 154: 150: 148: 144: 140: 136: 135: 130: 126: 122: 121:Henry Neville 118: 114: 110: 106: 102: 101: 90: 88: 84: 78: 76: 72: 68: 64: 53: 51: 47: 43: 42:W. S. Gilbert 39: 35: 31: 23: 19: 2769:Terry family 2720:Terry family 2699:. Retrieved 2676: 2668: 2656:. Retrieved 2646: 2626: 2599: 2591: 2158:John Gielgud 1918:Gordon Craig 1910:Helen Gibson 1701:Horace Terry 1692:Minnie Terry 1683:Edmund Gwenn 1230:Marion Terry 1229: 1222:George Terry 1205:Arthur Lewis 959:Terry family 909:Marion Terry 895: 877: 869: 862: 855: 841: 826: 808: 790: 781: 763: 742: 733: 717: 711: 698: 689: 680: 671: 662: 653: 630: 621: 613: 604: 593: 584: 576: 546: 539: 525:Terry family 513: 500: 494: 490: 478: 473:of the 1855 468: 459: 456:J. M. Barrie 449: 441: 437: 429:Guy Domville 427: 419: 411: 407: 393: 391: 384: 362: 358: 350: 346: 342: 338: 335:Henry Irving 328: 324: 308: 298: 290: 283:Lottie Venne 275:Thomas Hardy 268: 266: 264:by Gilbert. 259: 255: 251: 247: 227: 223: 219: 215:The Vagabond 213: 205: 201: 193: 187: 181: 175: 169: 159: 142: 132: 124: 112: 103:directed by 98: 96: 83:John Gielgud 79: 59: 52:and others. 33: 29: 28: 25:Marion Terry 18: 2759:1930 deaths 2754:1852 births 2701:21 February 2658:21 February 2576:(born 1939) 2545:(born 1934) 2542:Helen Craig 2510:(born 1945) 2371:(1899–1960) 2338:(1911–2006) 2336:Zita Gordon 2331:(1894–1953) 2223:Hazel Terry 2217:(1916–2005) 2177:(1895–1992) 2175:Robin Craig 2170:(1894–19??) 2161:(1904–2000) 2148:Val Gielgud 1972:(1895–1954) 1969:Mary Glynne 1963:(1895–1932) 1954:(1858–1923) 1944:(1884–1969) 1941:Olive Terry 1935:(1887–19??) 1933:Jack Morris 1928:(1879–1957) 1921:(1872–1966) 1912:(1872–1949) 1905:(1869–1947) 1902:Edith Craig 1724:(1892–1977) 1713:(1890–1970) 1704:(1887–1957) 1695:(1882–1964) 1686:(1877–1959) 1651:(1872–1957) 1642:(1868–1958) 1635:(1860–1949) 1433:(1856–19??) 1417:(1847–1928) 1414:Ellen Terry 1277:(1868–1957) 1268:(1863–1933) 1259:(1862–1941) 1252:(1857–1933) 1233:(1853–1930) 1224:(1852–1928) 1207:(1824–1901) 1200:(1844–1924) 438:Forgiveness 434:Henry James 400:Oscar Wilde 371:Later years 291:The Parvenu 220:Two Orphans 206:Charles XII 147:H. J. Byron 129:Shakespeare 50:Henry James 46:Oscar Wilde 2733:Categories 2654:. Ancestry 2574:Jemma Hyde 1265:Fred Terry 1197:Kate Terry 894:Steen, M. 774:References 762:Obituary, 509:Paddington 487:Edward VII 475:Tom Taylor 379:Terry and 198:Lord Newry 143:Weak Woman 105:Tom Taylor 63:Portsmouth 2364:(1905–98) 2347:(1907–98) 2226:(1918–74) 2208:(1909–54) 2151:(1900–81) 1926:Elena Meo 1442:(1856–96) 1426:(1833–86) 1013:(1819–92) 1006:(1817–96) 764:The Times 402:, at the 56:Biography 722:Archived 544:Obituary 519:See also 261:Gretchen 222:(1878), 200:(1876), 911:at the 442:Eleanor 412:Alabama 303:at the 293:at the 189:Engaged 115:at the 2634:  2592:Notes: 898:(1962) 884:  848:  834:  815:  797:  491:Hamlet 477:play, 359:Becket 347:Cyrene 252:School 226:, and 100:Hamlet 93:Career 32:(born 1412:Dame 531:Notes 398:, by 339:Faust 71:Ellen 38:Ellen 2703:2016 2660:2016 2632:ISBN 2156:Sir 1949:Sir 961:tree 882:ISBN 846:ISBN 832:ISBN 813:ISBN 795:ISBN 285:and 277:and 256:Duty 248:Ours 202:Fame 75:Fred 67:Kate 503:by 462:by 454:by 444:by 432:by 422:by 414:by 383:in 357:'s 311:by 273:by 230:by 208:by 145:by 131:'s 2735:: 2684:^ 2608:^ 755:^ 641:^ 612:, 575:, 554:^ 493:, 149:. 111:, 69:, 48:, 44:, 2705:. 2662:. 2640:. 951:e 944:t 937:v 890:. 803:.

Index


Ellen
W. S. Gilbert
Oscar Wilde
Henry James
Portsmouth
Kate
Ellen
Fred
John Gielgud
Kingston upon Thames
Hamlet
Tom Taylor
John Maddison Morton
Olympic Theatre
Henry Neville
Shakespeare
Much Ado About Nothing
Strand Theatre
H. J. Byron

Haymarket Theatre
W. S. Gilbert
Dan'l Druce, Blacksmith
The Palace of Truth
Pygmalion and Galatea
Engaged
Lord Newry
James PlanchΓ©
The Vagabond

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