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110:, who visited the de Wilde family to admire the collection on 13 December 1697. Maria made an engraving of this meeting between the tsar and her father, which marks "the beginning of the West European classical tradition in Russia". In 1717, on his second visit, she gave him a print of the engraving: he reciprocated by giving her a jewel.
193:. Whether the 1742 play is de Wilde's or not is a matter of dispute, with van Oostrum's biography stating that the motto appears in a poem written after de Wilde's death and that spelling variations between the four occurrences also point to different authors. That the other two are hers is currently denied by critics.
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canal, before they bought the building and the adjacent homes. De Wilde remained single until relatively late for her period; in 1710, she married
Gijsbert de Lange (1677–1758?), also an official with the Admiralty. They had two children, one of whom reached adulthood; the other died shortly after
42:, where she played an active part in the upper-class bourgeois world of artists and writers, and gained a reputation by engraving her wealthy father's art collection. Formerly credited also with four plays, modern scholars only ascribe a tragedy and possibly a comedy to her.
129:, who found her at work in her father's house and became enamored with her. A Latin poem praising her was translated into Dutch. She was also praised in poetry by the scholar, cartographer, and philologist
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She earned a national reputation as an engraver with the work she did for the catalogs of her father's collection. Fifty-five engravings of
Egyptian, Greek, and Roman sculptures were published in
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Maria was well-educated and while not much is known of her life, all evidence indicates she was a cultured person with artistic talent; she was praised for her singing voice, her poetry, and her
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Dictionnaire des devises des hommes de lettres, imprimeurs, libraires, bibliphiles, chambres de rhetorique, sociétés littéraires et dramatiques. Belgique & Holland, par F.V.H.
149:("nothing without Pallas") on the title page, a phrase with which she became associated. While contemporaries (and some modern critics) considered it a translation of
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birth. There appears to have been some doubt about her death date: earlier biographies list it as unknown, as does de Jeu's 2000 study of women poets of the
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De
Kunstkamera van Peter de Grote: de Hollandse inbreng, gereconstrueerd uit brieven van Albert Seba en Johann Daniel Schumacher uit de jaren 1711-1752
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De Wilde was formerly often credited with four plays in verse, all translations or adaptations of existing works. Her first play,
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328:'t Spoor der dichteressen: netwerken en publicatiemogelijkheden van schrijvende vrouwen in de Republiek (1600-1750)
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167:. While her name was left off the title page, the dedicatory poems clearly identified her by name.
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After her marriage she stopped publishing, and while she may have died in 1729, a farce,
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and
Hendrina Veen; on her mother's side she was descended from the religious leader
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Biographisch anthologisch en critisch woordenboek der
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219:. Vol. 4. P.J. Blok. Leiden: A. W. Sijthoff. p. 1457.
303:. F. Jos. van den Branden. Amsterdam: L. J. Veen. p. 886.
189:(possibly a translation of a 1726 German play) and the farce
283:. Vol. 6. Amsterdam: C. L. Schleijer. pp. 502–503.
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Classics in Russia, 1700-1855: Between Two Bronze
Horsemen
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Engraving of Jacob de Wilde (left) and Peter the Great
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P. G. Witsen
Geysbeek, ed. (1827). "Maria de Wilde".
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125:. One of her admirers was the German lawyer and poet
54:, a high-ranking official (collector-general) in the
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411:Haeghen, Ferdinand François E. van der (1876).
213:P.C. Molhuysen, ed. (1918). "Wilde, Maria de".
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465:18th-century Dutch dramatists and playwrights
121:(1703) contained 188 engravings of coins and
119:Gemma selecta antiqua e museo Jacobi de Wilde
30:(7 January 1682 – 11 April 1729) was a Dutch
252:1001 Vrouwen uit de Nederlandse geschiedenis
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50:Maria de Wilde was one of eight children of
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157:(1637), it may well be inspired by
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245:Oostrum, W. R. D. van (2013).
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247:"Wilde, Maria de (1682-1729)"
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417:F. J. Olivier. p. 79.
151:François Tristan l'Hermite
357:Wes, Martinus A. (1992).
187:De bekroonde Boere-rijmer
470:Engravers from Amsterdam
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56:Admiralty of Amsterdam
34:and playwright of the
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172:Het zwervende portret
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143:Abradates en Panthea
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197:References
164:Cyropaedia
100:engraving
81:Oude Kerk
46:Biography
40:Amsterdam
259:22 April
159:Xenophon
32:engraver
155:Penthée
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