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Miyazaki often made suggestions about the story and pictures, and that Hosoda may have become exhausted by being told different things on different days, or that Hosoda, who admired
Miyazaki, may have listened too seriously to Miyazaki's opinions. According to Hosoda, he "was told to make similar to how Miyazaki would have made it, but wanted to make own film the way wanted to make it". On the other hand, it is also said that Studio Ghibli was producing
554:(2000), were well received. Despite having directed only a few episodes and having no experience as a series director at this point in his career, he was suddenly chosen as the film director for a big project, a theatre film that was to be made simultaneously with a new TV series. Hosoda responded to the wise decision of producer Hiromi Seki, who saw through his talent, with the high quality of his work, and built an unshakeable reputation.
710:, which had published the original novel. This was Saito's first producing job, but since then he has been involved in all of Hosoda's films as a producer. When the film was first released, it was planned to be shown in only 21 theaters across Japan, but it gained popularity through word of mouth among audiences and eventually became a hit, with a long run of 40 weeks, over 100 theaters in total, more than 180,000 people in attendance and
613:, who would later work with Hosoda, speculates that Hosoda has many regrets in his mind, such as 'Was I just supposed to stick to my own direction and production methods?' Or, "Shouldn't I have asked for guidance from Miyazaki and Takahata if necessary in order to create a work with many staff members in one mind?" Or, "Why did I was on loan to Ghibli instead of resigning from Toei?"
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Hosoda returned to Toei and continued to submit film projects, but none were accepted. There were whispers in the animation industry that Hosoda's career was over. Furthermore, his mother, Hiroko, fell ill, and he wondered whether he should return to his hometown and find another job while caring for
581:, conceived by Hayao Miyazaki, when Hosoda visited Ghibli, and he readily agreed, so Ghibli seconded him from Toei. Suzuki himself was involved in the film as producer for the first year, but when the project ran into difficulties, Takahashi took over and the team went on location scouting in the
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himself. Hosoda says that it was hard having to ask them to work without any guarantees because he had no authority as a producer, but what was even harder was that the production was subsequently cancelled and he was unable to fulfil his promises to those staff, which destroyed the trust he had
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that closely followed him, Hosoda talks about how he did not consult anyone around him, including Hayao
Miyazaki and Isao Takahata, about his worries about what direction to take with his work at the time. He said his 'cheap pride' got in the way and he became more and more isolated at Ghibli.
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It has not been officially disclosed what kind of trouble there was. Suzuki says that this may be due to the difference in production styles between Toei
Animation and Studio Ghibli, or the pressure caused by the presence of Hayao Miyazaki. Regarding the latter in particular, Suzuki says that
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At the time, Studio Ghibli was looking for a new talent, as momentum was building to appoint someone other than Hayao
Miyazaki and Isao Takahata as director. In this context, Nozomu Takahashi, then a producer at Ghibli, was recommended Hosoda by animation researchers and writers.
419:(the planets of the solar system lining up in a cross on the ecliptic). Hosoda had already analyzed the directing methods and screen compositions of Hayao Miyazaki and Rintaro in a collection of essays written by elementary school graduates. Hosoda cited Isao Takahata's
739:, had moved to Nippon TV and Saito approached the company through him. The film was a further hit with 127 screens, an audience of 1.26 million and box-office revenue of 1.65 billion yen. The film again won the Japan Academy Award for Animation of the Year in 2010.
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in
September 2001. This was scheduled for a summer 2003 release. The film was originally to be directed by Hosoda, who would be seconded from Toei. The film production started once in 2000, but Hosoda stepped down from it in 2002 and Hayao Miyazaki took over.
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and took a recruitment test. Although he did not pass the exam, he received a letter from Hayao
Miyazaki saying that he had decided not to hire someone like you because he thought it would diminish your talent.
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revenues of approximately 264 million yen. The film was also highly acclaimed for its quality and was invited to participate in numerous film festivals and awards, both in Japan and abroad. The film won
757:. The film was released in 2012. Hosoda not only directed the film but also wrote the screenplay, which grossed approximately 4.2 billion yen at the box office, significantly more than its predecessor.
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Hosoda studied under
Takaaki Yamashita, with whom he would later create films, and worked as an animator for six years on various TV series and films, including the film
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668:, and since he had just acquired the film rights to the original novel, he offered Hosoda the chance to direct it. Hosoda accepted the offer and pondered the plot of
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In April 2002, Hosoda's storyboarding finally reached impasse and the project was stopped by producer
Takahashi. Thus, Mamoru Hosoda's first film for Studio Ghibli,
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as the most influential anime of them all. He says that
Takahata, as a 'director who does not draw', taught him that drawing is not the only way to dominate a film.
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built with them. There are also rumors that Hosoda was unable to ask the veteran Ghibli staff to help him, and as a result, he became isolated. In a programme on
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Hosoda was strongly influenced by the animation works he saw in 1979, when he was in the sixth grade, and set his sights on a career related to anime. These were
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he directed in 2002, which was inspired by his experience at Ghibli, marked a turning point for him. The series director of that was his ally
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is called 'series director' in Toei. The series director therefore has as little say as possible in the direction of each episode.
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team led by Hosoda to be understaffed. Hosoda said the same thing, stating that because of this he had to gather the staff for
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and directing each episode, but also the director who treats each episode as a single work, and the director in other
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Hosoda has taken on the work assigned to him, including directing TV series and videos, and in 2003 he also directed
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in 2019. It was the first time a
Japanese animated film other than Studio Ghibli had been nominated for the award.
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course, but following that producer's recommendation, he ended up working as an animator for the time being.
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as a reference. Hosoda applied as a first-year high school student for the open call for animators for the
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and contacted a producer with whom he had formed a connection during an open call for animators for
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was released. The film grossed 6.6 billion yen at the box office and became Hosoda's biggest hit.
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430:'s independent animation specials, and he started making paper animation using the anime magazine
2419:"Mirai, Summer Wars Director Mamoru Hosoda's Next Film Will Be 'Completely Different from Mirai'"
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1591:"Anime Director Mamoru Hosoda on Drawing by Hand and the Industry Post-Hayao Miyazaki (Q&A)"
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1947:[The Present and Future of Anime Studios Part 3 Interview with Yuichiro Saito (2)].
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The term 'director' (episode director) in Toei means not only the position in charge of
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was released. It was produced by Madhouse, the same company as the previous film, with
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1494:"細田守監督が『ガンダム』のビニールシートを観て感じたリアリティとは? 『竜とそばかすの姫』『時をかける少女』にも影響を与えた「今、絶対に観てほしい5つのアニメ」を紹介!"
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2393:"Summer Wars' Hosoda Reveals Mirai no Mirai Film's Story, Staff, July Date in Teaser"
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In 1989, Hosoda saw an article in Animage recruiting trainees for the production of
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as one of the investors and in charge of publicity. Nozomu Takahashi, producer of
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When Hosoda was in junior high school, he saw people his age making animation on
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1861:"Getting fired from a Miyazaki movie was 'a good thing' for this anime director"
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was a further success, grossing just over 5.8 billion yen at the box office.
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1419:"Sacked by Studio Ghibli: how the boy wonder of Japanese animation grew up"
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Originally screened at the Time Machine of Dreams theme park attraction at
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After graduating from university, Hosoda continued to look for work in the
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2367:"Cannes: Japan's Mamoru Hosoda Sets New Animated Film 'Mirai' (EXCLUSIVE)"
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Hosoda married his long-time girlfriend in August 2006 at the age of 38.
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Released as part of the Toei Animation Fair (being screened alongside
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595:, directed by Hayao Miyazaki, in parallel at the time, which caused
442:(1984) and was shortlisted, but withdrew because of mid-term exams.
2345:"Summer Wars' Mamoru Hosoda Plans Next Film About Siblings in 2018"
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2018:
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Released as part of the Spring 1999 Toei Animation Fair, alongside
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2433:"Mamoru Hosoda Unveils New Anime Film Belle for Next Summer"
469:, among others, and he also produced other video art works.
457:. He then joined the film club at that college and produced
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577:, then president of Ghibli, showed Hosoda the proposal for
562:
Studio Ghibli announced that Hosoda was to direct the film
2805:
772:
was nominated for Best Animated Feature Film at the 91st
2294:"The Beauty and the Metaverse: Mamoru Hosoda on 'Belle'"
2211:"Summer Wars Wins Japan Academy's Animation of the Year"
2067:"『おおかみこどもの雨と雪』細田守監督は、なぜアニメを作り続けるのか? 作品から見えた「一つの答え」(7/7)"
1829:"『おおかみこどもの雨と雪』細田守監督は、なぜアニメを作り続けるのか? 作品から見えた「一つの答え」(3/7)"
1745:"『おおかみこどもの雨と雪』細田守監督は、なぜアニメを作り続けるのか? 作品から見えた「一つの答え」(1/7)"
1687:"『おおかみこどもの雨と雪』細田守監督は、なぜアニメを作り続けるのか? 作品から見えた「一つの答え」(2/7)"
1653:"ジブリ映画は『魔女の宅急便』で最後のはずだった…解散を先送りさせた「スタッフの給与倍増」という新方針 (4)"
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A short 3D film released at various events including at
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585:, but production was cancelled in the spring of 2002.
1976:"Interview: Mamoru Hosoda, Director of Wolf Children"
1406:. Vox, January 22, 2019. Retrieved January 22, 2019.
2319:"興行収入66億円の大ヒット! 細田守監督『竜とそばかすの姫』Blu-ray&DVD発売決定"
1768:
1554:
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1483:
1404:"Oscar nominations 2019: the full list of nominees"
1913:
1911:
1909:
1907:
1719:"Studio Ghibli's new film to be directed by rival"
1417:
747:In 2011, Hosoda founded his own animation studio,
2002:
2000:
1998:
1996:
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1265:Dragon Ball Z: Broly – The Legendary Super Saiyan
629:her, but in the end he chose to stay on at Toei.
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1892:(in Japanese). mediavague Co., Ltd. July 1, 2022
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2559:One Piece: Baron Omatsuri and the Secret Island
1904:
1223:(opening under the pseudonym Katsuyo Hashimoto)
873:One Piece: Baron Omatsuri and the Secret Island
685:One Piece: Baron Omatsuri and the Secret Island
498:) in 1991. He had initially wanted to pursue a
291:
16:Japanese film director and animator (born 1967)
2253:
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2120:"アニメ映画で日本を考える夏 今夏封切り「サマーウォーズ」細田守監督を交えて【1】 (2)"
2058:
1993:
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1736:
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1463:"細田守監督、最も影響された作品は「赤毛のアン」 1979年は「アニメの世界で革命的な年」"
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1925:(in Japanese). WireAction Inc. August 3, 2015
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717:Japan Academy Prize for Animation of the Year
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2262:"『サマーウォーズ』の前と後、「チーム・細田守」に起こった「決定的な変化」(1/5)"
2179:"『サマーウォーズ』の前と後、「チーム・細田守」に起こった「決定的な変化」(5/5)"
2147:"『サマーウォーズ』の前と後、「チーム・細田守」に起こった「決定的な変化」(3/5)"
2009:"『サマーウォーズ』の前と後、「チーム・細田守」に起こった「決定的な変化」(2/5)"
1945:"アニメスタジオの今と未来 第3回 竜とそばかすの姫 齋藤優一郎インタビュー (2)"
1659:(in Japanese). PRESIDENT Inc. June 27, 2023
1327:Yu Yu Hakusho The Movie: Poltergeist Report
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1886:"「金ロー」で『時をかける少女』放映 失敗を繰り返す「細田ヒロイン」の原点 (2)"
1516:
40:
1716:
1608:
1533:(in Japanese). eplus Inc. August 18, 2019
1135:Digimon Adventure 3D: Digimon Grand Prix!
1527:"細田守監督が語る、高畑勲監督と高畑作品の思い出 『高畑勲展』特別インタビュー"
2291:
1791:"『未来のミライ』アカデミー賞候補の快挙。細田守監督の経歴を振り返る (2)"
1560:"『未来のミライ』アカデミー賞候補の快挙。細田守監督の経歴を振り返る (1)"
533:). And his skills as a director in two
2971:
2347:. Anime News Network. October 25, 2016
2259:
2176:
2144:
2064:
2006:
1826:
1742:
1684:
1415:
725:In 2009, Hosoda's first original film
302:and animator. He was nominated for an
2807:Tokyo Anime Award for Best Screenplay
2779:
2680:
2507:
2292:Solomon, Charles (October 28, 2021).
1973:
1858:
1717:Schilling, Mark (September 2, 2001).
1588:
1438:from the original on January 12, 2022
1215:(opening, ending, episodes 5, 12, 26)
523:Hosoda first worked as a director on
1589:Blair, Gavin J. (November 1, 2016).
1416:Collin, Robbie (November 15, 2016).
1289:(1996 series, Episode 94, 105, 113)
1279:Galaxy Express 999 ~Eternal Fantasy~
1272:Dragon Ball Z: Broly – Second Coming
644:. In that time, the 40th episode of
2208:
1974:Chang, Chih-Chieh (July 15, 2013).
1859:Frank, Allegra (October 20, 2018).
1627:"『時をかける少女』応援企画 初心者のためのホソダマモル入門・その3"
1065:Doctor Slump: Arale's Surprise Burn
13:
2470:Mamoru HOSODA - Anime News Network
2260:Kurata, Masahiro (July 16, 2021).
2177:Kurata, Masahiro (July 16, 2021).
2145:Kurata, Masahiro (July 16, 2021).
2007:Kurata, Masahiro (July 16, 2021).
1227:
344:
14:
3045:
2478:
2460:, Retrieved on October 26th, 2021
2065:Kurata, Masahiro (July 2, 2021).
1827:Kurata, Masahiro (July 2, 2021).
1743:Kurata, Masahiro (July 2, 2021).
1685:Kurata, Masahiro (July 2, 2021).
1409:
751:, with Saito to produce the film
623:
494:, and joined Toei Dōga (recently
2999:Japanese animated film directors
2706:
2634:Digimon Adventure: Our War Game!
2046:(in Japanese). November 22, 2016
1109:Digimon Adventure: Our War Game!
691:
557:
551:Digimon Adventure: Our War Game!
220:Digimon Adventure: Our War Game!
2567:The Girl Who Leapt Through Time
2463:
2451:
2425:
2411:
2385:
2359:
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2325:(in Japanese). February 3, 2022
2311:
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2112:
2090:
1967:
1937:
1878:
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898:The Girl Who Leapt Through Time
742:
699:The Girl Who Leapt Through Time
670:The Girl Who Leapt Through Time
665:The Girl Who Leapt Through Time
332:The Girl Who Leapt Through Time
228:The Girl Who Leapt Through Time
3034:Science fiction film directors
1582:
1397:
1320:Sailor Moon Super S: The Movie
1250:Dragon Ball: The Path to Power
788:
1:
3029:People from Toyama Prefecture
1361:
1180:
1123:). Written by Reiko Yoshida.
702:, his first film since going
640:in collaboration with artist
354:Hosoda was born in Kamiichi,
349:
2126:(in Japanese). June 25, 2009
2098:"Japan Academy Prize (2007)"
1633:(in Japanese). June 19, 2006
1471:(in Japanese). July 16, 2018
526:GeGeGe no Kitarō 1996 series
397:Galaxy Express 999 The Movie
7:
3004:Japanese storyboard artists
2209:Loo, Egan (March 5, 2010).
1294:GeGeGe no Kitarō: Dai-Kaijū
675:In 2005, after directing a
505:
292:
10:
3050:
1919:"プロフェッショナル 仕事の流儀 映画監督・細田守"
989:Written by Mamoru Hosoda.
479:Only Yesterday (1991 film)
378:Aim for the Ace! The Movie
323:He is also best known for
308:Best Animated Feature Film
296:, born September 19, 1967)
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886:Written by Masahiro Ito.
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696:In 2006, Hosoda directed
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23:
2040:"紆余曲折! 現代版『時をかける少女』誕生秘話"
1376:"細田守:プロフィール・作品情報・最新ニュース"
1333:
1312:Sailor Moon Sailor Stars
909:Kadokawa Herald Pictures
672:while working for Toei.
410:The Castle of Cagliostro
31:
2994:Japanese film directors
2236:"Oscar Nominees: Mirai"
793:
451:Kanazawa College of Art
132:Kanazawa College of Art
2989:Fantasy film directors
1595:The Hollywood Reporter
1086:: Kitarō's Ghost Train
647:Ojamajo Doremi Dokkān!
636:, a PR short film for
2731:The Boy and the Beast
2653:Ojamajo Doremi Dokkān
2591:The Boy and the Beast
2108:on February 20, 2007.
1297:(Japanese, 1996 film)
1196:Ojamajo Doremi Dokkān
981:The Boy and the Beast
763:The Boy and the Beast
620:, ended in a mirage.
529:(series director was
513:Tōi Umi kara Kita Coo
314:for his seventh film
252:The Boy and the Beast
3019:Studio Ghibli people
2911:Shū Matsubara (2016)
1120:One Piece: The Movie
737:Howl's Moving Castle
688:, Hosoda left Toei.
658:, then president of
618:Howl's Moving Castle
597:Howl's Moving Castle
579:Howl's Moving Castle
565:Howl's Moving Castle
516:(1993) as assistant
467:Image Forum Festival
421:Anne of Green Gables
368:Anne of Green Gables
356:Nakaniikawa District
3009:Anime screenwriters
2458:www.toei-anim.co.jp
2439:. December 14, 2020
2421:. January 15, 2019.
2399:. December 13, 2017
2102:Japan Academy Prize
1801:. February 17, 2019
1570:. February 17, 2019
662:, thought this was
455:Ishikawa Prefecture
312:91st Academy Awards
3014:Japanese animators
2551:Digimon: The Movie
2489:Anime News Network
2437:Anime News Network
2397:Anime News Network
2323:MOVIE WALKER PRESS
2298:Animation Magazine
2215:Anime News Network
2044:MOVIE WALKER PRESS
1980:Anime News Network
1799:Fusosha Publishing
1568:Fusosha Publishing
1191:(episode 21, 1999)
1158:Superflat Monogram
938:Warner Bros. Japan
836:Digimon: The Movie
779:In 2021, the film
634:Superflat Monogram
518:animation director
488:animation industry
428:NHK Educational TV
388:Mobile Suit Gundam
326:Digimon: The Movie
87:Hashimoto, Katsuyo
62:September 19, 1967
2966:
2965:
2872:Miho Maruo (2011)
2817:Takashi Yamada /
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2626:Digimon Adventure
1504:. August 15, 2021
1352:animation studios
1307:(episodes 29, 70)
1188:Digimon Adventure
1178:
1177:
1042:Digimon Adventure
807:Animation studio
545:Digimon Adventure
536:Digimon Adventure
463:Pia Film Festival
459:live-action films
278:
277:
212:Digimon Adventure
167:Years active
156:storyboard artist
3041:
2933:Koyoharu Gotouge
2892:Yasuko Kobayashi
2800:
2793:
2786:
2777:
2776:
2715:Theatrical films
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2104:. Archived from
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1286:GeGeGe no Kitarō
1220:Samurai Champloo
1199:(episode 40, 49)
1170:Takashi Murakami
1168:Short film with
1084:GeGeGe no Kitarō
851:October 6, 2000
847:20th Century Fox
798:
797:
642:Takashi Murakami
383:Yoshiyuki Tomino
306:in the category
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2017:(in Japanese).
2005:
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1955:. July 27, 2021
1951:(in Japanese).
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1631:WEB Anime Style
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1235:Ashita no Nadja
1230:
1228:As key animator
1212:Ashita no Nadja
1183:
1145:Sanrio Puroland
1090:March 20, 1999
1047:Toei Animation
942:August 1, 2009
796:
791:
745:
694:
652:Takuya Igarashi
626:
560:
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438:-produced film
352:
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345:Life and career
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128:Alma mater
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2957:Takehiko Inoue
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2903:
2896:Hayao Miyazaki
2889:
2882:Satoko Okudera
2879:
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2867:Satoko Okudera
2864:
2861:Ichirō Ōkouchi
2858:
2852:
2849:Satoko Okudera
2846:
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2825:Ichirō Ōkouchi
2822:
2819:Hayao Miyazaki
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2479:External links
2477:
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2410:
2384:
2373:. May 16, 2017
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1114:March 4, 2000
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1053:March 6, 1999
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918:Satoko Okudera
914:
913:July 15, 2006
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883:March 5, 2005
881:
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842:Toei Animation
839:
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802:
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760:The 2015 film
744:
741:
693:
690:
682:feature film,
656:Masao Maruyama
625:
624:Return to Toei
622:
611:Yuichiro Saito
606:NHK General TV
559:
556:
531:Daisuke Nishio
507:
504:
496:Toei Animation
445:He majored in
401:Hayao Miyazaki
351:
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298:is a Japanese
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193:(2011–present)
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99:Sodama, Moruho
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46:Hosoda in 2016
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37:
36:
28:
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15:
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3:
2:
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2951:Reiko Yoshida
2949:
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2939:Reiko Yoshida
2937:
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2925:
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2915:Reiko Yoshida
2913:
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2900:Reiko Yoshida
2897:
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2886:Mamoru Hosoda
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2765:Mamoru Hosoda
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2723:Wolf Children
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1949:Animate Times
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1468:Sankei Sports
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1424:The Telegraph
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1260:(episode 173)
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1207:(episode 199)
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1070:Reiko Yoshida
1068:. Written by
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692:Freelance Era
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673:
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638:Louis Vuitton
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592:Spirited Away
586:
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575:Toshio Suzuki
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558:Studio Ghibli
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363:Isao Takahata
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328:
327:
321:
319:
318:
313:
309:
305:
304:Academy Award
301:
300:film director
294:
293:Hosoda Mamoru
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170:1991–present
153:screenwriter
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2979:1967 births
2921:Kinoko Nasu
2618:Short films
2575:Summer Wars
2329:December 5,
2303:November 8,
2277:December 5,
2194:December 5,
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1389:December 5,
1315:(episode 7)
1095:Hanayashiki
1031:Short films
932:Summer Wars
916:Written by
854:Written by
789:Filmography
728:Summer Wars
548:(1999) and
540:short films
416:Grand cross
338:Summer Wars
335:(2006) and
236:Summer Wars
185:(1991–2005)
138:Occupations
2973:Categories
2831:Sho Aikawa
1923:TV DATA-Zō
1384:Kakaku.com
1362:References
1181:Television
856:Jeff Nimoy
712:box-office
350:Early life
58:1967-09-19
2534:Works of
2351:March 20,
2245:March 20,
2220:March 20,
1985:March 20,
1870:March 20,
1728:March 22,
1600:March 20,
1442:March 20,
1432:0307-1235
1304:Slam Dunk
1204:One Piece
1059:Yu-Gi-Oh!
733:Nippon TV
719:in 2007.
704:freelance
500:directing
436:Toei Dōga
406:Lupin III
175:Employers
150:filmmaker
2843:Dai Satō
2645:See also
2272:Kodansha
2189:Kodansha
2157:Kodansha
2077:Kodansha
2019:Kodansha
1839:Kodansha
1755:Kodansha
1697:Kodansha
1436:Archived
1380:eiga.com
904:Madhouse
708:Kadokawa
679:ne Piece
660:Madhouse
506:Toei Era
465:and the
341:(2009).
329:(2000),
320:(2018).
159:novelist
144:Animator
69:Kamiichi
2758:Related
2377:May 16,
2371:Variety
1953:Animate
1865:Polygon
1502:Animate
819:Ref(s)
449:at the
432:Animage
393:Rintaro
310:at the
75:, Japan
2959:(2024)
2953:(2023)
2947:(2022)
2941:(2021)
2935:(2020)
2929:(2019)
2923:(2018)
2917:(2017)
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2888:(2013)
2878:(2012)
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2750:(2021)
2742:(2018)
2734:(2015)
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2610:(2021)
2602:(2018)
2594:(2015)
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2578:(2009)
2570:(2006)
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1890:Magmix
1723:Screen
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858:&
804:Title
774:Oscars
271:(2021)
263:(2018)
255:(2015)
247:(2012)
239:(2009)
231:(2006)
223:(2000)
215:(1999)
92:橋本 カツヨ
73:Toyama
2747:Belle
2739:Mirai
2607:Belle
2599:Mirai
2543:Films
1531:SPICE
1334:Notes
1165:2003
1018:Belle
1001:Mirai
816:Note
782:Belle
770:Mirai
317:Mirai
268:Belle
260:Mirai
116:白井 千秋
104:遡玉 洩穂
2499:IMDb
2445:2020
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1162:N/A
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