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391:, with nothing as yet of the Charlie figure to come. He wore a grey top hat, check waistcoat, stiff collar, spotted cravat and monocle. Most surprising was the long, drooping moustache of a rather dejected stage villain. At the start of the film he established the fraudulence of his elegant pretensions by touching a passing friend (played by Lehrman) for a loan. The first characteristically Chaplin gag is where he disdainfully rejects the proffered coin as too mean, but then hastily grabs it before the friend can change his mind.
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motorist, who is pinned beneath his wrecked car, Chaplin passes by and steals the camera that contains the sensational photograph. He then runs to the local newspaper office with the image and to report the auto accident, claiming them as his own. A short pursuit with the
Keystone Cops follows, and then an infuriated Lehrman catches up with Chaplin, and they resume their fistfight on a downtown street. An oncoming streetcar scoops them up on its front
469:", adding "If you never laughed before you will certainly do so if you see this comedy." In those and other remarks about the film in 1914 and in newspaper advertisements promoting the comedy, Charlie Chaplin and his fellow performers are rarely mentioned by name, which at that time was not an uncommon practice outside the realm of film-industry publications, especially with regard to new performers in
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In the film’s opening scene, Chaplin's character, the "Swindler", attempts to convince a passerby (Henry
Lehrman) to give him money. Chaplin is next shown flirting with a young woman and proposing marriage to her, which she accepts. Lehrman, who portrays a news reporter, now approaches the woman and
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included a "new comedian in the
Keystone comedy", an entertainer the theatre identified as "Charles Chappel." Little did that theatre’s management or moviegoers in general know that by the end of the following year, Mr. Chappel would be an established national and international film celebrity and a
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The clever player who takes the role of nervy and very nifty sharper in this picture is a comedian of the first water, who acts like one of Nature’s own naturals. It is so full of action that it is indescribable, but so much of it is fresh and unexpected fun that a laugh will be going all the time
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Although
Lehrman and Reed Heustis are often credited with co-writing the film's scenario, Chaplin in his autobiography offers his view on the screenplay's status when production began. "We had no story", he writes, adding "It was to be a documentary about the printing press done with a few comedy
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fight between the two immediately ensues. Later, while prowling for a news story, Lehrman's character witnesses and photographs an automobile accident, capturing on film a dramatic image of a car tumbling down a high, steep hill. As he and a crowd of onlookers are trying to help the unfortunate
383:, was one of Keystone’s more elaborate productions. It had a comparatively well-developed story line, and was shot partly on the stage, partly in the gardens of a nearby house, and partly in the street, on Glendale Avenue. Chaplin's costume, make-up and character resembled Archibald Binks in
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excited audiences and even prompted film-industry observers in 1914 to comment about
Lehrman's and Keystone's willingness to spend considerable amounts of money on their motion-picture projects, even on simple one-reel shorts. The scene is the car accident.
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touches." He then states that
Lehrman appeared to be "groping for ideas", so as a "newcomer at Keystone" he began to make suggestions. "This", Chaplin continues, "was where I created antagonism with Lehrman."
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provides further insight into the short's production, including its filming locations, the evolution of the
Chaplin's costume selections for his screen debut, and his acting style in some scenes:
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The footage of street scenes depicts various areas of downtown Los
Angeles in 1914. In the scene with the swindler and newspaper reporter fighting in the road, the sign of the
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wood. This expensive episode cost the
Keystone Company a good-sized sum, but a thrill was to be gotten out of the story and Keystone took this method of getting it.
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Henry
Lehrman, a Keystone director, tipped a $ 1,500 ($ 45,600 today) automobile over a cliff in his last picture, "Making a Living." A nearly new
812:(Hot Springs, Arkansas), February 24, 1914, p. 5. Chronicling America, Smithsonian Institution, Washington, D.C. Retrieved February 19, 2021.
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and was released for distribution on February 2, 1914. In it Chaplin portrays a charming swindler who runs afoul of a news reporter and a
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presents to her a bouquet of flowers and a ring, which she refuses to accept, noting that she is now engaged. Lerhman sees Chaplin and a
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almost. It is foolish-funny stuff that will make even the sober minded laugh, but people out for an evening's good time will howl.
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In the months following the film's release, as it circulated across the United States, many city and small-town newspapers, like
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is shown briefly in the background. That hotel closed in the 1940s, and the entire structure was demolished in 1955.
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were two popular stage productions or comic "playettes" in which Chaplin performed while a member of The
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Chaplin wears a large moustache and a top hat in the film; he also carries a walking cane. His famous "
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Plot summary derived from viewing the digital copy of the film available on this page.
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Another scene with (from left) Lehrman, Virginia Kirtley, Alice Davenport, and Chaplin
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McCann, Linda; Taube, Dace; Zachary, Claude; Roseman, Curtis C. (8 October 2008).
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was used for this effect and when recovered at the bottom resembled a pile of
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Charlie Chaplin and American Culture - The Evolution of a Star Image
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Early Charlie Chaplin: The Artist As Apprentice at Keystone Studios
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In its February 7, 1914, issue, the widely read New York–based
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Charlie Chaplin at Keystone And Essanay: Dawn of the Tramp
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This is one of only a few films in which Chaplin and the
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gives the comedy short a brief but very positive review:
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For the mid-run renamed American television series, see
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461:as "truly a scream from start to finish", while in
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473:. In June 1914, however, the Dittmann Theatre in
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651:. Princeton, NJ: Princeton University Press.
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1417:Charlie: The Life and Art of Charles Chaplin
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573:. New York: Simon and Schuster, pp. 143-144.
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539:"Other titles of 'Making a Living'"
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842:"Majestic Theatre Pictures Deluxe"
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676:. Lincoln, NE: iUniverse, Inc.
587:. Lanham, MD: Scarecrow Press.
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1532:The Face on the Bar Room Floor
1373:Charlie Chaplin's Comic Capers
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227:) is the first film starring
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231:. A one-reel comedy
110:Enrique Juan Vallejo
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1764:A Night in the Show
1388:Films about Chaplin
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830:Chickasha, Oklahoma
810:The Sentinel-Record
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672:Okuda, Ted (2005).
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446:The Sentinel-Record
2076:A King in New York
2041:The Great Dictator
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1620:Getting Acquainted
1612:His Trysting Place
1604:His Musical Career
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1588:Dough and Dynamite
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21:It's a Living
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2033:Modern Times
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2015:
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1918:A Dog's Life
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1851:The Pawnshop
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1827:The Vagabond
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1681:The Champion
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1564:The Rounders
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1516:Laughing Gas
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1435:Little Tramp
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1340:3623 Chaplin
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773:. Retrieved
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546:. Retrieved
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385:The Wow-Wows
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366:
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349:
346:Little Tramp
343:
321:Minta Durfee
303:Emma Clifton
262:
245:Keystone Cop
223:
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211:
210:
205:
204:
199:
198:
197:
174:12.5 minutes
170:Running time
147:Release date
96:Minta Durfee
76:Mack Sennett
65:Reed Heustis
2025:City Lights
1982:The Pilgrim
1875:Easy Street
1819:The Fireman
1716:Los Angeles
1689:In the Park
1673:A Night Out
1654:His New Job
1231:Filmography
775:22 February
471:one-reelers
311:as Daughter
299:as Reporter
293:as Swindler
190:Silent film
72:Produced by
52:Directed by
2163:1914 films
2157:Categories
2017:The Circus
1756:Shanghaied
1724:By the Sea
1540:Recreation
1492:A Busy Day
721:Fred Karno
683:0595365981
658:0691028605
502:Studebaker
340:Production
271:cowcatcher
158:1914-02-02
121:Production
62:Written by
2057:Limelight
1942:Sunnyside
1843:The Count
1705:The Tramp
1286:Sunnyside
1236:The Tramp
631:The Tramp
407:Reception
317:as Mother
266:slapstick
249:"scenario
187:Languages
2095:See also
1926:The Bond
1883:The Cure
1867:The Rink
1835:One A.M.
1748:The Bank
1320:" (1967)
1168:Homesick
723:Company.
513:See also
506:kindling
421:The film
323:as Woman
218:Troubles
82:Starring
1974:Pay Day
1958:The Kid
1740:A Woman
1646:Chicago
1450:Chaplin
1442:Chaplin
1410:Chaplin
1112:On Time
548:5 March
179:Country
156: (
123:company
2143:(1914)
2135:(1914)
2118:Films
2106:(1959)
2087:(1967)
2079:(1957)
2060:(1952)
2052:(1947)
2044:(1940)
2036:(1936)
2028:(1931)
2020:(1928)
2012:(1925)
2004:(1923)
1985:(1923)
1977:(1922)
1969:(1921)
1961:(1921)
1953:(1919)
1945:(1919)
1937:(1918)
1929:(1918)
1921:(1918)
1902:(1917)
1894:(1917)
1886:(1917)
1878:(1917)
1870:(1916)
1862:(1916)
1854:(1916)
1846:(1916)
1838:(1916)
1830:(1916)
1822:(1916)
1814:(1916)
1791:(1918)
1783:(1916)
1780:Police
1775:(1915)
1767:(1915)
1759:(1915)
1751:(1915)
1743:(1915)
1735:(1915)
1727:(1915)
1708:(1915)
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1684:(1915)
1676:(1915)
1657:(1915)
1631:(1914)
1623:(1914)
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1559:(1914)
1551:(1914)
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1527:(1914)
1519:(1914)
1511:(1914)
1503:(1914)
1495:(1914)
1487:(1914)
1479:(1914)
1453:(2006)
1445:(1993)
1179:(1929)
1171:(1928)
1163:(1928)
1155:(1928)
1147:(1927)
1139:(1927)
1131:(1927)
1123:(1926)
1115:(1924)
1107:(1922)
1099:(1914)
1091:(1914)
1083:(1914)
1075:(1913)
1067:(1913)
1059:(1913)
1051:(1913)
1043:(1913)
1035:(1913)
1027:(1913)
1019:(1913)
1011:(1913)
1003:(1913)
995:(1911)
987:(1911)
766:
742:
680:
655:
591:
221:, and
1665:Niles
1328:Other
1304:Smile
1296:Songs
1250:Books
711:Both
467:peach
233:short
1732:Work
911:IMDb
777:2021
764:ISBN
740:ISBN
715:and
678:ISBN
653:ISBN
589:ISBN
550:2014
387:and
277:Cast
259:Plot
2120:not
920:at
909:at
449:in
239:in
2159::
887:,
860:,
844:,
824:,
808:,
792:,
558:^
541:.
215:,
209:,
1316:"
1309:"
1302:"
1212:e
1205:t
1198:v
963:e
956:t
949:v
936:.
828:(
779:.
686:.
661:.
597:.
552:.
160:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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