39:, Italy in September 1983, during a festival of alternative theatre: a discussion on the predominance of male directors and writers at the festival led Jill Greenhalgh to ask what such a festival might be like if the primary creative voices were those of women. Inspired by this, Greenhalgh organised MAGDALENA '86 - The First International Festival of Women in Contemporary Theatre, in
160:- produced and Compiled by Jill Greenhalgh and Mike Brookes This interactive DVD comprises research materials generated by The Magdalena Project: International Network of Women in Contemporary Theatre. The DVD includes documentary material from artist-led workshops, performances, performed lectures, presentations and academic papers.
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ceased its infrastructure funding of the
Magdalena Project, necessitating the closure of the Cardiff office and the cessation of most cost-bearing activities. However, by this time the network was strongly established at an international level, and was about to launch its web site and email list. The
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From then until 1999, The
Magdalena Project operated from an administrative base in Cardiff, with a board of advisors and Greenhalgh as its artistic director. During this period the Magdalena Project produced performances, organised workshops and festival gatherings in Europe and published a regular
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The international membership of the
Magdalena Project network is made up of individuals (of all genders and sex identifications), theatre companies and organisations; in some locations affiliate Magdalena groups have been formally established. These groups are autonomous and all of their activities
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In 1997 Magdalena
Aotearoa was officially established in New Zealand and an international festival of women's performance was held there in 1999. Other festivals outside Europe and Latin America have been held in Australia (2003), USA (2005), Singapore (2006) and India (2012, 2016 and 2019). Other
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In 1988, women theatre practitioners in Latin
America became involved, organising meetings in Peru, Colombia and Uruguay, and extending the network to Chile and Argentina with further meetings in 1993. This was to be the beginning of growing interest in the Project from around the world, with
114:- published in 2011 to celebrate the Project's 25th anniversary, this book includes contributions by Gilly Adams, Geddy Aniksdal, Jill Greenhalgh, Julia Varley, Maggie B. Gale, Susan Bassnett and 40 other women closely associated with The Magdalena Project.
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are organised and funded locally. Since 1986 festivals have been held throughout Europe, including in Wales, Denmark, Norway, Germany, Italy, France, Spain, and
Belgium. The Transit Festival of Women's Performance is held approximately every three years at
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The Latin
American network has been operating since 1988, with festivals taking place in Argentina, Colombia, Cuba, Peru, Brasil, Mexico, Chile and Ecuador. In Argentina, the network has operated under the name Magdalena 2nd Generacion since 1999.
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Numerous books, journals and articles have been published about the
Magdalena Project and by members of the network, contributing to the documentation of women's contemporary theatre and performance. Up-to-date information can be found in the
138:- by Chris Fry, published in 2007 by Open Page Publications, with the support of Odin Teatrets Forlag, Grenland Friteater, The Magdalena Project and CTLS - Centre for Theatre Laboratory Studies;
124:, this hardcover book records the early years of the Magdalena Project, illustrated with black-and-white photos. Contact the publisher: Berg, 77 Morrell Ave., Oxford, OX4 1NQ, UK.
27:. It aims to increase awareness of women's contributions to theatre and to create the artistic and economic structures and support networks to enable women to work.
154:- a journal of women's thoughts, questions and visions for theatre, published annually from 1996 to 2008 by Odin Teatret in association with the Magdalena Project
84:(Norway), Teatro delle Radici (Switzerland), AMAR (Colombia), DAH Teater (Serbia), Voix de Femmes (Belgium), Voix Polyphoniques (France), Teatret OM (Denmark),
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move into online communications ensured the continuation of the network despite the loss of funding.
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An up-to-date list of
Magdalena festivals and events around the world is available in the
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affiliate groups forming and hosting festivals and events in many countries.
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companies and festivals that are connected to the
Magdalena Project include
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The idea for a network of women theatre practitioners was born in a café in
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https://themagdalenaproject.org/en/content/publications
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Magdalena: International Women's Experimental Theatre
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Magdalena: international women's experimental theatre
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is an international network of women in contemporary
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The Articulate Practitioner - Articulating Practice
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