378:
434:
267:
40:
353:
198:
overcrowding. Mary is sitting in a position that is not easily replicated in reality, which allows the Christ child to sit comfortably, while balancing the figures in regards to the painting's round shape. The curvature of the two arms of Mary and Christ child in the foreground also lend themselves to a spherical form, which rounds out the composition. The chair dictates the outer limits of the composition and is the painting's namesake.
814:
325:, who early on had influenced his career and style substantially. The technical execution of the painting lies within its remarkable composition, which was originally envisioned as a rectangle. Raphael did not consider the circular shape during the preliminary sketches for this painting, even though it is a form he favored during and after his
255:(Giuliano della Rovere) who was another major patron of Raphael and a central contributor to the High Renaissance. However, it has been speculated that the painting was painted for Leo X, which also connects the painting to the Medici family during the sixteenth century while in Rome. The chair's finial in the
374:
the garden and with her toddler son playing at her knees, she was spotted by a handsome young man at her garden gate. That young man was
Raphael Sanzio who immediately said he would like to paint her as she sat there with her two sons, later represented as the original Virgin, Christ child, and St. John.
201:
The colors play an important role in this painting, from the green embroidered garment to the cerulean blue or the juxtaposition of the
Madonna's red sleeve with the Christ child's orange drapery, which adds an extra element of enrichment and a vibrancy to the color palette. The warmer colors seem to
197:
The
Madonna's image also shows less attention to careful selections, which takes the focus off refinement, and shifts it to more of a rapid representation of an observation or attitude. The Christ child and Mary are both in profile view in order to balance the composition, which resolved the issue of
193:
balanced simplification and detail with the treatment of her embroidered shawl, the directness of the figures and the touching of the two heads (Madonna and Christ child). Raphael dressed the
Madonna in the Italian clothing of the time. Mary is depicted wearing a striped headdress, which falls behind
385:
Because of the painting's roundness, it became the subject of another story in which a peasant girl saves a hermit from a pack of wolves in the branches of an oak, and the hermit prophesies that she will become immortalized for her good deed. Years later, the girl had two children, and the tree was
373:
peasant girl, who was as good as she was beautiful, charitable, and pious, who gave her assistance to an ill hermit she had stumbled upon. The hermit rewarded the girl by blessing her and stating that she would be painted as the mother of God. Many years later, on a sunny day holding her infant in
262:
is evidence that supports the idea that the painting could have been commissioned for Pope Leo X. The finial takes on the form of a round ball, similar to the Medici's heraldic symbol, the palle, which is also seen in Leo's coat of arms. On the other hand, the chair's finial could also be a symbol
339:
The painting also revolutionized singular portrait painting during the
Renaissance by enlarging the figure's scale and how they compositionally occupy the entire plane. By radically changing the scale of the figures in this painting, allowing them to occupy most of the available space, the Christ
329:
period. The figures' accommodation to the shape is skillful. The painting also revolutionized the
Madonna format in the Renaissance style due to its departure from the pyramidal composition of the Madonna, Christ child, Saint Joseph, and by giving the painting a superficial background, which is
185:
period, this
Madonna does not have the strict geometrical form and linear style of his earlier Florentine treatments of the same subject. The Madonna is portrayed subtly and naturalistically, including the drapery, her anatomy, and the movement of her body, as if it was a result of an immediate
282:'s bedroom. It was later moved throughout the Rooms of the Planets, starting with the Room of Jupiter (c. 1771) and later the Room of Mars (c. 1793), after the Leopoldine rearrangement of the picture gallery. Towards the end of the eighteenth century, it was taken during the
222:
commission is undocumented despite it being created while
Raphael was spending a relatively well-documented period of twelve years in Rome. The painting was painted during the same time Raphael was working on the frescoes in the Vatican
316:
range. The painted black background is lacking the usual landscape, which typically would harmonize all the colors and figures. The composition is entirely from
Raphael's hand, which was a result of him shuddering off the legacies of
364:
has been admired by many artists, poets, and engravers. It has been copied many times over and, historically, was considered one of the most revered of
Raphael's Madonnas. There are a few enchanting legends connected to the
251:), who was known to be one of Raphael's biggest patrons at the time. While under Leo's patronage, Raphael rarely got commissions from outside of the pope's immediate circle. Leo X was also the successor to
140:. Although there is documentation on its arrival to its current location, Palazzo Pitti, it is still unknown who commissioned the painting; however, it has been in the Medici family since the 16th century.
1940:
386:
made into wine barrels. Raphael happened upon the trio and used a barrel bottom to paint them. This scenario was the subject of an 1839 lithograph by August Hopfgarten and a painting by
162:
is one of the single most important of Raphael's Madonnas. The painting also showcases Raphael's use of the tondo form and his naturalistic approach to depicting the Madonna.
771:
Salmi, Mario; Becherucci, Luisa; Marabottini, Alessandro; Tempesti, Anna Forlani; Marchini, Giuseppe; Becatti, Giovanni; Castagnoli, Ferdinando; Golzio, Vincenzo (1969).
2505:
278:, it was then moved to the Pitti Palace by the beginning of the eighteenth century. It was listed in inventories in 1723 and 1761 as being on display in the
377:
433:
638:
The Great Works of Raphael Sanzio of Urbino; a Series of Thirty Photographs from the Best Engravings of His Most Celebrated Paintings, with Descriptions
1826:
1029:
279:
174:
is Raphael's most humanistic form of the Madonna. Throughout Raphael's life, this humanistic representation of the Madonna occupied his mind. The
2001:
754:
2515:
2119:
2111:
445:
wrote that the painting was "the most beautiful picture in the world" after having seen it via "a hundred engravings and copies".
263:
for Pope Julius II and his family's symbol, the Della Rovere oak acorn, further adding to the mystery of the unidentified patron.
2135:
1959:
1834:
1554:
1498:
2520:
17:
396:
greatly admired Raphael and paid tribute to him by including this painting in many of his works, such as in the background of
1319:
1205:
1145:
818:
270:
Sala di Saturno, Room of Saturn, at the Palazzo Pitti, 1920 ca. The Madonna della Sedia is to the left of the marble portal.
2258:
1803:
991:
286:
of Florence and was in Paris from 1799 to 1815. Back in Florence, the painting has been in the Room of Saturn since 1882.
1452:
1289:
1788:
1115:
403:
304:
2103:
1750:
1220:
846:
645:
581:
506:
416:
2341:
1569:
899:
427:
2372:
1917:
1818:
915:
2028:
1130:
1044:
1014:
670:
2058:
1925:
1524:
266:
2354:
1894:
1879:
1614:
983:
866:
465:
2066:
2043:
1281:
968:
381:
Prince Hoare the younger (1755-1834) - Madonna della sedia (copy after Raphael) - 732245 - National Trust
2143:
1773:
1637:
1395:
1334:
735:
181:
is the incarnation of a realistic mother and child, representing human motherhood. Painted during his
2335:
2020:
1720:
1690:
1100:
945:
891:
2418:
1909:
1482:
1387:
1266:
409:
356:
1880 copy seen next to the original Madonna della Sedia in the Room of Saturn at the Palazzo Pitti.
437:
Madonna-St. John (Madonna della sedia copy), c. 1825, by Raphael Morghen, engraving RP-P-OB-36.561
2510:
2412:
2163:
2013:
1994:
1945:
1304:
1235:
1074:
397:
751:
2312:
1251:
1059:
453:
449:
387:
144:
1410:
2151:
1660:
1422:
839:
727:
207:
2362:
2095:
1864:
1357:
1190:
1160:
722:; Becherucci, Luisa; Marabottini, Alessandro; Tempesti, Anna Forlani; Marchini, Giuseppe;
8:
2434:
2296:
2127:
1735:
1415:
1372:
953:
442:
326:
2358:
2284:
2250:
1622:
1175:
999:
883:
618:
283:
1982:
1645:
1599:
1467:
787:"The Virgin and Child with the Infant Baptist ['The Madonna della Seggiola']"
666:
641:
577:
502:
318:
2478:
2458:
2231:
2223:
2215:
2207:
2199:
2191:
2183:
2174:
1765:
1243:
907:
832:
723:
610:
341:
155:
448:
The depiction inspired Raphael Morghen and Niccolò De Antoni for a commission for
2463:
2426:
2400:
2378:
1705:
1539:
1437:
1349:
758:
322:
248:
39:
243:
Most of Raphael's commissions for this period were under the strict guidance of
2442:
2406:
2395:
803:
423:
252:
194:
her backside and compliments her richly colored ornamental dress with fringe.
2499:
2087:
2078:
1490:
930:
470:
224:
133:
111:
86:
2450:
2368:
2329:
1974:
1584:
331:
228:
151:
68:
719:
299:
121:
622:
352:
2308:
2289:
786:
598:
244:
78:
71 cm × 71 cm (28 in × 28 in)
330:
radically different when comparing it to an earlier Madonna portrait,
1849:
614:
1941:
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
775:. New York: Reynal and Co., William Morrow and Company. p. 637.
708:. Vol. 23. Boston, MA: American Unitarian Society. p. 133.
312:
The painting is oil on panel, with St John the Baptist painted in a
137:
114:
90:
770:
718:
855:
537:. New York, New York: Praeger Publishers, Inc. pp. 108, 109.
313:
125:
50:
426:
also included this painting along with many others in his 1770s
813:
393:
370:
275:
203:
148:
118:
182:
824:
302:
form and influenced an equivalent singular male portrait,
501:. New York: Oxford University Press. pp. 216–217.
688:
452:
for his Raphael Collection, which is conserved at the
344:'s proportions and relationship within the painting.
640:. London: Creative Media Partners, LLC. p. 41.
340:
child seems to be the basis of both the Madonna and
110:(28" in diameter (71 cm)) is an oil on panel
1827:Portrait of Andrea Navagero and Agostino Beazzano
691:Masterpieces of the Great Artists, A.d. 1400-1700
552:. New York: Praeger Publishers, Inc. p. 109.
2497:
761:, RoyalCollection.org, retrieved 18 October 2014
636:Passavant, Johan David; Cundall, Joseph (2018).
635:
576:. New York: Harry N. Abrams, Inc. p. 112.
347:
2506:Paintings of the Madonna and Child by Raphael
840:
408:on the table in front of the subject in his
2332:(1507–1520) (continued by other architects)
2120:The Expulsion of Heliodorus from the Temple
693:. London: G. Bell and Sons. pp. 26–27.
298:is the culmination of Raphael's use of the
847:
833:
414:. The image was worked into the carpet in
38:
2044:Portrait of Pope Leo X with Two Cardinals
660:
747:
745:
432:
376:
351:
265:
2136:The Meeting of Leo the Great and Attila
1555:Portrait of Cardinal Alessandro Farnese
665:. Milano, Italy: Rizzoli. p. 111.
14:
2498:
596:
369:painting, one being about a beautiful
305:The Portrait of Baldassare Castiglione
154:while sitting in a chair as the young
1320:Portrait of Guidobaldo da Montefeltro
1146:Portrait of Emilia Pia da Montefeltro
828:
742:
703:
496:
428:painting of the Tribuna of the Uffizi
1804:Christ Falling on the Way to Calvary
684:
682:
571:
567:
565:
563:
561:
559:
547:
532:
528:
526:
524:
522:
520:
518:
492:
490:
488:
486:
1453:Portrait of a Young Woman (La Muta)
1290:Madonna with Beardless Saint Joseph
689:Bell (N. D'Anvers), Arthur (1933).
24:
2516:Paintings in the Galleria Palatina
1789:Portrait of Baldassare Castiglione
399:Henri IV playing with his children
25:
2532:
2104:Disputation of the Holy Sacrament
797:
679:
597:Willis, C. L. (13 October 2020).
556:
515:
483:
417:Napoleon I on his Imperial Throne
2112:Cardinal and Theological Virtues
812:
2373:Antonio da Sangallo the Younger
1918:Saint Michael Vanquishing Satan
916:Madonna and Child with the Book
779:
764:
712:
2446:Multi-Purpose Logistics Module
2232:Saint Paul Preaching in Athens
1131:Portrait of Elisabetta Gonzaga
697:
654:
629:
590:
541:
165:
13:
1:
2521:Paintings of John the Baptist
2345:
2342:Palazzo Branconio dell'Aquila
2301:
2263:
2156:
2048:
2033:
2006:
1987:
1964:
1960:Saint Margaret and the Dragon
1949:
1930:
1899:
1884:
1869:
1854:
1839:
1835:Portrait of Cardinal Bibbiena
1808:
1793:
1778:
1755:
1740:
1725:
1710:
1695:
1680:
1665:
1650:
1627:
1604:
1589:
1574:
1559:
1544:
1529:
1525:Portrait of Tommaso Inghirami
1503:
1499:Saint Catherine of Alexandria
1472:
1457:
1442:
1427:
1400:
1377:
1362:
1339:
1324:
1309:
1294:
1271:
1256:
1225:
1210:
1195:
1180:
1165:
1150:
1135:
1120:
1105:
1079:
1064:
1049:
1034:
1019:
1004:
973:
958:
935:
920:
661:de Vecchi, Pierluigi (2002).
497:Olson, Roberta J. M. (2000).
476:
289:
213:
132:1513–1514, and housed at the
2184:Miraculous Draught of Fishes
1895:Madonna with the Blue Diadem
1880:The Ecstasy of Saint Cecilia
773:The Complete Work of Raphael
734:. New York: Reynal and Co.,
732:The Complete Work of Raphael
466:List of paintings by Raphael
411:Portrait of monsieur Rivière
7:
2415:(disciple and collaborator)
2216:Conversion of the Proconsul
2067:Self-Portrait with a Friend
1206:Saint George and the Dragon
854:
804:Exhibited 1880 Copy of The
730:; Golzio, Vincenzo (1969).
459:
348:Influences on Other Artists
10:
2537:
2371:(1518–1525) (completed by
2357:(1509–1575) (completed by
2259:Adoration of the Shepherds
2144:Deliverance of Saint Peter
1774:Portrait of Bindo Altoviti
1638:Portrait of Pope Julius II
1414:(1507–1508) (completed by
1396:Madonna of the Baldacchino
1335:Portrait of Maddalena Doni
992:The Marriage of the Virgin
736:William Morrow and Company
704:Colby, Fred Myron (1907).
241:Coronation of Charlemagne.
231:, including the paintings
2472:
2388:
2355:Sant'Eligio degli Orefici
2336:Palazzo Jacopo da Brescia
2322:
2276:
2242:
2173:
2077:
2002:Portrait of a Young Woman
1691:Madonna of the Candelabra
1516:
1092:
875:
862:
247:(Giovanni di Lorenzo de'
202:suggest the influence of
82:
74:
64:
56:
46:
37:
32:
2420:Raphael and La Fornarina
2192:Christ's Charge to Peter
1910:Holy Family of Francis I
1483:Niccolini-Cowper Madonna
1267:Young Woman with Unicorn
1116:Portrait of Pietro Bembo
405:Raphael and La Fornarina
2396:Giovanni Santi (father)
2200:Healing of the Lame Man
1751:Portrait of a Young Man
1305:Portrait of Agnolo Doni
1221:Young Man with an Apple
572:Beck, James H. (1994).
280:Grand Prince Ferdinando
2313:Raffaello da Montelupo
1721:Madonna dell'Impannata
1676:Madonna della Seggiola
1570:Portrait of a Cardinal
1252:Madonna del Cardellino
900:Resurrection of Christ
728:Castagnoli, Ferdinando
454:Royal Collection Trust
438:
388:Johann Michael Wittmer
382:
357:
342:Saint John the Baptist
271:
158:devoutly watches. The
101:Madonna della Seggiola
33:Madonna della seggiola
18:Madonna della seggiola
2152:The Fire in the Borgo
1819:Creation of the World
1661:Madonna with the Fish
1423:Canigiani Holy Family
599:"An Art-Walk in Rome"
436:
380:
355:
276:Gallerie Degli Uffizi
269:
220:Madonna della Sedia's
208:Sebastiano del Piombo
2409:(mistress and model)
2403:(mistress and model)
2375:and other disciples)
2363:Bastiano da Sangallo
2307:–1524) (executed by
2288:(1520) (executed by
2162:–1517) (executed by
2096:The School of Athens
1358:Madonna of the Pinks
1191:Madonna del Granduca
1161:Small Cowper Madonna
1015:Portrait of Perugino
821:at Wikimedia Commons
819:Madonna of the Chair
548:Oppé, A. P. (1970).
533:Oppe, A. P. (1970).
499:The Florentine Tondo
206:and Raphael's rival
2477:Also attributed to
2224:Sacrifice at Lystra
2128:The Mass at Bolsena
2059:Madonna of the Rose
1736:Madonna della Tenda
1416:Ridolfo Ghirlandaio
1411:La belle jardinière
1373:Bridgewater Madonna
954:Conestabile Madonna
806:Madonna della Sedia
443:Nathaniel Hawthorne
367:Madonna della Sedia
362:Madonna della Sedia
296:Madonna della Sedia
218:Unfortunately, the
172:Madonna della Sedia
160:Madonna della Sedia
107:Madonna della Sedia
27:Painting by Raphael
2359:Baldassare Peruzzi
1623:Madonna of Foligno
1615:The Prophet Isaiah
1176:Terranuova Madonna
1030:Colonna Altarpiece
1000:Diotallevi Madonna
984:Vision of a Knight
884:Baronci Altarpiece
757:2014-10-18 at the
706:Every Other Sunday
625:– via JSTOR.
439:
383:
358:
284:Napoleonic looting
272:
233:Incendio del Borgo
227:and loggia of the
2493:
2492:
2175:Tapestry cartoons
2029:Madonna de Bogota
1983:Small Holy Family
1600:Madonna of Loreto
1468:Esterhazy Madonna
1282:Madonna del Prato
1093:Florentine period
969:Portrait of a Man
867:List of paintings
817:Media related to
724:Becatti, Giovanni
319:Leonardo da Vinci
96:
95:
16:(Redirected from
2528:
2486:
2481:
2479:Lorenzo di Credi
2459:Raphael (crater)
2350:
2347:
2306:
2303:
2268:
2265:
2208:Death of Ananias
2161:
2158:
2053:
2050:
2038:
2035:
2011:
2008:
1992:
1989:
1969:
1966:
1954:
1951:
1935:
1932:
1926:Ezekiel's Vision
1904:
1901:
1889:
1886:
1874:
1871:
1859:
1856:
1844:
1841:
1813:
1810:
1798:
1795:
1783:
1780:
1760:
1757:
1745:
1742:
1730:
1727:
1715:
1712:
1700:
1697:
1685:
1682:
1670:
1667:
1655:
1652:
1632:
1629:
1609:
1606:
1594:
1591:
1579:
1576:
1564:
1561:
1549:
1546:
1534:
1531:
1508:
1505:
1477:
1474:
1462:
1459:
1447:
1444:
1432:
1429:
1405:
1402:
1382:
1379:
1367:
1364:
1344:
1341:
1329:
1326:
1314:
1311:
1299:
1296:
1276:
1273:
1261:
1258:
1244:La donna gravida
1230:
1227:
1215:
1212:
1200:
1197:
1185:
1182:
1170:
1167:
1155:
1152:
1140:
1137:
1125:
1122:
1110:
1107:
1084:
1081:
1069:
1066:
1054:
1051:
1039:
1036:
1024:
1021:
1009:
1006:
978:
975:
963:
960:
940:
937:
925:
922:
908:Mond Crucifixion
849:
842:
835:
826:
825:
816:
791:
790:
783:
777:
776:
768:
762:
749:
740:
739:
716:
710:
709:
701:
695:
694:
686:
677:
676:
658:
652:
651:
633:
627:
626:
615:10.2307/20568763
594:
588:
587:
569:
554:
553:
545:
539:
538:
530:
513:
512:
494:
333:The Alba Madonna
156:John the Baptist
42:
30:
29:
21:
2536:
2535:
2531:
2530:
2529:
2527:
2526:
2525:
2496:
2495:
2494:
2489:
2484:
2476:
2468:
2464:Vatican loggias
2422:(1813 painting)
2401:Imperia Cognati
2384:
2379:Villa Farnesina
2348:
2318:
2304:
2272:
2266:
2238:
2169:
2159:
2073:
2051:
2036:
2021:Transfiguration
2009:
1990:
1967:
1952:
1933:
1902:
1887:
1872:
1857:
1842:
1811:
1796:
1781:
1758:
1743:
1728:
1713:
1706:Sistine Madonna
1698:
1683:
1668:
1653:
1630:
1607:
1592:
1577:
1562:
1547:
1540:Garvagh Madonna
1532:
1512:
1506:
1475:
1460:
1445:
1438:Colonna Madonna
1430:
1403:
1380:
1365:
1350:Ansidei Madonna
1342:
1327:
1312:
1297:
1274:
1259:
1228:
1213:
1198:
1183:
1168:
1153:
1138:
1123:
1108:
1101:Christ Blessing
1088:
1082:
1067:
1052:
1037:
1022:
1007:
976:
961:
938:
923:
892:Saint Sebastian
871:
858:
853:
800:
795:
794:
785:
784:
780:
769:
765:
759:Wayback Machine
750:
743:
717:
713:
702:
698:
687:
680:
673:
659:
655:
648:
634:
630:
603:The Art Journal
595:
591:
584:
570:
557:
546:
542:
531:
516:
509:
495:
484:
479:
462:
350:
323:Pietro Perugino
292:
274:Already in the
237:Battle of Ostia
216:
168:
138:Florence, Italy
28:
23:
22:
15:
12:
11:
5:
2534:
2524:
2523:
2518:
2513:
2511:1514 paintings
2508:
2491:
2490:
2488:
2487:
2482:
2473:
2470:
2469:
2467:
2466:
2461:
2456:
2448:
2440:
2432:
2424:
2416:
2410:
2407:Margarita Luti
2404:
2398:
2392:
2390:
2386:
2385:
2383:
2382:
2376:
2366:
2352:
2339:
2333:
2326:
2324:
2320:
2319:
2317:
2316:
2293:
2280:
2278:
2274:
2273:
2271:
2270:
2255:
2246:
2244:
2240:
2239:
2237:
2236:
2228:
2220:
2212:
2204:
2196:
2188:
2179:
2177:
2171:
2170:
2168:
2167:
2148:
2140:
2132:
2124:
2116:
2108:
2100:
2092:
2083:
2081:
2075:
2074:
2072:
2071:
2063:
2055:
2040:
2025:
2017:
1998:
1979:
1971:
1956:
1937:
1922:
1914:
1906:
1891:
1876:
1861:
1846:
1831:
1823:
1815:
1800:
1785:
1770:
1762:
1747:
1732:
1717:
1702:
1687:
1672:
1657:
1642:
1634:
1619:
1611:
1596:
1581:
1566:
1551:
1536:
1520:
1518:
1514:
1513:
1511:
1510:
1495:
1487:
1479:
1464:
1449:
1434:
1419:
1407:
1392:
1388:The Deposition
1384:
1369:
1354:
1346:
1331:
1316:
1301:
1286:
1278:
1263:
1248:
1240:
1232:
1217:
1202:
1187:
1172:
1157:
1142:
1127:
1112:
1096:
1094:
1090:
1089:
1087:
1086:
1071:
1056:
1041:
1026:
1011:
996:
988:
980:
965:
950:
942:
927:
912:
904:
896:
888:
879:
877:
873:
872:
870:
869:
863:
860:
859:
852:
851:
844:
837:
829:
823:
822:
810:
799:
798:External links
796:
793:
792:
778:
763:
741:
738:. p. 640.
711:
696:
678:
671:
653:
646:
628:
589:
582:
555:
540:
514:
507:
481:
480:
478:
475:
474:
473:
468:
461:
458:
450:Prince Consort
424:Johann Zoffany
349:
346:
308:(c. 1514–1515)
291:
288:
253:Pope Julius II
215:
212:
167:
164:
147:embracing the
136:Collection in
94:
93:
84:
80:
79:
76:
72:
71:
66:
62:
61:
58:
54:
53:
48:
44:
43:
35:
34:
26:
9:
6:
4:
3:
2:
2533:
2522:
2519:
2517:
2514:
2512:
2509:
2507:
2504:
2503:
2501:
2483:
2480:
2475:
2474:
2471:
2465:
2462:
2460:
2457:
2455:
2454:
2449:
2447:
2445:
2441:
2439:
2437:
2433:
2431:
2429:
2425:
2423:
2421:
2417:
2414:
2413:Giulio Romano
2411:
2408:
2405:
2402:
2399:
2397:
2394:
2393:
2391:
2387:
2380:
2377:
2374:
2370:
2367:
2364:
2360:
2356:
2353:
2343:
2340:
2337:
2334:
2331:
2328:
2327:
2325:
2321:
2314:
2310:
2299:
2298:
2294:
2291:
2287:
2286:
2282:
2281:
2279:
2275:
2261:
2260:
2256:
2253:
2252:
2248:
2247:
2245:
2241:
2234:
2233:
2229:
2226:
2225:
2221:
2218:
2217:
2213:
2210:
2209:
2205:
2202:
2201:
2197:
2194:
2193:
2189:
2186:
2185:
2181:
2180:
2178:
2176:
2172:
2165:
2164:Giulio Romano
2154:
2153:
2149:
2146:
2145:
2141:
2138:
2137:
2133:
2130:
2129:
2125:
2122:
2121:
2117:
2114:
2113:
2109:
2106:
2105:
2101:
2098:
2097:
2093:
2090:
2089:
2088:The Parnassus
2085:
2084:
2082:
2080:
2079:Raphael Rooms
2076:
2069:
2068:
2064:
2061:
2060:
2056:
2046:
2045:
2041:
2031:
2030:
2026:
2023:
2022:
2018:
2015:
2014:Giulio Romano
2012:–1519) (with
2004:
2003:
1999:
1996:
1995:Giulio Romano
1993:–1519) (with
1985:
1984:
1980:
1977:
1976:
1972:
1962:
1961:
1957:
1947:
1946:Giulio Romano
1943:
1942:
1938:
1928:
1927:
1923:
1920:
1919:
1915:
1912:
1911:
1907:
1897:
1896:
1892:
1882:
1881:
1877:
1867:
1866:
1862:
1852:
1851:
1847:
1837:
1836:
1832:
1829:
1828:
1824:
1821:
1820:
1816:
1806:
1805:
1801:
1791:
1790:
1786:
1776:
1775:
1771:
1768:
1767:
1763:
1753:
1752:
1748:
1738:
1737:
1733:
1723:
1722:
1718:
1708:
1707:
1703:
1693:
1692:
1688:
1678:
1677:
1673:
1663:
1662:
1658:
1648:
1647:
1643:
1640:
1639:
1635:
1625:
1624:
1620:
1617:
1616:
1612:
1602:
1601:
1597:
1587:
1586:
1582:
1572:
1571:
1567:
1557:
1556:
1552:
1542:
1541:
1537:
1527:
1526:
1522:
1521:
1519:
1515:
1501:
1500:
1496:
1493:
1492:
1491:Tempi Madonna
1488:
1485:
1484:
1480:
1470:
1469:
1465:
1455:
1454:
1450:
1440:
1439:
1435:
1425:
1424:
1420:
1417:
1413:
1412:
1408:
1398:
1397:
1393:
1390:
1389:
1385:
1375:
1374:
1370:
1360:
1359:
1355:
1352:
1351:
1347:
1337:
1336:
1332:
1322:
1321:
1317:
1307:
1306:
1302:
1292:
1291:
1287:
1284:
1283:
1279:
1269:
1268:
1264:
1254:
1253:
1249:
1246:
1245:
1241:
1238:
1237:
1236:Self-portrait
1233:
1223:
1222:
1218:
1208:
1207:
1203:
1193:
1192:
1188:
1178:
1177:
1173:
1163:
1162:
1158:
1148:
1147:
1143:
1133:
1132:
1128:
1118:
1117:
1113:
1103:
1102:
1098:
1097:
1095:
1091:
1077:
1076:
1075:Saint Michael
1072:
1062:
1061:
1057:
1047:
1046:
1042:
1032:
1031:
1027:
1017:
1016:
1012:
1002:
1001:
997:
994:
993:
989:
986:
985:
981:
971:
970:
966:
956:
955:
951:
948:
947:
943:
933:
932:
931:Solly Madonna
928:
918:
917:
913:
910:
909:
905:
902:
901:
897:
894:
893:
889:
886:
885:
881:
880:
878:
874:
868:
865:
864:
861:
857:
850:
845:
843:
838:
836:
831:
830:
827:
820:
815:
811:
809:
807:
802:
801:
788:
782:
774:
767:
760:
756:
753:
748:
746:
737:
733:
729:
725:
721:
715:
707:
700:
692:
685:
683:
674:
668:
664:
657:
649:
647:9780344883460
643:
639:
632:
624:
620:
616:
612:
608:
604:
600:
593:
585:
583:0-8109-3777-8
579:
575:
568:
566:
564:
562:
560:
551:
544:
536:
529:
527:
525:
523:
521:
519:
510:
508:0-19-817425-X
504:
500:
493:
491:
489:
487:
482:
472:
471:Madonna (art)
469:
467:
464:
463:
457:
455:
451:
446:
444:
435:
431:
429:
425:
421:
419:
418:
413:
412:
407:
406:
401:
400:
395:
391:
389:
379:
375:
372:
368:
363:
354:
345:
343:
337:
335:
334:
328:
324:
320:
315:
314:different key
311:
307:
306:
301:
297:
287:
285:
281:
277:
268:
264:
261:
258:
257:Madonna della
254:
250:
246:
242:
238:
234:
230:
226:
221:
211:
209:
205:
199:
195:
192:
189:
184:
180:
177:
173:
163:
161:
157:
153:
150:
146:
141:
139:
135:
134:Palazzo Pitti
131:
127:
123:
120:
116:
113:
109:
108:
103:
102:
92:
88:
87:Palazzo Pitti
85:
81:
77:
73:
70:
67:
63:
59:
55:
52:
49:
45:
41:
36:
31:
19:
2452:
2443:
2436:La Fornarina
2435:
2430:(1894 opera)
2427:
2419:
2381:(decoration)
2369:Villa Madama
2330:Chigi Chapel
2295:
2283:
2257:
2249:
2230:
2222:
2214:
2206:
2198:
2190:
2182:
2150:
2142:
2134:
2126:
2118:
2110:
2102:
2094:
2086:
2065:
2057:
2042:
2027:
2019:
2000:
1981:
1975:La Fornarina
1973:
1958:
1939:
1924:
1916:
1908:
1893:
1878:
1863:
1848:
1833:
1825:
1817:
1802:
1787:
1772:
1764:
1749:
1734:
1719:
1704:
1689:
1675:
1674:
1659:
1644:
1641:(1511, 1512)
1636:
1621:
1613:
1598:
1585:Alba Madonna
1583:
1568:
1553:
1538:
1523:
1517:Roman period
1497:
1489:
1481:
1466:
1451:
1436:
1421:
1409:
1394:
1386:
1371:
1356:
1348:
1333:
1318:
1303:
1288:
1280:
1265:
1250:
1242:
1234:
1219:
1204:
1189:
1174:
1159:
1144:
1129:
1114:
1099:
1073:
1060:Three Graces
1058:
1045:Saint George
1043:
1028:
1013:
998:
990:
982:
967:
952:
944:
929:
914:
906:
898:
890:
882:
805:
781:
772:
766:
731:
720:Salmi, Mario
714:
705:
699:
690:
662:
656:
637:
631:
606:
602:
592:
573:
549:
543:
534:
498:
447:
440:
422:
415:
410:
404:
398:
392:
384:
366:
361:
359:
338:
332:
309:
303:
295:
293:
273:
259:
256:
240:
236:
232:
219:
217:
200:
196:
190:
187:
186:action. The
178:
175:
171:
169:
159:
142:
129:
117:by the High
106:
105:
100:
99:
97:
69:Oil on panel
60:c. 1513–1514
2438:(1944 film)
2349: 1520
2338:(1515–1519)
2305: 1520
2267: 1508
2235:(1514–1516)
2227:(1514–1516)
2219:(1514–1516)
2211:(1514–1516)
2203:(1514–1516)
2195:(1514–1516)
2187:(1514–1516)
2160: 1514
2139:(1513–1514)
2131:(1512–1514)
2123:(1511–1512)
2107:(1510–1511)
2099:(1509–1511)
2091:(1509–1511)
2070:(1518–1520)
2062:(1518–1520)
2052: 1518
2037: 1517
2024:(1516–1520)
2010: 1518
1991: 1518
1978:(1518–1519)
1968: 1518
1953: 1518
1934: 1518
1903: 1510
1888: 1514
1873: 1517
1858: 1516
1843: 1516
1812: 1514
1797: 1514
1782: 1512
1759: 1513
1744: 1513
1729: 1513
1714: 1513
1699: 1513
1684: 1513
1669: 1512
1654: 1512
1631: 1511
1618:(1511–1512)
1608: 1511
1593: 1511
1578: 1510
1563: 1509
1548: 1509
1533: 1509
1507: 1507
1476: 1508
1461: 1507
1446: 1507
1431: 1507
1404: 1506
1381: 1507
1366: 1506
1353:(1505–1507)
1343: 1506
1328: 1506
1313: 1506
1298: 1506
1275: 1505
1260: 1505
1247:(1505–1506)
1239:(1504–1506)
1229: 1505
1214: 1505
1199: 1505
1184: 1504
1169: 1504
1154: 1504
1139: 1504
1124: 1504
1109: 1502
1083: 1504
1068: 1503
1053: 1503
1038: 1503
1023: 1504
1008: 1504
987:(1503–1504)
977: 1503
962: 1502
949:(1502–1504)
939: 1500
924: 1503
911:(1502–1503)
903:(1499–1502)
895:(1501–1502)
887:(1500–1501)
876:Early works
609:: 281–283.
336:(c. 1510).
191:della Sedia
179:della Sedia
166:Description
143:It depicts
128:, executed
122:Renaissance
2500:Categories
2485:Attributed
2309:Lorenzetto
2290:Lorenzetto
2277:Sculptures
1865:Visitation
946:Oddi Altar
672:8874230532
477:References
327:Florentine
290:Techniques
245:Pope Leo X
214:Provenance
75:Dimensions
2453:Raffaello
2444:Raffaello
2323:Buildings
1850:La velata
663:Raffaello
441:In 1858,
2251:Lucretia
2243:Drawings
1149: (
1134: (
1018: (
755:Archived
623:20568763
460:See also
115:painting
91:Florence
83:Location
2428:Raphael
2389:Related
2254:(1500s)
1646:Galatea
856:Raphael
789:. 1793.
752:Zoffany
574:Raphael
550:Raphael
535:Raphael
229:Vatican
188:Madonna
176:Madonna
126:Raphael
124:artist
119:Italian
112:Madonna
104:or The
51:Raphael
2297:Elijah
2147:(1514)
2115:(1511)
2054:–1520)
2039:–1520)
1944:(with
1921:(1518)
1913:(1518)
1905:–1518)
1890:–1517)
1830:(1516)
1822:(1516)
1814:–1516)
1799:–1515)
1784:–1515)
1769:(1514)
1766:Sibyls
1761:–1514)
1746:–1514)
1731:–1514)
1716:–1514)
1701:–1514)
1686:–1514)
1671:–1514)
1633:–1512)
1580:–1511)
1565:–1511)
1550:–1510)
1509:–1509)
1494:(1508)
1486:(1508)
1463:–1508)
1448:–1508)
1433:–1508)
1406:–1508)
1391:(1507)
1383:–1508)
1368:–1507)
1285:(1506)
1277:–1506)
1262:–1506)
1186:–1505)
1171:–1505)
1156:–1505)
1141:–1505)
1111:–1504)
1085:–1505)
1070:–1505)
1055:–1505)
1040:–1505)
995:(1504)
979:–1504)
964:–1504)
941:–1504)
669:
644:
621:
580:
505:
394:Ingres
371:Urbino
249:Medici
239:, and
225:Stanze
204:Titian
149:Christ
65:Medium
47:Artist
2285:Jonah
619:JSTOR
300:tondo
260:Sedia
183:Roman
152:child
2361:and
2311:and
667:ISBN
642:ISBN
578:ISBN
503:ISBN
402:and
360:The
321:and
294:The
170:The
145:Mary
98:The
57:Year
2451:SS
1948:) (
611:doi
2502::
2346:c.
2302:c.
2264:c.
2157:c.
2049:c.
2034:c.
2007:c.
1988:c.
1965:c.
1950:c.
1931:c.
1900:c.
1885:c.
1870:c.
1855:c.
1840:c.
1809:c.
1794:c.
1779:c.
1756:c.
1741:c.
1726:c.
1711:c.
1696:c.
1681:c.
1666:c.
1651:c.
1628:c.
1605:c.
1590:c.
1575:c.
1560:c.
1545:c.
1530:c.
1504:c.
1473:c.
1458:c.
1443:c.
1428:c.
1401:c.
1378:c.
1363:c.
1340:c.
1325:c.
1310:c.
1295:c.
1272:c.
1257:c.
1226:c.
1211:c.
1196:c.
1181:c.
1166:c.
1151:c.
1136:c.
1121:c.
1106:c.
1080:c.
1065:c.
1050:c.
1035:c.
1020:c.
1005:c.
974:c.
959:c.
936:c.
921:c.
744:^
726:;
681:^
617:.
605:.
601:.
558:^
517:^
485:^
456:.
430:.
420:.
390:.
235:,
210:.
130:c.
89:,
2365:)
2351:)
2344:(
2315:)
2300:(
2292:)
2269:)
2262:(
2166:)
2155:(
2047:(
2032:(
2016:)
2005:(
1997:)
1986:(
1970:)
1963:(
1955:)
1936:)
1929:(
1898:(
1883:(
1875:)
1868:(
1860:)
1853:(
1845:)
1838:(
1807:(
1792:(
1777:(
1754:(
1739:(
1724:(
1709:(
1694:(
1679:(
1664:(
1656:)
1649:(
1626:(
1610:)
1603:(
1595:)
1588:(
1573:(
1558:(
1543:(
1535:)
1528:(
1502:(
1478:)
1471:(
1456:(
1441:(
1426:(
1418:)
1399:(
1376:(
1361:(
1345:)
1338:(
1330:)
1323:(
1315:)
1308:(
1300:)
1293:(
1270:(
1255:(
1231:)
1224:(
1216:)
1209:(
1201:)
1194:(
1179:(
1164:(
1126:)
1119:(
1104:(
1078:(
1063:(
1048:(
1033:(
1025:)
1010:)
1003:(
972:(
957:(
934:(
926:)
919:(
848:e
841:t
834:v
808:.
675:.
650:.
613::
607:1
586:.
511:.
310:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
