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62:'s in-house photographer, but occasionally worked for other theatres in Berlin. During World War II she married the naval officer Rudolf Betzendahl (1892–1978). She fled to southern Germany before the effects of the bombing war. While her archive was lost, she was able to save two Leica cameras and began working again in Stuttgart shooting fashion for the
48:", however, she no longer saw a future in it and began, initially as an autodidact, to take photographs. This was followed by training as a photojournalist at the Verein der Deutschen Presse in Berlin; Winkler passed her exams in 1942. As a photographer, she concentrated on "non-political" theatre photography. She became known through pictures of a
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Born in Berlin, Winkler was the daughter of a
British mother and a German father. The doctor's daughter initially studied painting in Berlin and Paris. After the
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See-, Ingenieurs-, Marineartillerie-, Verbind-, Sanitätsoffiziere der Reichs- und
Kriegsmarine und Unterlagen zu Lohmann/Hildebrand: Buchstaben Be – Boh
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before becoming the house photographer at the
Stuttgart Chamber Theatre. From 1948 to 1982 she had a permanent contract with the
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Sammlung zu
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employed
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Winkler-Betzendahls died in
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Georges
Balanchine / photograph by Madeline Winkler Betzendahl
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Haus der
Geschichte der Bundesrepublik Deutschland (publ.):
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preserves some of the photographer's portraits of writers.
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