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144:. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad interface was adopted by numerous manufacturers and became standard in
239:
Instead of the switches and small hard buttons of earlier devices, the MPC has a 4x4 grid of large pressure-sensitive rubber pads which can be played similarly to a keyboard. The interface was simpler than those of competing instruments, and can be connected to a normal sound system, without the need
252:
Whereas artists had previously sampled long pieces of music, the MPC allowed them to sample smaller portions, assign them to separate pads and trigger them independently, similarly to playing a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from percussion
207:
Linn described the MPC as an attempt to "properly re-engineer" the Linn 9000. He disliked reading instruction manuals and wanted to create an intuitive interface that simplified music production. He designed the functions, including the panel layout and hardware specification, and created the
260:
was expensive at the time and Linn expected users to sample short sounds to create rhythms rather long loops. Functions are selected and samples are edited with two knobs. Red "record" and "overdub" buttons are used to save or loop beats. The MPC60 has an
204:, a drum machine and sampler. According to Linn, his collaboration with Akai "was a good fit because Akai needed a creative designer with ideas and I didn't want to do sales, marketing, finance or manufacturing, all of which Akai was very good at".
331:
The MPC's ability to create percussion from any sound turned sampling into a new art form and allowed for new styles of music. Its affordability and accessibility had a democratizing effect; musicians could create tracks without a studio or
315:
Linn anticipated that users would sample short sounds, such as individual notes or drum hits, to use as building blocks for compositions. However, users began sampling longer passages of music. In the words of Greg Milner, the author of
340:
wrote that the MPC "challenged the notion of what a band can look like". The 4x4 grid of pads was adopted by numerous manufacturers and became standard in DJ technology. As of 2018, the MPC continued to be used even with the advent of
132:
drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be created using samples of any sound.
195:
The original MPC, the MPC-60, was a collaboration between the
Japanese company Akai and the American engineer Roger Linn. Linn had designed the successful LM-1 and LinnDrum, two of the earliest drum machines to use
219:. Akai has continued to produce MPC models without Linn. Linn was critical, saying: "Akai seems to be making slight changes to my old 1986 designs for the original MPC, basically rearranging the deck chairs on the
208:
software with his team. He credited the circuitry to a team led by the
English engineer David Cockerell. Akai handled the production engineering, making the MPC "more manufacturable". The first model, the MPC60 (
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328:'." Linn said: "It was a very pleasant surprise. After 60 years of recording, there are so many prerecorded examples to sample from. Why reinvent the wheel?"
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feature on his MPC to create his signature "off-kilter" sampling style. After J Dilla's death in 2006, his MPC was preserved in the
212:
Production Center), was released on
December 8, 1988, and retailed for $ 5,000. It was followed by the MPC60 MkII and the MPC3000.
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knowledge, and it was inviting to musicians who did not play traditional instruments or had no music education.
249:"Most importantly, it wasn't an enormous, stationary mixing panel with as many buttons as an airplane cockpit."
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functions, allowing users to record portions of sound, modify them and play them back as sequences.
685:
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used the MPC to compose several of his best-known tracks and much of his breakthrough 2004 album
17:
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After Akai went out of business in 2006, Linn left the company and its assets were purchased by
1300:
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200:(prerecorded sounds). His company, Linn Electronics, had closed following the failure of the
357:
saw it as the next step in the evolution of the hip hop genre after the introduction of the
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wrote that the impact of the MPC on hip hop could not be overstated. The rapper
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By the late 1980s, drum machines had become popular for creating beats and
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Caramanica, Jon (13 February 2011). "Lots of Beats No Drums in Sight".
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392:
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121:
73:
559:"Hey, what's that sound: Linn LM-1 Drum Computer and the Oberheim DMX"
256:
The MPC60 only allows sample lengths of up to 13 seconds, as sampling
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DJ Shadow (pictured wearing an MPC shirt) created his landmark album
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to take portions of existing recordings and create new compositions.
125:
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Smithsonian
National Museum of African American History and Culture
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192:, required knowledge of music production and cost up to $ 10,000.
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samples but any recorded sound, such as horns or synthesizers.
231:
1011:
890:"Meet the unassuming drum machine that changed music forever"
487:"Meet the unassuming drum machine that changed music forever"
354:
39:
1146:
419:
209:
188:, machines that combined these functions, such as those by
106:
921:"J Dilla equipment will be donated to Smithsonian Museum"
979:. No. 56. Future Publishing. May 1997. p. 39.
324:
kick drum, they wanted to loop and repeat the whole of '
764:"Hip-hop's most influential sampler gets a 2017 reboot"
680:
678:
676:
655:"Akai Professional MI launches bankruptcy proceedings"
379:, which is composed entirely of samples. The producer
120:
The first MPCs were designed by the
American engineer
723:
Perfecting Sound
Forever: The Story of Recorded Music
673:
590:"The 10 most important hardware samplers in history"
136:
The MPC had a major influence on the development of
373:used an MPC60 to create his influential 1996 album
53:
MIDI Production Center, Music
Production Controller
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945:
796:"My Precious: The History of The Akai MPC"
708:
528:"Feature: Industry Interview — Roger Linn"
511:
447:
1326:Musical instruments invented in the 1980s
1145:
818:
369:drum machines in the 1980s. The producer
164:(pictured in 2010), who also created the
834:. New York. October 1997. Archived from
752:
345:, and used models fetched high prices.
308:Kanye West performing with an MPC 2000XL
230:
155:
556:
14:
1278:
887:
856:
719:
587:
484:
406:with a performance of his 2010 track "
1119:
1015:
900:from the original on 21 December 2018
857:Helfet, Gabriela (9 September 2020).
620:
499:from the original on 21 December 2018
933:from the original on 24 January 2022
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869:from the original on 24 January 2022
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740:from the original on 9 December 2018
569:from the original on 26 October 2018
538:from the original on 24 January 2023
888:Aciman, Alexander (16 April 2018).
806:from the original on 15 August 2018
485:Aciman, Alexander (16 April 2018).
24:
966:
696:from the original on 8 August 2020
635:from the original on 30 March 2023
124:, who had designed the successful
44:An Akai MPC60, the first MPC model
25:
1337:
1000:
588:Solida, Scott (24 January 2011).
1175:
776:from the original on 19 May 2017
720:Milner, Greg (3 November 2011).
602:from the original on 2 July 2018
301:
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109:from 1988 onwards. MPCs combine
38:
912:
881:
850:
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557:McNamee, David (22 June 2009).
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176:without instrumentalists, and
151:
13:
1:
1291:Samplers (musical instrument)
859:"Drunk drummer-style grooves"
440:
269:with sounds and instruments.
762:Trew, J. (22 January 2017).
657:. kanalog.jp. Archived from
7:
686:"INTERVIEW with Roger Linn"
413:
404:2010 MTV Video Music Awards
240:for a studio. According to
226:
10:
1342:
919:Camp, Zoe (19 July 2014).
623:"The return of Roger Linn"
343:digital audio workstations
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621:White, Paul (June 2002).
272:
79:
69:
57:
49:
37:
1007:Official Roger Linn site
318:Perfecting Sound Forever
160:The MPC was designed by
726:. Granta Publications.
99:Music Production Center
236:
169:
95:MIDI Production Center
326:When the Levee Breaks
265:screen and came with
234:
159:
391:in 2014. The rapper
1321:Japanese inventions
1067:LinnDrum Midistudio
838:on 23 February 2013
692:. 2 November 2012.
398:The College Dropout
180:artists were using
34:
1316:Hip hop production
1306:Music workstations
955:The New York Times
661:on 12 January 2006
237:
170:
103:music workstations
32:
1286:Akai synthesizers
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1272:
1113:
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101:) is a series of
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64:Music workstation
29:Music workstation
16:(Redirected from
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1311:MIDI controllers
1296:Music sequencers
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1149:Music Technology
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973:"Akai MPC2000".
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690:BBOY TECH REPORT
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967:Further reading
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1001:External links
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59:Classification
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322:John Bonham's
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148:technology.
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142:hip hop music
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1221:Workstations
1155:Synthesizers
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976:Future Music
974:
953:
947:
935:. Retrieved
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902:. Retrieved
893:
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871:. Retrieved
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840:. Retrieved
836:the original
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820:
808:. Retrieved
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778:. Retrieved
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742:. Retrieved
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698:. Retrieved
689:
663:. Retrieved
659:the original
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637:. Retrieved
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604:. Retrieved
593:
583:
571:. Retrieved
563:the Guardian
562:
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540:. Retrieved
531:
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490:
425:Drum machine
396:
376:Endtroducing
374:
348:
347:
337:
334:music theory
330:
317:
314:
294:with an MPC.
291:Endtroducing
289:
267:floppy disks
255:
251:
246:
242:
238:
214:
206:
194:
190:E-mu Systems
171:
135:
119:
105:produced by
98:
94:
93:(originally
90:
88:
26:
1082:Forat F9000
1050:Instruments
958:. New York.
826:"DJ Shadow"
639:16 December
532:Sonic State
186:Grooveboxes
152:Development
70:Inventor(s)
50:Other names
1280:Categories
1043:Roger Linn
993:1032779031
937:23 January
904:23 January
873:24 January
744:7 December
665:7 December
595:MusicRadar
573:9 February
441:References
393:Kanye West
235:An MPC2000
162:Roger Linn
138:electronic
122:Roger Linn
115:sequencing
74:Roger Linn
1072:Linn 9000
1057:Linn LM-1
985:0967-0378
926:Pitchfork
430:Groovebox
371:DJ Shadow
202:Linn 9000
80:Developed
1258:ROMplers
1185:Samplers
1087:Akai MPC
1062:LinnDrum
931:Archived
898:Archived
867:Archived
842:16 March
831:Keyboard
804:Archived
774:Archived
769:Engadget
738:Archived
694:Archived
633:Archived
600:Archived
567:Archived
536:Archived
497:Archived
414:See also
385:quantize
350:Engadget
227:Features
182:samplers
166:LinnDrum
130:LinnDrum
111:sampling
91:Akai MPC
33:Akai MPC
1212:S3000XL
810:3 April
780:3 April
435:Sampler
408:Runaway
381:J Dilla
221:Titanic
198:samples
178:hip hop
18:MPC2000
1233:MPK 88
991:
983:
730:
700:13 May
606:13 May
542:13 May
503:11 May
363:TR-909
359:TR-808
273:Legacy
258:memory
217:Numark
97:, now
1265:SG01v
1249:AR900
1207:S3000
1202:S1000
1197:X7000
1096:Album
355:Jehst
174:loops
1192:S900
1167:AX80
1162:AX60
1147:Akai
989:OCLC
981:ISSN
939:2022
906:2022
875:2022
844:2013
812:2018
782:2018
746:2018
728:ISBN
702:2018
667:2005
641:2018
608:2018
575:2018
544:2018
505:2018
420:Akai
365:and
210:MIDI
140:and
128:and
126:LM-1
113:and
107:Akai
89:The
83:1988
1228:MPC
894:Vox
492:Vox
367:DMX
338:Vox
263:LCD
243:Vox
223:."
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565:.
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534:.
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513:^
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489:.
449:^
361:,
168:.
146:DJ
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784:.
748:.
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247:,
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
