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Música Norteña: Mexican Migrants Creating a Nation Between Nations

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stated that this book "is an interesting book with some fascinating insights." However, he criticized the author's understanding of norteño music as being "too limited" and her definition of it as being "too broad and non-inclusive of border developments". San Miguel stated that the author "conflates
267: 648: 89:. The history of norteña is in Chapter 2. The 1940s–1960s arrival of Mexicans into the United States and how that influenced the course of norteña is in Chapter 3. How post-1964 illegal immigration contributed to norteña and 199:"Música Norteña: Mexican Migrants Creating a Nation Between Nations. By Cathy Ragland. Philadelphia: Temple University Press, 2009. Pp. xvi, 252. Figures. Maps. Halftones. References. Index. $ 29.95 paper" 55:-related figures and had been involved in the study of that field for a period. She conducted research in the United States and Mexico, with such research taking ten years. In Mexico she did research in 567: 563:"Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation Between Nations: Philadelphia: Temple University Press, 2009. xii, 251 pp. ISBN 978-1-59213-746-6. Hardcover, $ 79.95" 245: 268:"Música Norteña: Mexican Migrants Creating a Nation Between Nations. By Cathy Ragland. Philadelphia, PA: Temple University Press, 2009. 251 pp. ISBN 978-1-59213-747-3" 272: 152: 136:
regions, experiences, and musical styles" and did not sufficiently differentiate between the various genres of music along the U.S. Mexican border.
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as practiced in the United States. The author stated that the music contributed to a newly formed Mexico-based identity of
562: 125: 697: 525: 43:, it is an "ethnomusicological analysis", and was the first book to examine in detail the musical genre. 521:"Book Reviews: "Música Norteña: Mexican Migrants Creating a Nation between Nations" by Cathy Ragland" 40: 315: 108:
Hellier-Tinoco gave the book a positive review, calling it a "significant addition" to its field.
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and their continuity with norteña are discussed in chapter 1, along with how norteña differs from
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The book is arranged in a "roughly chronological" order, according to Ruth Hellier-Tinoco of the
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stated that overall "the book is well done and is an excellent contribution" to its field.
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It also includes transcribed versions of music, lyrics, and photographs of musicians.
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Marsh described the book as "a rich and fascinating study" of its subject.
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Reviewer Alejandro Madrid stated the author did a "wonderful job".
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Música Norteña: Mexican Migrants Creating a Nation Between Nations
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Música Norteña: Mexican Migrants Creating a Nation Between Nations
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Latin American Music Review / Revista de Música Latinoamericana
75:. There is an introduction before the five chapters. 391: 389: 387: 97:is in Chapter 5. There is a conclusion at the end. 447: 445: 93:'s role in the genre are documented in Chapter 4. 684: 384: 442: 145: 24:is a 2009 book by Cathy Ragland, published by 481: 196: 417: 415: 405: 403: 401: 343: 595: 560: 412: 398: 128:stated it "is a valuable new resource". 655: 113:University of California, Santa Barbara 73:University of California, Santa Barbara 685: 518: 308: 238: 265: 13: 656:Ragland, Catherine (28 May 2009). 512: 14: 709: 631: 568:Journal of Musicological Research 126:University of Colorado at Boulder 499: 490: 337:10.5406/americanmusic.28.3.0380 329:10.5406/americanmusic.28.3.0380 526:Yearbook for Traditional Music 472: 463: 454: 433: 424: 344:San Miguel, Guadalupe (2011). 51:Ragland had talked to various 1: 693:Temple University Press books 239:Madrid, Alejandro L. (2012). 197:Herrera-Sobek, Maria (2010). 146:Hellier-Tinoco, Ruth (2012). 139: 46: 581:10.1080/01411896.2011.563375 166:10.1080/17411912.2012.675857 131:Guadalupe San Miguel of the 103: 39:According to Hazel Marsh of 7: 664:. Temple University Press. 66: 10: 714: 16:2009 book by Cathy Ragland 596:Simonett, Helena (2010). 539:10.1017/S0740155800012741 309:Romero, Brenda M (2010). 286:10.1017/S0261143010000589 41:University of East Anglia 649:Introduction of the book 561:Goertzen, Chris (2011). 377: 124:Brenda M. Romero of the 644:Temple University Press 460:Hellier-Tinoco, p. 292. 395:Hellier-Tinoco, p. 291. 111:Maria Herrera-Sobek of 26:Temple University Press 698:2009 non-fiction books 451:Herrera-Sobek, p. 149. 362:10.1353/lat.2011.0023 266:Marsh, Hazel (2011). 153:Ethnomusicology Forum 133:University of Houston 519:Alviso, Ric (2010). 95:Los Tigres del Norte 616:10.1057/lst.2010.43 505:San Miguel, p. 300. 496:San Miguel, p. 301. 487:San Miguel, p. 302. 430:Romero, p. 380-381. 246:The World of Music 217:10.1353/tam.0.0279 191:Taylor and Francis 671:978-1-59213-746-6 705: 679: 676:Internet Archive 663: 627: 592: 550: 506: 503: 497: 494: 488: 485: 479: 476: 470: 467: 461: 458: 452: 449: 440: 437: 431: 428: 422: 419: 410: 407: 396: 393: 373: 340: 305: 262: 228: 185: 713: 712: 708: 707: 706: 704: 703: 702: 683: 682: 672: 634: 515: 513:Further reading 510: 509: 504: 500: 495: 491: 486: 482: 478:Romero, p. 383. 477: 473: 469:Madrid, p. 153. 468: 464: 459: 455: 450: 443: 439:Madrid, p. 152. 438: 434: 429: 425: 420: 413: 408: 399: 394: 385: 380: 142: 106: 69: 49: 28:. It discusses 17: 12: 11: 5: 711: 701: 700: 695: 681: 680: 670: 653: 652: 651: 639:Música Norteña 633: 632:External links 630: 629: 628: 610:(4): 575–577. 603:Latino Studies 593: 575:(2): 169–172. 558: 514: 511: 508: 507: 498: 489: 480: 471: 462: 453: 441: 432: 423: 421:Marsh, p. 164. 411: 409:Marsh, p. 165. 397: 382: 381: 379: 376: 375: 374: 356:(2): 299–302. 341: 323:(3): 380–383. 316:American Music 306: 280:(1): 164–166. 263: 253:(1): 151–153. 236: 211:(1): 148–149. 194: 188:See profile at 160:(2): 290–292. 141: 138: 105: 102: 68: 65: 48: 45: 15: 9: 6: 4: 3: 2: 710: 699: 696: 694: 691: 690: 688: 677: 673: 667: 662: 661: 654: 650: 647: 646: 645: 641: 640: 636: 635: 625: 621: 617: 613: 609: 605: 604: 599: 594: 590: 586: 582: 578: 574: 570: 569: 564: 559: 557: 554: 548: 544: 540: 536: 532: 528: 527: 522: 517: 516: 502: 493: 484: 475: 466: 457: 448: 446: 436: 427: 418: 416: 406: 404: 402: 392: 390: 388: 383: 371: 367: 363: 359: 355: 351: 347: 342: 338: 334: 330: 326: 322: 318: 317: 312: 307: 303: 299: 295: 291: 287: 283: 279: 275: 274: 273:Popular music 269: 264: 260: 256: 252: 248: 247: 242: 237: 235: 232: 226: 222: 218: 214: 210: 206: 205: 200: 195: 192: 189: 183: 179: 175: 171: 167: 163: 159: 155: 154: 149: 144: 143: 137: 134: 129: 127: 122: 119: 116: 114: 109: 101: 98: 96: 92: 88: 84: 80: 76: 74: 64: 62: 58: 54: 44: 42: 37: 35: 31: 30:norteña music 27: 23: 22: 674:– via 659: 637: 607: 601: 572: 566: 530: 524: 501: 492: 483: 474: 465: 456: 435: 426: 353: 349: 320: 314: 277: 271: 250: 244: 208: 204:The Americas 202: 157: 151: 130: 123: 120: 117: 110: 107: 99: 83:tejano music 77: 70: 52: 50: 38: 33: 20: 19: 18: 553:See copy at 533:: 201–249. 91:Ramón Ayala 34:mexicanidad 687:Categories 140:References 61:Tamaulipas 57:Nuevo Leon 47:Background 624:146846796 589:152771359 547:251636630 370:191096100 302:161270486 225:145325340 182:191618880 104:Reception 556:ProQuest 294:23325823 259:41699983 234:ProQuest 174:23271882 87:conjunto 79:Corridos 67:Contents 231:View at 53:norteña 668:  622:  587:  545:  368:  335:  300:  292:  257:  223:  193:Online 180:  172:  620:S2CID 585:S2CID 543:S2CID 378:Notes 366:S2CID 333:JSTOR 298:S2CID 290:JSTOR 255:JSTOR 221:S2CID 178:S2CID 170:JSTOR 666:ISBN 85:and 59:and 612:doi 577:doi 535:doi 358:doi 325:doi 282:doi 213:doi 162:doi 689:: 642:- 618:. 606:. 600:. 583:. 573:30 571:. 565:. 551:- 541:. 531:42 529:. 523:. 444:^ 414:^ 400:^ 386:^ 364:. 354:32 352:. 348:. 331:. 321:28 319:. 313:. 296:. 288:. 278:30 276:. 270:. 249:. 243:. 229:- 219:. 209:67 207:. 201:. 186:- 176:. 168:. 158:21 156:. 150:. 36:. 678:. 626:. 614:: 608:8 591:. 579:: 549:. 537:: 372:. 360:: 339:. 327:: 304:. 284:: 261:. 251:1 227:. 215:: 184:. 164::

Index

Temple University Press
norteña music
University of East Anglia
Nuevo Leon
Tamaulipas
University of California, Santa Barbara
Corridos
tejano music
conjunto
Ramón Ayala
Los Tigres del Norte
University of California, Santa Barbara
University of Colorado at Boulder
University of Houston
"Reviews: "Música Norteña: Mexican Migrants Creating a Nation between Nations," by Cathy Ragland"
Ethnomusicology Forum
doi
10.1080/17411912.2012.675857
JSTOR
23271882
S2CID
191618880
See profile at
Taylor and Francis
"Música Norteña: Mexican Migrants Creating a Nation Between Nations. By Cathy Ragland. Philadelphia: Temple University Press, 2009. Pp. xvi, 252. Figures. Maps. Halftones. References. Index. $ 29.95 paper"
The Americas
doi
10.1353/tam.0.0279
S2CID
145325340

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