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numerous pieces of high quality). Today Coste's version is highly regarded in its own right (the title mentioning of Sor, possibly being more a sign of respect, than what
Jeffery has termed "a disservice to his friend's memory"). Ophee has written: "He is certainly not hostile to Sor and to his memory".
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Brian
Jeffery controversially regards Coste's version somewhat negatively ("travesty of the original ... bears little resemblance to the original"), even though the title immediately makes it clear, that it is not the original, but was adapted and augmented by Coste (augmented incidentally, with
78:. Brian Jeffery (the modern publisher of A. Merrick's old English translation) mentions: "It is the only version known to have Sor's direct authority. Now extremely rare, it was never reprinted; indeed, an early biographer of Sor (Baltasar Saldoni in his
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The method was written with the early romantic guitar in mind (Sor mentions some 19th-century guitar-builders: J. Panormo, Schroeder of
Petersburg, Alonso of Madrid, Pages and Benitez of Cadiz, Joseph and Manuel Martinez of Malaga, Rada, and
129:. Matanya Ophee states that in Coste's revised and augmented version, there is an introduction which is helpful in better understanding Sor, and some of the circumstances under which Sor wrote the original method.
145:; mentioning "that the celebrated Düssek had the texture of the orchestra in view when he wrote for the pianoforte the passage in example twenty-seventh, plate VII."
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102:. The French and German versions do not carry the word "Spanish" in the title. This version is today available from Brian Jeffery's.
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Méthode complète pour la
Guitare par Ferdinand Sor, rédigée et augmentée de nombreux exemples et leçons par N. Coste
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by
Ferdinando Sor, a work of small value which says (of course wrongly) that the original was written in Spanish."
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The
English edition is a translation from the original in French made by A. Merrick, the organist of
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Brian
Jeffery mentions: "Later in the century, in 1897, Frank Mott Harrison published in London a
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In the method (in plate VII, example 27), Sor quotes bars 22 to 25 of Sonata Op. 35, No. 1 by
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The first edition was in French and appeared in Paris in 1830 with the title of
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267:. Translated by A. Merrick. London: Robert Cocks & Co. Archived from
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Diccionario biográfico-bibliográfico de efemérides de músicos españoles
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187:"Sor: Method for the Spanish Guitar – preface to the Tecla edition"
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originally written in French by
Spanish guitarist and composer
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in Bonn had brought out a parallel French and German edition.
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292:http://www2.kb.dk/elib/noder/rischel/RiBS0789.pdf
258:Ferdinand Sor (1924). Frank Mott Harrison (ed.).
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353:Recensionen: Guitarre-Schule von Ferdinand Sor
80:Diccionario de Efemérides de Músicos Españoles
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336:; published by Carey, Lea & Carey, 1828
311:"A Brief History of Spanish Guitar Methods"
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201:Méthode pour la guitare = Guitarre-Schule
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163:Méthode pour la guitare par Ferdinand Sor
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237:Method for the Spanish Guitar
224:Biblioteca Nacional de España
219:Method for the Spanish Guitar
169:Biblioteca Nacional de España
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100:Method for the Spanish Guitar
398:Compositions by Fernando Sor
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346:Adrien-Jean-Quentin Beuchot
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341:Bibliographie de la France
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65:Méthode pour la guitare
20:Méthode pour la guitare
364:Breitkopf & Härtel
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261:Method for the Guitar
107:Method for the Guitar
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24:is a method for the
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143:Jan Ladislav Dussek
117:After Sor's death,
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96:Cirencester
382:Categories
334:John Ebers
278:2009-07-05
206:N. Simrock
149:References
242:Archived
189:. Tecla.
50:sonority
208:, 1831)
204:(Bonn:
84:Simrock
46:harmony
366:, 1832
239:(1832)
165:(1830)
42:scales
272:(PDF)
265:(PDF)
295:alt.
16:The
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