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are usually constructed from found footage and often include controversial subject matter, such as pornography, surgical footage, and psychodramatic performances, as well as physical interventions into the actual material of the film stock. Later in his career he began crafting individual 35mm slides
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46:, where he studied with Saul Levine. Before taking the name Luther Price, he worked under various pseudonyms, including Brigk Aethy, Fag, and Tom Rhoads. While at Massachusetts College of Art and Design, Luther collaborated with students in the
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on many projects including creating events, performance art, music projects and exhibitions. He was an experimental filmmaker whose work has been widely screened in the United States and Europe at such venues as the
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selected his
Inkblot films as the Best Film of 2011, noting " struggle through the projector with an unsettlingly existential corporeality." His films are distributed by
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159:(1992) Super 8 mm on video, color, sound, 60 minutes, also a 2-hour performance
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Morris, Gary (July 2000), "Home Movies from Hell: The Films of Luther Price",
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in Paris. He was represented by
Callicoon Fine Arts. He died at his home in
369:"Luther Price, Experimental Artist and Filmmaker, Is Dead (with portrait)"
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San
Francisco Cinematheque program notes from the Prelinger Archives
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shown on slide projectors. His work was featured prominently in the
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Eulogy from Mostra
Internacional de Cinema Periférico organization
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135:(1988) (as Tom Rhoads) Super 8 mm, color, sound, 36 minutes
141:(1988) (as Tom Rhoads) Super 8mm, color, sound, 30 minutes
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Mangin, Daniel (November 1, 1995), "Underground Cinema",
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The Fall of Days: Luther Price's Nine
Biscuits (2004-08)
213:(1990–1999) Super 8 mm, b&w, sound, 13 minutes
649:, Millennium Film Journal, Issue 58, Fall 2013: 124-29
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Lee, Nathan (September 18, 2007), "It Is What It Is",
22:(pseudonym) (January 26, 1962 – June 13, 2020) was an
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Luther Price: Light Window screening at MassArt, 2015
219:(1990–1999) Super 8 mm, color, sound, 15 minutes
207:(1998–1999) Super 8 mm, color, sound, 25 minutes
71:teaching his popular "Hand-made Films" curriculum.
189:(1994) Super 8 mm, b&w, sound, 60 minutes
171:(1994) Super 8 mm, color, sound, 10 minutes,
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520:Halter, Ed (October 27, 2008), "Outward Bound",
235:(1999) Super 8 mm, color, sound, 10 minutes
225:(1999) Super 8 mm, color, sound, 10 minutes
195:(1994) Super 8 mm, color, sound, 42 minutes
183:(1994) Super 8 mm, color, sound, 13 minutes
177:(1994) Super 8 mm, color, sound, 17 minutes
165:(1993) Super 8 mm, color, sound, 20 minutes
153:(1991) Super 8 mm, color, sound, 13 minutes
147:(1989) Super 8 mm, color, sound, 21 minutes
201:(1997) Super 8 mm, color, sound, 4 minutes
777:Massachusetts College of Art and Design alumni
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604:"Luther Price - Artists - Callicoon Fine Arts"
692:California College of the Arts Lecture, 2012
247:(2000) Super 8mm, b&w, sound, 10 minutes
42:in Sculpture and Media/Performing Arts from
16:American experimental filmmaker (1962–2020)
702:Rain n Shines Labyrinth Demo on SoundCloud
480:Halter, Ed (July 10, 2008), "Recycle It",
396:(February 23, 1999), "Flesh and Fantasy",
259:(2000) Super 8mm, color, sound, 20 minutes
98:called him "one of the Biennial's stars."
69:School of the Museum of Fine Arts at Tufts
722:Luther Price, from Here to Eternity, 2020
697:2012 Whitney Biennial short: Luther Price
265:(2000) Super 8mm, color, sound, 3 minutes
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717:Luther Price MassArt Alumni Award, 2015
65:Massachusetts College of Art and Design
44:Massachusetts College of Art and Design
767:People from Marlborough, Massachusetts
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625:Gangitano, Lia; Myles, Eileen (1998),
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63:. He was an adjunct professor at the
241:(1999) Super 8 mm, color, sound
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118:on June 13, 2020, at the age of 58.
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657:Passages: Luther Price (1962–2020)
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772:People from Revere, Massachusetts
762:Film directors from Massachusetts
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629:, New York: Thread Waxing Space,
413:"Squarespace - Claim This Domain"
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757:American experimental filmmakers
570:Smith, Roberta (March 1, 2012).
257:I'll Cry Tomorrow, Parts 1 and 2
253:, (2000) Super 8mm, color, sound
627:Luther Price: Imitation of Life
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572:"A Survey of a Different Color"
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367:Smith, Roberta (20 July 2020).
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57:Whitney Museum of American Art
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752:21st-century American artists
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48:Studio for Interrelated Media
108:The Film-Makers' Cooperative
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654:Jones, William E. (2020),
539:Bright Lights Film Journal
61:San Francisco Cinematheque
36:Marlborough, Massachusetts
608:www.callicoonfinearts.com
329:After the Garden: Silking
574:– via NYTimes.com.
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295:(2005-6) 16mm, 9 minutes
687:Film-makers Cooperative
325:(2010) 16mm, 11 minutes
319:(2007) 16mm, 20 minutes
307:(2006) 16mm, 12 minutes
301:(2006) 16mm, 10 minutes
277:(2005) 16mm, 10 minutes
38:in 1962. He received a
643:Hansen, James (2013),
331:(2010) 16mm, 6 minutes
313:(2007) 16mm, 8 minutes
289:(2005) 16mm, 8 minutes
283:(2005) 16mm, 5 minutes
271:(2004) 16mm, 4 minutes
24:experimental filmmaker
116:Revere, Massachusetts
782:Pseudonymous artists
53:Museum of Modern Art
482:Moving Image Source
26:and visual artist.
660:, ArtForum, online
317:Suffering Biscuits
175:Jellyfish Sandwich
106:in San Francisco,
34:Price was born in
495:"Dirty Looks NYC"
467:978-0-06-084339-7
458:The Village Voice
399:The Village Voice
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199:Meat Situation 04
193:Me Gut No Dog Dog
169:Eruption Erection
110:in New York, and
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439:"Labyrinth demo"
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415:. Archived from
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275:Nice Biscotts #2
269:A Patch of Green
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88:Whitney Biennial
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619:Bibliography
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503:. Retrieved
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421:. Retrieved
417:the original
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394:Hoberman, J.
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20:Luther Price
19:
18:
742:2020 deaths
737:1962 births
586:"Ed Halter"
263:Dead Ringer
223:Recitations
731:Categories
682:Light Cone
443:SoundCloud
349:References
217:Ritual 629
163:Bottle Can
139:Warm Broth
112:Light Cone
80:16mm films
59:, and the
558:SF Weekly
100:Ed Halter
76:Super 8mm
30:Biography
523:Artforum
311:Tamponia
74:Price's
67:and the
505:15 June
423:19 June
378:21 July
94:of the
633:
464:
335:
205:Mother
55:, the
344:Notes
305:Fancy
151:Clown
145:Sodom
133:Green
631:ISBN
507:2013
462:ISBN
425:2014
380:2020
211:Home
157:Meat
85:2012
78:and
181:Run
40:BFA
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588:.
544:29
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371:.
357:^
251:#5
187:A.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.