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the unknown with a woman for whom he feels a strange deep passion. A decision is precipitated when Chloé summons him to her latest address and, when he arrives, she is in the bath. Emerging, she invites him to towel her dry, which he does, and then calls him to her bed. Leaving her naked and waiting, he flees out of the apartment. When he goes home to Hélène and asks to spend the afternoon with her, she breaks down in tears. He comforts her, and they go to their bedroom.
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was free to be with any woman he wanted and could feel the deep satisfaction of anticipation while he chased them. At one point, he has an elaborate fantasy where he possesses a magical amulet that causes all women to bow to his will (the sequence features actresses from previous "Six Moral Tales" instalments). These thoughts do not distress Frédéric, though, as he sees these ideas as a reflection of how true his love to his wife is.
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series of jobs to attempt some type of solidity in her life, to the increasing amusement of the secretaries in Frédéric's office, the two begin spending afternoons together, talking of many things Frédéric finds himself unable to talk to his wife about. He enjoys the pleasures of an attractive mistress without the guilt of adultery, while she has a man who will do whatever she wants without needing sex.
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It is also the most fully rounded, lacking the one-dimensional tone of some of his earlier tales. It's as if he were striking notes in the previous works, and is now bringing them all together into a chord; the final scene in "Chloe" is his last comment on the series, and Rohmer is telling us to, for
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After the birth of Frédéric's second child, Chloé decides she, too, needs a child to give focus to her aimless existence and, while she has no desire to be tied in marriage, that Frédéric must be the father. He ponders whether to stay with the faithful wife he loves greatly or whether to launch into
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Frédéric, the young and successful partner in a Paris business firm, is happily married to Hélène, an
English teacher, and father to one child with another on the way. Still, something eats away at him. While going through his day, Frédéric begins to ponder the times before he was married, when he
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One day, Chloé, a woman from Frédéric's past, stops by his office, hungry and homeless. Chloé had once been the girlfriend of an old friend of Frédéric's, and had caused this friend a great deal of grief. At first Frédéric believes Chloé only wants cash and company, but over time, as she tries a
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gave the film a positive review, writing "because Mr. Rohmer keeps his focus short, clear and precise, one sees deeply into the lives of his characters without the sort of pretentious distortions of most movies that deal in metaphors".
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Les cabinets de physique : la vie de société au 18e siècle
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gave it 4 out 4 stars, calling it the best of Rohmer's "
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Frédérique Hender as Mrs. M., a guest of the
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Les métamorphoses du paysage : l'ère industrielle
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Louis Lumière / conversation avec
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1222:Filmography
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830:Éric Rohmer
551:Roger Ebert
386:St. Vincent
363:Éric Rohmer
179:Produced by
174:Éric Rohmer
165:Éric Rohmer
161:Directed by
1248:1972 films
1242:Categories
778:(archived)
693:30 October
662:30 October
612:26 October
589:References
376:Chris Rock
324:Box office
303:97 minutes
286:1972-09-01
249:Production
171:Written by
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633:Pitchfork
535:Reception
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356:romantic
316:Language
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198:Starring
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308:Country
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83:scholar
1210:(1969)
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1138:(1951)
1127:Shorts
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