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Lon & Derrek Van Eaton

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233:, who managed the studio, later wrote of the extended sessions for the Van Eatons' album: "their problem was that they couldn't match the feel of the demonstration tape that had gotten them their record deal in the first place. It's actually a common enough occurrence – in recording studio parlance, it's a phenomenon known as 'chasing the demo.'" John Mills subsequently took over from Emerick as recording engineer. Lon recalled in 2010 that the recording process was far more conducive to creating music than when they had made their album with Jacobs Creek in New York, where " 149:, he was waiting for them on his lawn, playing their song "Sweet Music" on his guitar. In connection with the Concert for Bangladesh George Harrison had given one of his Harptone guitars to Lon. It was a black six-string guitar and Lon brought it with him to London to record 'Sweet Music'. George also put Lon and Derrek in contact with the Harptone company in New Jersey. They went to the company and received several Harptone guitars. However, Lon's black Harptone was a present from George. 136:, a New York-based artist's agent, helped negotiate their contract with Apple, which the brothers signed on 15 September. The duo had received more favourable offers from two other record labels, according to Lon, but they opted to commit to Apple due to its more "evolved" ethos. On 19 September, the Van Eatons and Garb flew to London, where they attended the launch party for the refurbished 484:, where he set up a not-for-profit musical and film production company, Imagine a Better World. Derrek withdrew from his role as a professional musician. In a 2010 interview, Lon described Imagine a Better World as "a company dedicated to creating conscious change through media" and credited the Beatles' humanitarian message as an inspiration for the concept. 432:
as "Passable melodic pop, unambitious and un-individual" with "suitably modest" production by Perry and Schnee. Lon later recalled their period with A&M as "tough", saying that "Richard and Bill both ended up producing but the 'feel' was with Bill and the 'biz' was Richard. We couldn't choose one
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magazine said it was "a stirring ballad that will make them immediate chart contenders" and added: "Production by George Harrison couldn't be better. Just right for today's market." The single failed to attract airplay or find any commercial success, however. Harrison was flummoxed by this, declaring
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on a pair of standard tape machines at home, in their rented house on North Hermitage Avenue, Trenton. Led by younger brother Derrek's vocals, the Van Eatons sang and played all the instruments on the recordings, using various surfaces of the house to replicate drum sounds. Their manager, Robin Garb,
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was released on 22 September 1972 (delayed until 9 February 1973 in Britain). It contained "Sweet Music" and ten other songs written by the Van Eatons. Typical of the label's ethos of putting the artist first, Apple supplied lavish artwork for the album. The cover photo of the brothers was taken by
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wrote: "This staggeringly impressive first album by the Van Eaton brothers ... displays more energy, good feeling, and sheer musical talent than any debut rock record I've heard this year. It's no wonder that Apple signed the brothers to a five-year contract simply on the basis of a homemade
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Lon and Derrek Van Eaton began their professional musical career during the mid 1960s, as teenagers, in a popular Trenton band known as the Trees. With Trees drummer Tim Case, they soon morphed into a new group, Jacobs Creek, which also included Steve Burgh, subsequently a sought-after session
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about his sadness at Badfinger's departure from Apple Records in 1973. Jack Rabid of AllMusic has written of that album: "a more loving tribute ... would be hard to imagine. All 22 artists exhibit the sort of reverence Badfinger once had for the Beatles!" This session led to further
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tape ..." Holden admired the range and versatility of Derrek's singing and said that, while the album's music was "frankly derivative", it was "of such a high order as to pay one-to-one tribute to its sources rather than simply to parody or rip them off". Reviewing the 2012
66:. Beatles biographer Robert Rodriguez describes the Van Eaton brothers as arguably the closest the Apple record label came to delivering on its initial promise of "plucking unknowns from obscurity" and launching them as successful recording artists. 127:
In June 1971, Apple wrote to Garb to tell him of Harrison's interest in the demos. Two weeks later, the brothers received a phone call from Harrison, inviting them to record for the label; they then met him when he was in New York for the
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at the end of the month. They became the first artists to record at the new facility, and were one of the final acts signed to Apple Records. When the brothers first arrived in the UK and were driven to Harrison's home,
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The single was released in America in advance of the album, on 6 March 1972 (as Apple 1845). The B-side was "Song of Songs", produced by Voormann and recorded at Apple. "Sweet Music" received highly favourable reviews;
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magazine announced that Voormann would produce the brothers' releases for Apple. Harrison produced their first recording, however – "Sweet Music", which he had earmarked as their debut single.
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and released an eponymous studio album in 1969. Lead vocals were shared between Derrek, Bruce Foster and Lon; the latter also wrote all the songs and played guitar, saxophone,
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had the studio at will, so sometimes even if we were recording, they could decide they needed to come in and kick us out. We literally had the Apple studios to ourselves."
422:, Voormann and Gordon. Voormann and Keltner also supported the brothers on a tour of Japan. The album was released in March 1975 and again failed to chart. Writing in 161:
Harrison was preoccupied with his Bangladesh charity project during the second half of 1971 and through much of 1972, and so entrusted the Van Eatons' development to
787: 349:". For the next two years, Richard Perry's projects kept the Van Eatons, particularly Lon, working with a number of top recording artists (though distinctly 519:", recorded as a tribute to the late George Harrison. In October 2010, Lon & Derrek Van Eaton's "Sweet Music" was included on the Apple compilation 220:". Music journalist Jay Lustig describes "Sweet Music" as "a dreamy, utopian ballad", while Rodriguez calls it "a fine Harrisonian-sounding single". 345:
The move ensured that the Van Eaton name remained in the spotlight, with both brothers being credited for percussion on Ringo Starr's US number 1 "
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Following the sessions in London, further recording for the album took place at Bell Sound in New York. The musicians on these recordings included
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With diminishing opportunities for session work, Lon followed his younger brother and left Los Angeles. By 1985 he had established himself in
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By the start of 1973, Apple Records was being wound down, and Badfinger represented the only act other than the four former Beatles and
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label. Among its nine bonus tracks are the B-side "Song of Songs", various demos and session outtakes, and a remix of "Sweet Music".
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on their Imagine a Better World label. It features 20 unreleased tracks and contributions from Starr, Keltner, Voormann and Wright.
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session in London, Harrison recommended that the brothers relocate to Los Angeles and record with Perry's engineer, Bill Schnee.
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insert. When placed on a turntable, the insert created moving images of the brothers, showing them playing guitar and drums.
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Lon Van Eaton – vocals, piano, electric and acoustic guitars, saxophone, drums, horn and string arrangements
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In the summer of 1996, the Van Eatons reunited to record a contribution for the various artists compilation
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on the album. Jacobs Creek failed to make an impact outside the New York area and disbanded in March 1971.
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to Apple's marketing staff: "What the !!!!! is the matter out there? 'Sweet Music' is a No. 1 Hit!"
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in style compared to Apple's less glitzy roster). This session work included appearances on four more
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After Jacobs Creek, Lon and Derrek Van Eaton concentrated on songwriting and recorded a series of
26:, consisting of brothers Lon and Derrek Van Eaton. They are best known for their association with 466:). He also appeared as a member of Starr's band "Ringo's Roadside Attraction" in his TV special 525:. Having been omitted from the Apple reissue campaign that produced that 2010 compilation, the 492: 438: 129: 105: 924: 772: 659: 402:
Having been released from Apple, Lon and Derrek were offered a chance to record an album for
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Derrek Van Eaton – lead vocals, bass, flute, acoustic guitar, percussion, backing vocals
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Having developed considerably as a lead guitarist, Lon played on albums by Starr (
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received favourable reviews but met the same commercial fate as "Sweet Music".
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The brothers then worked at Apple Studios with Voormann on an album, titled
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was produced by Perry and Schnee, and contained musical contributions from
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with backing vocals (Harrison's own singing voice having become ravaged by
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Here, There & Everywhere: My Life Recording the Music of the Beatles
178:, Harrison invited a number of famous friends to play on "Sweet Music": 69:
After being out of print for close to 40 years, their sole Apple album,
1951: 824:"Sweet Music" / "Song of Songs" (US: Apple 1845, released 6 March 1972) 669: 396: 354: 249: 146: 141: 1019: 959:, 2010 (compilation produced by Andy Davis & Mike Heatley), p. 11. 827:"Warm Woman" / "More Than Words" (UK: Apple 46; released 9 March 1973) 1022:, Abbeyrd's Beatles Page, 9 October 1997 (retrieved 20 October 2017). 992:, 1969 (produced by Al Lawrence; executive produced by Jimmy Wisner). 665: 500:
collaborations between the brothers, resulting in their third album,
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Derrek Van Eaton – lead vocals, bass, flute, acoustic guitar, drums
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All Together Now: The First Complete Beatles Discography 1961–1975
357:-selling albums of the early-to-mid 1970s, all produced by Perry: 311:
remarks on the similarities of the Van Eatons' sound with that of
278:. Voormann, an established artist and designer, created a novelty 708:; except tracks 1–4, produced by Richard Perry & Bill Schnee 152: 883: 104:
then forwarded seven of the songs on to various record company
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Lon Van Eaton – vocals, piano, electric and acoustic guitars,
1249:, The Second Disc, 1 August 2012 (retrieved 24 October 2017). 647: 165:, a longstanding associate of the Beatles. In November 1971, 89: 1837:
Baby You're a Rich Man: Suing the Beatles for Fun and Profit
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You Never Give Me Your Money: The Beatles After the Breakup
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While My Guitar Gently Weeps: The Music of George Harrison
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were an American vocal and multi-instrumentalist duo from
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The Beatles Diary Volume 2: After the Break-Up 1970–2001
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joined the Van Eatons on a third acoustic guitar, and
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Solo in the 70s: John, Paul, George, Ringo: 1970–1980
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listened to the tape and liked what he heard, as did
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departments, one of which was the New York office of
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Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980
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Big mistake." 1885: 1627:, lesfradkin.com (retrieved 16 October 2012). 1171:, 2 October 2010 (retrieved 20 October 2017). 1689:, December 2012 (retrieved 24 October 2017). 1400:Stephen Holden, "Lon & Derrek Van Eaton 1396: 1394: 1134: 1047: 1020:"An Interview with Lon and Derrek Van Eaton" 1824:, Parading Press (Downers Grove, IL, 2013; 1413: 1196:Album credits, "Lon & Derrek Van Eaton 1123:"London Studios As World Recording Centers" 1025: 874: 872: 870: 868: 866: 784:Tom Seufert – electric and acoustic guitars 212:. The result was reminiscent of Harrison's 34:, and for their subsequent session work in 1926:Come and Get It: The Best of Apple Records 1892: 1878: 1857:, 498 Productions (New Orleans, LA, 2005; 1730:Harry Castleman & Walter J. Podrazik, 1667:, Lon and Derrek (retrieved 29 July 2012). 1640:Come and Get It: The Best of Apple Records 1159: 1157: 1155: 1153: 1151: 1149: 949:Come and Get It: The Best of Apple Records 522:Come and Get It: The Best of Apple Records 229:, with Starr participating on some songs. 84:musician and producer. The band signed to 1618:George Harrison/Beatles Vocal Tribute CDs 1391: 16:American vocal and multi-instrumental duo 1734:, Ballantine Books (New York, NY, 1976; 1681:"Lon & Derrek – Anthology 1968–2012" 902:Andy Davis, "Lon & Derrek Van Eaton 863: 1809:, Backbeat Books (Milwaukee, WI, 2010; 1600:Come and Get It: A Tribute to Badfinger 1301:Castleman & Podrazik, pp. 112, 306. 1146: 754:, clarinets, percussion, backing vocals 489:Come and Get It: A Tribute to Badfinger 2045: 736:"All You're Hungry for is Love" – 2:51 1873: 1790:Dave Marsh & John Swenson (eds), 1375:Castleman & Podrazik, pp. 116–17. 30:through the brothers' brief stint on 1779:, Hal Leonard (Milwaukee, WI, 2006; 692: 475: 428:in 1979, Charley Walters dismissed 13: 2058:Musical groups established in 1971 1792:The New Rolling Stone Record Guide 14: 2079: 1855:The Beatles Solo on Apple Records 1485:Castleman & Podrazik, p. 211. 1310:Castleman & Podrazik, p. 112. 1180:Castleman & Podrazik, p. 207. 536:In 2013, Lon and Derrek released 511:In 2005, Lon Van Eaton played on 1749:, It Books (New York, NY, 2011; 1899: 1719:, Omnibus Press (London, 2001; 1692: 1651: 1630: 1611: 1590: 1581: 1568: 1559: 1546: 1515: 1506: 1497: 1488: 1479: 1446: 1437: 1369: 1352: 1313: 1304: 1295: 1270: 1261: 1252: 1207: 1174: 1116: 1103: 1094: 1081: 1764:, Gotham (New York, NY, 2006; 978: 962: 917: 814:& friends – backing vocals 605:"Maybe There's Another" – 2:42 574:; except track 6, produced by 543: 425:The Rolling Stone Record Guide 399:, mid-sessions and pre-tour). 267:and another Trenton musician. 116:label, run by Allan Steckler. 1: 1608:(retrieved 28 February 2012). 1319:"Record World Single Picks", 984:Album credits, "Jacobs Creek 969:"Jacobs Creek: Jacob's Creek" 931:(retrieved 28 February 2012). 831: 472:, which aired in April 1978. 202:. The recording engineer was 78: 2031:Apple Corps v Apple Computer 2008:You Never Give Me Your Money 1648:(retrieved 26 October 2012). 1521:Marsh & Swenson, p. 525. 1460:(retrieved 23 October 2017). 1434:(retrieved 26 October 2012). 1424:"Lon & Derrek Van Eaton 733:"Dancing in the Dark" – 2:38 631:– electric guitar (4, 9, 11) 7: 10: 2084: 2001:The Longest Cocktail Party 1708: 975:(retrieved 10 March 2012). 818: 715:"Who Do You Out Do" – 3:18 553: 263:, lead guitarist with the 20:Lon & Derrek Van Eaton 2017: 1985: 1944: 1907: 1636:Stephen Thomas Erlewine, 947:Andy Davis, liner notes, 596:"Without the Lord" – 1:37 548: 190:played drums. Aside from 721:"Do You Remember" – 3:41 614:"Another Thought" – 3:41 590:"More Than Words" – 2:16 2068:A&M Records artists 1325:, 18 March 1972, p. 12. 508:drummer Denny Seiwell. 739:"Baby It's You" – 3:38 561:22 September 1972 (US) 491:. The brothers chose " 153:"Sweet Music" and the 130:Concert for Bangladesh 2063:Apple Records artists 2053:American vocal groups 656:– acoustic guitar (6) 495:", a song written by 457:…That's the Way It Is 454:) and Harry Nilsson ( 1422:Richie Unterberger, 727:"Let It Grow" – 2:56 724:"Music Lover" – 3:12 602:"Help Us All" – 2:53 599:"Sweet Music" – 3:41 593:"Hear My Cry" – 3:00 566:9 February 1973 (UK) 379:and Art Garfunkel's 265:Edison Electric Band 214:All Things Must Pass 209:All Things Must Pass 1410:, 23 November 1972. 802:David Beebe – drums 799:Russ Turner – organ 796:– trumpet, trombone 584:"Warm Woman" – 3:01 538:Anthology 1968–2012 439:Ringo's Rotogravure 391:album by providing 235:Simon and Garfunkel 24:Trenton, New Jersey 1820:Robert Rodriguez, 1805:Robert Rodriguez, 1679:Oregano Rathbone, 1663:2012-09-14 at the 1623:2013-06-10 at the 702:(A&M SP 4507) 568:(Apple SAPCOR 25) 563:(Apple SMAS 3390) 309:Richie Unterberger 176:Abbey Road Studios 2040: 2039: 1994:Apple to the Core 1845:978-1-61168-380-6 1830:978-0-9892555-0-9 1815:978-1-4165-9093-4 1770:978-1-59240-269-4 1755:978-0-06-177418-8 1638:"Various Artists 1598:"Various Artists 1503:Leng, pp. 154–55. 1113:, pp. 51, 85, 93. 1018:Steve Marinucci, 730:"Wildfire" – 3:38 718:"You Lose" – 2:25 700:7 March 1975 (US) 694:Who Do You Out Do 646:Alexis Guevara – 637:– drums (4, 7, 9) 611:"Sunshine" – 3:48 587:"Sun Song" – 3:57 502:Black & White 430:Who Do You Out Do 408:Who Do You Out Do 325:Who Do You Out Do 2075: 1894: 1887: 1880: 1871: 1870: 1703: 1696: 1690: 1686:Record Collector 1677: 1668: 1655: 1649: 1634: 1628: 1615: 1609: 1594: 1588: 1585: 1579: 1572: 1566: 1563: 1557: 1554:Fab Four FAQ 2.0 1550: 1544: 1537: 1522: 1519: 1513: 1510: 1504: 1501: 1495: 1492: 1486: 1483: 1477: 1474:Fab Four FAQ 2.0 1470: 1461: 1450: 1444: 1441: 1435: 1420: 1411: 1398: 1389: 1386:Fab Four FAQ 2.0 1382: 1376: 1373: 1367: 1356: 1350: 1343: 1326: 1317: 1311: 1308: 1302: 1299: 1293: 1286: 1277: 1276:Emerick, p. 331. 1274: 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70s 1538: 1525: 1520: 1516: 1512:Spizer, p. 260. 1511: 1507: 1502: 1498: 1494:Spizer, p. 306. 1493: 1489: 1484: 1480: 1471: 1464: 1451: 1447: 1442: 1438: 1421: 1414: 1399: 1392: 1383: 1379: 1374: 1370: 1357: 1353: 1347:Solo in the 70s 1344: 1329: 1318: 1314: 1309: 1305: 1300: 1296: 1290:Solo in the 70s 1287: 1280: 1275: 1271: 1266: 1262: 1257: 1253: 1244: 1233: 1224: 1217: 1213:Spizer, p. 222. 1212: 1208: 1195: 1184: 1179: 1175: 1162: 1147: 1143:Soocher, p. 72. 1142: 1135: 1121: 1117: 1108: 1104: 1099: 1095: 1086: 1082: 1078:Spizer, p. 344. 1077: 1048: 1044:Soocher, p. 71. 1043: 1026: 1017: 996: 983: 979: 967: 963: 946: 935: 922: 918: 901: 890: 877: 864: 858:Solo in the 70s 855: 838: 834: 821: 788:Trevor Lawrence 711:Track Listing: 703: 697: 643:– drums (6, 11) 580:Track Listing: 576:George Harrison 569: 564: 558: 551: 546: 493:Apple of My Eye 478: 404:A&M Records 393:the title track 328: 218:Isn't It a Pity 200:tenor saxophone 159: 118:George Harrison 81: 44:George Harrison 17: 12: 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1804: 1801: 1800:0-394-72107-1 1797: 1793: 1789: 1786: 1785:1-4234-0609-5 1782: 1778: 1774: 1771: 1767: 1763: 1759: 1756: 1752: 1748: 1744: 1741: 1740:0-345-25680-8 1737: 1733: 1729: 1726: 1725:0-7119-8307-0 1722: 1718: 1714: 1713: 1701: 1695: 1688: 1687: 1682: 1676: 1674: 1666: 1662: 1659: 1654: 1647: 1643: 1641: 1633: 1626: 1622: 1619: 1614: 1607: 1603: 1601: 1593: 1584: 1578:, pp. 124–25. 1577: 1571: 1562: 1555: 1549: 1542: 1536: 1534: 1532: 1530: 1528: 1518: 1509: 1500: 1491: 1482: 1475: 1469: 1467: 1459: 1455: 1449: 1443:Leng, p. 140. 1440: 1433: 1429: 1427: 1419: 1417: 1409: 1408: 1407:Rolling Stone 1403: 1397: 1395: 1387: 1381: 1372: 1365: 1361: 1355: 1348: 1342: 1340: 1338: 1336: 1334: 1332: 1324: 1323: 1316: 1307: 1298: 1292:, pp. 123–24. 1291: 1285: 1283: 1273: 1264: 1255: 1248: 1242: 1240: 1238: 1236: 1228: 1222: 1220: 1210: 1203: 1202:Apple Records 1199: 1193: 1191: 1189: 1187: 1177: 1170: 1166: 1160: 1158: 1156: 1154: 1152: 1150: 1140: 1138: 1130: 1129: 1124: 1119: 1112: 1106: 1097: 1090: 1084: 1075: 1073: 1071: 1069: 1067: 1065: 1063: 1061: 1059: 1057: 1055: 1053: 1051: 1041: 1039: 1037: 1035: 1033: 1031: 1029: 1021: 1015: 1013: 1011: 1009: 1007: 1005: 1003: 1001: 999: 991: 987: 986:Jacob's Creek 981: 974: 970: 965: 958: 954: 953:Apple Records 950: 944: 942: 940: 938: 930: 926: 925:"Steve Burgh" 920: 913: 909: 908:Apple Records 905: 899: 897: 895: 893: 885: 881: 875: 873: 871: 869: 867: 859: 853: 851: 849: 847: 845: 843: 841: 836: 826: 823: 822: 813: 810: 807: 806:Richard Perry 804: 801: 798: 795: 794:Chuck Findley 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 759: 756: 753: 749: 748: 747: 741: 738: 735: 732: 729: 726: 723: 720: 717: 714: 713: 712: 709: 707: 706:Richard Perry 701: 695: 687: 684: 681: 677: 676:Richard Davis 674: 671: 667: 664: 661: 658: 655: 652: 649: 645: 642: 639: 636: 633: 630: 627: 624: 621: 620: 619: 613: 610: 608:"Ring" – 2:24 607: 604: 601: 598: 595: 592: 589: 586: 583: 582: 581: 578: 577: 573: 567: 562: 556: 541: 539: 534: 532: 528: 524: 523: 518: 517:My Sweet Lord 515:'s cover of " 514: 509: 507: 503: 498: 494: 490: 485: 483: 473: 471: 470: 465: 464: 459: 458: 453: 452: 447: 446: 445:Ringo the 4th 441: 440: 434: 431: 427: 426: 421: 417: 416:Chuck Findley 413: 409: 405: 400: 398: 394: 390: 389: 384: 383: 378: 377: 372: 371: 366: 365: 360: 359:Andy Williams 356: 352: 348: 343: 341: 340:Harry Nilsson 337: 336:Richard Perry 333: 326: 320: 318: 314: 310: 306: 303:reissue, for 302: 297: 296: 295:Rolling Stone 291: 287: 283: 281: 277: 274:photographer 272: 268: 266: 262: 258: 253: 251: 246: 245: 238: 236: 232: 231:Geoff Emerick 228: 227: 221: 219: 215: 211: 210: 205: 204:Phil McDonald 201: 197: 193: 189: 185: 181: 177: 172: 170: 169: 164: 156: 150: 148: 143: 139: 135: 131: 125: 123: 119: 115: 111: 107: 102: 97: 95: 91: 87: 76: 74: 73: 67: 65: 64:Art Garfunkel 61: 60:Martha Reeves 57: 53: 52:Harry Nilsson 49: 45: 41: 40:Richard Perry 38:for producer 37: 33: 32:Apple Records 29: 25: 21: 2029: 2006: 1999: 1992: 1977:Derek Taylor 1972:Pete Shotton 1924: 1854: 1851:Bruce Spizer 1836: 1821: 1806: 1791: 1776: 1775:Simon Leng, 1761: 1746: 1731: 1716: 1699: 1694: 1684: 1653: 1639: 1632: 1613: 1599: 1596:Jack Rabid, 1592: 1583: 1575: 1570: 1561: 1553: 1548: 1540: 1517: 1508: 1499: 1490: 1481: 1473: 1452:Bruce Eder, 1448: 1439: 1425: 1405: 1401: 1385: 1380: 1371: 1354: 1346: 1322:Record World 1320: 1315: 1306: 1297: 1289: 1272: 1263: 1254: 1226: 1209: 1197: 1176: 1168: 1126: 1118: 1110: 1105: 1096: 1088: 1083: 985: 980: 964: 951:CD booklet, 948: 919: 903: 878:Jay Lustig, 857: 808:– percussion 790:– saxophones 745: 710: 704:produced by 699: 698: 693: 680:standup bass 635:Andy Newmark 629:T.J. Tindall 617: 579: 570:produced by 565: 560: 559: 554: 537: 535: 526: 520: 510: 501: 488: 486: 479: 467: 461: 455: 449: 443: 437: 435: 429: 423: 407: 401: 386: 380: 374: 368: 362: 344: 329: 324: 300: 293: 285: 284: 270: 269: 261:T.J. Tindall 257:Andy Newmark 254: 244:Record World 242: 239: 224: 222: 213: 207: 173: 166: 160: 154: 138:Apple Studio 126: 98: 82: 70: 68: 19: 18: 1986:Biographies 1967:Allen Klein 1920:discography 1901:Apple Corps 1698:Rodriguez, 1574:Rodriguez, 1552:Rodriguez, 1539:Rodriguez, 1472:Rodriguez, 1454:"Badfinger" 1384:Rodriguez, 1345:Rodriguez, 1288:Rodriguez, 1225:Rodriguez, 1169:TheImproper 1163:Mark Bego, 1109:Rodriguez, 1087:Rodriguez, 856:Rodriguez, 779:Gary Wright 767:Jim Keltner 746:Personnel: 688:– bass (11) 662:– drums (6) 641:Ringo Starr 618:Personnel: 544:Discography 513:Les Fradkin 463:Knnillssonn 420:Jim Keltner 412:Gary Wright 184:Ringo Starr 174:Working at 122:John Lennon 110:the Beatles 94:harpsichord 56:Carly Simon 48:Ringo Starr 36:Los Angeles 28:the Beatles 2047:Categories 1962:Jeff Jones 1952:Magic Alex 832:References 773:Jim Gordon 660:Jim Gordon 397:laryngitis 388:Dark Horse 367:, Starr's 347:Photograph 188:Jim Gordon 147:Friar Park 142:Savile Row 79:Background 1908:Divisions 1702:, p. 392. 1658:"Brother" 1556:, p. 334. 1543:, p. 125. 1476:, p. 139. 1349:, p. 124. 1128:Billboard 860:, p. 123. 670:harmonium 666:Mike Hugg 382:Breakaway 364:Solitaire 313:Badfinger 196:harmonium 192:Mike Hugg 168:Billboard 134:Nat Weiss 1661:Archived 1646:AllMusic 1621:Archived 1606:AllMusic 1458:AllMusic 1432:AllMusic 1388:, p. 85. 1229:, p. 93. 1091:, p. 84. 973:AllMusic 929:AllMusic 497:Pete Ham 332:Yoko Ono 305:AllMusic 280:zoetrope 250:telegram 2018:Related 1709:Sources 1426:Brother 1402:Brother 1198:Brother 914:, 2010. 904:Brother 819:Singles 781:– piano 775:– drums 769:– drums 555:Brother 527:Brother 451:Bad Boy 301:Brother 286:Brother 271:Brother 226:Brother 216:track " 155:Brother 106:A&R 72:Brother 1945:People 1861:  1843:  1828:  1813:  1798:  1783:  1768:  1753:  1738:  1723:  1200:" LP, 988:" LP, 884:NJ.com 763:– bass 650:(4, 9) 648:congas 549:Albums 506:Wings 469:Ringo 338:on a 248:in a 157:album 114:Apple 101:demos 90:sitar 1859:ISBN 1841:ISBN 1826:ISBN 1811:ISBN 1796:ISBN 1781:ISBN 1766:ISBN 1751:ISBN 1736:ISBN 1721:ISBN 1364:WXPN 448:and 355:gold 315:and 186:and 92:and 62:and 1404:", 957:EMI 912:EMI 906:", 682:(7) 672:(6) 531:RPM 351:MOR 292:of 194:on 140:on 2049:: 1865:). 1853:, 1847:). 1832:). 1817:). 1802:). 1787:). 1772:). 1757:). 1742:). 1727:). 1683:, 1672:^ 1644:, 1604:, 1526:^ 1465:^ 1456:, 1430:, 1415:^ 1393:^ 1362:, 1330:^ 1281:^ 1234:^ 1218:^ 1185:^ 1167:, 1148:^ 1136:^ 1125:, 1049:^ 1027:^ 997:^ 971:, 936:^ 927:, 891:^ 882:, 865:^ 839:^ 678:– 668:– 460:, 442:, 418:, 414:, 406:. 361:' 307:, 132:. 112:' 58:, 54:, 50:, 46:, 1893:e 1886:t 1879:v 1642:" 1602:" 1428:" 955:/ 910:/

Index

Trenton, New Jersey
the Beatles
Apple Records
Los Angeles
Richard Perry
George Harrison
Ringo Starr
Harry Nilsson
Carly Simon
Martha Reeves
Art Garfunkel
Brother
Columbia Records
sitar
harpsichord
demos
A&R
the Beatles
Apple
George Harrison
John Lennon
Concert for Bangladesh
Nat Weiss
Apple Studio
Savile Row
Friar Park
Klaus Voormann
Billboard
Abbey Road Studios
Peter Frampton

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