435:
260:
51:
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424:, but at the church of Sant'Orsola. After Francesco's death, his sons inherited the family business but were incapable of keeping it from decline; one sold the family home on Via della Stufa to pay his debts to his brother. Francesco's grandson was similarly unprepared to save the business, declared bankruptcy, and found work as a scribe in the convent of Santissima Annunziata.
505:
veil were
Spanish-influenced high fashion; they are not a depiction of mourning for her first daughter, as some scholars have proposed. The portrait is strikingly large; its size is equal to that of commissions acquired by wealthier art patrons of the time. This extravagance has been explained as a sign of Francesco and Lisa's social aspiration.
518:, which was a more valuable commission and one he was contracted to complete by February 1505. In 1506, Leonardo considered the portrait unfinished. He was not paid for the work and did not deliver it to his client. The artist's paintings travelled with him throughout his life, and he may have completed the
223:
Little is known about Lisa's life. Lisa was born in
Florence. She married in her teens to a cloth and silk merchant who later became a local official; she was a mother to six children and led what is thought to have been a comfortable and ordinary life. Lisa outlived her husband, who was considerably
349:
Lisa and
Francesco had six children: Piero, Piera, Camilla, Marietta, Andrea, and Giocondo between 1496 and 1502. Piera and Giocondo both died before they were toddlers. Lisa also raised two of her brother's children after their father's death. Lastly, she raised Bartolomeo, the son of Francesco and
318:
merchant, becoming his second wife. Her age at marriage was around the norm for
Florentine women of the time, who often married men ten or more years their senior. Because her father had not participated in the custom of saving cash at a daughter's birth that compounded interest for dowries, Lisa's
504:
fulfilled 15th- and early 16th century requirements for portraying a woman of virtue. Lisa is portrayed as a faithful wife through gestureâher right hand rests over her left. Leonardo also presented Lisa as fashionable and successful, perhaps more well-off than she was. Her dark garments and black
405:
In June 1537, by his last will and testament, Francesco returned Lisa's dowry to her, gave her personal clothing and jewelry and provided for her future. Upon entrusting her care to their daughter
Ludovica and, should she be incapable, his son Bartolomeo, Francesco wrote, "Given the affection and
373:
Francesco was a social climber, and not known particularly for his rectitude. He had joined the family business, a respected source of fine textiles, where he had done well, but the promise of higher profits tempted him into other enterprises. He imported sugar, animal hides, wool, and soap. He
369:
of following centuries. Kemp and
Pallanti say on another occasion, the nuns purchased from Lisa 30 pounds (14 kg) of cheese made on her family's lands. She was able to place Marietta at Sant'Orsola in 1519. In 1521, Marietta took the name Suor Ludovica; she became a respected member of the
345:
They lived in shared accommodation until March 5, 1503, when
Francesco was able to buy a house next door to his family's old home in the Via della Stufa. Leonardo is thought to have begun painting Lisa's portrait the same year. Lisa lived in the "Casa grande" on Via della Stufa for nearly fifty
586:
during the 1960s and 1970s contributed to the painting's iconization and fame. By the end of the 20th century, the painting was a global icon that had been used in more than 300 other paintings and in 2,000 advertisements, appearing at an average of one new advertisement each week.
396:
political or business interests (he was termed a "friend" rather than a "close friend"). In 1512, when the government of
Florence feared the return of the Medici from exile, Francesco was imprisoned and fined 1,000 florins. He was released in September when the Medici returned.
419:
writes that
Francesco was nearly 80 years old when he died, and Lisa may have lived until at least 1551, when she would have been 71 or 72. Lisa's death was not recorded by the city or by her family. Her funeral was well-attended and she was buried not in the family's vault at
271:
In 1465, Gherardini married Lisa di
Giovanni Filippo de' Carducci, and in 1473, Caterina di Mariotto Rucellai; both of them died in childbirth. Lisa's mother was Lucrezia del Caccia, daughter of Piera Spinelli, and Gherardini's wife by his third marriage in 1476.
410:
and Giuseppe Pallanti remark in their history that Francescoâwho provided for an eternal flame on his own graveâwilled all of his possessions to his children and not to his wife, and did not guarantee Lisa an annuity, which would have been fairly commonplace.
353:
Camilla and Marietta became nuns. Camilla took the name Suor Beatrice and entered the convent of San Domenico di Cafaggio, where she was entrusted to the care of Lisa's sisters Suor Alessandra and Suor Camilla. Beatrice died at age 18 and was buried in the
279:, one of the family's rural properties. She was named for Lisa, a wife of her paternal grandfather. The eldest of seven children, Lisa had three sisters, one of whom was named Ginevra, and three brothers, Giovangualberto, Francesco, and Noldo.
497:. He is thought to have commissioned Lisa's portrait to celebrate both Andrea's birth and the purchase of the family's home. Lisa was 24 when Leonardo began her portrait. She was 40 when he died, and the portrait was still partly unfinished.
626:
By traditional accounts, Francesco married Tommasa Villani after Camilla Rucellai died, but Kemp and Pallanti say that no documents support this other marriage nor does the timeline allow it. Hales reports the same from a meeting with
414:
In one account, Francesco died at age 73 in 1538; then Lisa fell ill and was taken by her daughter Ludovica to the convent of Sant'Orsola, where she died on July 14, 1542, at the age of 63. In his scholarly account of their lives,
297:
They also owned a small country home in San Donato in the village of Poggio about 32 kilometres (20 mi) south of the city. Noldo, Gherardini's father and Lisa's grandfather, had bequeathed a farm in Chianti to the
350:
his first wife Camilla di Mariotto Rucellai, who died shortly after the birth. The second wife of Lisa's father, Caterina di Mariotto Rucellai, and Francesco's first wife were sisters, members of the Rucellai family.
247:
family was old and aristocratic, but over time had lost their influence. They were well off but not wealthy, and lived on a farm income in a city where there were great disparities in wealth among inhabitants.
251:
Antonmaria di Noldo Gherardini, Lisa's father, came from a family who had lived on properties near San Donato in Poggio and only recently moved to the city. Gherardini at one time owned or rented six farms in
319:
dowry was land: her father's most valuable property in Chianti, the San Silvestro farm near her family's country home, which lies between Castellina and San Donato in Poggio, near two farms later owned by
377:
As members of the Silk Guild, Francesco's family was eligible for the highest offices of Florence, and eighty of his relatives occupied such roles over a span of fifty years. Francesco was elected to the
406:
love of the testator towards Mona Lisa, his beloved wife; in consideration of the fact that Lisa has always acted with a noble spirit and as a faithful wife; wishing that she shall have all she needsâŠ"
361:
Adopting roles of a customer and supplier, Lisa developed a relationship with Sant'Orsola, a convent held in high regard in Florence. From the convent, Lisa is known to have purchased distillation of
374:
became a money-lender and dealt in property. Believing that land was a safe investment, Francesco transformed himself into a wealthy landowner after thirty-five years of marriage to Lisa by 1530.
342:. Lisa's marriage may have increased her social status because her husband's family may have been richer than her own. Francesco is thought to have benefited because Gherardini is an "old name".
827:
302:
hospital. Gherardini secured a lease for another of the hospital's farms; the family spent summers there at the house named Ca' di Pesa, so that Gherardini could oversee the wheat harvest.
338:
Neither poor nor among the most well-to-do in Florence, the couple lived a comfortable middle-class life. Historian Donald Sassoon says they were upwardly mobile and were among the city's
231:
became the world's most famous painting. In 2005, Lisa was identified as a subject for a da Vinci portrait around 1503, strongly reinforcing the traditional view of her as the model for
508:
During the spring of 1503, Leonardo had no income source, which may in part explain his interest in a private portrait. But later that year, he most likely had to delay his work on
1115:
1353:
473:
Like other Florentines of their financial means, Francesco's family members were art lovers and patrons. His son Bartolomeo asked Antonio di Donnino Mazzieri to paint a
649:
The reason is unknown. Kemp and Pallanti can only speculate on the reason (it was Lisa's choice, she'd broken with her husband, or perhaps it was Ludovica's decision).
545:. Though derived from Lisa's married name there is the added significance that the name derives from the word for "happy" (in English, "jocund") or "the happy one".
290:, likely because they were unable to afford repairs when their first house was damaged. Lisa's family moved to what today is called Via dei Pepi, and then near
1905:
Fortune is a River: Leonardo da Vinci and NiccolĂČ Machiavelli's Magnificent Dream of Changing the Course of Florentine History (online notes for Chapter 6)
567:
in 2005 discovered a marginal note in a book in the library's collectionâconfirming the traditional view that the sitter was Lisa. The note, written by
2364:
1613:
275:
Lisa was born in Florence on June 15, 1479, on Via Maggio, although for many years it was thought she was born on Villa Vignamaggio just outside
1213:
1693:
666:(Earlier Mona Lisa), and some thought by the same author to be copies: Prado Mona Lisa, Reynolds Mona Lisa, and the St. Petersburg Mona Lisa.
2170:
1111:
760:
1903:
735:
1361:
1647:
960:
2081:; Braida, Angela M.; Natali, Andrea (2019). "The different possibilities of evaluating a work of art: case study of the Mona Lisa".
2334:
2261:
559:
Speculation assigned Lisa's name to at least five different paintings and her identity to at least ten different people. Scholar
836:, p. 74, Lisa's father, "AntonMaria Gherardini", is identified by his family's neighborhood in Florence, "San Pancrazio.".
1534:
1998:
1892:
1827:
1804:
863:
684:
2605:
2600:
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267:
baptismal records for June 1479, Lisa is the sixth entry, listed under her first and second names "Lisa & Camilla."
602:, it has been part of a French national collection. Today about six million people view the painting each year at the
2465:
1975:
1921:
1855:
514:
1606:"The myth of the Mona Lisa (review of Mona Lisa: The History of the World's Most Famous Painting by Donald Sassoon)"
2449:
2197:
2620:
636:
Journalist Dianne Hales writes that no cash was involved. Lisa's dowry has been reported incorrectly at 170
478:
421:
355:
17:
2492:
2610:
2433:
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2339:
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for another member of his family. Francesco gave commissions to Leonardo for a portrait of his wife and to
687:; Isabella Gualanda; Costanza D'Avalos, Duchess of Francavilla; Filberta di Savoia; and Pacifica Brandano.
310:
On March 5, 1495, 15-year-old Lisa married 29-year-old Francesco di Bartolomeo del Giocondo, an ambitious
1876:
1837:
529:, wrote, "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife" (
407:
299:
2425:
434:
2417:
1945:
331:. The modest dowry may be a sign that the Gherardini family was not wealthy at the time. Art historian
2546:
2499:
2353:
2096:
1601:
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says the dowry's small size lends reason to think Francesco may have had true affection for Lisa.
1685:
675:
Besides Lisa, Leonardo himself, and Leonardo's mother, the following subjects have been proposed:
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1605:
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177:
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1909:
764:
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2016:
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727:
291:
1927:
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The painting's title dates to 1550. An acquaintance of at least some of Francesco's family,
2590:
2585:
2520:
2390:
1222:, p. 38, On the next page, Kemp and Pallanti say this sale was "95 pounds" of cheese..
385:
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82:
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8:
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663:
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595:
328:
324:
217:
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2066:
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1511:
680:
264:
259:
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2400:
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2151:
2117:
2078:
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1994:
1971:
1967:
1961:
1935:
1917:
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1888:
1851:
1823:
1800:
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1503:
599:
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535:
Prese Lionardo a fare per Francesco del Giocondo il ritratto di mona Lisa sua moglie.
494:
457:
213:
209:
191:
102:
62:
2143:
2109:
2094:
Sassoon, Donald (2001a). "Mona Lisa: the Best-Known Girl in the Whole Wide World".
2012:
1530:
530:
482:
276:
253:
186:
171:
2129:
416:
332:
1939:
1841:
1558:
867:
676:
490:
969:, p. 31, Antonmaria was "ceding it to his young and ambitious son-in-law.".
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put the conjecturing to rest "more or less definitively" after an expert at the
2506:
2373:
2008:
541:
is the feminine form of her married name. In French it is known by the variant
526:
571:
in 1503, states that Leonardo was working on a portrait of Lisa del Giocondo.
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2441:
2395:
2155:
2147:
2121:
2062:
2044:
1990:
1507:
583:
486:
393:
283:
190:; June 15, 1479 â July 14, 1542) was an Italian noblewoman and member of the
2113:
548:
50:
2554:
1868:
320:
658:
Five includes two works attributed by one author to Leonardo: the Louvre
640:, which Hales writes was the value of the farm's furnishing and contents.
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that produced wheat, wine, and olive oil and where livestock was raised.
2308:
2070:
1515:
1309:
2316:
2238:
659:
468:
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204:
116:
57:
31:
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1749:
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has been in France since the 16th century, when Leonardo moved to
311:
199:
1381:
1379:
2192:
1582:
603:
474:
461:
294:, where they lived near Ser Piero da Vinci, Leonardo's father.
2171:"Portrait of Lisa Gherardini, wife of Francesco del Giocondo"
1403:
1391:
1376:
1333:
1249:
1159:
1157:
1142:
1112:"Portrait of Lisa Gherardini, wife of Francesco del Giocondo"
996:
791:
607:
362:
2018:
Le vite de' piĂč eccellenti pittori, scultori ed architettori
1174:
1172:
911:
909:
709:
707:
705:
703:
1130:
579:
315:
27:
Italian noblewoman and subject of the Mona Lisa (1479â1542)
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1987:
Mona Lisa: The History of the World's Most Famous Painting
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1463:
1297:
1285:
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1225:
1201:
1154:
1094:
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1020:
972:
2132:(1993). "Leonardo's Portrait of Mona Lisa del Giocondo".
1963:
Mona Lisa Revealed: The True Identity of Leonardo's Model
1843:
Leonardo Da Vinci: The Marvellous Works of Nature And Man
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many years later in France, in one estimation by 1516.
1708:
1662:
1612:. London Review of Books via Guardian News and Media.
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1427:
1415:
1237:
1063:
1032:
1008:
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894:
882:
1941:
Leonardo Da Vinci, Artist, Thinker and Man of Science
1761:
839:
779:
761:"Mona Lisa â Heidelberg discovery confirms identity)"
1570:
1475:
1184:
1075:
1051:
984:
948:
2077:
1588:
1451:
1683:
1351:
2577:
763:. University Library Heidelberg. Archived from
479:Basilica della Santissima Annunziata di Firenze
1493:
728:"In Louvre, New Room With View of 'Mona Lisa'"
370:convent in a position of some responsibility.
282:The family lived in Florence, originally near
129:Francesco di Bartolomeo di Zanobi del Giocondo
2218:
598:'s court and the king acquired it; since the
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978:
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725:
713:
578:from the Louvre in 1911 and its travels to
212:commissioned by her husband and painted by
30:For the portrait of Lisa del Giocondo, see
2225:
2211:
1633:
1631:
1494:Clark, Kenneth (March 1973). "Mona Lisa".
1360:. Discovery Communications. Archived from
305:
49:
2083:Conservation Science in Cultural Heritage
755:
753:
2365:Timeline of fictional stories about the
2093:
1984:
1959:
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1755:
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1327:
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258:
227:In the centuries after Lisa's life, the
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1901:
1787:
1731:
1628:
1600:
1594:
1469:
1457:
1445:
1433:
1421:
1354:"Mona Lisa Grave Found, Claims Scholar"
1315:
1136:
1081:
1045:
930:
14:
2578:
2007:
1881:Mona Lisa: The People and the Painting
1696:from the original on November 25, 2013
1616:from the original on September 5, 2008
1576:
1352:Lorenzi, Rossella (January 19, 2007).
750:
512:when he received payment for starting
2206:
2043:
1934:
1813:
1564:
1487:
1481:
1195:
1057:
1014:
990:
954:
833:
388:in 1512, where he was confirmed as a
185:
176:
170:
143:
1836:
1537:from the original on August 29, 2014
1098:
685:Isabella of Aragon, Duchess of Milan
400:
1902:Masters, Roger D. (June 15, 1998).
1684:Debelle, Penelope (June 25, 2004).
1650:from the original on August 3, 2014
1638:Chaundy, Bob (September 29, 2006).
1567:, quoting a translation of Vasari..
866:. Villa Vignamaggio. Archived from
477:at the family's burial site in the
24:
2163:
1549:
1533:. University of the Arts, London.
738:from the original on June 25, 2011
323:. The farm was valued at 400
25:
2632:
2466:Glass Onion: A Knives Out Mystery
2186:
1589:Lorusso, Braida & Natali 2019
1520:, quoting a translation of Vasari
1118:from the original on June 7, 2019
392:in 1524. He may have had ties to
2450:Mona Lisa Descending a Staircase
2191:
327:, and its contents at 170
1677:
1523:
1345:
1104:
856:
669:
652:
643:
630:
620:
537:). The portrait's Italian name
356:Basilica di Santa Maria Novella
286:and later in rented space near
139:
2335:Replicas and reinterpretations
1793:Leonardo da Vinci Rediscovered
1776:
726:Riding, Alan (April 6, 2005).
719:
13:
1:
2434:The Mona Lisa Has Been Stolen
2298:
2283:
1879:; Pallanti, Giuseppe (2017).
694:
565:Heidelberg University Library
238:
1816:Mona Lisa: A Life Discovered
427:
202:. Her name was given to the
172:[ËliËzadeldÊoËkondo]
7:
2047:(March 1973). "Mona Lisa".
2037:
1960:Pallanti, Giuseppe (2006).
1758:, p. 6, and Abstract..
662:(Later Mona Lisa), and the
365:waterâa medicine listed in
10:
2637:
2601:16th-century Italian women
2596:15th-century Italian women
2418:The Theft of the Mona Lisa
1686:"Behind that secret smile"
466:
55:Lisa was portrayed in the
29:
2538:
2476:
2409:
2383:
2327:
2260:
2246:
2021:. Vol. IV. Firenze:
1985:Sassoon, Donald (2001b).
1944:. Vol. 2. New York:
153:
123:
110:
100:Convent of Saint Orsola,
90:
69:
48:
41:
2547:The Second Mrs. Giaconda
2500:Mona Lisa Lost Her Smile
2148:10.11588/artdok.00004207
2097:History Workshop Journal
1781:
1410:Kemp & Pallanti 2017
1398:Kemp & Pallanti 2017
1386:Kemp & Pallanti 2017
1340:Kemp & Pallanti 2017
1304:Kemp & Pallanti 2017
1292:Kemp & Pallanti 2017
1280:Kemp & Pallanti 2017
1268:Kemp & Pallanti 2017
1256:Kemp & Pallanti 2017
1232:Kemp & Pallanti 2017
1220:Kemp & Pallanti 2017
1208:Kemp & Pallanti 2017
1164:Kemp & Pallanti 2017
1149:Kemp & Pallanti 2017
1027:Kemp & Pallanti 2017
1003:Kemp & Pallanti 2017
979:Kemp & Pallanti 2017
967:Kemp & Pallanti 2017
864:"History of Vignamaggio"
810:Kemp & Pallanti 2017
714:Kemp & Pallanti 2017
613:
2606:Italian artists' models
2514:The Ballad of Mona Lisa
2106:Oxford University Press
2050:The Burlington Magazine
1946:Charles Scribner's Sons
1885:Oxford University Press
1848:Oxford University Press
1555:Zöllner 1993, p. 4
1496:The Burlington Magazine
495:Saint Francis of Assisi
306:Marriage and later life
2621:Nobility from Florence
2528:In Search of Mona Lisa
2135:Gazette des Beaux-Arts
1814:Hales, Dianne (2014).
1358:Discovery Channel News
1318:, notes for Chapter 6.
800:, pp. 17, 23, 24.
556:
534:
515:The Battle of Anghiari
464:
453:
449:
268:
168:Italian pronunciation:
2200:at Wikimedia Commons
2114:10.1093/hwj/2001.51.1
1797:Yale University Press
551:
437:
422:Santissima Annunziata
262:
187:[ÉĄerarËdiËni]
2611:Models from Florence
2391:Eduardo de Valfierno
1930:on February 3, 2009.
1364:on November 26, 2012
1139:, pp. 119, 122.
83:Republic of Florence
2458:Mona Lisa's Revenge
2294:Hermitage Mona Lisa
2271:Isleworth Mona Lisa
1966:. Florence, Italy:
1734:, pp. 262â263.
1692:. The Age Company.
1640:"Faces of the Week"
1531:"Mona Lisa 1503â16"
1472:, pp. 120â121.
1101:, pp. 261â262.
664:Isleworth Mona Lisa
444:painting (English:
384:in 1499 and to the
218:Italian Renaissance
2079:Lorusso, Salvatore
1820:Simon and Schuster
1789:Bambach, Carmen C.
1610:Guardian Unlimited
1604:(March 28, 2002).
732:The New York Times
557:
493:for a painting of
465:
269:
265:Florence Cathedral
61:(detail above) by
2573:
2572:
2401:Vincenzo Peruggia
2251:Lisa del Giocondo
2234:Leonardo da Vinci
2196:Media related to
2173:. Musée du Louvre
2013:Milanesi, Gaetano
2000:978-0-00-710615-8
1916:(dartmouth.edu).
1914:Dartmouth College
1894:978-0-19-106696-2
1829:978-1-4516-5897-2
1806:978-0-300-19195-0
1746:, pp. 14â16.
1412:, pp. 58â60.
1400:, pp. 58â59.
1388:, pp. 57â58.
1342:, pp. 55â56.
1258:, pp. 45â48.
1181:, pp. 61â62.
1151:, pp. 35â36.
1017:, pp. 94â95.
1005:, pp. 32â33.
918:, pp. 45â46.
824:, pp. 41â44.
600:French Revolution
574:The theft of the
569:Agostino Vespucci
561:Carmen C. Bambach
553:Agostino Vespucci
458:Leonardo da Vinci
401:Death and outcome
300:Santa Maria Nuova
214:Leonardo da Vinci
192:Gherardini family
164:Lisa del Giocondo
161:
160:
103:Duchy of Florence
63:Leonardo da Vinci
43:Lisa del Giocondo
16:(Redirected from
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2090:
2074:
2057:(840): 144â151.
2033:
2031:
2029:
2004:
1981:
1956:
1954:
1952:
1931:
1926:. Archived from
1898:
1872:
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1810:
1771:
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1747:
1741:
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1602:Nicholl, Charles
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1502:(840): 144â151.
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483:Andrea del Sarto
381:Dodici Buonomini
189:
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39:
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2198:Lisa Gherardini
2189:
2176:
2174:
2169:
2166:
2164:Further reading
2040:
2027:
2025:
2009:Vasari, Giorgio
2001:
1978:
1950:
1948:
1924:
1895:
1862:
1860:
1858:
1830:
1807:
1795:. Vol. 3.
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883:
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871:
870:on May 12, 2006
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741:
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692:
691:
681:Isabella d'Este
677:Caterina Sforza
674:
670:
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653:
648:
644:
635:
631:
625:
621:
616:
491:Domenico Puligo
471:
432:
403:
308:
241:
167:
149:
137:
133:
130:
106:
101:
98:
95:
86:
81:
78:
76:
75:
74:Lisa Gherardini
65:
44:
35:
28:
23:
22:
18:Lisa Gherardini
15:
12:
11:
5:
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2559:
2551:
2542:
2540:
2536:
2535:
2533:
2532:
2524:
2517:
2510:
2507:Lisa Mona Lisa
2503:
2496:
2489:
2480:
2478:
2474:
2473:
2471:
2470:
2462:
2454:
2446:
2438:
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2406:
2404:
2403:
2398:
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2387:
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2381:
2380:
2378:
2377:
2374:La Joconde nue
2370:
2362:
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2360:
2351:
2337:
2331:
2329:
2325:
2324:
2322:
2321:
2313:
2305:
2290:
2275:
2274:(16th century)
2266:
2264:
2258:
2257:
2255:
2254:
2247:
2244:
2243:
2230:
2229:
2222:
2215:
2207:
2188:
2187:External links
2185:
2184:
2183:
2165:
2162:
2161:
2160:
2142:(S): 115â138.
2130:Zöllner, Frank
2126:
2091:
2075:
2045:Clark, Kenneth
2039:
2036:
2035:
2034:
2005:
1999:
1982:
1976:
1957:
1932:
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1707:
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1548:
1522:
1486:
1484:, p. 136.
1474:
1462:
1450:
1448:, p. 126.
1438:
1436:, p. 262.
1426:
1424:, p. 123.
1414:
1402:
1390:
1375:
1344:
1332:
1330:, p. 105.
1320:
1308:
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1236:
1224:
1212:
1200:
1198:, p. 154.
1183:
1168:
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1141:
1129:
1103:
1086:
1074:
1062:
1060:, p. 113.
1050:
1048:, p. 119.
1031:
1019:
1007:
995:
993:, p. 112.
983:
971:
959:
957:, p. 119.
947:
935:
933:, p. 118.
920:
905:
893:
881:
855:
838:
826:
814:
802:
790:
778:
767:on May 8, 2011
749:
718:
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690:
689:
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651:
642:
629:
618:
617:
615:
612:
596:King Francis I
555:'s margin note
527:Giorgio Vasari
467:Main article:
431:
426:
402:
399:
340:nouveau riches
307:
304:
240:
237:
159:
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111:Known for
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94:July 14, 1542
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2548:
2544:
2543:
2541:
2537:
2530:
2529:
2525:
2523:" (2013 song)
2522:
2521:The Mona Lisa
2518:
2516:" (2011 song)
2515:
2511:
2509:" (1988 song)
2508:
2504:
2502:" (1984 song)
2501:
2497:
2495:" (1950 song)
2494:
2490:
2487:
2486:
2482:
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2475:
2468:
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2442:City of Death
2439:
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2396:Yves Chaudron
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2024:
2020:
2019:
2014:
2010:
2006:
2002:
1996:
1992:
1991:HarperCollins
1988:
1983:
1979:
1977:88-7624-659-2
1973:
1969:
1965:
1964:
1958:
1947:
1943:
1942:
1937:
1936:MĂŒntz, EugĂšne
1933:
1929:
1925:
1923:0-684-84452-4
1919:
1915:
1911:
1907:
1906:
1900:
1896:
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1857:0-19-280725-0
1853:
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1798:
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1785:
1769:
1768:Sassoon 2001a
1764:
1757:
1756:Sassoon 2001a
1752:
1745:
1744:Sassoon 2001a
1740:
1733:
1728:
1722:, p. 25.
1721:
1720:Sassoon 2001b
1716:
1714:
1712:
1695:
1691:
1687:
1680:
1674:, p. 24.
1673:
1672:Sassoon 2001b
1668:
1666:
1649:
1645:
1641:
1634:
1632:
1615:
1611:
1607:
1603:
1597:
1590:
1585:
1579:, p. 39.
1578:
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1359:
1355:
1348:
1341:
1336:
1329:
1328:Pallanti 2006
1324:
1317:
1312:
1306:, p. 45.
1305:
1300:
1294:, p. 25.
1293:
1288:
1282:, p. 48.
1281:
1276:
1270:, p. 46.
1269:
1264:
1257:
1252:
1246:, p. 63.
1245:
1244:Pallanti 2006
1240:
1234:, p. 40.
1233:
1228:
1221:
1216:
1210:, p. 38.
1209:
1204:
1197:
1192:
1190:
1188:
1180:
1179:Pallanti 2006
1175:
1173:
1166:, p. 47.
1165:
1160:
1158:
1150:
1145:
1138:
1133:
1117:
1113:
1107:
1100:
1095:
1093:
1091:
1083:
1078:
1072:, p. 23.
1071:
1070:Sassoon 2001b
1066:
1059:
1054:
1047:
1042:
1040:
1038:
1036:
1029:, p. 31.
1028:
1023:
1016:
1011:
1004:
999:
992:
987:
981:, p. 29.
980:
975:
968:
963:
956:
951:
945:, p. 42.
944:
943:Pallanti 2006
939:
932:
927:
925:
917:
916:Pallanti 2006
912:
910:
903:, p. 44.
902:
901:Pallanti 2006
897:
891:, p. 40.
890:
889:Pallanti 2006
885:
869:
865:
859:
853:, p. 37.
852:
851:Pallanti 2006
847:
845:
843:
835:
830:
823:
822:Pallanti 2006
818:
812:, p. 10.
811:
806:
799:
798:Pallanti 2006
794:
788:, p. 58.
787:
786:Pallanti 2006
782:
766:
762:
756:
754:
737:
733:
729:
722:
716:, p. 57.
715:
710:
708:
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699:
686:
682:
678:
672:
665:
661:
655:
646:
639:
633:
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619:
611:
609:
605:
601:
597:
593:
588:
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584:North America
581:
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430:
425:
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418:
417:Frank Zöllner
412:
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394:Medici family
391:
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375:
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341:
336:
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333:Frank Zöllner
330:
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288:Santo Spirito
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284:Santa Trinita
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126:
122:
119:
118:
113:
109:
104:
93:
89:
84:
77:June 15, 1479
72:
68:
64:
60:
59:
52:
47:
40:
37:
33:
19:
2561:
2555:I, Mona Lisa
2553:
2545:
2526:
2488:(1915 opera)
2483:
2464:
2456:
2448:
2440:
2432:
2426:ArsĂšne Lupin
2424:
2416:
2372:
2366:
2355:
2346:
2340:Speculations
2315:
2307:
2292:
2277:
2269:
2250:
2237:
2190:
2175:. Retrieved
2139:
2133:
2101:
2095:
2086:
2082:
2054:
2048:
2026:. Retrieved
2023:G.C. Sansoni
2017:
1986:
1962:
1949:. Retrieved
1940:
1928:the original
1904:
1880:
1877:Kemp, Martin
1869:Google Books
1867:– via
1861:. Retrieved
1842:
1838:Kemp, Martin
1815:
1792:
1770:, p. 8.
1763:
1751:
1739:
1732:Bambach 2019
1727:
1698:. Retrieved
1689:
1679:
1652:. Retrieved
1643:
1618:. Retrieved
1609:
1596:
1584:
1572:
1560:
1551:
1539:. Retrieved
1525:
1499:
1495:
1489:
1477:
1470:Zöllner 1993
1465:
1458:Masters 1998
1453:
1446:Zöllner 1993
1441:
1434:Bambach 2019
1429:
1422:Zöllner 1993
1417:
1405:
1393:
1366:. Retrieved
1362:the original
1357:
1347:
1335:
1323:
1316:Masters 1998
1311:
1299:
1287:
1275:
1263:
1251:
1239:
1227:
1215:
1203:
1144:
1137:Zöllner 1993
1132:
1120:. Retrieved
1106:
1084:, p. 5.
1082:Zöllner 1993
1077:
1065:
1053:
1046:Zöllner 1993
1022:
1010:
998:
986:
974:
962:
950:
938:
931:Zöllner 1993
896:
884:
872:. Retrieved
868:the original
858:
829:
817:
805:
793:
781:
769:. Retrieved
765:the original
740:. Retrieved
731:
721:
671:
654:
645:
632:
622:
591:
589:
575:
573:
558:
542:
538:
524:
519:
513:
509:
507:
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472:
445:
439:
428:
413:
404:
389:
379:
376:
372:
360:
352:
348:
344:
339:
337:
321:Michelangelo
309:
296:
281:
274:
270:
250:
242:
232:
228:
226:
224:her senior.
222:
203:
181:
163:
162:
115:
56:
36:
2591:1542 deaths
2586:1479 births
2302: 1550
2287: 1503
1951:October 14,
1777:Works cited
1577:Vasari 1879
1541:October 24,
771:January 15,
539:La Gioconda
450:La Gioconda
448:, Italian:
408:Martin Kemp
367:formularies
292:Santa Croce
114:Subject of
2580:Categories
2539:Literature
2384:1911 theft
2309:L.H.O.O.Q.
2177:October 4,
2089:: 307â326.
2028:October 5,
1910:Free Press
1863:October 5,
1700:October 6,
1654:October 5,
1620:October 6,
1565:Clark 1973
1482:MĂŒntz 1898
1368:October 6,
1196:MĂŒntz 1898
1122:October 4,
1058:Hales 2014
1015:Hales 2014
991:Hales 2014
955:Hales 2014
834:Hales 2014
742:October 7,
695:References
543:La Joconde
485:painted a
454:La Joconde
452:, French:
245:Florentine
239:Early life
182:Gherardini
80:Florence,
2616:Mona Lisa
2563:The Smile
2531:(2019 EP)
2493:Mona Lisa
2485:Mona Lisa
2410:On screen
2367:Mona Lisa
2356:Mona Lisa
2347:Mona Lisa
2317:Mini Lisa
2279:Mona Lisa
2253:(subject)
2239:Mona Lisa
2156:0016-5530
2122:1477-4569
2063:0007-6287
2011:(1879) .
1508:0007-6287
1099:Kemp 2006
660:Mona Lisa
627:Pallanti.
592:Mona Lisa
576:Mona Lisa
520:Mona Lisa
510:Mona Lisa
502:Mona Lisa
469:Mona Lisa
446:Mona Lisa
441:Mona Lisa
438:The full
429:Mona Lisa
233:Mona Lisa
229:Mona Lisa
205:Mona Lisa
117:Mona Lisa
96:(aged 63)
58:Mona Lisa
32:Mona Lisa
2349:theories
2282:(Prado,
2262:Replicas
2108:: 1â18.
2038:Journals
1938:(1898).
1840:(2006).
1791:(2019).
1694:Archived
1648:Archived
1644:BBC News
1614:Archived
1535:Archived
1116:Archived
874:April 5,
736:Archived
386:Signoria
210:portrait
196:Florence
154:Children
2328:Related
2015:(ed.).
1690:The Age
1646:. BBC.
638:florins
531:Italian
487:Madonna
346:years.
329:florins
325:florins
254:Chianti
243:Lisa's
216:in the
200:Tuscany
148:
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2566:(2008)
2558:(2006)
2550:(1975)
2469:(2022)
2461:(2009)
2453:(1992)
2445:(1979)
2437:(1966)
2429:(1932)
2421:(1931)
2358:theory
2320:(2013)
2312:(1919)
2289:â1516)
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604:Louvre
475:fresco
462:Louvre
390:Priore
208:, her
180:
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124:Spouse
2477:Music
2345:Male
2067:JSTOR
1968:Skira
1782:Books
1512:JSTOR
614:Notes
608:Paris
456:) by
363:snail
312:cloth
277:Greve
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2152:ISSN
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