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his distaste for
Caravaggio, and apparently describes Spada and Caravaggio as equally "dissolute" and "precipitous"; and there are suggestions that for Caravaggio, Spada was a man "close to his heart", and perhaps not metaphorically. Malvasia also tells the story of Spada posing for Caravaggio's
193:‘’Death of John the Baptist’’: afraid that Spada might flee and, that without a model the painting would be incomplete, Caravaggio imprisoned him in a room until he had finished. However, it is unclear if Spada ever physically encountered Caravaggio in Rome. Spada supposedly was in
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But this, as much of Spada's output, may not reflect a gathered flame of inspiration but a pale reflection, a mimicry of the harsh passion, which when linked to his
Carraci upbringing leads to a weakened pastiche. Leonello Spada is known to have made many copies of other painters.
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who resided in
Bologna. In 1604 he made an unsuccessful bid for the commission to decorate the sacristy of the Basilica of Santa Maria di Loreto. By then he had already gravitated to the
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232:, (1616). The Ghiara frescoes in Reggio Emilia are perhaps his masterpiece and demonstrate a return to Carraccian models. Other works of this fruitful period include the
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in 1609-1610; but
Caravaggio again had fled to Sicily by 1608, thus their overlap in Malta must have been short. The dark violence of a painting such as the
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Academy, having contributed to the decorations for the funeral of
Agostino Carracci in 1603. His earliest surviving major painting, the altarpiece of the
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201:. Malvasia suggests the Spada followed Caravaggio to Malta. This is possible since Spada himself painted frescoes in the Magisterial palace of
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and remained in
Bologna until 1607. Spada's figurative style gradually became more robust, as shown by the
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de' pittori, scultori, incisori e architetti natii degli stati del
Serenissimo Signor Duca di Modena
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garnered him in
Bologna, the maligning appellation of "scimmia del Caravaggio" (ape of Caravaggio).
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for Parma. His ‘’Mystic
Marriage of St Catherine’ (1621; Parma, San Sepolcro) is a late painting.
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painting in
Bologna. His early independent canvases reflect a mannerist style akin to the Flemish
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153:. He frequently collaborated with other students of Ludovico, especially
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article has few in-line sources or illustrations, possible inaccuracies.
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367:(attributed once to Giuseppe Ribera, 1618, Museo Arte Antica, Rome)
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Virgin and Saints Dominic & Francis Interceding with Christ
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149:(1604), shows that he had modeled his style on that of
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Whether Spada either met or became an assistant of
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388:(attributed 1600–1625, Philbrook Museum, Tulsa)
430:. 1980. Penguin Books Ltd. pp. 92, 94–95.
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230:St Dominic Burning the Books of the Heretics
494:Artists in biographies by Giovanni Baglione
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197:after 1608-9, when Caravaggio had fled to
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408:, by Girolamo Tiraboschi, (1786) page 96.
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426:(1993). Pelican History of Art (ed.).
55:may be able to help recruit an expert.
45:needs attention from an expert in arts
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428:Art and Architecture Italy, 1600-1750
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93:) (1576 – 17 May 1622) was an
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514:Paintings attributed to Caravaggio
224:He painted a large canvas for the
129:, Spada was active, together with
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489:Michelangelo Merisi da Caravaggio
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328:Galleria Nazionale d'Arte Antica
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247:In 1617, he was commissioned by
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213:) and his derivative realism
184:, is unclear. The biographer
744:Giovanni Francesco Guerrieri
557:Jan Gerritsz van Bronckhorst
442:Grove art encyclopedia entry
159:Miraculous Draught of Fishes
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172:Interaction with Caravaggio
47:. The specific problem is:
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309:Return of the Prodigal Son
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234:Return of the Prodigal Son
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825:Bartolomé Esteban Murillo
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602:Flemish Baroque painting
291:Martyrdom of Saint Peter
226:Basilica of San Domenico
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373:Abraham and Melchizedek
249:Duke Ranuccio I Farnese
105:and his native city of
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689:Marco Antonio Bassetti
380:Return of Prodigal Son
228:in Bologna, depicting
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924:Painters from Bologna
914:Italian male painters
845:Francisco de Zurbarán
734:Artemisia Gentileschi
562:Hendrick ter Brugghen
164:Among his pupils was
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818:Spanish Caravaggisti
714:Bartolomeo Cavarozzi
704:Cecco del Caravaggio
677:Italian Caravaggisti
643:Valentin de Boulogne
595:Flemish Caravaggisti
572:Gerard van Honthorst
382:(after 1615, Louvre)
211:Museo di Capodimonte
784:Bartolomeo Schedoni
754:Bartolomeo Manfredi
631:French Caravaggisti
359:Aeneas and Anchises
273:Aeneas and Anchises
238:Aeneas and Anchises
188:makes plain in his
809:Giuseppe Vermiglio
739:Orazio Gentileschi
709:Bernardo Cavallino
648:Georges de La Tour
552:Hendrick Bloemaert
524:Dutch Caravaggisti
101:period, active in
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939:Catholic painters
886:
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873:Peter Paul Rubens
830:Francisco Ribalta
804:Massimo Stanzione
789:Giovanni Serodine
684:Giovanni Baglione
617:Theodoor Rombouts
567:Wouter Crabeth II
532:Dirck van Baburen
424:Wittkower, Rudolf
353:Partial anthology
346:Galleria Borghese
207:Cain Killing Abel
151:Ludovico Carracci
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16:(Redirected from
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840:Jusepe de Ribera
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125:. By the early
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89:(also called
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43:This article
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934:Caravaggisti
835:Juan Ribalta
798:
769:Mattia Preti
653:Jean LeClerc
547:Andries Both
478:Caravaggisti
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365:Saint Jerome
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127:17th century
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61:January 2019
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904:1622 deaths
899:1576 births
668:Simon Vouet
504:Chiaroscuro
893:Categories
868:Gerrit Dou
542:Paulus Bor
393:References
178:Caravaggio
135:quadratura
111:Caravaggio
863:Rembrandt
509:Tenebrism
386:A Soldier
324:St Jerome
295:Hermitage
240:(both at
117:Biography
342:Concerto
311:, Louvre
203:Valletta
186:Malvasia
182:Manfredi
161:(1607).
143:Carracci
499:Baroque
259:Gallery
180:, like
107:Bologna
99:Baroque
95:Italian
77:Concert
277:Louvre
242:Louvre
81:Louvre
199:Malta
236:and
195:Rome
103:Rome
244:).
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