Linda Tillery - Knowledge

1028:. Tillery had decided by that time that the gender issue was no longer as important as it once was. "What I really wanted was really good singers and good musicians. And folks we could get along with". The second male performer was added in 2005 when Simon Monserrat joined the group, bringing his vast knowledge of Afro-Caribbean rhythms. The group has also added more contemporary music to their repertoire and has become "less myopic". Other men have been members of the choir since 2005 including Bryan Dyer, but the core original members of Tillery, Benin and Burrell have remained in the lineup consistently over the years. DeMore left the choir around 2009, and her chair was filled by Tammi Brown. 787:, but acted as primary producer on only two songs ("I'm So Thankful" and "Fever"), with Obiedo producing all other songs except one. The style of the recording is a blend of R&B, gospel, pop, jazz and soul, and garnered some critical success but failed to gain national recognition. The LP's "Motown-y" style made it hard for the women's music distribution network to categorize and therefore market to the majority white women's music audience, despite some positive reviews in the gay press such as "Linda Tillery's latest album … is one of the best records ever to find its way into the Women's Music section of a record store". 733:("MichFest") in 1976 and several subsequent years, bringing her authentic expression of African American blues and R&B to women's music festival audiences. A favorite project that she initiated at MichFest was called "A Tribute to Black Women in the Blues" which presented Tillery's "respect and gratitude paid to some women who might have been otherwise ignored. Who were otherwise ignored! And it was one of the most satisfying moments in my life". A recording was made of the tenth anniversary of MichFest in 1985 with Tillery contributing her rendition of the 665:

Way" and "Wonderful", the latter of which was the first song composed entirely by Tillery. The song "Freedom Time", co-written by Tillery and Watkins, brings attention to the problems of being black and female and gay with the lyrics: "If I could just tell you what it's really like/To live this life of triple jeopardy/I fight the daily battles of all my people/Just to sacrifice my pride and deny my strength". This song has been cited as influential in scholarly studies of black feminism and in feminist journals. In a 1978 review in the radical feminist journal

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crashed after that….The lifestyle can either make or break a human being. There are some people who are destroyed by their early success. At least I can say I'm a survivor". The group broke up and reformed in 1969, and had varying membership for periods of time in the late 1960s and early 1970s. One account shows that Tillery left the group in January 1969, rejoined in March 1970 through 1971, and left The Loading Zone for the final time in 1972.

4895: 3570: 3237: 2848: 2181: 884:. On Saturday, Tillery and Skin Tight performed at a dance called "Puttin' On The Ritz" that was jointly sponsored by Olivia and the Bay Area Career Women organization, to celebrate BACW's tenth anniversary and Olivia's twentieth anniversary. That evening, Skin Tight's membership consisted of Ellen Seeling and Jean Fineberg on horns, Joy Julks on bass, Nancy Wenstrom on electric guitar, Maria Martinez on drums, 1043:, a dance piece based on the African-American folk tale of slaves flying back to Africa. CHC provided the soundtrack to the wall dancing of Bandaloop. The performance was a one-night stand at San Francisco's Fort Point. The entrance to the fort was converted to the swaying deck of a slave ship, and the story played out over the fort walls. They only performed it once due to production costs. 434:, and I play harmonica…. She walked through the door in a post office uniform, with little white cat-eyed glasses, and I said, that's our girl. She just looked right. We evolved as a dance band with a fusion of R&B and rock, and we ended up as a psychedelic soul band once we added Linda. She was singing for us by the time we opened for 1008:, and "pounding sticks" to keep the rhythm. The Choir has a repertoire of 60 to 70 songs. The traditional arrangements of many of the songs were for one or two people with perhaps hand claps as percussion. Tillery chooses the material and has arranged about 95 percent of the music for the five-part choir. 1407:

was to get together as a "trio thing exploring roots music from the time when America was a much more rural country and black and white music was much more blended". The collaboration "fuses the bluegrass sounds of the Kentucky rolling hills with the hills and field hollers of the Mississippi Delta".

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and Linda Tillery to see what would happen if the three musicians from disparate backgrounds performed together. The initial concert was dubbed as "Hills to Hollers", and it was such a success that the three women put together a tour and released a live album in 2012. The main idea behind the project

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In addition to her solo, session work, women's music, and Cultural Heritage Choir careers, Tillery has collaborated with many other artists in various genres including music, theater, radio, film, and television. She has also taught classes and workshops as part of her role as an "activist educator".

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was the only album she released on Olivia Records, and Tillery left the collective in 1979. In an interview years later, Tillery described her Olivia experience: "I was quite happy to be in an environment where I could observe other women in the creative process and also in the administrative process

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and brought poetry as well as jazz and blues to women's music audiences. It also exposed audience members to an empowering lesbian culture that was emerging across the USA and it "demonstrated that white lesbians were not the only ones creating a new women's culture: Though the concert was first and

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to test the response. The feedback was overwhelmingly positive, with Tillery being "flooded" with letters from fans saying how much the music had touched them. After that experimental concert in 1991, Tillery decided she would continue on this path and she formed the Cultural Heritage Choir in 1992.

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that included both professional musicians and festival attendees, which traditionally performed on Sunday mornings. After a controversy whereby some white choir members changed the gender pronouns from male to female in song selections, the 1992 MichFest program booklet description of the choir, led

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appeared together on an album. Like all Olivia projects at the time, all of the musicians as well as technical staff were female, including Sandy Stone as recording engineer. The album included a slightly longer version of "Don't Pray For Me", as well as two songs with overt lesbian lyrics: "Womanly

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Tillery calls the music performed by the CHC "survival music". She says "it helped African-Americans endure Jim Crow, lynchings, rapes. The music carried them forward". Also, Tillery says "These songs and the consciousness of them will actually save me in the end. They don't cost any money, they're

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describes seeing the performances at the time: "You've never seen anything like it. They really did present this hot, hot, HOT show. And either you really fell into … the well or some people were repelled … because it was almost too much. But that's the good news, because they were groundbreaking".

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Tillery said that from the inception of the CHC, "the educational aspect would be the most important part of this…. A lot of people never knew, or have forgotten, the origin of some of our most important music in this country. Many of the songs we hold near and dear today are actually spirituals".

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to produce their album. Tillery produced, arranged, sang backing vocals and played percussion on the 1976 eponymous LP, which was the fledgling record label's third release. In addition to the LP, two singles were released as well. Like most Olivia recordings, the album contains several songs with

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who also played piano, organ and horns on selected songs. Tillery provided lead vocals and played percussion on the recording, which garnered some enthusiastic reviews but did not sell well. The album earned Tillery two consecutive "Jammies" (Bay Area Jazz Awards) for Outstanding Female Vocalist.

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particular kind of singer and someone who had a background in traditional music". She found that voice in 2003 in Lamont Van Hook, the group's first male performer, who brought an Al Green-like falsetto to the group's vocal arsenal. Van Hook had toured for several years as a background singer for

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Tillery says that the CHC's music is 100 percent black, but "75 percent of the audience is white and 25 percent will be African American or other…. It's a hard thing to explain. We deal with a lot of what is typically called 'slave music.' And I suppose that there are some people who just want to

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Her next step was to do more extensive research to gather materials to perform. She started by ordering as many recordings from the Library of Congress and the Smithsonian Institution as she could, but soon extended her research into multiple forms of black roots music, including spirituals, work

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In fall 1978, Olivia Records produced the "Varied Voices of Black Women" national tour in response to an all-white lineup of an earlier "Women on Wheels" tour, as well as to promote Olivia artists. The Varied Voices tour played in eight cities and featured Tillery, Mary Watkins, Gwen Avery, Vicki

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The Cultural Heritage Choir has performed all across the United States and in 13 countries. The group has become "an institution at many folk festivals". Tillery has stated that "what I love most of all are international music festivals because they provide me with an opportunity to see and hear

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singing spirituals. Tillery said of that moment: "It practically lifted me out of my seat. I was thinking 'This is the new road. This is the new path. This is the new journey I'm going to take' ". After the music reduced her to tears, she declared to her cat Mimi that "I am going to pursue this

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as recording and mix engineer on the BeBe K'Roche recording. At the time, Stone was in the early stages of transitioning from male to female. Stone's presence as a transsexual in the Olivia collective caused an uproar in the late-1970s within segments of the lesbian-feminist community, and they

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which was not doing a very good job at providing benefits and protections for musicians. It was the beginning of a journey through consciousness-raising and political development for me". Tillery stayed with The Loading Zone a few years, but the lifestyle became "too much, too soon …. I kind of

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Tillery was hired in 1992 as a special consultant to Redwood Records' New Spirituals Project, which each year commissioned a female composer to create a "new spiritual". Tillery sang with the Project every year in concerts held over the Thanksgiving weekend in Oakland, California. Some of the

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It was Tillery's intention when she founded the choir that it remain all-female, although men appeared on the group's recordings. But Foster-Fiege left the band in 2002, and after many substitute singers performed with the group, Tillery said she was "looking for a particular kind of voice, a

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forget that period of time and the events that occurred. However, I have found that the byproduct of slavery, the art that came out of that particularly dreadful time, to be absolutely stimulating and exciting. And sometimes I wonder why it is not as exciting to other African Americans".

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foremost a celebration of Black lesbian feminist identity and culture, it was also an attempt to broaden the white feminist community's understanding of feminist and lesbian identity…. Varied Voices was a watershed event in the history of black women and women-identified music". The film

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album, including on the hit single "Everybody's Everything" which debuted on the Billboard Hit 100 chart on October 16, 1971, peaked at number 12 and remained on the chart for a total of 10 weeks. She also sang backing vocals on the song "Everything's Coming Our Way" from the same album.

660:. Tillery was the lead producer, with co-producer credits to bassist Diane Lindsay and keyboardist/string and horn arranger Mary Watkins. It featured Tillery on lead and supporting vocals, drums and percussion, and marked the first time that Tillery, Watkins, and vocalist/vocal arranger 675:

is described as "characteristically jazz/rock fusion with her clean, funky drumming and excellent interplay between among bass, drums, and keyboards. Combined with the music is a message of lesbian strength, struggle and pride". The album earned Tillery a Bammie (Bay Area Music Award).

798:. The touring band included pianist Julie Homi, who performed in both the mainstream New York jazz scene as well as the women's music circuit. Tillery's May 3, 1985 performance at Boston's Strand Theater was especially significant because the show was opened by a then-little known 425:

album that Tillery enjoyed. At least six singers had auditioned for the job but the 19-year-old Tillery had an edge because she had phoned beforehand to make sure she was what the band was seeking. Years later, Loading Zone founder Paul Fauerso described the hiring of Tillery:

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Linda with the Loading Zone frequently played popular Bay Area Night Clubs like Keystone Berkeley, Frenche's in Hayward and The Odyssey Room in Sunnyvale. While The Loading Zone occasionally performed as headliners in concert venues, they were more well known as a popular

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The original group consisted of six women, but soon settled into a five-member voice and percussion ensemble featuring Tillery, Rhonda Benin, Elouise Burrell, Melanie DeMore, and Emma Jean Foster-Fiege, who all lived within a 15-mile radius of Tillery's Oakland home.

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Tillery joined the Olivia collective, which became "the pioneering label run by the lesbian-feminist collective that made a place for female musicians, engineers, and producers". Tillery and Olivia collective member (and later Olivia president) Judy Dlugacz recruited

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Throughout the 1980s and early 1990s, in addition to performing, recording, and producing albums within the women's music network, Tillery continued to record with mainstream performers. During this time frame, she provided backing vocals on recordings by artists

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During the 1980s, Tillery performed annually at NEWMR, the Northeast Women's Music Retreat, of which she said "that was the festival where I felt most at home". She has also performed several times at the National Women's Music Festival, as well as Wiminfest in

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by Tillery, stated: "The repertoire will draw from spirituals and gospel standards and the workshop will include a discussion of the cultural roots of gospel music. The music will be sung exactly as it is written (no gender substitutions of pronouns or names)".

1318:, and was revived in August 2007 for the finale of Jacob's Pillow Festival's 75th anniversary season. The 2007 performance included Tillery and members of the Cultural Heritage Choir, and portions of the dance were included on a DVD about the festival titled 4988:, 2012, DVD); Tillery is listed in credits as Featured Artist; includes a few short interview scenes with Tillery and some performance footage of the dance "Invisible Wings" for which Tillery was music director and Cultural Heritage Choir performed the music 1441:, Diane Lindsay and other musicians in a "Womanly Way Reunion Band" performance at the National Women's Music Festival. The reunion band then toured to celebrate the 40th anniversary of Tillery's Olivia Records album that featured the song "Womanly Way". 837:) and "Rhythmus 21" that both featured Tillery as a vocalist. During this time period, Linda also shared lead vocals with her younger brother Calvin Tillery in the house band at Slim's nightclub in San Francisco which was co-owned by rock/blues musician 856:

as vocalists, along with other instrumentalists recognizable to women's music audiences. Skin Tight's first performance was at the 1990 Association of Women's Music and Culture (AWMAC) conference in San Francisco, and they "brought the house down".

584:'s Gangster Choir. The "poet's band" had two distinct incarnations based on Hagedorn's residencies in San Francisco in the 1970s and New York City in the 1980s. Tillery was a member of the West Coast Gangster Choir's vocal trio, the Gangsterettes. 936:. Tillery gathered music from small churches, cotton fields and the "freedom music" of her ancestors. She performed research at the Schomberg Center for Research in Black Culture in New York, and was introduced to the ethnomusicology studies of 1032:

what's going on in the rest of the world....It's amazing how much music there is and most people don't get to hear or take the time to hear the stuff that doesn't get played on the radio unless they're tuned into some kind of network".

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Of this period in her career, Tillery said "Then my education as a hard-working singer began…. I was what I call a '9-to-5 musician' from '70 to '77. Played with a lot of bands, did a lot of club work, only the hours were 9 to 2".

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playing alto saxophone. Tillery says she was mesmerized by Redd and that experience enlightened her to "be able to play whatever instrument I chose. I wanted to sing, but not just as a centerpiece. I wanted to be a unique voice".

1230:. Of Tillery's contributions to Voicestra, McFerrin said in 2015: "If I was the heart of Voicestra, Linda was the soul". Tillery formally studied voice with McFerrin for several years, learning about vocal layering and dynamics. 716:

Tillery has referred to herself as the "queen mother" to women's music, to both deflect the tendency of some to look upon her as a sex object, as well as to recall the term's honorific association in some African cultures.

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in San Francisco. She was allowed to play the drum kit and other instruments such as the bassoon in school because her teacher recognized her superior musical abilities. Also around age 13, Tillery attended a picnic in

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As of 2009, Linda Tillery and the Cultural Heritage Choir have released six albums, including two children's albums. All were produced or co-produced by Tillery, and she provided the majority of the song arrangements.

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On September 2, 2023, Tillery celebrated her 75th birthday with a concert at The Freight and Salvage. Tillery performed two sets, one each with the Freedom Band and the Chocolate Psychedelic Band. The event was also

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As she has aged, Tillery has been open about her health problems. She has had a stroke and a malignant abdominal tumor. She has had both knees replaced for which a benefit concert was held in June 2012 at Berkeley's

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After that revelatory evening via PBS and gathering initial material, Tillery approached a friend who directed a youth choir, as well as thirteen musician friends, and they put together a concert of spirituals in

928:. Of that recording, Tillery said "Even though I knew some of the songs and the sound of the music was familiar, I didn't realize there was a source for this…. I loved the music. I felt like I had been reborn". 1313:

in 1998 and was the result of three years of research and collaboration between Haigood, Tillery as musical director, and storyteller Diane Ferlatte. It tells the story of Jacob's Pillow as a stop on the

776:. Tickets to the two-show performance were sold-out two months prior to the evening to 5,400 women and 200 men, and Olivia released the concert as an LP in 1983, on their Second Wave subsidiary label. 490:. Of the gig with Big Brother, Tillery and the Loading Zone won over Joplin's fans so much that Joplin told others after the show that Tillery was never allowed again to be on the same bill with her. 6652: 725:

Although she ended her formal relationship with Olivia in 1979, Tillery remained an important figure in the women's music scene throughout the 1980s and into the 1990s. She has performed at many

355:" was particularly loved by Tillery and was the first song she memorized. Tillery claims that she learned how to read by looking at the labels from her parents' record collection. "Basie was on 713:, Tillery said "I'm so thankful for what Olivia did for me and for other women. Suddenly there was this feeling of hope that our lives could be lived safely in a relationship of our choosing." 508:

Tillery's tenure with The Loading Zone marked the beginning of her professional career. "Though it was at the height of the drug-crazed rock era, the members of the band had all turned to

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Also in the 1980s, Tillery began a twelve-year musical partnership with Ray Obiedo, an Oakland-based guitarist. Obiedo was the leader of two soul/jazz ensembles "Kick" (featuring a young

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Tillery recalled her audition day with humor. Loading Zone guitarist Steve Dowler went to Tillery's house to pick her up. "Her mother saw a hippie at the door and refused to let him in".

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was nine: me and eight white men; every other band I was in was me and six men, me and five men, me and four men. I had never worked with any women musicians". In a 2020 interview in

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threatened a boycott of Olivia products as a result. The Olivia collective defended Stone in multiple feminist publications, but after long debate, Stone left the collective in 1979.

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In May 2005, Tillery and the Cultural Heritage Choir collaborated with Deborah Vaughan, founder and artistic director of Dimensions Dance Theater to create a performance called

629:. Released in 1977, this album also contained overt lesbian/feminist lyrics. In addition to producing, Tillery played drums and contributed supporting vocals to the recording. 1012:

interactive, I can do them with other people, they're not violent, they don't express destruction or disrespect of anyone or anything, and that's an unbeatable combination".

7469: 399:. She says her parents always wanted her to be a business major but she says she "got bored very quickly" with college. She dropped out to begin singing professionally. 1476:, as well as a member of the National Advisory Board for the Archives of African American Music & Culture in the Department of Folklore and Ethnomusicology at IU. 505:

in 1968 and sold about 100,000 copies. Critical reception was mixed, with many dismayed that the album "didn't come close to capturing the band's energy in concert".

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Tillery has been a professional musician for her entire adult life and has had a long career as a backing or supporting vocalist for mainstream artists as diverse as

230:(born September 2, 1948) is an American singer, percussionist, producer, songwriter, and music arranger. She began her professional singing career at age 19 with the 4954:, copyright Signifyin' Works, 1995; includes a brief singing scene with Tillery, a brief speaking role for Tillery, and she performs three songs on the soundtrack (" 5990: 848:

In the early 1990s, Tillery formed and played with the popular Bay Area all-woman Skin Tight Motown Revue band, an R&B/blues/pop outfit that featured Tillery,

7438: 826:. She was a mainstay in the Bay Area music scene, considered by many to be one of the area's "most revered vocalists since the 1960s". In an interview, musician 1551:

Group. She had bilateral carpal tunnel surgery and has back issues. She has used crutches since her knee surgery but views that with characteristic humor: if

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in 1977. In addition to performing, she was the producer on three of Olivia's first eight albums. Within the women's music genre, she has collaborated with

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overt lesbian and/or feminist lyrics, but unlike other early Olivia projects, the style of the music is R&B/funk/jazz and Latin-influenced rock.

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Tillery was born in 1948 to parents who migrated from Texas to San Francisco during World War II. She was born on the block of Fell Street where the

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In 1993, Tillery was among the performers who celebrated Olivia's 20th anniversary weekend in San Francisco, which coincided with the city's annual

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can "drag himself onstage on his crutches, sit down and play his ass off", then I can deal with my physical challenges as well. In July 2020, a

7776: 512:, were completely clean and sober, and were dealing with a lot of political issues that other musicians wouldn't tackle, like confronting the 7090: 5635:

Mockus, Martha (2007). "MeShell Ndegéocello: Musical Articulations of Black Feminism". In Acampora, Christa Davis; Cotten, Angela L. (eds.).

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Tillery is openly lesbian. A 2015 news story identified her partner as Ann Jefferson, director of Community Life and Spiritual Care at

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During this time, Tillery was a member of the jazz fusion band Cesar 830, which recorded one album. She was also the lead vocalist for

7530: 6928: 7701: 1611: 1051: 372: 7781: 7731: 872:. The duo performed Tillery's song "Womanly Way", and later in the set Tillery was joined by other Olivia artists Dianne Davidson, 7477: 7385: 7771: 525:

As early as 1968, Tillery was performing as a solo artist around the Bay Area under the name Sweet Linda Divine. She signed with

7681: 4942:(written and performed by Kerrigan Black for Heebie Jeebie Music, 1993, VHS); Tillery is credited with "Narration of biography" 1184: 6953: 1468:

Putting her ethnomusicological research to work in educational settings, Tillery was a visiting scholar and taught classes at

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Linda Tillery and the Cultural Heritage Choir were the artists-in-residence at the Cache Valley Arts Festival (Utah) in 2004.

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Around the same time, Tillery was in rehearsals for the play "Letters From a New England Negro", and the producer sent her a

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was asked about his favorite Bay Area musicians and he "instantly replied that Tillery was one of the best in the business".

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on her own independent 411 Records label and distributed by Redwood Records. Tillery was the LP's co-Executive producer with

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Roberts, Kathaleen (January 30, 2003). "Survival music: African-American History Month kicks off with songs of the soul".

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on keyboards (subbing for regular pianist Julie Homi), with Tillery, Vicki Randle, and Teresa Trull providing the vocals.

7751: 7721: 475: 7741: 4500: 1567:. She appeared in a wheelchair, and during a break between songs Tillery discussed her experiences with heart surgery. 730: 497:. Another critic called their music "a distinctive blend of garage rock, R&B, and jazz". Their debut album titled 379: 378:

Tillery is a self-taught singer, but her formal music education began at age 13 when she studied the classical bass at

7446: 5261: 7801: 7243: 6379: 5558: 5274: 1360: 1378:. "The city gets such a bad rap. Not enough is focused on what is positive in Oakland" said Vaughan about the work. 1325:

Tillery and Haigood with the Zaccho Dance Theater teamed up again on October 19, 2008 for a one-time performance of

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teamed up in a "Bay Area funk supergroup" and appeared as festival headliners to celebrate the 50th anniversary of

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Hendricks, Marina (February 22, 2001). "Getting To The Roots: Tracing African-American Music Back To The Fields".

1081:, released in 1997 on the EarthBeat! label. Their next release on the same label was a 2001 live recording titled 7726: 7686: 7207: 1621: 7260: 6633: 6232:

Woehrle, Lori; Ruby, Jennie (September 30, 1984). "Southern Discomfort: Women, Music, Comedy, - and Politics?".

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representing "ancient Greek mythology thrust upon the high seas of the African-American experience", written by

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documents the history of women's music, and includes a segment on the Varied Voices tour. In the film, musician

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Pollock, Mary S. (1988). "The Politics of Women's Music: A Conversation with Linda Tillery and Mary Watkins".

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Tillery was a presenter at the November 2009 "Reclaiming the Right to Rock Conference" at Indiana University.

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From 2005–2007, Linda Tillery & The Cultural Heritage Choir with Black Voices (UK), composed and arranged

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in 2017. The initial run of the play was so successful that Cal Shakes reprised the production in fall 2018.

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Hayes, Eileen M. (2007). "Black Women and 'Women's Music'". In Hayes, Eileen M.; Williams, Linda F. (eds.).

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Cultural Heritage Choir (CHC) performances often feature the musicians wearing colorful robes and hats from

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In June 2003, Tillery gave the keynote speech at the Phenomenon of Singing International Symposium IV, in

371:'s big voice, going into her parents' acoustically-pleasing bathroom and trying to imitate Merman's song " 7411: 1330: 493:

The Loading Zone's style has been described as psychedelic soul, and they have been compared somewhat to

5644: 4978:, Woman Vision, 2002, DVD); includes multiple interview scenes with Tillery and some performance footage 4946: 1528: 1275: 7756: 7290:

McCoy, Brian (October 23, 2009). "Playing Catch Up With Mads Tolling, Ben Mercato and Linda Tillery".

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Selvin, Joel (September 8, 1985). "Redwood Records: Feminist Disc Company Spins Local Success Story".

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Maeda, Sheri; Feld, Sarie (November 30, 1983). "Linda Tillery and Adrienne Torf: Looking at Issues".

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The group issued two children's albums on the Music for Little People label. 1997 saw the release of

509: 73: 7557:"Singer and Activist Linda Tillery Is Back! Video From Celebration Marking Her Return to Performing" 1188:(1989). During her seven-year stint with Voicestra, she appeared on many television shows including 757:, Roadwork's Sisterfire festival in 1983, and at the first Southern Women's Music Festival in 1984. 335:. Tillery says her parents were terrible singers but they loved music and had a large collection of 7761: 7418:. Association for Library Service to Children, a division of the American Library Association. 1998 6454:

Kraisirideja, Sandra (February 4, 2004). "Heritage choir revives slave songs from America's past".

2150:"Special Kind of Love" (dance remix)/"Special Kind of Love" (radio remix)/"Secrets" (extended mix) 1670: 1645: 494: 322: 5583:"Tackling issues of race and identity, poets' voices speak loud and clear at Living Word Festival" 5207:

Zane, Maitland (October 24, 1997). "African-American History Provides Melody for Oakland Singer".

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Armstrong Jr., Toni (September 1994). "Ten Years in the Lives of HOT WIRE's thirty cover girls".

6698: 4966:") with the Harriet Tubman Underground Freedom Train Singers. Distributed by California Newsreel. 4506: 3710: 1536: 1453: 1310: 1208: 925: 754: 417: 286: 5411:"Loading Zone Reloaded: Famed rock 'n' rhythm combo reunites after thirty years … for one night" 7666: 7261:"Cultivating Voice, Cultivating Culture: Music Education's Role in Promoting the Examined Life" 7020:

Smith, Patricia Beach (March 15, 2005). "Sacramento Philharmonic Plays Rainbow of Arlen Hits".

6765:(Valley rop ed.). Los Angeles, California. January 7, 1998. p. L.A. Life section, L6. 6371: 6274:

Kehrer, Lauron (Summer 2016). "Goldenrod Distribution and the Queer Failure of Women's Music".

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Stryker, Susan (May 2016). "Another Dream of Common Language: An Interview with Sandy Stone".

944:. She also wanted to talk to the musicians themselves, so she travelled to the sea islands of 7618: 5828:

Clarke, Cheryl; Enszer, Julie R. (June 2015). "Introduction: Where Would I Be Without You?".

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songs, field hollers, and slave songs. This was the beginning of her career as a self-taught

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From the Liminal to the Land: Building Amazon Culture at the Michigan Womyn's Music Festival

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commissioned works were later performed by other choirs across the country, including the

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Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday

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Freedman, Richard (August 7, 2003). "Vocalist bones up on return to Vallejo Jazz Fest".

864:

festivities. On Friday June 25, Tillery performed for the first time in ten years with

321:. Her mother (Eva L.) was a seamstress and later worked at a job pressing garments in a 7325: 6364: 6291: 6107: 5853: 5724: 5637: 5490: 5114: 4985: 4906: 3581: 3248: 2859: 2192: 985: 738: 467: 293:. In the early 1990s, she began exploring the roots music of enslaved Africans and the 6912:

Hutton, Mary Ellyn (February 6, 1997). "MUSE choir pours heart into 'new spiritual'".

1570:

Her younger brother Calvin Tillery is also a vocalist. They have recorded together on

1515:

From February 2013 to the present, she has been a visiting lecturer and artist at the

1472:

in 2009, as well as at Williams College. In 2011, Tillery was a research assistant at

395:

Tillery graduated from high school in 1966 and worked for a year while also attending

7646: 7239: 7171:"Berkeley Freight & Salvage celebrates 50th anniversary with free music festival" 6815:"Bay Area African American Women in Music: Eclecticism Remains Linda Tillery's Forte" 6582:"Cultural Identity and Creativity: Black Artists Discuss the Importance of Community" 6375: 6295: 6132: 6090:

Morris, Bonnie J. (1998). "In Their Own Voices: Oral Histories of Festival Artists".

6036: 6026: 5971: 5965: 5939: 5929: 5894: 5884: 5873: 5845: 5800: 5790: 5762: 5752: 5658: 5648: 5554: 5280: 5270: 4970: 4955: 4026: 1635: 1364: 1036: 760:

On November 26, 1982 Tillery was a member of the all-female band that performed with

687: 642: 431: 6995:"Grammy Nominee Linda Tillery To Direct Free Amazing Grace Choral Workshop Sept. 22" 6565:

Amirrezvani, Anita (November 24, 1995). "Scholar Pours Soul Into 'New Spirituals'".

6287: 4558: 645:. Tillery contributed the song "Don't Pray For Me" to the LP, which was composed by 442:. Her mother made her a floor-length ruffled red leather cape. It was very dramatic. 6283: 6099: 5857: 5837: 5716: 5639:

Unmaking Race, Remaking Soul: Transformative Aesthetics and the Practice of Freedom

5617: 5536:. Long Beach, California. November 23, 2011. p. Section Long Beach Jazz Music. 4934: 3812: 3635: 3430: 2770: 1680: 1488: 1265: 1202: 1196: 1102: 917: 799: 704: 597: 581: 546: 542: 408: 348: 294: 239: 235: 87: 6405: 5991:"'Our sound engineer got a death threat': how lesbian label Olivia shook up music" 5841: 7610:

Linda Tillery and the Cultural Heritage Choir website (archived 15 February 2017)

6747:(booklet). Linda Tillery and The Cultural Heritage Choir. Tuizer Music. BLHCD746. 6588:(Sunday ed.). San Francisco, California. p. Sunday Datebook section, 31 6260: 4511: 4459: 4070: 4015: 3995: 3738: 3652: 3502: 2657:

15th Anniversary Collection: Celebrating 15 Years of the Best in Children's Music

2525: 1540: 1449: 1338: 937: 933: 909: 897: 869: 834: 765: 692: 360: 251: 6653:"Deep Roots: Linda Tillery and the Cultural Heritage Choir Reach Back to Africa" 6472:

Armstrong Jr., Toni (January 1994). "Olivia Turns Twenty: Anniversary Weekend".

5053: 7614: 5225:

Saal, Mark (September 28, 2001). "Choir promises journey through black music".

4652: 4410: 4232: 4021: 3762: 3683: 3630: 3327: 2909: 2261: 1797: 1740: 1601: 1552: 1502:

titled "The Voice as an Instrument of Peace and Motivating Force for Justice".

1423: 1410:

Tillery collaborated with vocalist Molly Holm to create the music for the play

1395: 1179: 1086: 1071: 945: 873: 823: 819: 791:

garnered some radio airplay in major metropolitan areas such as San Francisco.

773: 605: 550: 422: 282: 278: 259: 255: 247: 187: 5451:

Lee, Wayne (October 2, 1987). "Singer Is Just One Step Out Of The Spotlight".

1676:

Women's Cancer Resource Center, San Francisco, Compassionate Healer Award 2015

1074:

describing the recording as "a truly landmark project with historical value".

7655: 6256: 6136: 6040: 5943: 5804: 5621: 4975: 4930: 4700: 4094: 3855: 3733: 3490: 3426: 2758: 1963: 1571: 1564: 1516: 1387: 1382: 1291: 1144: 1094: 905: 811: 803: 769: 761: 667: 574: 471: 455: 415:

and was looking for a new lead singer, so they placed a classified ad in the

356: 344: 310: 6678:(Valley Final ed.). San Jose, California. p. LifeStyle Section, 6D 5975: 5898: 5766: 5662: 5284: 2590:"Down the Line (Texas Prison Work Song)" (with The Cultural Heritage Choir) 339:

records. The music she heard as a young person in her household ranged from

6569:(Final ed.). Walnut Creek, California. p. Time Out section, TO27. 6126: 5849: 5471:"A Little Bit of Soul: Cultural Heritage Choir Brings Black Music to CSI". 4951: 4718: 4676: 4480: 3949: 3879: 3727: 3496: 3313: 2930: 1801: 1617: 1576: 1492: 1480: 1438: 1434: 1403: 1356: 1342: 1260: 1182:'s 10-person ensemble Voicestra, including performing on the soundtrack of 1164: 989: 977: 885: 865: 853: 849: 745: 709: 661: 656:

Later in 1977, Olivia Records released Tillery's second solo album, titled

646: 639: 622: 562: 487: 479: 435: 407:

Tillery first came to prominence as the lead singer in San Francisco group

368: 271: 92: 6551:. Lancaster, Pennsylvania. March 1, 2001. p. This Weekend section, 3. 6533:. Elgin, Illinois. January 20, 2003. p. Community Living section, C3. 6332:(Sunday ed.). San Francisco, California. p. Sunday Datebook, 55. 462:, and opened Bay Area shows for many other bands and performers including 6874:(Sunday ed.). San Francisco, California. p. Sunday Datebook, 35 6640:(Final ed.). Walnut Creek, California. p. Time Out section, C4. 4118: 3807: 3783: 3434: 3086: 1846: 1242: 1025: 815: 703:

because all of my experience up to that point had been working with men.

558: 502: 451: 412: 340: 331:

Neither of her parents were musicians, but she had two uncles who played

267: 174: 37:

Tillery (center) performing with The Cultural Heritage Choir in July 2008

7628: 1398:

was the first artist-in-residence at the prominent Bay Area music venue

1381:

In 2011, Tillery acted as musical director for a Bay Area production of

7642: 7507: 7143: 7070:(Valley Final ed.). San Jose, California. p. Eye Section, 21T 6157:

Armstrong, Toni L (January 31, 1992). "A World of Women at Wombstock".

6111: 5728: 5589:(Final ed.). San Francisco, California. p. Daily Notebook, E1 3925: 3658: 2987: 2246: 1722: 1548: 1544: 1445: 1090: 997: 838: 784: 721:

1980-early 1990s: More women's music, more session work, and club bands

681: 650: 554: 526: 439: 263: 182: 97: 7064:"Barbara Higbie, Laurie Lewis, Linda Tillery come together in concert" 5009:(Metro Final ed.). Sacramento, California. p. Explore, EX11. 1113:. In 2009, the Choir returned to self-publishing with the release of 7358:(Metro Final ed.). Sacramento, California. p. Ticket, TK16. 7238:(First Vintage Books ed.). New York: Vintage Books. p. ix. 6023:

Songs in Black and Lavender: Race, Sexual Politics, and Women's Music

4799: 3462: 3071: 2694: 2464: 1967: 1959: 1938: 1593:

Jammie (Bay Area Jazz Award) winner, Outstanding Female Vocalist for

1519:, where she conducts workshops on the Music of the African Diaspora. 1510:

Songs in Black and Lavender: Race, Sexual Politics, and Women's Music

1148: 1140: 1128: 1106: 993: 877: 861: 534: 325: 314: 102: 7354:

Barton, David (January 8, 1993). "Gay Acts Aim For Wider Audience".

6434:(Final ed.). Tampa, Florida. p. Friday Extra! Section, 14. 6430:

Ross, Curtis (June 25, 1999). "Traveling Man Scaggs Comes On Home".

6103: 5789:. Albany, New York: State University of New York Press. p. 28. 5720: 5005:

Carnes, Jim (August 18, 2008). "They'll Sing for Peace and Change".

3098:

Linda Tillery and the Cultural Heritage Choir, with various artists

7294:. Oakland, California. p. Oakland Jazz Music Examiner section. 5875:

Virtual Equality: The Mainstreaming of Gay & Lesbian Liberation

5532:"An afternoon with Linda Tillery and the Cultural Heritage Choir". 5367:

McLaughlin, Jeff (May 1, 1985). "Linda Tillery's 'healing music'".

1556: 1309:, with choreographer Joanna Haigood. The dance was commissioned by 734: 601: 231: 7024:(Metro Final ed.). Sacramento, California. p. Scene, E1. 5688:

Clark, Terri (November 30, 1978). "Linda Tillery: Feminist Funk".

5553:. Durham, North Carolina: Duke University Press. pp. 90–102. 1259:

Tillery performed on the soundtracks of several films by director

841:, who often sat in with the band. She was briefly a member of the 7632: 1419: 1351:

Tillery was the featured vocalist at a March 13, 2005 concert in

969: 463: 388: 5643:. Albany, New York: State University of New York Press. p. 5455:(Third ed.). Seattle, Washington. p. Tempo section, 5. 3440: 3085:

Musical direction and arrangements by Tillery; co-produced with

1876: 1539:

venue to help with her medical expenses, which featured artists

421:

stating "Wanted: One Soul Singer" which was also the title of a

7531:"Arhoolie Awards show honors Elvin Bishop, Linda Tillery, more" 7091:"Bold, Brilliant 'Black Odyssey' Lands at Cal Shakes in Orinda" 6960:. Pittsfield, Massachusetts. August 22, 2007. p. Best Bets 6916:(Final ed.). Cincinnati, Ohio. p. Living section, 1B. 6672:"Singer Tammi Brown infuses all her music with a gospel uplift" 6366:

Voices of Latin Rock: People and Events That Created This Sound

5751:. Urbana, Illinois: University of Illinois Press. p. 162. 5269:. Norwich, Vermont: New Victoria Publishers. pp. 114–119. 3515:"Womanly Way" (co-written with Mary Watkins and Diane Lindsay) 1098: 953: 920:

tape containing traditional black folk songs obtained from the

520: 332: 6282:(2). Urbana, Illinois: University of Illinois Press: 218–242. 5550:

Tropical Renditions: Making Musical Scenes in Filipino America

992:, percussion and dance. The instrumentation often consists of 794:

Tillery and band toured during 1985 to support the release of

744:

For several years at MichFest, Tillery also lead the festival

591: 6842:"Review/Film: The Self Stays Strong Amid Shades of Prejudice" 5925:

Acts of Gaiety: LGBT Performance and the Politics of Pleasure

4604: 3163: 1415: 1334: 1110: 1001: 981: 973: 580:

Another group with whom she performed during this period was

7118:"Don't Worry, McFerrin's Bay Area Legacy Stronger Than Ever" 6529:"Linda Tillery and Cultural Heritage Choir to sing at ECC". 6309:

Thomas, June (July 31, 1985). "Women's Music Branches Out".

6131:(Ph.D.). University of Maryland, College Park. p. 345. 1559:

account was set up to help with Tillery's medical expenses.

1355:

to celebrate the 100th anniversary of the birth of composer

347:

to rural and urban blues. By age 2, her favorite singer was

7369:

Becker, David (June 9, 2012). "Bay Area Jazz, June 11–17".

6821:. Vol. 51, no. 39. Oakland, California. p. 2 6728:"Fourth annual international arts festival opens in S.F.". 6370:(1st ed.). Milwaukee, Wisconsin: Hal Leonard. p. 6343:

Post, Laura (May 1990). "Two Roads to Solo Keyboard Work".

5341:. Juneau, Alaska. p. This Week section. Archived from 3110:

Musical direction by Tillery; co-produced with Leib Ostrow

1005: 6893:

Lee, Cherylene (September 1993). "New Growth at Redwood".

5211:(Final ed.). San Francisco, California. p. EB 3. 5028: 2754:

Love Is The Song We Sing (San Francisco Nuggets 1965-1970)

1580:(1975), and on Linda Tillery and the Freedom Band's album 1233:

Tillery has appeared in music videos for Bobby McFerrin's

298: 7386:"Bay Area arts: 7 cool things to do and see this weekend" 6929:"DANCE REVIEW; Hope and Sanctuary On a Torturous Journey" 5786:

The Disappearing L: Erasure of Lesbian Spaces and Culture

1512:

by Eileen M. Hayes (University of Illinois Press, 2010).

1287: 1168: 901: 474:, Cream at San Francisco's famed Winterland Ballroom and 6491:

Harper, Jorjet (May 1990). "The 1990 AWMAC Conference".

891: 772:

in New York City, to celebrate the tenth anniversary of

5262:"Linda Tillery: Big voice, solid roots, new spirituals" 2609:"Boll Weevil Blues" (with The Cultural Heritage Choir) 2245:"Hold It Up" (with Jeanette Lazam, Barbara B.G. Glass, 1612:

National Association of Independent Record Distributors

577:'s soul/funk/jazz/Latin band, appearing on two albums. 7043:. Hayward, California. p. Inside Bay Area section 5475:. Twin Falls, Idaho. April 1, 2005. p. Section C. 4940:

Tryin' To Get Home: A History of African American Song

2536:"Rock Island Line" (with The Cultural Heritage Choir) 779:

In 1985, Tillery released her third solo album titled

317:

whose first job after moving to California was at the

5928:. Ann Arbor, Michigan: University of Michigan Press. 4334:

backing vocals/body percussion/hand claps/tambourine

2813:"Shortnin' Bread" (with The Cultural Heritage Choir) 2017: 1035:

The Cultural Heritage Choir united with wall dancers

621:

Tillery's next job with Olivia Records was producing

7150:. Women in the Arts, National Women's Music Festival 3066:

Linda Tillery and the Cultural Heritage Choir, with

2171: 1788:

1989, reissued on CD in 1994 with stock number 2211

632:

Also in 1977, Olivia released the compilation album

6954:"Jacob's Pillow: 'Invisible Wings' to be performed" 6512:"2 Operatic Sopranos Keep the Spirit in Spirituals" 5879:. New York: Anchor Books (published 1995). p. 5109: 5107: 1337:and its blending of African rhythms with Argentine 6363: 6025:. Urbana, Illinois: University of Illinois Press. 5872: 5636: 5260: 3487:"What Are You Under" (co-written with Joe Rubino) 2332:Music Lovers Choice Vol. 5: Modern Soul & Jazz 1305:She created and performed the music for the dance 1248:In 1992, she recorded the soundtrack for the play 5489:Hannan, Ross; Arnold, Corry (December 10, 2010). 5086:"Acclaimed singer Linda Tillery takes on theater" 4933:, 1971); Tillery appears as the lead vocalist of 2800:Pickin' & Grinnin': Great Folk Songs for Kids 1508:Tillery wrote the foreword to the scholarly book 1333:. The performance celebrated the history of the 1048:A Long Way Home: Concertizing the Golden Triangle 411:starting in 1968. The band had just signed with 7653: 6458:. Escondido, California. p. Section: Music. 5104: 1133:Grammy Award for Best Musical Album for Children 6449: 6447: 6445: 6443: 6441: 2651:"Name Game" (with The Cultural Heritage Choir) 2596:Musicworks 75: On The Brink Of A New Millennium 2128:"Secrets" (radio mix)/"Secrets" (extended mix) 1320:Never Standing Still: Dancing at Jacob's Pillow 806:, who made her major-stage debut that evening. 541:Through much of the 1970s, Tillery worked as a 402: 6560: 6558: 6361: 5267:Backstage Pass: Interviews with Women in Music 3187:Linda Tillery and the Cultural Heritage Choir 3142:Linda Tillery and the Cultural Heritage Choir 3044:Linda Tillery and the Cultural Heritage Choir 3022:Linda Tillery and the Cultural Heritage Choir 363:". She had memorized Basie's arrangement of " 6788: 6784: 6782: 6780: 6778: 6776: 6774: 6772: 6471: 6467: 6465: 6060:GEMS (Gender, Education, Music & Society) 5362: 5360: 2561:Giggling & Laughing: Silly Songs for Kids 2521:Night Train: Classic Railroad Songs, Volume 3 1877:Linda Tillery and The Cultural Heritage Choir 1394:Also in 2011, multi-instrumentalist musician 876:, Nancy Vogl, Teresa Trull, Cris Williamson, 274:in 1997 for Best Musical Album for Children. 7476:. Parents' Choice Foundation. Archived from 7445:. Parents' Choice Foundation. Archived from 6983:. Placerville, California. October 17, 2008. 6627: 6625: 6542: 6540: 6453: 6438: 5827: 5518:(booklet). Columbia Records. 1998. KC 30595. 5488: 5382: 5380: 5378: 4982:Never Stand Still: Dancing at Jacob's Pillow 2794:"Willie and the Hand Jive" (with Taj Mahal) 1614:(NAIRD), Best Independent Music Award (1986) 565:and others. She sang backing vocals on the 549:and occasionally playing drums on albums by 521:1970-1977: Debut solo album and session work 454:for other big-name bands. They toured with 313:currently stands. Her father (Horace) was a 7672:20th-century African-American women singers 7088: 7082: 6808: 6806: 6804: 6609: 6607: 6605: 6603: 6564: 6555: 6231: 3560: 2719:Sweet Slumbers: Soothing Lullabies for Kids 2505:Sweet Slumbers: Soothing Lullabies for Kids 2084:"Good Day Sunshine"/"Same Time Same Place" 1374:, which celebrates the positive aspects of 1154: 845:and also performed with the Solid Senders. 592:1975-1979: Olivia Records and women's music 7635: 7621: 7168: 7037:"Artistic Director Celebrates Connections" 6769: 6462: 6199: 6150: 6098:(2). University of Nebraska Press: 53–71. 6085: 6083: 6081: 5778: 5776: 5749:Black Women and Music: More Than The Blues 5715:(1). University of Nebraska Press: 14–19. 5484: 5482: 5404: 5402: 5400: 5398: 5366: 5357: 5313:. Elgin, Illinois. p. Go section, D1. 5304: 5302: 5300: 5298: 5296: 5294: 5092:. San Francisco Chronicle. August 18, 2011 2735:Funk 80 Only The Best Rare Tracks Volume 2 2418:ESP DJ Classics Vol. 3: Feeling of Freedom 1773:Shake It To the One That You Love the Best 270:, and others. Tillery was nominated for a 31: 7747:Lowell High School (San Francisco) alumni 7304: 6756: 6754: 6622: 6537: 6509: 6503: 6205: 6175: 6169: 6156: 6056:"Sound Memories From A Recent Revolution" 6016: 6014: 6012: 5823: 5821: 5742: 5740: 5738: 5391:. Charleston, West Virginia. p. P1D. 5386: 5375: 5328: 5326: 5324: 5322: 5320: 5171:"Music: Linda Tillery sings her heritage" 5164: 5162: 5160: 5158: 5156: 2301:Timeless Records/Stomp Records (Germany) 1587: 1052:San Francisco International Arts Festival 7528: 7383: 7323: 7317: 7109: 7055: 6812: 6801: 6663: 6644: 6634:"Tillery's Still Motivated by the Music" 6631: 6613: 6600: 6355: 5970:(DVD). Woman Vision. 29:14 minutes in. 5683: 5681: 5679: 5527: 5525: 5466: 5464: 5462: 5154: 5152: 5150: 5148: 5146: 5144: 5142: 5140: 5138: 5136: 5115:"Grammy Award Results for Linda Tillery" 5080: 5078: 5076: 5074: 1302:and MUSE, The Cincinnati Women's Choir. 604:band BeBe K'Roche submitted her name to 7792:21st-century African-American musicians 7467: 7124:. Walnut Creek, California. p. 17T 7115: 7061: 6926: 6865: 6859: 6742: 6736: 6696: 6690: 6669: 6650: 6398: 6225: 6124: 6118: 6078: 6047: 5957: 5773: 5706: 5700: 5607: 5601: 5580: 5574: 5546: 5540: 5479: 5408: 5395: 5308: 5291: 2555:"Beans and Cornbread" (with Taj Mahal) 2542:A Child's Celebration of Silliest Songs 1433:In July 2017, Tillery reconnected with 7654: 7436: 7368: 7362: 7353: 7347: 7258: 7252: 7169:Harrington, Jim (September 17, 2018). 7034: 7028: 6946: 6911: 6905: 6839: 6751: 6510:Oestreich, James R. (March 19, 1990). 6490: 6484: 6423: 6336: 6327: 6321: 6308: 6302: 6273: 6267: 6250: 6244: 6206:Alexander, Elizabeth (June 27, 1983). 6089: 6053: 6009: 5921: 5915: 5818: 5782: 5735: 5634: 5628: 5581:Sanders, Joshunda (October 11, 2004). 5446: 5444: 5442: 5440: 5438: 5436: 5434: 5432: 5332: 5317: 5254: 5252: 5250: 5248: 5246: 5244: 5242: 5240: 5238: 5236: 5220: 5218: 5202: 5200: 5198: 5196: 5194: 5192: 5168: 5013: 5004: 2703:This Land Is Your Land: Songs of Unity 1444:In September 2018, Tillery and former 1359:. She was accompanied by the 71-piece 1185:Common Threads: Stories from the Quilt 373:There's No Business Like Show Business 7777:20th-century American women musicians 7529:McMullen, Randy (November 18, 2019). 7298: 7289: 7283: 7231: 7225: 7189: 7019: 7013: 6987: 6972: 6927:Dunning, Jennifer (August 27, 1998). 6579: 6573: 6522: 6092:Frontiers: A Journal of Women Studies 6020: 5746: 5709:Frontiers: A Journal of Women Studies 5687: 5676: 5522: 5459: 5133: 5071: 5048: 5046: 4998: 3461:"Remember the Ones" (co-written with 3227: 1290:specials with Bobby McFerrin and the 900:on her television, she came across a 892:1992-present: Cultural Heritage Choir 7412:"1998 Notable Children's Recordings" 7136: 7116:Gilbert, Andrew (November 9, 2017). 6886: 6732:. Oakland, California. May 15, 2007. 6670:Gilbert, Andrew (January 13, 2010). 6547:"Choir Celebrates A Rich Heritage". 6429: 6342: 5988: 5982: 5870: 5864: 5547:Balance, Christine Bacareza (2016). 5371:. Boston, Massachusetts. p. 78. 5333:Keeker, Korry (September 22, 2005). 5258: 5224: 5206: 4889: 3564: 3231: 3132:Produced and co-arranged by Tillery 2842: 2175: 2101:Radio station promo copy 7", 45 RPM 1463: 1237:(1990) and Big Bear-Earth Project's 529:and released her debut album titled 242:, with her second solo album titled 238:. She is recognized as a pioneer in 7797:21st-century African-American women 7677:20th-century American women singers 7384:McMullen, Randy (August 30, 2023). 7206:(16): 28. 2011–2012. Archived from 6892: 6813:Chambers, Ashley (March 23, 2015). 6632:Freedman, Rich (January 13, 2008). 6518:. New York. p. Review/Concert. 6362:McCarthy, Jim; Sansoe, Ron (2004). 5450: 5429: 5409:Gilbert, Andrew (August 13, 2008). 5233: 5215: 5189: 5169:Hamlin, Jesse (February 14, 2015). 4703:and Women's Voices for Peace Choir 4501:Four Chords & Several Years Ago 3680:(various artist compilation album) 3406:Linda Tillery and The Freedom Band 3384:Linda Tillery and The Freedom Band 3340:Linda Tillery and The Freedom Band 3293:Linda Tillery and The Freedom Band 3209:Linda Tillery and The Freedom Band 2838: 1819: 1085:that included guest appearances by 533:in 1970. The album was produced by 476:Big Brother and the Holding Company 13: 7089:D'Souza, Karen (August 18, 2017). 7062:Gilbert, Andrew (March 12, 2015). 6866:Whiting, Sam (November 19, 1995). 6580:Moore, Teresa (February 8, 1998). 5964:Mosbacher, Dee (director) (2002). 5610:TSQ: Transgender Studies Quarterly 5043: 2693:"Follow the Drinking Gourd" (with 2056: 2018:Linda Tillery and the Freedom Band 1367:" and "I Had Myself a True Love". 952:to find performers of traditional 14: 7813: 7603: 7259:Morton, Charlene A. (July 2003). 7001:. Logan, Utah. September 10, 2004 6840:Holden, Stephen (June 25, 1993). 6651:Gilbert, Andrew (June 22, 2006). 3199:Co-produced with Simon Monserrat 3056:Produced and arranged by Tillery 3034:Produced and arranged by Tillery 2920:all songs co-arranged by Tillery 2172:Various artist compilation albums 1363:on two seldom-sung Arlen songs, " 1361:Sacramento Philharmonic Orchestra 1178:Tillery was a founding member of 1131:, which was nominated for a 1998 1077:The Choir's second recording was 1070:was self-published in 1995, with 430:She said, 'I'm kind of big, like 16:American singer and percussionist 7702:Record producers from California 6054:Morris, Bonnie (November 2014). 4893: 4804:Stony Plain Recordings (Canada) 3963:drums/percussion/backing vocals 3568: 3312:"Freedom Time" (co-written with 3235: 2846: 2450:A Child's Celebration of Lullaby 2179: 1662:California Music Award nominee, 1522: 1250:Letters from a New England Negro 1163:In 1987, Tillery performed with 904:special featuring opera singers 514:American Federation of Musicians 7782:American women record producers 7732:LGBTQ people from San Francisco 7575: 7549: 7522: 7492: 7461: 7430: 7404: 7377: 7162: 6920: 6833: 6721: 6699:"Vancouver Folk Music Festival" 6288:10.5406/americanmusic.34.2.0218 5508: 3221:Co-produced with Camilo Landau 3177:Co-produced with Kit Higginson 2581:Festival Mundial (Netherlands) 1854:1968, reissued on CD 2001 (UK) 1655:Parent's Choice "Gold" winner, 1622:Best Musical Album for Children 1245:television commercial in 1990. 731:Michigan Womyn's Music Festival 7772:20th-century American drummers 7232:Davis, Angela Yvonne (1999) . 7035:Payton, Brenda (May 6, 2005). 5989:Male, Andrew (July 19, 2020). 2990:; producer on selected tracks 2619:First Experience Records (UK) 1690: 1485:San Francisco State University 1474:Indiana University Bloomington 1428:California Shakespeare Theater 1402:, and she invited her friends 466:on their first American tour, 1: 7682:20th-century American singers 6868:"Spirituals For Thanksgiving" 6263:. Second Wave Records. LF933. 5842:10.1080/10894160.2015.1028238 4992: 4657:Blue Grove Records (Austria) 4400:supporting vocals/hand claps 2670:"Shake A Tail Feather" (with 2638:A Child's Celebration of Soul 2106:"Womanly Way"/"Markin' Time" 1636:Notable Children's Recordings 1543:, the Wayne Wallace Quintet, 1224:Black Filmmakers Hall of Fame 1218:as well as concerts with the 1115:Still We Sing, Still We Rise. 1057: 843:ZaSu Pitts Memorial Orchestra 397:City College of San Francisco 367:" by age 4. She also admired 304: 7787:African-American songwriters 7373:. San Francisco, California. 5054:"Olivia Records Discography" 4533:Turtle Island String Quartet 4296:The Power Of My Love For You 3425:"Maracatú" (co-written with 3183:Still We Sing, Still We Rise 2463:"Singin' In My Heart" (with 2434:A Good Example of What It Is 2001:Still We Sing, Still We Rise 1958:(with Taj Mahal, Eric Bibb, 1669:Community Leadership Award, 1632:American Library Association 1414:, a modern-day retelling of 403:Late 1960s: The Loading Zone 291:Turtle Island String Quartet 7: 7707:Songwriters from California 7313:(10). Washington, D.C.: 22. 6901:(3). Chicago, Illinois: 28. 6872:The San Francisco Chronicle 6797:(3). Chicago, Illinois: 24. 6586:The San Francisco Chronicle 6499:(2). Chicago, Illinois: 34. 6480:(1). Chicago, Illinois: 24. 6351:(2). Chicago, Illinois: 28. 6330:The San Francisco Chronicle 6165:(1). Chicago, Illinois: 34. 6125:Kendall, Laurie J. (2006). 5587:The San Francisco Chronicle 5335:"Discovering Musical Roots" 5209:The San Francisco Chronicle 5177:. San Francisco, California 5175:The San Francisco Chronicle 2986:Executive co-producer with 2832:"Makin' Time (Volcov cut)" 1331:Pleasant Valley, California 1252:, written by poet/novelist 1241:(1990). She was also in a 1239:Will the Circle Be Unbroken 1139:with Taj Mahal, Eric Bibb, 802:undergraduate singer named 299:The Cultural Heritage Choir 10: 7818: 7752:Singers from San Francisco 7722:American lesbian musicians 7392:. Walnut Creek, California 7097:. Walnut Creek, California 6317:(7). Washington, D.C.: 25. 6240:(8). Washington, D.C.: 15. 6176:Theophano, Teresa (2002). 5830:Journal of Lesbian Studies 5783:Morris, Bonnie J. (2016). 5696:(10). Washington, D.C.: 8. 2779:Rock & Roll Playground 2615:Simply Soul Flavas Part II 2371:Counterpoint Records (UK) 1529:Pacific School of Religion 1483:were guest lecturers at a 1171:production of the musical 980:, while performing songs, 896:In 1991 while Tillery was 596:Tillery was introduced to 353:That's All I Want From You 217:Tillery's archived website 7742:American LGBT songwriters 7504:culturalheritagechoir.com 7265:The Phenomenon of Singing 7197:"National Advisory Board" 6763:Daily News of Los Angeles 6253:Meg/Cris at Carnegie Hall 6021:Hayes, Eileen M. (2010). 5997:(U.S. ed.). New York 4964:Lift Every Voice and Sing 3773:backup vocals/percussion 3678:Lights Out: San Francisco 3617: 3614: 3611: 3608: 3605: 3602: 3311: 3284: 3281: 3278: 3275: 3272: 3269: 2895: 2892: 2889: 2886: 2883: 2880: 2692: 2554: 2462: 2438:Higher Learning (Europe) 2379: 2309: 2225: 2222: 2219: 2216: 2213: 2078: 2075: 2072: 2069: 2066: 2063: 2033: 2030: 2027: 2024: 1892: 1889: 1886: 1883: 1835: 1832: 1829: 1826: 1711: 1708: 1705: 1702: 1517:San Francisco Jazz Center 671:, the style of the album 510:Transcendental Meditation 212: 208: 167: 157: 137: 111: 80: 74:San Francisco, California 57: 47: 42: 30: 23: 7802:American lesbian writers 7324:Williams, Carla (2002). 6743:Santana, Carlos (1995). 5622:10.1215/23289252-3334559 4984:(directed by Ron Honsa, 4885: 4648:Songs From The Southland 4618:percussion/cajon/djembe 3985:drums/supporting vocals 3893:drums/supporting vocals 3561:Guest appearance credits 3101:Music for Little People 3076:Music for Little People 2823:ESP DJ Classics (Japan) 2804:Music for Little People 2723:Music for Little People 2707:Music for Little People 2684:Music for Little People 2661:Music for Little People 2642:Music for Little People 2565:Music for Little People 2546:Music for Little People 2509:Music for Little People 2493:Music for Little People 2477:Music for Little People 2454:Music for Little People 2422:ESP DJ Classics (Japan) 1973:Music for Little People 1944:Music for Little People 1782:Music for Little People 1671:San Francisco Foundation 1479:She and fellow musician 1329:at Miraflores Winery in 1155:Expanding collaborations 495:Sly and the Family Stone 7692:American women drummers 7561:San Francisco Bay Times 7537:. Palo Alto, California 7468:Heffley, Laura (2000). 7439:"Shakin' A Tailfeather" 7437:Beavin, Kristi (1998). 6697:Gregory, Fiona (2002). 6659:. Monterey, California. 5121:. The Recording Academy 4947:Black is... Black Ain't 4848:Spruce and Maple Music 4507:Huey Lewis and the News 4322:The Washington Sisters 3875:The Ways A Woman Can Be 3711:Flying Dutchman Records 3381:"In Praise of Freedom" 2926:The Ways A Woman Can Be 2577:Festival Mundial Live 3 2390:Luv N' Haight/Ubiquity 2352:Line Records (Germany) 1794:Hills to Hollers: Live! 1695: 1537:The Freight and Salvage 1454:The Freight and Salvage 1276:Black is... Black Ain't 926:Smithsonian Institution 755:Albuquerque, New Mexico 727:women's music festivals 627:The Ways A Woman Can Be 418:San Francisco Chronicle 287:Huey Lewis and the News 195:Music for Little People 7727:LGBTQ record producers 7687:American blues singers 7506:. 2013. Archived from 7371:San Francisco Examiner 7177:. San Jose, California 6745:Good Time, A Good Time 6657:Monterey County Weekly 6618:. Vallejo, California. 6251:Wilson, Susan (1983). 6208:"Sisterly Celebration" 5871:Vaid, Urvashi (1996). 5495:chickenonaunicycle.com 5058:queermusicheritage.com 4734:Family Groove Records 3414:Round Whirled Records 3403:"In the Name of Love" 3392:Round Whirled Records 3348:Round Whirled Records 3301:Round Whirled Records 3212:Round Whirled Records 3018:Good Time, A Good Time 2680:Brown Girl in the Ring 2628:"Love For Love" (with 2406:Wagram Music (France) 2320:Timeless Records (UK) 2044:Round Whirled Records 1899:Good Time, A Good Time 1588:Awards and recognition 1353:Sacramento, California 1151:was released in 1999. 1068:Good Time, A Good Time 942:Bernice Johnson Reagon 625:'s debut album titled 444: 351:, whose recording of " 319:Hunters Point Shipyard 43:Background information 7737:American LGBT singers 7712:American soul singers 7697:American folk singers 6761:"Grammy Awards '98". 5922:Warner, Sara (2012). 5417:. Oakland, California 4960:We Shall Not Be Moved 4826:Stony Plain (Canada) 3869:drums/backing vocals 3476:Stony Plain (Canada) 3290:"Celebrate the King" 3062:Shakin' a Tailfeather 2739:U.K Records (France) 2473:Celebration of Family 2291:"Love and Happiness" 1931:Shakin' a Tailfeather 1650:Shakin' a Tailfeather 1640:Shakin' a Tailfeather 1626:Shakin' a Tailfeather 1327:It Takes Two To Tango 1286:She also appeared in 1254:Sherley Anne Williams 1215:Entertainment Tonight 1191:The Arsenio Hall Show 1169:National Public Radio 1121:Shakin' a Tailfeather 986:children's play songs 428: 385:Pittsburg, California 7510:on February 15, 2017 5259:Post, Laura (1997). 4907:adding missing items 4707:Telarc International 4538:Windham Hill Records 4485:Dancing Cat Records 3582:adding missing items 3437:, and Rhonda Benin) 3370:411/Redwood Records 3249:adding missing items 2977:411/Redwood Records 2860:adding missing items 2600:Musicworks (Canada) 2297:That's Timeless Soul 2272:"Don't Pray for Me" 2249:, and Anita Taylor) 2193:adding missing items 2156:411/Redwood Records 2136:411/Redwood Records 1602:Bay Area Music Award 1500:Newfoundland, Canada 1458:Berkeley, California 1426:and produced by the 1316:Underground Railroad 1300:Boys Choir of Harlem 1228:Tokyo Music Festival 828:Country Joe McDonald 729:including the first 297:, forming the group 7767:Lesbian songwriters 7717:CBS Records artists 6914:The Cincinnati Post 6730:The Oakland Tribune 6703:Canadian Folk Music 5534:Long Beach Examiner 5021:"Linda's Biography" 4780:Left Angle Records 4430:Singer In The Storm 4303:Heartlight Records 4256:Casselberry-DuPreé 3921:Imagine My Surprise 3688:Blue Thumb Records 3465:and Ulrika Ponten) 3145:EarthBeat! Records 3047:EarthBeat! Records 3012:Executive producer 3000:Casselberry-DuPreé 2489:Singin' In My Heart 2256:Lesbian Concentrate 1989:EarthBeat! Records 1919:EarthBeat! Records 1681:Arhoolie Foundation 1470:Stanford University 1376:Oakland, California 962:Oakland, California 922:Library of Congress 882:Lucie Blue Tremblay 635:Lesbian Concentrate 460:The Jeff Beck Group 228:Linda "Tui" Tillery 53:Linda Joyce Tillery 7474:parents-choice.org 7443:parents-choice.org 6999:The Herald Journal 6979:"Happens on the". 6638:Contra Costa Times 6567:Contra Costa Times 6516:The New York Times 6456:North County Times 5389:Charleston Gazette 4986:First Run Features 4905:; you can help by 4870:Dixiefrog Records 4757:Jackalope Records 4690:background vocals 4437:Chameleon Records 4340:With A Little Luck 4167:Cityscape Records 4138:Something To Go On 4084:supporting vocals 3697:background vocals 3672:background vocals 3580:; you can help by 3410:Celebrate the King 3388:Celebrate the King 3359:"I'm So Thankful" 3344:Celebrate the King 3297:Celebrate the King 3247:; you can help by 3228:Songwriter credits 3205:Celebrate the King 2858:; you can help by 2769:"The Bells" (with 2236:Any Woman's Blues 2191:; you can help by 2088:Sweet Linda Divine 2040:Celebrate the King 1718:Sweet Linda Divine 1595:Sweet Linda Divine 1582:Celebrate the King 1372:Spirits Uplifted I 1271:Fear of Disclosure 1194:, Johnny Carson's 739:Love and Happiness 531:Sweet Linda Divine 486:'s historic venue 380:Lowell High School 7583:"Roseland (1971)" 7148:www.wiaonline.org 7144:"Performers 2017" 6981:Mountain Democrat 6549:Lancaster New Era 6178:"Music Festivals" 6032:978-0-252-03514-2 5967:Radical Harmonies 5935:978-0-472-11853-3 5890:978-0-385-47299-9 5796:978-1-4384-6177-9 5758:978-0-252-03184-7 5654:978-0-7914-7161-6 5453:The Seattle Times 5227:Standard-Examiner 4971:Radical Harmonies 4956:We Shall Overcome 4923: 4922: 4883: 4882: 4772:Winter In America 4585:Sugar Mama Music 4259:Icebergg Records 4210:Sonny Padilla JR 4027:Cotillion Records 4000:Fabulous Records 3788:Pleiades Records 3663:Columbia Records 3598: 3597: 3558: 3557: 3265: 3264: 3225: 3224: 3123:Sugar Mama Music 3040:Front Porch Music 3003:Icebergg Records 2876: 2875: 2836: 2835: 2316:People Want Music 2278:Michigan Live '85 2232:Any Woman's Blues 2209: 2208: 2169: 2168: 2054: 2053: 2015: 2014: 1915:Front Porch Music 1874: 1873: 1864:Umbrella Records 1817: 1816: 1464:Activist educator 1450:Zigaboo Modeliste 1079:Front Porch Music 934:ethnomusicologist 688:Radical Harmonies 680:Randle, and poet 600:in 1975 when the 432:Big Mama Thornton 222: 221: 68:September 2, 1948 7809: 7639: 7625: 7598: 7597: 7595: 7593: 7579: 7573: 7572: 7570: 7568: 7553: 7547: 7546: 7544: 7542: 7526: 7520: 7519: 7517: 7515: 7496: 7490: 7489: 7487: 7485: 7480:on April 7, 2017 7465: 7459: 7458: 7456: 7454: 7449:on April 7, 2017 7434: 7428: 7427: 7425: 7423: 7408: 7402: 7401: 7399: 7397: 7381: 7375: 7374: 7366: 7360: 7359: 7351: 7345: 7344: 7342: 7340: 7330: 7326:"Music: Popular" 7321: 7315: 7314: 7302: 7296: 7295: 7292:Oakland Examiner 7287: 7281: 7280: 7278: 7276: 7256: 7250: 7249: 7229: 7223: 7222: 7220: 7218: 7213:on April 7, 2017 7212: 7201: 7193: 7187: 7186: 7184: 7182: 7175:The Mercury News 7166: 7160: 7159: 7157: 7155: 7140: 7134: 7133: 7131: 7129: 7113: 7107: 7106: 7104: 7102: 7086: 7080: 7079: 7077: 7075: 7059: 7053: 7052: 7050: 7048: 7041:The Daily Review 7032: 7026: 7025: 7017: 7011: 7010: 7008: 7006: 6991: 6985: 6984: 6976: 6970: 6969: 6967: 6965: 6950: 6944: 6943: 6941: 6939: 6924: 6918: 6917: 6909: 6903: 6902: 6890: 6884: 6883: 6881: 6879: 6863: 6857: 6856: 6854: 6852: 6837: 6831: 6830: 6828: 6826: 6810: 6799: 6798: 6786: 6767: 6766: 6758: 6749: 6748: 6740: 6734: 6733: 6725: 6719: 6718: 6716: 6714: 6694: 6688: 6687: 6685: 6683: 6667: 6661: 6660: 6648: 6642: 6641: 6629: 6620: 6619: 6611: 6598: 6597: 6595: 6593: 6577: 6571: 6570: 6562: 6553: 6552: 6544: 6535: 6534: 6526: 6520: 6519: 6507: 6501: 6500: 6488: 6482: 6481: 6469: 6460: 6459: 6451: 6436: 6435: 6427: 6421: 6420: 6418: 6416: 6402: 6396: 6395: 6390: 6388: 6369: 6359: 6353: 6352: 6340: 6334: 6333: 6325: 6319: 6318: 6306: 6300: 6299: 6271: 6265: 6264: 6248: 6242: 6241: 6229: 6223: 6222: 6220: 6218: 6203: 6197: 6196: 6194: 6192: 6182: 6173: 6167: 6166: 6154: 6148: 6147: 6145: 6143: 6122: 6116: 6115: 6087: 6076: 6075: 6073: 6071: 6051: 6045: 6044: 6018: 6007: 6006: 6004: 6002: 5986: 5980: 5979: 5961: 5955: 5954: 5952: 5950: 5919: 5913: 5912: 5907: 5905: 5878: 5868: 5862: 5861: 5825: 5816: 5815: 5813: 5811: 5780: 5771: 5770: 5744: 5733: 5732: 5704: 5698: 5697: 5685: 5674: 5673: 5671: 5669: 5642: 5632: 5626: 5625: 5616:(1–2): 294–305. 5605: 5599: 5598: 5596: 5594: 5578: 5572: 5571: 5569: 5567: 5544: 5538: 5537: 5529: 5520: 5519: 5512: 5506: 5505: 5503: 5501: 5486: 5477: 5476: 5468: 5457: 5456: 5448: 5427: 5426: 5424: 5422: 5415:East Bay Express 5406: 5393: 5392: 5384: 5373: 5372: 5364: 5355: 5354: 5352: 5350: 5345:on April 7, 2017 5330: 5315: 5314: 5306: 5289: 5288: 5264: 5256: 5231: 5230: 5222: 5213: 5212: 5204: 5187: 5186: 5184: 5182: 5166: 5131: 5130: 5128: 5126: 5111: 5102: 5101: 5099: 5097: 5082: 5069: 5068: 5066: 5064: 5050: 5041: 5040: 5038: 5036: 5031:on April 7, 2017 5027:. Archived from 5025:lindatillery.net 5017: 5011: 5010: 5002: 4935:The Loading Zone 4918: 4915: 4897: 4896: 4890: 4879:featured vocals 4835:featured vocals 4789:featured vocals 4123:Morocco Records 4069:Meg Christian / 4065:At Carnegie Hall 3945:Something Moving 3930:Redwood Records 3836:Mercury Records 3813:Nemperor Records 3636:Columbia Records 3600: 3599: 3593: 3590: 3572: 3571: 3565: 3431:Giovanni Hidalgo 3273:Album artist(s) 3267: 3266: 3260: 3257: 3239: 3238: 3232: 3138:Say Yo' Business 2884:Album artist(s) 2878: 2877: 2871: 2868: 2850: 2849: 2843: 2839:Producer credits 2826:<unknown> 2771:The Loading Zone 2742:<unknown> 2444:<unknown> 2342:<unknown> 2211: 2210: 2204: 2201: 2183: 2182: 2176: 2098:<unknown> 2061: 2060: 2022: 2021: 1985:Say Yo' Business 1881: 1880: 1842:The Loading Zone 1824: 1823: 1820:The Loading Zone 1700: 1699: 1679:Arhoolie Award, 1664:Say Yo' Business 1541:Tuck & Patti 1266:Color Adjustment 1203:CBS This Morning 1197:The Tonight Show 1135:. The recording 1103:Kelly Joe Phelps 1083:Say Yo' Business 800:Tufts University 705:The Loading Zone 643:anti-gay crusade 582:Jessica Hagedorn 543:session musician 501:was released on 499:The Loading Zone 409:The Loading Zone 349:Dinah Washington 295:African diaspora 236:The Loading Zone 160: 71: 67: 65: 50: 35: 21: 20: 7817: 7816: 7812: 7811: 7810: 7808: 7807: 7806: 7762:Lesbian singers 7652: 7651: 7631:discography at 7606: 7601: 7591: 7589: 7581: 7580: 7576: 7566: 7564: 7555: 7554: 7550: 7540: 7538: 7527: 7523: 7513: 7511: 7498: 7497: 7493: 7483: 7481: 7466: 7462: 7452: 7450: 7435: 7431: 7421: 7419: 7410: 7409: 7405: 7395: 7393: 7382: 7378: 7367: 7363: 7352: 7348: 7338: 7336: 7328: 7322: 7318: 7303: 7299: 7288: 7284: 7274: 7272: 7257: 7253: 7246: 7230: 7226: 7216: 7214: 7210: 7199: 7195: 7194: 7190: 7180: 7178: 7167: 7163: 7153: 7151: 7142: 7141: 7137: 7127: 7125: 7114: 7110: 7100: 7098: 7087: 7083: 7073: 7071: 7060: 7056: 7046: 7044: 7033: 7029: 7018: 7014: 7004: 7002: 6993: 6992: 6988: 6978: 6977: 6973: 6963: 6961: 6958:Berkshire Eagle 6952: 6951: 6947: 6937: 6935: 6925: 6921: 6910: 6906: 6891: 6887: 6877: 6875: 6864: 6860: 6850: 6848: 6838: 6834: 6824: 6822: 6811: 6802: 6787: 6770: 6760: 6759: 6752: 6741: 6737: 6727: 6726: 6722: 6712: 6710: 6695: 6691: 6681: 6679: 6668: 6664: 6649: 6645: 6630: 6623: 6612: 6601: 6591: 6589: 6578: 6574: 6563: 6556: 6546: 6545: 6538: 6528: 6527: 6523: 6508: 6504: 6489: 6485: 6470: 6463: 6452: 6439: 6428: 6424: 6414: 6412: 6404: 6403: 6399: 6386: 6384: 6382: 6360: 6356: 6341: 6337: 6326: 6322: 6307: 6303: 6272: 6268: 6261:Cris Williamson 6255:(liner notes). 6249: 6245: 6230: 6226: 6216: 6214: 6212:Washington Post 6204: 6200: 6190: 6188: 6180: 6174: 6170: 6155: 6151: 6141: 6139: 6123: 6119: 6104:10.2307/3347157 6088: 6079: 6069: 6067: 6052: 6048: 6033: 6019: 6010: 6000: 5998: 5987: 5983: 5963: 5962: 5958: 5948: 5946: 5936: 5920: 5916: 5903: 5901: 5891: 5869: 5865: 5826: 5819: 5809: 5807: 5797: 5781: 5774: 5759: 5745: 5736: 5721:10.2307/3345934 5705: 5701: 5686: 5677: 5667: 5665: 5655: 5633: 5629: 5606: 5602: 5592: 5590: 5579: 5575: 5565: 5563: 5561: 5545: 5541: 5531: 5530: 5523: 5514: 5513: 5509: 5499: 5497: 5487: 5480: 5470: 5469: 5460: 5449: 5430: 5420: 5418: 5407: 5396: 5385: 5376: 5365: 5358: 5348: 5346: 5331: 5318: 5307: 5292: 5277: 5257: 5234: 5223: 5216: 5205: 5190: 5180: 5178: 5167: 5134: 5124: 5122: 5113: 5112: 5105: 5095: 5093: 5084: 5083: 5072: 5062: 5060: 5052: 5051: 5044: 5034: 5032: 5019: 5018: 5014: 5003: 4999: 4995: 4919: 4913: 4910: 4894: 4888: 4813:backing vocals 4766:backing vocals 4754:The Ruminators 4743:backing vocals 4666:backing vocals 4548:backing vocals 4528:By The Fireside 4522:backing vocals 4512:Elektra Records 4494:backing vocals 4460:Polydor Records 4362:Don't Hold Back 4356:backing vocals 4344:Deidre McCalla 4312:backing vocals 4290:backing vocals 4246:backing vocals 4222:backing vocals 4199:backing vocals 4190:Credit Records 4176:backing vocals 4132:backing vocals 4071:Cris Williamson 4059:backing vocals 4037:backing vocals 4009:backing vocals 3996:June Millington 3969:Let It Be Known 3739:Mercury Records 3646:backing vocals 3594: 3588: 3585: 3569: 3563: 3503:Mercury Records 3261: 3255: 3252: 3236: 3230: 2872: 2866: 2863: 2847: 2841: 2697:and Taj Mahal) 2526:Rounder Records 2386:California Soul 2380:"Freedom Time" 2355:LICD 9.00621 J 2205: 2199: 2196: 2180: 2174: 2059: 2057:Singles and EPs 2020: 1879: 1822: 1760:Redwood Records 1698: 1693: 1673:, 2014 and 2015 1648:"Gold" winner, 1646:Parents' Choice 1590: 1525: 1466: 1456:music venue in 1307:Invisible Wings 1157: 1066:Their debut CD 1060: 938:Eileen Southern 910:Kathleen Battle 898:channel surfing 894: 870:Zellerbach Hall 766:Cris Williamson 723: 693:June Millington 638:in response to 594: 523: 405: 359:. Dinah was on 307: 252:June Millington 225: 204: 158: 153: 133: 107: 72: 69: 63: 61: 48: 38: 26: 17: 12: 11: 5: 7815: 7805: 7804: 7799: 7794: 7789: 7784: 7779: 7774: 7769: 7764: 7759: 7754: 7749: 7744: 7739: 7734: 7729: 7724: 7719: 7714: 7709: 7704: 7699: 7694: 7689: 7684: 7679: 7674: 7669: 7664: 7650: 7649: 7640: 7626: 7612: 7605: 7604:External links 7602: 7600: 7599: 7574: 7548: 7535:The Daily News 7521: 7491: 7460: 7429: 7403: 7390:East Bay Times 7376: 7361: 7356:Sacramento Bee 7346: 7316: 7297: 7282: 7251: 7244: 7224: 7188: 7161: 7135: 7122:East Bay Times 7108: 7095:East Bay Times 7081: 7054: 7027: 7022:Sacramento Bee 7012: 6986: 6971: 6945: 6933:New York Times 6919: 6904: 6885: 6858: 6846:New York Times 6832: 6800: 6768: 6750: 6735: 6720: 6689: 6662: 6643: 6621: 6599: 6572: 6554: 6536: 6521: 6502: 6483: 6461: 6437: 6422: 6397: 6380: 6354: 6335: 6320: 6301: 6276:American Music 6266: 6243: 6224: 6198: 6168: 6149: 6117: 6077: 6046: 6031: 6008: 5981: 5956: 5934: 5914: 5910:linda tillery. 5889: 5863: 5836:(3): 275–289. 5817: 5795: 5772: 5757: 5734: 5699: 5675: 5653: 5627: 5600: 5573: 5559: 5539: 5521: 5507: 5491:"Loading Zone" 5478: 5473:The Times-News 5458: 5428: 5394: 5374: 5356: 5316: 5290: 5275: 5232: 5229:. Ogden, Utah. 5214: 5188: 5132: 5103: 5070: 5042: 5012: 5007:Sacramento Bee 4996: 4994: 4991: 4990: 4989: 4979: 4967: 4943: 4937: 4921: 4920: 4900: 4898: 4887: 4884: 4881: 4880: 4877: 4874: 4871: 4868: 4865: 4859: 4858: 4855: 4852: 4849: 4846: 4843: 4837: 4836: 4833: 4830: 4827: 4824: 4821: 4815: 4814: 4811: 4808: 4805: 4802: 4797: 4791: 4790: 4787: 4784: 4781: 4778: 4775: 4768: 4767: 4764: 4761: 4758: 4755: 4752: 4745: 4744: 4741: 4738: 4735: 4732: 4729: 4723: 4722: 4715: 4712: 4709: 4704: 4698: 4692: 4691: 4688: 4685: 4682: 4679: 4674: 4668: 4667: 4664: 4661: 4658: 4655: 4653:Hans Theessink 4650: 4644: 4643: 4640: 4637: 4634: 4631: 4626: 4620: 4619: 4616: 4613: 4610: 4607: 4602: 4596: 4595: 4594:backup vocals 4592: 4589: 4586: 4583: 4580: 4574: 4573: 4570: 4567: 4564: 4563:Bembe Records 4561: 4559:Rebeca Mauleón 4556: 4550: 4549: 4546: 4543: 4542:01934 11175-2 4540: 4535: 4530: 4524: 4523: 4520: 4517: 4514: 4509: 4504: 4496: 4495: 4492: 4489: 4488:08022-38024-2 4486: 4483: 4478: 4472: 4471: 4468: 4465: 4464:314 513 197-2 4462: 4457: 4454: 4448: 4447: 4444: 4441: 4438: 4435: 4432: 4426: 4425: 4422: 4419: 4416: 4413: 4411:Bobby McFerrin 4408: 4406:Medicine Music 4402: 4401: 4398: 4395: 4392: 4389: 4386: 4380: 4379: 4376: 4373: 4370: 4367: 4364: 4358: 4357: 4354: 4351: 4348: 4345: 4342: 4336: 4335: 4332: 4329: 4326: 4323: 4320: 4314: 4313: 4310: 4307: 4304: 4301: 4298: 4292: 4291: 4288: 4285: 4282: 4279: 4276: 4270: 4269: 4268:vocal support 4266: 4263: 4260: 4257: 4254: 4248: 4247: 4244: 4241: 4238: 4235: 4233:Deidre McCalla 4230: 4228:Don't Doubt It 4224: 4223: 4220: 4217: 4214: 4211: 4208: 4205:It's Your Body 4201: 4200: 4197: 4194: 4191: 4188: 4185: 4178: 4177: 4174: 4171: 4168: 4165: 4164:Diane Lindsay 4162: 4156: 4155: 4152: 4149: 4146: 4143: 4140: 4134: 4133: 4130: 4127: 4124: 4121: 4116: 4110: 4109: 4106: 4103: 4100: 4097: 4092: 4086: 4085: 4082: 4079: 4076: 4073: 4067: 4061: 4060: 4057: 4054: 4051: 4048: 4045: 4039: 4038: 4035: 4032: 4029: 4024: 4022:Stacy Lattisaw 4019: 4011: 4010: 4007: 4004: 4001: 3998: 3993: 3987: 3986: 3983: 3980: 3977: 3974: 3971: 3965: 3964: 3961: 3958: 3955: 3952: 3947: 3941: 3940: 3937: 3934: 3931: 3928: 3923: 3917: 3916: 3913: 3910: 3907: 3904: 3901: 3895: 3894: 3891: 3888: 3885: 3882: 3877: 3871: 3870: 3867: 3864: 3861: 3858: 3853: 3851:Face The Music 3847: 3846: 3843: 3840: 3837: 3834: 3833:Coke Escovedo 3831: 3825: 3824: 3821: 3818: 3815: 3810: 3805: 3799: 3798: 3795: 3792: 3789: 3786: 3781: 3775: 3774: 3771: 3768: 3765: 3763:Olivia Records 3760: 3759:Be Be K'Roche 3757: 3751: 3750: 3747: 3744: 3741: 3736: 3731: 3723: 3722: 3719: 3716: 3713: 3708: 3705: 3699: 3698: 3695: 3692: 3689: 3686: 3684:Tower of Power 3681: 3674: 3673: 3670: 3667: 3664: 3661: 3656: 3648: 3647: 3644: 3641: 3638: 3633: 3628: 3620: 3619: 3616: 3613: 3610: 3607: 3604: 3596: 3595: 3575: 3573: 3562: 3559: 3556: 3555: 3552: 3549: 3546: 3541: 3540:Linda Tillery 3538: 3534: 3533: 3530: 3527: 3524: 3519: 3518:Linda Tillery 3516: 3512: 3511: 3508: 3505: 3500: 3493: 3488: 3484: 3483: 3480: 3477: 3474: 3469: 3466: 3458: 3457: 3454: 3451: 3448: 3443: 3438: 3433:, Joey Blake, 3422: 3421: 3418: 3415: 3412: 3407: 3404: 3400: 3399: 3396: 3393: 3390: 3385: 3382: 3378: 3377: 3374: 3371: 3368: 3363: 3362:Linda Tillery 3360: 3356: 3355: 3352: 3349: 3346: 3341: 3337: 3336: 3333: 3330: 3325: 3320: 3319:Linda Tillery 3317: 3309: 3308: 3305: 3302: 3299: 3294: 3291: 3287: 3286: 3283: 3280: 3277: 3274: 3271: 3263: 3262: 3242: 3240: 3229: 3226: 3223: 3222: 3219: 3216: 3213: 3210: 3207: 3201: 3200: 3197: 3194: 3191: 3188: 3185: 3179: 3178: 3175: 3172: 3169: 3166: 3161: 3155: 3154: 3152: 3149: 3146: 3143: 3140: 3134: 3133: 3130: 3127: 3124: 3121: 3118: 3112: 3111: 3108: 3105: 3102: 3099: 3096: 3090: 3089: 3083: 3080: 3077: 3074: 3064: 3058: 3057: 3054: 3051: 3048: 3045: 3042: 3036: 3035: 3032: 3029: 3026: 3023: 3020: 3014: 3013: 3010: 3007: 3004: 3001: 2998: 2992: 2991: 2984: 2981: 2978: 2975: 2974:Linda Tillery 2972: 2966: 2965: 2963: 2960: 2957: 2954: 2953:Linda Tillery 2951: 2945: 2944: 2942: 2939: 2936: 2933: 2928: 2922: 2921: 2918: 2915: 2912: 2907: 2906:Be Be K'Roche 2904: 2898: 2897: 2894: 2891: 2888: 2885: 2882: 2874: 2873: 2853: 2851: 2840: 2837: 2834: 2833: 2830: 2827: 2824: 2821: 2815: 2814: 2811: 2808: 2805: 2802: 2796: 2795: 2792: 2789: 2786: 2781: 2775: 2774: 2767: 2764: 2761: 2756: 2750: 2749: 2748:"Count On Me" 2746: 2743: 2740: 2737: 2731: 2730: 2727: 2724: 2721: 2715: 2714: 2711: 2708: 2705: 2699: 2698: 2691: 2688: 2685: 2682: 2676: 2675: 2668: 2665: 2662: 2659: 2653: 2652: 2649: 2646: 2643: 2640: 2634: 2633: 2626: 2623: 2620: 2617: 2611: 2610: 2607: 2604: 2601: 2598: 2592: 2591: 2588: 2585: 2582: 2579: 2573: 2572: 2569: 2566: 2563: 2557: 2556: 2553: 2550: 2547: 2544: 2538: 2537: 2534: 2531: 2528: 2523: 2517: 2516: 2513: 2510: 2507: 2501: 2500: 2497: 2494: 2491: 2485: 2484: 2481: 2478: 2475: 2469: 2468: 2461: 2458: 2455: 2452: 2446: 2445: 2442: 2439: 2436: 2430: 2429: 2426: 2423: 2420: 2414: 2413: 2410: 2407: 2404: 2398: 2397: 2394: 2391: 2388: 2382: 2381: 2378: 2375: 2372: 2369: 2363: 2362: 2359: 2356: 2353: 2350: 2348:Der Sampler 31 2344: 2343: 2340: 2337: 2336:Technics (UK) 2334: 2328: 2327: 2324: 2321: 2318: 2312: 2311: 2308: 2305: 2304:TLCD 9.00422E 2302: 2299: 2293: 2292: 2289: 2286: 2283: 2280: 2274: 2273: 2270: 2267: 2264: 2259: 2251: 2250: 2243: 2240: 2237: 2234: 2228: 2227: 2226:Song title(s) 2224: 2221: 2218: 2215: 2207: 2206: 2186: 2184: 2173: 2170: 2167: 2166: 2163: 2160: 2157: 2154: 2151: 2147: 2146: 2143: 2140: 2137: 2134: 2129: 2125: 2124: 2121: 2118: 2115: 2112: 2107: 2103: 2102: 2099: 2096: 2093: 2090: 2085: 2081: 2080: 2077: 2074: 2071: 2068: 2065: 2064:Song title(s) 2058: 2055: 2052: 2051: 2048: 2045: 2042: 2036: 2035: 2032: 2029: 2026: 2019: 2016: 2013: 2012: 2009: 2006: 2003: 1997: 1996: 1993: 1990: 1987: 1981: 1980: 1977: 1974: 1971: 1952: 1951: 1948: 1945: 1942: 1927: 1926: 1923: 1920: 1917: 1911: 1910: 1907: 1904: 1901: 1895: 1894: 1891: 1888: 1885: 1878: 1875: 1872: 1871: 1868: 1865: 1862: 1856: 1855: 1852: 1849: 1844: 1838: 1837: 1834: 1831: 1828: 1821: 1818: 1815: 1814: 1811: 1808: 1805: 1798:Barbara Higbie 1790: 1789: 1786: 1783: 1780: 1769: 1768: 1765: 1762: 1756: 1750: 1749: 1746: 1743: 1741:Olivia Records 1738: 1732: 1731: 1728: 1725: 1720: 1714: 1713: 1710: 1707: 1704: 1697: 1694: 1692: 1689: 1688: 1687: 1684: 1677: 1674: 1667: 1660: 1653: 1643: 1629: 1615: 1609: 1598: 1589: 1586: 1553:Itzhak Perlman 1524: 1521: 1465: 1462: 1424:Marcus Gardley 1396:Barbara Higbie 1365:A Sleepin' Bee 1311:Jacob's Pillow 1209:The Today Show 1180:Bobby McFerrin 1156: 1153: 1087:Wilson Pickett 1072:Carlos Santana 1059: 1056: 988:, folk tales, 946:South Carolina 893: 890: 874:Deidre McCalla 820:Bobby McFerrin 774:Olivia Records 722: 719: 640:Anita Bryant's 606:Olivia Records 593: 590: 547:backing vocals 522: 519: 472:Sam & Dave 423:Johnnie Taylor 404: 401: 387:where she saw 365:April in Paris 306: 303: 283:Bobby McFerrin 260:Barbara Higbie 256:Deidre McCalla 248:Olivia Records 224:Musical artist 223: 220: 219: 214: 210: 209: 206: 205: 203: 202: 199: 196: 193: 190: 185: 180: 177: 171: 169: 165: 164: 161: 155: 154: 152: 151: 148: 145: 141: 139: 135: 134: 132: 131: 128: 125: 122: 119: 115: 113: 109: 108: 106: 105: 100: 95: 90: 84: 82: 78: 77: 59: 55: 54: 51: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 7814: 7803: 7800: 7798: 7795: 7793: 7790: 7788: 7785: 7783: 7780: 7778: 7775: 7773: 7770: 7768: 7765: 7763: 7760: 7758: 7757:Women's music 7755: 7753: 7750: 7748: 7745: 7743: 7740: 7738: 7735: 7733: 7730: 7728: 7725: 7723: 7720: 7718: 7715: 7713: 7710: 7708: 7705: 7703: 7700: 7698: 7695: 7693: 7690: 7688: 7685: 7683: 7680: 7678: 7675: 7673: 7670: 7668: 7667:Living people 7665: 7663: 7660: 7659: 7657: 7648: 7644: 7643:Linda Tillery 7641: 7638: 7634: 7630: 7629:Linda Tillery 7627: 7624: 7620: 7616: 7615:Linda Tillery 7613: 7611: 7608: 7607: 7588: 7584: 7578: 7562: 7558: 7552: 7536: 7532: 7525: 7509: 7505: 7501: 7495: 7479: 7475: 7471: 7470:"Hippity Hop" 7464: 7448: 7444: 7440: 7433: 7417: 7413: 7407: 7391: 7387: 7380: 7372: 7365: 7357: 7350: 7334: 7327: 7320: 7312: 7308: 7307:Off Our Backs 7301: 7293: 7286: 7270: 7266: 7262: 7255: 7247: 7245:0-679-77126-3 7241: 7237: 7236: 7228: 7209: 7205: 7198: 7192: 7176: 7172: 7165: 7149: 7145: 7139: 7123: 7119: 7112: 7096: 7092: 7085: 7069: 7065: 7058: 7042: 7038: 7031: 7023: 7016: 7000: 6996: 6990: 6982: 6975: 6959: 6955: 6949: 6934: 6930: 6923: 6915: 6908: 6900: 6896: 6889: 6873: 6869: 6862: 6847: 6843: 6836: 6820: 6816: 6809: 6807: 6805: 6796: 6792: 6785: 6783: 6781: 6779: 6777: 6775: 6773: 6764: 6757: 6755: 6746: 6739: 6731: 6724: 6708: 6704: 6700: 6693: 6677: 6673: 6666: 6658: 6654: 6647: 6639: 6635: 6628: 6626: 6617: 6610: 6608: 6606: 6604: 6587: 6583: 6576: 6568: 6561: 6559: 6550: 6543: 6541: 6532: 6525: 6517: 6513: 6506: 6498: 6494: 6487: 6479: 6475: 6468: 6466: 6457: 6450: 6448: 6446: 6444: 6442: 6433: 6432:Tampa Tribune 6426: 6411: 6407: 6401: 6394: 6383: 6381:0-634-08061-X 6377: 6373: 6368: 6367: 6358: 6350: 6346: 6339: 6331: 6324: 6316: 6312: 6311:Off Our Backs 6305: 6297: 6293: 6289: 6285: 6281: 6277: 6270: 6262: 6258: 6257:Meg Christian 6254: 6247: 6239: 6235: 6234:Off Our Backs 6228: 6213: 6209: 6202: 6186: 6179: 6172: 6164: 6160: 6153: 6138: 6134: 6130: 6129: 6121: 6113: 6109: 6105: 6101: 6097: 6093: 6086: 6084: 6082: 6065: 6061: 6057: 6050: 6042: 6038: 6034: 6028: 6024: 6017: 6015: 6013: 5996: 5992: 5985: 5977: 5973: 5969: 5968: 5960: 5945: 5941: 5937: 5931: 5927: 5926: 5918: 5911: 5900: 5896: 5892: 5886: 5882: 5877: 5876: 5867: 5859: 5855: 5851: 5847: 5843: 5839: 5835: 5831: 5824: 5822: 5806: 5802: 5798: 5792: 5788: 5787: 5779: 5777: 5768: 5764: 5760: 5754: 5750: 5743: 5741: 5739: 5730: 5726: 5722: 5718: 5714: 5710: 5703: 5695: 5691: 5690:Off Our Backs 5684: 5682: 5680: 5664: 5660: 5656: 5650: 5646: 5641: 5640: 5631: 5623: 5619: 5615: 5611: 5604: 5588: 5584: 5577: 5562: 5560:9780822360018 5556: 5552: 5551: 5543: 5535: 5528: 5526: 5517: 5511: 5496: 5492: 5485: 5483: 5474: 5467: 5465: 5463: 5454: 5447: 5445: 5443: 5441: 5439: 5437: 5435: 5433: 5416: 5412: 5405: 5403: 5401: 5399: 5390: 5383: 5381: 5379: 5370: 5363: 5361: 5344: 5340: 5339:Juneau Empire 5336: 5329: 5327: 5325: 5323: 5321: 5312: 5305: 5303: 5301: 5299: 5297: 5295: 5286: 5282: 5278: 5276:0-934678-84-7 5272: 5268: 5263: 5255: 5253: 5251: 5249: 5247: 5245: 5243: 5241: 5239: 5237: 5228: 5221: 5219: 5210: 5203: 5201: 5199: 5197: 5195: 5193: 5176: 5172: 5165: 5163: 5161: 5159: 5157: 5155: 5153: 5151: 5149: 5147: 5145: 5143: 5141: 5139: 5137: 5120: 5116: 5110: 5108: 5091: 5087: 5081: 5079: 5077: 5075: 5059: 5055: 5049: 5047: 5030: 5026: 5022: 5016: 5008: 5001: 4997: 4987: 4983: 4980: 4977: 4976:Dee Mosbacher 4974:(directed by 4973: 4972: 4968: 4965: 4961: 4957: 4953: 4950:(directed by 4949: 4948: 4944: 4941: 4938: 4936: 4932: 4931:Fredric Hobbs 4929:(directed by 4928: 4925: 4924: 4917: 4908: 4904: 4901:This list is 4899: 4892: 4891: 4878: 4875: 4872: 4869: 4866: 4864: 4861: 4860: 4856: 4853: 4850: 4847: 4844: 4842: 4841:Kindred Lines 4839: 4838: 4834: 4831: 4828: 4825: 4822: 4820: 4817: 4816: 4812: 4809: 4806: 4803: 4801: 4798: 4796: 4793: 4792: 4788: 4785: 4782: 4779: 4776: 4773: 4770: 4769: 4765: 4762: 4759: 4756: 4753: 4750: 4747: 4746: 4742: 4739: 4736: 4733: 4730: 4728: 4725: 4724: 4720: 4717:vocals (with 4716: 4713: 4710: 4708: 4705: 4702: 4701:Maria Muldaur 4699: 4697: 4694: 4693: 4689: 4686: 4683: 4680: 4678: 4675: 4673: 4670: 4669: 4665: 4662: 4659: 4656: 4654: 4651: 4649: 4646: 4645: 4641: 4638: 4635: 4632: 4630: 4627: 4625: 4622: 4621: 4617: 4614: 4611: 4608: 4606: 4603: 4601: 4598: 4597: 4593: 4590: 4587: 4584: 4581: 4579: 4576: 4575: 4571: 4568: 4565: 4562: 4560: 4557: 4555: 4552: 4551: 4547: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4525: 4521: 4518: 4515: 4513: 4510: 4508: 4505: 4503: 4502: 4498: 4497: 4493: 4490: 4487: 4484: 4482: 4479: 4477: 4474: 4473: 4469: 4466: 4463: 4461: 4458: 4455: 4453: 4450: 4449: 4445: 4442: 4439: 4436: 4433: 4431: 4428: 4427: 4423: 4420: 4417: 4414: 4412: 4409: 4407: 4404: 4403: 4399: 4396: 4393: 4390: 4388:Hunter Davis 4387: 4385: 4382: 4381: 4377: 4374: 4371: 4368: 4365: 4363: 4360: 4359: 4355: 4352: 4349: 4346: 4343: 4341: 4338: 4337: 4333: 4330: 4327: 4325:SHSAWA Music 4324: 4321: 4319: 4316: 4315: 4311: 4308: 4305: 4302: 4300:Susan Savell 4299: 4297: 4294: 4293: 4289: 4286: 4283: 4280: 4278:Hunter Davis 4277: 4275: 4272: 4271: 4267: 4264: 4261: 4258: 4255: 4253: 4250: 4249: 4245: 4242: 4239: 4236: 4234: 4231: 4229: 4226: 4225: 4221: 4218: 4215: 4212: 4209: 4206: 4203: 4202: 4198: 4195: 4192: 4189: 4186: 4183: 4180: 4179: 4175: 4172: 4169: 4166: 4163: 4161: 4158: 4157: 4153: 4150: 4147: 4144: 4141: 4139: 4136: 4135: 4131: 4128: 4125: 4122: 4120: 4117: 4115: 4112: 4111: 4107: 4104: 4101: 4099:EsGo Records 4098: 4096: 4095:Pete Escovedo 4093: 4091: 4088: 4087: 4083: 4080: 4077: 4074: 4072: 4068: 4066: 4063: 4062: 4058: 4055: 4052: 4050:Gayleo Music 4049: 4046: 4044: 4043:Night Rainbow 4041: 4040: 4036: 4033: 4030: 4028: 4025: 4023: 4020: 4018: 4017: 4013: 4012: 4008: 4005: 4002: 3999: 3997: 3994: 3992: 3989: 3988: 3984: 3981: 3978: 3975: 3973:Teresa Trull 3972: 3970: 3967: 3966: 3962: 3959: 3956: 3953: 3951: 3948: 3946: 3943: 3942: 3938: 3935: 3932: 3929: 3927: 3924: 3922: 3919: 3918: 3914: 3911: 3908: 3905: 3902: 3900: 3897: 3896: 3892: 3889: 3886: 3883: 3881: 3878: 3876: 3873: 3872: 3868: 3865: 3862: 3859: 3857: 3856:Meg Christian 3854: 3852: 3849: 3848: 3844: 3841: 3838: 3835: 3832: 3830: 3829:Disco Fantasy 3827: 3826: 3822: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3800: 3796: 3793: 3790: 3787: 3785: 3782: 3780: 3777: 3776: 3772: 3769: 3766: 3764: 3761: 3758: 3756: 3755:Be Be K'Roche 3753: 3752: 3748: 3745: 3742: 3740: 3737: 3735: 3734:Coke Escovedo 3732: 3730: 3729: 3725: 3724: 3720: 3717: 3714: 3712: 3709: 3706: 3704: 3701: 3700: 3696: 3693: 3690: 3687: 3685: 3682: 3679: 3676: 3675: 3671: 3668: 3665: 3662: 3660: 3657: 3655: 3654: 3650: 3649: 3645: 3642: 3639: 3637: 3634: 3632: 3629: 3627: 3626: 3622: 3621: 3615:Release year 3612:Stock number 3609:Record label 3601: 3592: 3583: 3579: 3576:This list is 3574: 3567: 3566: 3553: 3550: 3547: 3545: 3544:Linda Tillery 3542: 3539: 3536: 3535: 3531: 3528: 3525: 3523: 3522:Linda Tillery 3520: 3517: 3514: 3513: 3509: 3506: 3504: 3501: 3499: 3498: 3494: 3492: 3491:Coke Escovedo 3489: 3486: 3485: 3481: 3478: 3475: 3473: 3470: 3467: 3464: 3460: 3459: 3455: 3452: 3449: 3447: 3444: 3442: 3439: 3436: 3432: 3428: 3427:Airto Moreira 3424: 3423: 3419: 3416: 3413: 3411: 3408: 3405: 3402: 3401: 3397: 3394: 3391: 3389: 3386: 3383: 3380: 3379: 3375: 3372: 3369: 3367: 3364: 3361: 3358: 3357: 3353: 3350: 3347: 3345: 3342: 3339: 3338: 3334: 3331: 3329: 3326: 3324: 3323:Linda Tillery 3321: 3318: 3315: 3310: 3306: 3303: 3300: 3298: 3295: 3292: 3289: 3288: 3285:Release year 3282:Stock number 3279:Record label 3268: 3259: 3250: 3246: 3243:This list is 3241: 3234: 3233: 3220: 3217: 3214: 3211: 3208: 3206: 3203: 3202: 3198: 3195: 3192: 3190:Tuizer Music 3189: 3186: 3184: 3181: 3180: 3176: 3173: 3170: 3167: 3165: 3162: 3160: 3157: 3156: 3153: 3150: 3147: 3144: 3141: 3139: 3136: 3135: 3131: 3128: 3125: 3122: 3119: 3117: 3114: 3113: 3109: 3106: 3103: 3100: 3097: 3095: 3092: 3091: 3088: 3084: 3081: 3078: 3075: 3073: 3069: 3065: 3063: 3060: 3059: 3055: 3052: 3049: 3046: 3043: 3041: 3038: 3037: 3033: 3030: 3027: 3025:Tuizer Music 3024: 3021: 3019: 3016: 3015: 3011: 3008: 3005: 3002: 2999: 2997: 2994: 2993: 2989: 2985: 2982: 2979: 2976: 2973: 2971: 2968: 2967: 2964: 2961: 2958: 2955: 2952: 2950: 2949:Linda Tillery 2947: 2946: 2943: 2940: 2937: 2934: 2932: 2929: 2927: 2924: 2923: 2919: 2916: 2913: 2911: 2908: 2905: 2903: 2902:Be Be K'Roche 2900: 2899: 2893:Release year 2890:Stock number 2887:Record label 2879: 2870: 2861: 2857: 2854:This list is 2852: 2845: 2844: 2831: 2828: 2825: 2822: 2820: 2817: 2816: 2812: 2809: 2806: 2803: 2801: 2798: 2797: 2793: 2790: 2787: 2785: 2784:Putumayo Kids 2782: 2780: 2777: 2776: 2772: 2768: 2765: 2762: 2760: 2759:Rhino Records 2757: 2755: 2752: 2751: 2747: 2744: 2741: 2738: 2736: 2733: 2732: 2728: 2725: 2722: 2720: 2717: 2716: 2712: 2709: 2706: 2704: 2701: 2700: 2696: 2689: 2686: 2683: 2681: 2678: 2677: 2673: 2669: 2666: 2663: 2660: 2658: 2655: 2654: 2650: 2647: 2644: 2641: 2639: 2636: 2635: 2631: 2627: 2624: 2621: 2618: 2616: 2613: 2612: 2608: 2605: 2602: 2599: 2597: 2594: 2593: 2589: 2586: 2583: 2580: 2578: 2575: 2574: 2570: 2567: 2564: 2562: 2559: 2558: 2551: 2548: 2545: 2543: 2540: 2539: 2535: 2532: 2529: 2527: 2524: 2522: 2519: 2518: 2514: 2511: 2508: 2506: 2503: 2502: 2498: 2495: 2492: 2490: 2487: 2486: 2482: 2479: 2476: 2474: 2471: 2470: 2466: 2459: 2456: 2453: 2451: 2448: 2447: 2443: 2440: 2437: 2435: 2432: 2431: 2427: 2425:ESP-DJCD-003 2424: 2421: 2419: 2416: 2415: 2411: 2408: 2405: 2403: 2400: 2399: 2395: 2392: 2389: 2387: 2384: 2383: 2376: 2373: 2370: 2368: 2365: 2364: 2360: 2357: 2354: 2351: 2349: 2346: 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1058:Recordings 994:hand drums 839:Boz Scaggs 816:Tiggi Clay 785:Ray Obiedo 737:hit song " 682:Pat Parker 651:homophobia 555:Boz Scaggs 545:providing 478:featuring 440:Winterland 305:Early life 264:Holly Near 234:rock band 198:EarthBeat! 150:percussion 127:songwriter 64:1948-09-02 49:Birth name 7396:August 4, 7271:: 118–124 6964:March 30, 6825:March 30, 6713:March 29, 6415:March 31, 6387:March 31, 6296:193493400 6137:155857836 6041:437115733 6001:August 2, 5944:793221915 5805:944179335 5593:March 31, 5566:March 31, 4851:SMM 1010 4800:Eric Bibb 4711:CD-83672 4684:WMR65410 4612:DPCD2002 4440:D4-74832 4418:E4-92048 4252:City Down 3991:Heartsong 3909:MCA 3188 3691:BTS 6004 3666:PC 31384 3640:KC 30595 3463:Eric Bibb 3171:DPCD2002 3148:R2 76762 3104:R2 75951 3079:R2 72940 3072:Eric Bibb 3068:Taj Mahal 3050:R2 72881 3028:BLHCD746 2996:City Down 2710:R2 78142 2695:Eric Bibb 2687:R2 74283 2672:Taj Mahal 2664:R2 79797 2645:R2 79962 2630:Claytoven 2549:R2 75953 2496:R2 78292 2480:R2 78932 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