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429:. She performed on stage until the end of 1933. In that time her longtime sweetheart was Mieczysław Stefanicki, a Polish airforce officer. In 1934 she completed a training course organized by the Institut de Beauté Clytie in Paris and later in the same year she launched her own beauty parlor called
232:, who taught her how to dance tango. Helena and her mother returned to Warsaw in November 1922. She continued her studies in Poland including the ballet school. Her father Andrzej had to escape from the Crimea to France because of the Bolsheviks in 1918.
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because of the illness of
Andrzej. He was a chemist in Yalta and he had run a successful Russian-French business there. She practiced ballet while in Russia. Their house in the Crimea was visited by, among others,
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On August 30, 1939, she decided to escape from Poznań to the East of Poland. Years of the II World War and that of German occupation of Poland (1939-1945) she spent in the cities of
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September 1, 1928 saw the opening of a great revue In the new ensemble there is an excellent dance duet of Larys-Ostrowski
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were particularly well received. She danced to the music performed by the well known Polish orchestra leaders such as
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Helena made her debut in 1926 and began performing solo and as a partner of, among others, the ballet master
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Osmólska) (March 19, 1909 in Yalta, Russia – August 24, 1986 in
Katowice, Poland) was a Polish dancer.
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in the Crimea. Her parents were
Andrzej Maliszewski and Teodozja Rytter. In 1905 they left
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At that time her impresario was
Blachman, who for a short time, was also the announcer of
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in theaters, cabarets and nightclubs of Warsaw and other Polish cities. She performed in
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List of subscribers of telephones in Poland (except for Warsaw) for years 1938
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Trubadur
Warszawy (Troubadour of Warsaw): R.21, No. 36 (7 September 1929).
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Trubadur
Warszawy (Troubadour Warsaw): R.20, No. 39 (23 September 1928)
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Trubadur
Warszawy (Troubadour Warsaw): R.20, No. 38 (16 September 1928)
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Trubadur
Warszawy (Troubadour Warsaw): R.20, No. 45 (4 November 1928)
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377:. She performed in many Polish cities, including Lviv,
284:performed by virtuoso dancers Ostrowski and Larys.
280:The highlight of the entire program was the scene
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401:. In the years 1927-1933 she collaborated with
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448:. She is buried in the cemetery in Katowice.
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51:introducing citations to additional sources
251:). A Warsaw critic, Ludwik Szmaragd, wrote
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290:. It was he who suggested the stage name
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41:Relevant discussion may be found on the
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433:in Poznań at the December 27 Street.
357:she danced in other Warsaw cabarets:
345:Lili Larys (Helena Maliszewska) as a
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215:She was born to a Polish family in
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208:(Helena Maliszewska-Płaczkiewicz,
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16:Polish dancer (1909–1986)
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263:and one of the critics (
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278:Another review stated
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543:Polish female dancers
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257:Moryc, give me a son
249:Warsaw movie theater
47:improve this article
294:. Her performances
446:Jerzy Płaczkiewicz
411:Andrzej Śnieżyński
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328:Zygmunt Karasiński
318:) to the music of
271:Carnival in Venice
241:Andrzej Śnieżyński
312:Tango apaszowskie
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423:Konrad Ostrowski
415:Irena Topolnicka
403:Nelly Ignatowska
306:to the music of
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353:In addition to
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300:Rimsky-Korsakov
282:In an opium den
230:Ivan Mosjoukine
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419:Iga Korczyńska
320:Tango Illusion
304:The Dying Swan
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161:(aged 77)
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143:March 19, 1909
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64: –
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36:single source
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159:(1986-08-24)
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62:"Lili Larys"
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538:1986 deaths
533:1909 births
451:References
367:Czerwony As
308:Saint-Saëns
172:Nationality
103:August 2024
527:Categories
359:Czarny Kot
210:primo voto
206:Lili Larys
182:Occupation
139:1909-03-19
118:Lili Larys
73:newspapers
431:Madeleine
363:Black Cat
267:) wrote:
265:Roman Jax
190:Signature
43:talk page
399:Mascotte
391:Katowice
375:Nitouche
223:for the
165:Katowice
407:Ina Ney
371:Red Ace
87:scholar
442:Lublin
387:Kraków
379:Poznan
225:Crimea
221:Warsaw
185:Dancer
176:Polish
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455:Notes
395:Sopot
355:Momus
347:Gypsy
292:Larys
288:Momus
261:Momus
245:Momus
217:Yalta
147:Yalta
94:JSTOR
80:books
440:and
383:Lodz
334:and
310:and
239:and
154:Died
133:Born
66:news
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