17:
284:) but her confidante Isbé tries to comfort her with the hope that Alphonse's son Ramire is not as cruel. There is a sound of trumpets and the scene changes to an "agreeable place". Warriors tell Fatime that Cupid is on her side and fortune tellers predict a bright future. Isbé is now convinced that Ramire is in love with Fatime but the latter is still fearful until the prince finally appears in person and pledges his faith to her during another divertissement involving the Graces, Cupids, Pleasures and Games. Fatime is at last won over.
836:
92:, but that Rameau and Voltaire had stolen all the credit. However, according to the musicologist Graham Sadler, only one "undistinguished" monologue "O mort, viens terminer les douleurs de ma vie" has been positively identified as Rousseau's. Nevertheless, the episode sowed the seeds for Rousseau's unrelenting hatred of Rameau, which would lead to the
85:, Rousseau wrote he had worked hard on the task but Madame de la Pouplinière, Richelieu's mistress and an ardent champion of Rameau, rejected his efforts out of hand and sent the opera back to Rameau to revise.
808:
430:
462:
839:
494:
280:
The
Spanish king Alphonse has taken Fatime, Princess of Granada, captive after killing her father. In prison, Fatime longs for death (Air:
591:
434:
883:
863:
482:
81:. Rousseau, who had not yet won his reputation as a major thinker, was an aspiring musician. In his later autobiographical
77:, the Duke of Richelieu entrusted the job of fitting the music to the new libretto and adjusting the verse accordingly to
487:
455:
375:
411:
771:
386:
868:
790:
448:
815:
71:, which had been performed earlier in 1745. Since both Rameau and Voltaire were busy writing a new opera,
607:
535:
679:
262:
Warriors; male and female fortune tellers and
Gypsies; Cupids, Pleasures and Sports; retinue of Ramire
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67:
16:
575:
73:
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93:
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764:
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44:
20:
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8:
511:
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123:
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180:
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729:
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Voltaire wrote a new libretto to make use of music taken from his and Rameau's
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737:
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350:
349:
The part of a fortune teller (un devin) is initially notated in the unusual
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639:
328:
129:
720:
440:
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226:
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Les Festes de Ramire, Ballet donné à Versailles, Le 22 Décembre 1745
217:
205:
52:
48:
148:
142:
623:
599:
88:
Rousseau claimed he was responsible for the overture and some
36:
372:
Les Festes de Ramire. Mise en musique par
Monsieur Rameau
385:, Paris, Ballard, 1745 (accessible for free online at
809:
Traité de l'harmonie réduite à ses principes naturels
850:
456:
55:, first performed on 22 December 1745 at the
399:, New York: Dover, 1969 (paperback edition)
282:O mort viens terminer les douleurs de ma vie
463:
449:
435:International Music Score Library Project
210:Claude-Louis-Dominique Chassé de Chinais
470:
229:, Marie-Angélique Coupée, Louise Gondré
15:
397:Jean-Philippe Rameau: His Life and Work
851:
444:
418:The New Grove French Baroque Masters
340:According to the original libretto.
13:
592:Les fêtes de l'Hymen et de l'Amour
431:Free scores by Les fêtes de Ramire
406:, New York: Penguin Putnam, 2001.
14:
895:
424:
835:
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884:Ballets by Jean-Philippe Rameau
864:Operas by Jean-Philippe Rameau
772:Pièces de clavecin en concerts
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334:
321:
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1:
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331:used in the manuscript score.
153:Mlle Rotisset de Romainville
816:New System of Musical Theory
287:
7:
404:The New Penguin Opera Guide
269:
248:A female retainer of Ramire
33:The Celebrations of Ramiro
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900:
724:(unfinished, date unknown)
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235:A male retainer of Ramire
39:in the form of a one-act
608:Les surprises de l'Amour
374:(accessible for free at
99:
552:La princesse de Navarre
68:La princesse de Navarre
869:French-language operas
791:In convertendo Dominus
576:Le temple de la Gloire
416:Sadler, Graham,(Ed.),
402:Holden, Amanda (Ed.),
74:Le temple de la Gloire
23:
823:Querelle des Bouffons
672:La naissance d'Osiris
568:Les fêtes de Polymnie
420:Grove/Macmillan, 1988
393:Girdlestone, Cuthbert
122:the son of Alphonse,
94:Querelle des Bouffons
79:Jean-Jacques Rousseau
19:
495:List of compositions
472:Jean-Philippe Rameau
57:Palace of Versailles
45:Jean-Philippe Rameau
21:Jean-Philippe Rameau
584:Les fêtes de Ramire
512:Hippolyte et Aricie
381:Original libretto:
353:, and later in the
309:Sadler, pp. 232-233
160:Fatime's confidante
28:Les fêtes de Ramire
765:Pièces de Clavecin
520:Les Indes galantes
370:Manuscript score:
318:Girdlestone, p.479
24:
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648:Acante et Céphise
327:According to the
267:
266:
255:Mlle Bourbonnois
195:François Le Page
134:François Poirier
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801:Related articles
705:Nélée et Myrthis
536:Les fêtes d'Hébé
528:Castor et Pollux
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387:Gallica - B.N.F.
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656:Daphnis et Eglé
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201:A fortuneteller
188:Another warrior
181:Pierre Jélyotte
124:King of Castile
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874:One-act operas
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483:List of operas
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115:Premiere Cast
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64:comédie-ballet
41:acte de ballet
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664:Les sibarites
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412:0-14-029312-4
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351:baritone clef
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239:basse-taille
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177:haute-contre
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757:Instrumental
749:(music lost)
744:
741:(music lost)
736:
733:(music lost)
728:
719:
711:
703:
697:Les Boréades
695:
689:Les Paladins
687:
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646:
640:La guirlande
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167:Mlle Jaquet
159:
141:princess of
140:
130:haute-contre
121:
87:
82:
72:
66:
63:
61:
40:
32:
27:
26:
25:
879:1745 operas
488:Lost operas
90:recitatives
83:Confessions
853:Categories
365:References
111:Voice type
632:Zoroastre
616:Pigmalion
355:bass clef
288:Footnotes
242:M Albert
227:Marie Fel
223:sopranos
173:A warrior
840:Category
683:(1754)
680:Anacréon
544:Dardanus
276:A prison
270:Synopsis
260:Chorus:
252:soprano
218:Charites
206:baritone
164:soprano
139:Fatime,
120:Ramire,
53:Voltaire
49:libretto
35:) is an
713:Zéphire
437:(IMSLP)
433:at the
274:Scene:
149:soprano
143:Granada
47:with a
859:Operas
783:Choral
775:(1741)
730:Samson
692:(1760)
675:(1754)
667:(1753)
659:(1753)
651:(1751)
643:(1751)
635:(1749)
627:(1749)
619:(1748)
611:(1748)
603:(1748)
595:(1747)
587:(1745)
579:(1745)
571:(1745)
563:(1745)
560:Platée
555:(1745)
547:(1739)
539:(1739)
531:(1737)
523:(1735)
515:(1733)
504:Operas
410:
158:Isbé,
738:Linus
376:IMSLP
329:clefs
107:Role
100:Roles
37:opera
624:Naïs
600:Zaïs
408:ISBN
216:The
51:by
43:by
855::
721:Io
395:,
59:.
464:e
457:t
450:v
389:)
378:)
357:.
31:(
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