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The vocal forces usually employed by Marie de
Lorraine (Hitchcock suggests there were never more than fourteen singers at a time, and usually fewer) would otherwise have been too small to make this proliferation of choruses feasible. In Charpentier's manuscript, the various vocal lines of each chorus
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are labelled with the names of the seven soloists, which would seem to confirm that they were required to double as both choruses. See
Hitchcock and Charpentier.
120:, at her residence in Paris. The reason behind the creation of this work, as well as its place of performance, remain a matter for speculation. The French
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in nature and draws on aspects of mythological and natural symbolism familiar to 17th-century audiences to add depth to a superficially simple plot.
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H.480, Teresa Wakim, Jesse
Blumberg, Virginia Warnken, Boston early Music Festival Vocal & Chamber Ensembles /
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222:(Dancing Furies, if desired). The instrumentalists are included in the original character list under the entry
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Patricia M. Ranum: "The 'Guise Music': some thumbnail sketches of the members of Mlle de Guise's ensemble",
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concerns the eponymous Arts, shown flourishing under the beneficent and peaceful reign of
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Gaétan Jarry, Ensemble
Marguerite Louise. CD Château de Versailles spectacles 2017/2018.
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Marc-Antoine
Charpentier, H. Wiley Hitchcock, Oxford University press 2001. Also in
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to intervene on her behalf. Discord and his followers are chased back into
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The manuscript score also calls for two choruses in the form of a
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by a hail of thunderbolts, and Peace holds sway once more.
155:(Discord). After a brief struggle in which Discord and his
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The opera is scored for seven solo voices, five-part
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234:pour les symphonistes de la Suite de la Musique
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446:Marc-Antoine Charpentier: Œuvres complètes
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513:ed. L. Macy (Accessed August 25, 2006),
507:John S. Powell: "Les Arts florissants",
500:ed. L. Macy (Accessed August 25, 2006),
116:for the group of musicians employed by
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494:: "Marc-Antoine Charpentier 1. Life",
462:New York, routledge, 2010/2016, 600 p.
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159:gain the upper hand, Peace appeals to
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533:www.ranumspanat.com/guise_music.html
531:website (Accessed August 25, 2006),
124:, written by an unknown author, is
118:Marie de Lorraine, Duchess of Guise
92:(also described by the composer as
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735:Operas by Marc-Antoine Charpentier
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395:1982 report Musique D'abord 1987.
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43:Marc-Antoine Charpentier in 1682
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321:Marie Guilbault de Grandmaison
230:, and the overture is labelled
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275:Jacqueline-Geneviève de Brion
218:Furies dansantes, si l'on veut
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351:Elisabeth "Isabelle" Thorin
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584:Les plaisirs de Versailles
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420:Les Plaisirs de Versailles
210:Chœur de Furies chantantes
206:(Troop of Warriors) and a
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444:: "Les Arts florissans",
305:Marc-Antoine Charpentier
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442:Marc-Antoine Charpentier
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102:Marc-Antoine Charpentier
30:Marc-Antoine Charpentier
404:, La Couronne de Fleurs
725:French-language operas
415:: Les Arts Florissants
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600:Les arts florissants
400:les Arts Florissants
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381:Les Arts Florissants
100:) in five scenes by
88:(H. 487) is a short
85:Les arts florissants
19:Les arts florissants
529:Ranums' Panat Times
374:Selected recordings
257:Premiere cast, 1685
226:Suite de la Musique
202:Troupe de Guerriers
515:www.grovemusic.com
510:Grove Music Online
502:www.grovemusic.com
497:Grove Music Online
492:H. Wiley Hitchcock
458:Shirley Thompson,
453:Grove Music online
406:H.486, (excerpts)
112:It was written in
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310:L'Architecture,
259:(Conductor: – )
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126:allegorical
719:Categories
253:Voice type
358:A Warrior
342:La Paix,
185:recorders
137:Louis XIV
684:Category
383:H.487 /
363:baritone
348:soprano
296:Painting
286:soprano
171:Analysis
122:libretto
57:Premiere
49:Language
661:Te Deum
486:Sources
417:H.487,
328:Discord
271:soprano
161:Jupiter
143:La paix
108:History
75:, Paris
63: (
745:Operas
695:Portal
669:(1694)
663:(1692)
646:(1673)
635:Ballet
627:(1693)
619:(1688)
611:(1687)
603:(1685)
595:(1685)
592:Actéon
587:(1682)
576:Operas
282:Poetry
181:flutes
179:, two
177:chorus
157:Furies
52:French
709:Opera
624:Médée
467:Notes
402:H.487
391:. CD
344:Peace
266:Music
249:Role
242:Roles
189:viols
165:Hades
133:opera
333:bass
191:and
183:(or
114:1685
65:1685
61:1685
27:by
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