33:
355:
Because of the
Jamaican process of versioning and the liberal recycling of rhythms in subsequent years, many of the songs, rhythms, and melodies written and recorded during the rocksteady era, the aforementioned in particular, continue to be referenced today. The most frequently referenced of
198:
Rastas
Brother Huntley and "Carrot". Barry Llewellyn and Earl Morgan had formed The Heptones in 1958, and Sibbles was in a rival group along with two friends. Sibbles joined The Heptones in 1965 after the two groups competed in a street-corner contest.
206:
in 1966 with "School Girls" and "Gun Man Coming to Town", the latter the A-side of their début single. Though the songs did not achieve hit status, the latter composition made the playlists at Radio
Jamaica Rediffusion (RJR). They moved on to
608:
Sibbles moved into production in 2009, and set up the Bright Beam record label. He has produced records by singer
Sagitar and deejay Chapter, as well as his own recordings, including a successful cover version of "Harry Hippy".
234:. Signature Heptones songs included "Baby", "Get in the Groove", "Ting a Ling", "Fattie Fattie", "Got to Fight On (To the Top)", "Party Time", and "Sweet Talking". The group's Studio One output has been collected on albums
364:' "Pass the Kouchie". Sibbles' legacy also endures in Horace Andy's tribute to him, "Mr. Bassie". (While Sibbles has been credited with the original "Real Rock" bassline, this was more likely performed by
332:
Sibbles was a contributor to tracks including "Freedom Blues" (which evolved into the
Jamaican rhythm known as "MPLA") by Roy Richards, "Love Me Forever" by Carlton & The Shoes, "
277:
When Mittoo left full-time duties at Studio One, Sibbles auditioned singers, arranged sessions, sang harmony, and played bass as a part of the studio group variously known as the
1156:
428:
376:, where the notes were not necessarily played or sustained on each downbeat of a 4/4 measure. Sibbles has explained that his style was to lag the downbeat slightly.
182:
label during the prolific late 1960s. He was described as "the greatest all-round talent in reggae history" by Kevin O'Brien Chang and Wayne Chen in their 1998 book
266:
Beyond his work as a singer-songwriter, Sibbles contributed to the collective output of Studio One as a bass player during the late 1960s. Keyboardist and arranger
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541:. In 1990 he collaborated on the one-off single "Can't Repress the Cause", a plea for greater inclusion of hip hop music in the Canadian music scene, with
32:
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517:, and Lee Perry, but primarily produced himself. Sibbles moved to Canada in 1973, where he married and remained for twenty years, and won a
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980:
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for best reggae album in 1987. He left the
Heptones in 1976, midway through a US tour. Also in Canada, he recorded an album for
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1141:
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1038:
1024:
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1131:
340:, "Stars" and "Queen of the Minstrels" by The Eternals, "Ten to One" by the Mad Lads, "Door Peep (Shall Not Enter)" by
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in 1980, 1981, 1983, 1986, and 1990. He returned to the
Heptones in 1991. In 1996 he recorded "Original Full Up" with
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285:. These musicians, with engineering supervision Sylvan Morris, played backing tracks used by vocalists
194:
The son of a grocer, Sibbles began singing in the 1950s and also played guitar, having been taught by
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115:
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Sibbles' bass lines is that found on the instrumental "Full Up", popularised internationally by
1146:
478:(Trojan), recorded just before the group benefited from the internationalisation of reggae via
558:
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8:
522:
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Other musicians involved in the Studio One rock steady sessions included
Richard Ace and
215:
174:
In addition to his work with The
Heptones, Sibbles was a session bassist and arranger at
546:
416:
314:
214:
The
Heptones were among the most influential groups of the rock steady era, along with
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on keyboards; Bunny Williams, Joe Isaacs, and Fil Callendar on drums; Eric Frater and
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After Studio One, Sibbles and the Heptones recorded for other producers including
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Leroy Sibbles performing at the Irie Music Festival in Toronto, Ontario, 2006
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encouraged Sibbles to play the bass when he needed a bassist for his
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178:'s Jamaica Recording and Publishing Studio and the associated
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913:", United Reggae, 17 May 2010, retrieved 31 October 2010.
588:
Sibbles continued to visit Jamaica, and performed at
360:'s recording of "Pass the Dutchie", an adaptation of
344:, and the instrumental "Full Up", which was used by
1157:
Juno Award for Reggae Recording of the Year winners
994:
People Funny Boy: The Genius of Lee "Scratch" Perry
967:This is Reggae Music: The Story of Jamaica's Music
466:Other Heptones releases from the early 1970s were
368:). The bass parts Sibbles and others developed in
167:musician and producer. He was the lead singer for
16:Jamaican reggae musician and producer (born 1949)
1108:
600:. He continued to perform and record into 2010.
494:were the fruit of the association with Island.
1072:Dubwise: Reasoning from the Reggae Underground
824:
822:
820:
818:
596:. Sibbles is featured in the 2009 documentary
790:
788:
786:
398:
211:'s Studio One where they stayed until 1971.
160:(born Leroy Sibblies, 29 January 1949) is a
921:
919:
900:, 16 April 2010, retrieved 31 October 2010.
885:Ernie Smith and Leroy Sibbles for Studio 38
815:
585:, Self Defense, Zama and Thyron Lee White.
1031:Reggae Routes: The Story of Jamaican Music
948:Barrow, Steve & Dalton, Peter (2004),
806:
718:
31:
1029:O'Brien, Kevin & Chen, Wayne (1998),
831:
783:
202:The trio made their first recordings for
1172:21st-century Black Canadian male singers
1122:20th-century Black Canadian male singers
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845:
843:
767:
765:
741:
739:
648:(1985), Leggo Sounds – also released as
577:, Dionne, Thando Hyman, Carla Marshall,
549:of Toronto-area musicians that included
989:, 3 February 2006, retrieved 2010-10-31
935:, 15 June 2012, retrieved 17 June 2012.
774:
755:
753:
751:
689:
687:
474:) and the Harry Johnson-produced album
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709:
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521:for best male vocalist in 1983, and a
497:As a solo artist, Sibbles worked with
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372:used a rhythmic space found in later
336:" and "Declaration of Rights" by the
1053:, 25 July 2009, retrieved 2010-10-31
748:
684:
950:The Rough Guide to Reggae, 3rd edn.
911:Leroy Sibbles on the Shuttle riddim
696:
612:
395:(a.k.a. "Don D. Jr.") on trombone.
387:on guitar; and the horn section of
13:
1177:21st-century Canadian male singers
1167:21st-century Jamaican male singers
1162:20th-century Jamaican male singers
1127:20th-century Canadian male singers
1017:Rap Music and Street Consciousness
1006:Kenner, Rob (1997), "Boom Shots",
903:
877:
603:
581:, Jillian Mendez, Lorraine Scott,
14:
1203:
1085:
490:and Lee "Scratch" Perry-produced
1019:, University of Illinois Press,
1045:Sibbles sees rocksteady revival
598:Rocksteady: The Roots of Reggae
529:and licensed several albums to
981:Voice, bass put Sibbles on top
389:Felix "Deadly Headley" Bennett
348:for their huge worldwide hit "
1:
1182:21st-century Canadian singers
1012:, June–July 1997, p. 163
942:
261:
1142:Jamaican emigrants to Canada
1058:Reggae & Caribbean Music
837:Barrow & Dalton, p. 426.
189:
7:
780:Barrow & Dalton, p. 68.
533:'s Micron label, including
89:Singer-songwriter, musician
10:
1208:
925:Campbell, Howard (2012), "
1137:Jamaican reggae musicians
1132:Canadian reggae musicians
1033:, Ian Randle Publishers,
1015:Keyes, Cheryl L. (2004),
927:Leroy Sibbles Shifts Gear
871:The Canadian Encyclopedia
693:Chang & Chen, p. 181.
499:Lloyd "Bullwackie" Barnes
399:Work with other producers
142:
138:
111:
101:
93:
85:
75:
65:
47:
42:
30:
23:
733:Chang & Chen, p. 39.
677:
329:, and scores of others.
171:in the 1960s and 1970s.
1192:A&M Records artists
1056:Thompson, Dave (2002),
909:Taylor, Angus (2010), "
864:2 November 2012 at the
639:(1985), Kingdom – with
1152:Trojan Records artists
1070:Walker, Klive (2006),
209:Clement "Coxsone" Dodd
176:Clement "Coxsone" Dodd
43:Background information
1043:Quill, Greg (2009), "
671:Reggae Hit Bass Lines
992:Katz, David (2000),
979:Cooke, Mel (2006), "
890:29 June 2011 at the
147:www.leroysibbles.com
1074:, Insomniac Press,
637:The Champions Clash
297:, Carlton Manning,
97:Vocals, bass guitar
1187:VP Records artists
1060:, Backbeat Books,
417:Niney The Observer
1103:at Roots Archives
1080:978-1-894663-96-0
1039:978-1-56639-629-5
1025:978-0-252-07201-7
996:, Payback Press,
724:Thompson, p. 114.
715:Katz, pp. 262–63.
667:(1999), Heartbeat
665:Come Rock With Me
555:Maestro Fresh Wes
391:on saxophone and
252:Heartbeat Records
152:
151:
1199:
1097:
1096:
1094:Official website
952:, Rough Guides,
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932:Jamaica Observer
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897:Jamaica Observer
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875:
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829:
828:Thompson, p. 115
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812:Bradley, p. 327.
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613:Solo discography
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507:Sly & Robbie
350:Pass the Dutchie
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673:(2009), Ernie B
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604:Production work
583:Lorraine Segato
401:
362:Mighty Diamonds
334:Satta Massagana
299:The Abyssinians
279:Sound Dimension
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58:29 January 1949
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621:(1980), Micron
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559:Dream Warriors
539:Strictly Roots
515:Bruce Cockburn
511:Augustus Pablo
484:Danny Holloway
480:Island Records
472:Trojan Records
453:Danny Holloway
449:Geoffrey Chung
429:Lloyd Campbell
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366:Boris Gardiner
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303:The Gladiators
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859:"Urban Music"
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849:Quill, 2009.
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641:Frankie Paul
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283:Soul Vendors
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236:The Heptones
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224:The Paragons
216:The Pioneers
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169:The Heptones
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103:Years active
18:
1117:1949 births
571:Eria Fachin
531:Pete Weston
503:Lloyd Parks
445:Harry Mudie
338:Abyssinians
295:Horace Andy
291:Alton Ellis
256:Sea of Love
254:anthology,
244:Ting a Ling
228:The Uniques
220:The Gaylads
196:Trench Town
1111:Categories
943:References
650:Mean While
646:Selections
594:Beenie Man
563:Michie Mee
561:, B-Kool,
547:supergroup
523:Juno Award
492:Party Time
488:Night Food
476:Cool Rasta
441:Phil Pratt
421:Clive Chin
393:Vin Gordon
381:Robbie Lyn
370:rocksteady
327:Slim Smith
311:Ken Boothe
262:Studio One
250:, and the
180:Studio One
116:Studio One
54:1949-01-29
579:Messenjah
486:produced
461:Joe Gibbs
405:Lee Perry
315:John Holt
190:Biography
120:Heartbeat
965:(2000),
888:Archived
862:Archived
658:(1995),
287:Bob Andy
204:Ken Lack
162:Jamaican
134:, Micron
527:A&M
409:Harry J
143:Website
132:A&M
70:Jamaica
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1023:
1000:
973:
956:
631:On Top
459:, and
274:trio.
240:On Top
230:, and
165:reggae
128:Island
124:Trojan
112:Labels
80:Reggae
76:Genres
66:Origin
678:Notes
551:Devon
1076:ISBN
1062:ISBN
1035:ISBN
1021:ISBN
1009:Vibe
998:ISBN
971:ISBN
954:ISBN
545:, a
537:and
281:and
272:Jazz
48:Born
1047:",
983:",
929:",
894:",
619:Now
575:HDV
535:Now
352:".
1113::
918:^
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660:VP
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470:(
52:(
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