215:. In 2002, they received a position as an associate professor and stayed on at Bard College until September 2007. During their time at Bard College, they served as faculty for the Bard M.F.A. Program and director of the Integrated Arts Program, and as chair of Division of the Arts. Despite their absence from Bard's faculty roster, Gilliam still appears on the college's main site in a rotating photo roster of select faculty and students.
31:
223:"Leah Gilliam's work examines how knowledge is produced and coded and how the conscious reorientation of cultural texts challenges their implications and constructions. In practice, she appropriates texts and uses them as a springboard to interpret larger issues of race, gender and sexual orientation."
278:
mission, combined with
Gilliam's own video work and other found imagery." Some of the footage that is interspersed with the original Rover footage is digitally processed footage taken by Gilliam of the Hudson River, forging a connection between two radically different landscapes. Gilliam draws away
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from the idea of landscape art as the territory of painters and suggests that a new genre of landscape art arises in the response to the "impact of new media on cultural representation." An offshoot DVD was created by
Gilliam, entitled
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and was described as a work that "obsessively looks back at outmoded media technologies." Another piece dealing heavily with the ideas of obsolescence, technology, and the reorientation of cultural texts, Gilliam's work
191:
from 2006 to 2008. Since receiving their master's degree in professional studies in interactive communication from NYU, Gilliam has had a number of academic and design lab appointments.
211:. They became an adjunct professor for video there in 1995. Remaining there only a year, Gilliam left to become an assistant professor in the Film and Electronics department at
226:
Gilliam's work often focuses on technology and obsolescence. This preoccupation surfaces in many of their works. Their contributions to the "BitStreams" digital show at the
137:
is an
American filmmaker and media artist. Her work explores issues of race, gender, and sexual orientation. Gilliam was the director of projects and community catalyst at
287:
a young female hacker is able to reestablish contact with the rover and the story comes "full circle within the increasing reverberations of diaspora and legacy."
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274:."The installation consisted of a pseudo abandoned NASA command center with computer manipulated footage of Mars, obtained by Sojourner Rover in NASA's 1997
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in 2001 were ancient Mac computers displaying fragments of old Super-8 movie trailers. Their 1998 CD-ROM
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This solo exhibition was organized by Mark Tribe with Anne
Ellegood, the Associate Curator for the
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received a great deal of attention during its stay from July 12 through
September 22, 2002 at the
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179:. Gilliam graduated with their Bachelor of Arts in 1989. They received their
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Participating in first digital media exhibition at
Whitney Museum of Art, NY
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Artforum
International - (Reviews: New York) - Publication Date: 01-NOV-02
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207:. In 1993, Gilliam took a position as the visiting artist in video at the
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759:. Stags Head Pub (Upstairs Room) Dame Lane, Dublin, Ireland: Data Event
635:"'BitStreams' and 'Data Dynamics': Creativity, Digitally Remastered"
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from 1991 to 1992, the year that preceded the completion of their
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studying Film and
Twentieth Century Studies. They also studied at
145:. They are currently vice president of strategy and innovation at
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Gilliam was already lecturing in the Film
Department of the
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Gilliam was born in 1967 in
Washington, D.C. The child of
141:'s Institute of Play and a visiting faculty member at the
188:
873:
Dougherty, Cecilia (2000). "Leah Gilliam Goes Apeshit".
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247:. In the year 2000 Gilliam was also a recipient of the
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Apeshit v3, Lesberation, Sapphire and the Slave Girl
888:Wynn, Toni (2011). "Leah Gilliam at Work at Play".
892:. Science Technology Engineering Art Mathematics.
920:
16:American filmmaker and media artist (born 1967)
907:Halter, Ed (April–May 2002). "Art of Gaming".
528:. The Creative Capital Channel. Archived from
377:"Films by UWM students will premiere Saturday"
890:International Journal of African American Art
779:"Gilliam, Leah: Bibliography and Exhibitions"
152:
661:"Leah Gilliam's Split and Other New Media"
312:Split: Whiteness, Retrofuturism, Omega Man
234:worked with an 8 mm film trailer for
232:Split: Whiteness, Retrofuturism, Omega Man
29:
872:
830:GLQ: A Journal of Lesbian and Gay Studies
629:
254:
989:University of Wisconsin–Milwaukee alumni
349:(Urban Game, Come Out and Play Festival)
486:
422:"Faculty/Staff - Speaker/Visiting List"
949:American women experimental filmmakers
921:
906:
800:"Leah Gilliam: Agenda for a Landscape"
690:"Leah Gilliam: Agenda for a Landscape"
606:"Leah Gilliam: Agenda for a Landscape"
209:School of the Art Institute of Chicago
934:African-American contemporary artists
823:
194:
165:, the first black woman reporter for
1014:20th-century African-American people
1004:21st-century African-American people
959:Film directors from Washington, D.C.
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1019:20th-century African-American women
1009:21st-century African-American women
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487:Moorhus, Donita M. (1994-06-09).
201:University of Wisconsin–Milwaukee
185:University of Wisconsin–Milwaukee
493:Washington Press Club Foundation
469:. The History Makers. 2008-07-28
944:African-American film directors
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523:"Leah Gilliam Curriculum Vitae"
385:. 1991-12-13. 0EB826D14BA43E04.
804:New Museum of Contemporary Art
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489:"Dorothy Gilliam Introduction"
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272:New Museum of Contemporary Art
245:New Museum of Contemporary Art
228:Whitney Museum of American Art
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994:Women experimental filmmakers
964:American women film directors
939:American contemporary artists
362:
321:(computer-based installation)
824:Wahng, Selena (2000-11-04).
426:Vermont College of Fine Arts
143:Vermont College of Fine Arts
7:
305:Sapphire and the Slave Girl
161:, an abstract painter, and
45:1967 (age 56–57)
10:
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610:New Digital Archive Museum
382:Milwaukee Journal Sentinel
342:(Interactive Installation)
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999:American women academics
846:10.1215/10642684-6-4-659
753:"Presenters: Mark Tribe"
397:"Institute of Play Team"
300:(10:00, 16 mm Film)
177:Modern Culture and Media
153:Early life and education
974:American game designers
954:Brown University alumni
467:"Sam Gilliam Biography"
251:Emerging Fields Award.
969:American video artists
667:. 2000. Archived from
665:Virginia Film Festival
340:Agenda for a Landscape
255:Agenda for a Landscape
241:Agenda for a Landscape
218:
163:Dorothy Butler Gilliam
112:Dorothy Butler Gilliam
42:Leah Catherine Gilliam
838:Duke University Press
826:"Springtime for Mars"
335:(4:30, Digital Video)
333:Playing the Race Card
175:, where they studied
984:Bard College faculty
499:on November 18, 2008
356:(Analog Board Game)
285:Springtime for Mars
281:Springtime for Mars
205:Master of Fine Arts
181:Master of Fine Arts
168:The Washington Post
135:L. Franklin Gilliam
70:New York University
23:L. Franklin Gilliam
720:The New York Times
640:The New York Times
631:Kimmelman, Michael
535:on October 1, 2006
236:Planet of the Apes
195:Teaching positions
126:Melissa L. Gilliam
781:. aavad.com. 2006
183:in 1992 from the
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173:Brown University
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49:Washington, D.C.
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723:. 2002-09-13
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90:Notable work
929:1967 births
840:: 659–669.
715:"Art Guide"
354:Lesberation
298:Now Pretend
291:Filmography
159:Sam Gilliam
106:Sam Gilliam
923:Categories
896:(2): 9–11.
859:2008-12-26
810:2013-06-23
785:2008-12-26
727:2008-12-26
700:2008-12-26
675:2008-12-26
646:2013-06-23
590:2008-12-26
566:2008-12-26
539:2008-12-26
503:2008-12-26
473:2013-06-23
452:2016-03-16
447:"About Us"
432:2008-12-26
407:2008-12-26
363:References
347:Metrophile
319:Apeshit v3
854:142637713
763:12 August
122:Relatives
57:Education
875:Art Byte
561:LinkedIn
314:(CD-ROM)
128:(sister)
114:(mother)
108:(father)
326:Apeshit
139:gamelab
99:Parents
852:
806:. 2002
696:. 2002
615:8 July
428:. 2008
259:": -->
51:, U.S.
909:Shout
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850:S2CID
836:(4).
533:(PDF)
526:(PDF)
352:2008
345:2008
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331:2001
324:1999
317:1999
310:1998
303:1995
296:1992
765:2015
617:2015
261:edit
38:Born
842:doi
219:Art
189:NYU
74:MFA
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
