The Rules of the Game

987:. When shooting in Sologne finally began progress was slow because of the constant improvisations of the actors – which Renoir encouraged – and Gregor's struggles with her role. Jay visited the set and was unhappy with the slow progress and with Renoir's performance. The cast and crew however admired Renoir and enjoyed the carefree atmosphere on set, forgetting about the impending political situation. The cast's improvisations caused some changes from the original script. Christine was initially written as a bored, upper class bourgeois whose main preoccupation was planning parties, but Renoir amended this to accommodate Gregor's acting. Renoir also cut most of the references to Christine's conductor father Stiller, such as his relationship with the Marquis. The Marquis was initially written as a patron of the arts and music instead of a collector of music boxes. 470:

relationship, thereby solving everyone's problems. At the estate, Schumacher is policing the grounds and trying to eliminate rabbits. Marceau – a poacher – sneaks onto the estate to retrieve a rabbit caught in a snare. Before Marceau can escape, Schumacher catches him and begins to escort him from the property when Robert demands to know what is happening. Marceau explains that he can catch rabbits and Robert hires him as a servant. Once inside the house, Marceau flirts with Lisette. The assembled guests go on a hunt led by Schumacher, who resents Marceau. On the way back to La Colinière's castle, Robert tells Geneviève that he no longer loves her. Geneviève wants to pack up and leave but Christine persuades her to stay.

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his own scenes or dialogue "as though I were ashamed, after this rebuff, of showing myself on the screen." He later defended his own performance as being awkward – the way Octave should have been. The reduction in length removed Octave's complexity and completely changed the character's motives at the end of the film. In the 85-minute version, Octave does not intend to run away with Christine and merely lends André his coat for warmth before sending him out to the greenhouse. The omission of this item in the plot resulted in the misconception that the film has an alternative ending; this was first reported by

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booed after a while into the screening; Paulette Dubost said people at the screening fought, and one person tried to set fire to the theater. Renoir said he "depicted pleasant, sympathetic characters, but showed them in a society in the process of disintegration, so that they were defeated at the onset ... the audience recognized this. The truth is that they recognized themselves. People who commit suicide do not care to do it in front of witnesses."

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Many of Renoir's friends believed he fell in love with Gregor shortly after casting her. Zwoboda said Gregor had "that which Renoir loved above all; an incontestable class, a style, the gestures and bearing of a great distinction". Renoir said he cast Gregor because of her Austrian accent, which he believed would create "a little barrier ... between her and her surroundings" and because of her appearance, which he considered "birdlike" and "sincere".

466: – but she is more devoted to Christine than to her husband. Christine's past relationship with André is openly known by her husband, her maid and their friend Octave. After Christine and Robert playfully discuss André's emotional display and pledge devotion to one another, Robert excuses himself to make a telephone call. He arranges to meet his mistress Geneviève the next morning. 1041:

instead remove Octave's scenes, which had not yet been shot. Renoir refused, and throughout shooting he added new scenes for Octave. Shooting in Joinville finally wrapped in May 1939; the film was over schedule and the rented soundstage was needed for other films. Renoir originally wanted to release the film in June because the potential war would make a post-summer release impossible.

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first words upon landing, he explains his sorrow and denounces Christine. She is listening to the broadcast in her Paris apartment while attended by her maid, Lisette. Christine has been married to Robert, Marquis de la Chesnaye for three years. For two years, Lisette has been married to Schumacher – the gamekeeper at Robert's country estate, La Colinière in

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title are its only villain. Renoir said "the world is made up of cliques ... Each of these cliques has its customs, its mores, indeed, its own language. To put it simply, each has its rules, and these rules determine the game." Renoir said all human activity is "subject to social protocols that are less apparent than, but just as strict as, those practiced by

1524:. He later said "Little by little, my idea took shape and the subject got simpler. I kept living on baroque rhythms, and after a few more days, the subject became more and more precise." He also said he began imagining Simone Simon "moving to the spirit of the music." This preoccupation with baroque music during filming led to Renoir's original idea of adapting 1014: " during its making, as Renoir worked on writing and rewriting the script, balancing and rebalancing the characters and relationships, plots and subplots." Cartier-Bresson said the improvisation during filming was like a jam session; both cast and crew members were encouraged to suggest ideas and dialogue would often change on the morning of the shoot. 998:, which Renoir considered important for the actors' performances. Renoir said he did not need to do much directing since the actors were so involved in their roles. When directing himself, Renoir arranged the performers movements first then acted in the scenes. Jay pushed Renoir to finish filming in Sologne and move the production to sets erected at the 1186: 474:

that he too loves Christine – who is now having doubts about André – and they decide to run away together. Schumacher and Marceau, who have both been expelled from the estate by Robert after a fight over Lisette, watch Octave and Christine in the greenhouse. As in Beaumarchais's

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Renoir said André was "the victim, who, trying to fit into a world in which he does not belong, fails to respect the rules of the game", and that André thought he could shatter the rules by a world flight, while Christine thought she could do the same by following her heart. The "rules" of the film's

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and the war, and I shot it absolutely impressed, absolutely disturbed by the state of mind of a part of French society, a part of English society, a part of world society. And it seemed to me that a way of interpreting this state of mind, to the world hopefully, was not to talk of that situation, but

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In mid-1959, Renoir saw the reconstructed version of the film for the first time and left the theater in tears. He said "there is only one scene missing in this re-construction, a scene that isn't very important. It's a scene with me and Roland Toutain that deals with the maids' sexual interest." The

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While the film received mostly unfavorable reviews, most critics praised the acting – including Renoir's, and only the far right-wing press criticized Marcel Dalio's performance. In July 1939 a right-wing French newspaper criticized the film for portraying the Jewish Marquis married to

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Renoir edited the film while shooting; his first cut was three hours long. He and editor Marguerite completed a 113-minute final cut of the film in July 1939. Jay hated it and demanded that Renoir make cuts, including the excision of Renoir's entire performance as Octave. Renoir refused to completely

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to play Octave but Simon was busy with other projects. Renoir finally cast himself, later saying that he "was just waiting for the moment when Pierre would say 'Why don't you play the role yourself, Jean?' He didn't have to ask me twice." He added that after having gained experience and confidence as

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was eagerly anticipated. However, its premiere was met with scorn and disapproval by critics and audiences. Renoir reduced the film's running time from 113 minutes to 85, but even then, the film was a critical and financial disaster. In October 1939, it was banned by the wartime French government for

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The film's set designers Eugène Lourié and Max Douy built one of the most expensive sets in French film history at the Joinville Studio. According to Douy they were based on the script and were not reproductions of the interior of Chateau de la Ferté-Saint-Aubin, where exterior scenes were shot. The

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The sound in the film was complex for its time; it included dialogue spoken over ambient noises such as crowds at the airport and gunfire during the hunt. Film director Jean Prat said the film's soundtrack was "of a perfection never equaled by any French film." Characters often talk at once or talk

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said "one has the impression of a camera that is always moving to cover as much as possible. One does not notice cuts, one delights in a continuity which is often on the verge of chaos and finally leads to tragedy in the intrusion of subplot into plot, of the theatrical into the real and of disaster

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after he watched it at its London premiere in 1946. At one point, Jean Jay told Renoir to restore the film to the 100-minute version "to avoid commercial disaster", but none of the shorter versions improved its reception or attendance figures. When asked about the film's poor reception with audience

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In the weeks that followed the premiere, Renoir reduced the film's running time from its original 113 minutes to 100 minutes, then to 90 minutes and finally to 85 minutes. He told Margurite Renoir and Zwoboda to cut the scenes that the audience had found the most upsetting. Renoir said he mostly cut

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ended its run at the Colisée Theatre after three weeks because of poor attendance. It later was shown at the Aubert-Palace in Paris. Renoir said of the attendance "I was utterly dumbfounded when it became apparent that the film, which I wanted to be a pleasant one, rubbed most people the wrong way."

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instead. He was replaced by Roland Toutain. Simon was offered the role of Christine but wanted 800,000 francs, which was a third of the film's entire budget. Simon's salary request was vetoed by NEF administrator Camille François. Ledoux was offered the role of Schumacher. He was married to Simon at

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was one of the company's early restorations; Gaborit and Maréchal persuaded Camille François to sell them the rights to the film. With François' help, they discovered records that led to 224 boxes that had been found at the bombed G.M. Film Lab site. These boxes included negative prints, duplicated

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Despite objections from his NEF colleagues, Renoir hired Gregor for the role of Christine. She was older than the original character, and he made changes to the character based on Gregor's personality and on their dinner conversations, such as making Christine the daughter of an Austrian conductor.

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is remembered as a commentary on the moral callousness of the European upper class and their servants just before World War II. While making the film, Renoir knew a new world war was coming; he later said there was a sense of it in film, and wrote "it is a war film and yet there is no reference to

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led to the film's four main characters correlating with those of the play; a virtuous wife, a jealous husband, a despairing lover and an interceding friend. In both the play and the film the interceding friend is named Octave. Octave is also the only one of the four characters inspired by the play

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outside Paris after crossing the Atlantic in his plane. He is greeted by his friend Octave, who tells André that Christine – the Austrian-French noblewoman André loves – has not come to greet him. André is heartbroken. When a radio reporter comes to broadcast André's

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premiered on Friday, July 7, 1939, at the Colisée Theatre in Paris to a full house and later at the Aubert Palace also in Paris. It was shown on a double bill with a patriotic documentary about French history. The audience at the screening consisted of members of the right-wing organisations, who

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in the middle of the night with whatever extras they could find. Renoir almost ran out of money when he filmed the car crash scene, which was shot very quickly with Alain Renoir as the camera operator. Renoir never liked the scene and initially removed it. The principal photography was nine and a

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found Gregor's performance to be "as haunting and bewitching as a plastic giraffe." During production, Jay told Renoir he hated his performance as Octave. Renoir offered to replace himself with Michel Simon, but Jay refused because two-thirds of the film had already been shot. Jay asked Renoir to

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At a masked ball, various romantic liaisons are made. André and Christine declare their love for each other and plan to run away together. Marceau pursues Lisette, and the jealous Schumacher is upset. Robert and André come to an argument over Christine. In the secluded greenhouse, Octave declares

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to work on the script. Because Renoir wanted to allow the actors to improvise their dialogue, only one-third of the film was scripted and the rest was a detailed outline. Renoir later said that his "ambition when I made the film was to illustrate this remark: we are dancing on a volcano". Renoir

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Breaking his promise to Christine, Octave meets André and sends him out to Christine in the greenhouse, lending him his overcoat. When André reaches the greenhouse wearing Octave's coat, Schumacher mistakes him for Octave, whom he thinks is trying to run off with his wife Lisette, and Schumacher

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praised Renoir's role in the film, observing that Renoir's honesty compelled him to include his own role in his social criticism: "he did not wish to stand outside. And Renoir/Octave serves as the standard against which reality and fiction can be measured." In his original outline for the film,

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The rabbit hunt scene is often compared to the senseless death that occurs during war; Renoir said he wanted to show a certain class of people killing for no reason. Renoir himself had never killed an animal and called hunting "an abominable exercise in cruelty". Bergan saw the analogy to world

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The film had an elaborate advertising campaign that began one week before its release in anticipation of it becoming another hit film for Renoir. This campaign included a promotional crossword puzzle published three days before the film's opening night; the prize for solving the puzzle was free

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Despite beginning the shoot in love with Gregor, Renoir's infatuation remained unrequited. During the film's production, he ended his relationship with Marguerite and began another with script girl Dido Freire, whom he had known for 12 years and was Alain Renoir's nanny. Eventually Dido married

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in his shots allowed Renoir to shoot in large rooms and long corridors in the chateau sequences, and characters were able to move freely between the background and the foreground. Approximately half of the shots in the film have camera movements. In many shots the camera moves, stops in place,

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At Geneviève's apartment, Robert says he must end their relationship but invites her to join them for a weekend retreat to La Colinière. Christine also invites her niece, Jackie. Later, Octave induces Robert to invite André to the estate as well. They joke that André and Geneviève will begin a

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characterized it as "a great satirical comedy, a dance of death" and Gerald Mast wrote " depicts the failure of love, the failure of society, and the failure of men to rise above the ridiculous. Their only success is that they try and they care." David Thomson praised Renoir's performance and

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inspired a large number of young people who had first thought of expressing themselves as novelists to take up careers as filmmakers." He also said "It is the credo of movie lovers, the film of films, the film most hated when it was made and most appreciated afterwards, to the extent that it

964:. Heavy rainfall prevented the start of shooting in Sologne for several weeks and Renoir rewrote parts of the script to accommodate the rain. While he finished the script the entire company played cards and bonded; they described it as a happy time in their lives just before the horrors of 952:"regretted that he had never been able to paint . How well I understand the sincerity of those regrets before these beautiful landscapes of Sologne, in astonishing colors, of a grace so melancholy yet so gentle." Renoir said Sologne's mist "took me back to the happy days of my childhood." 805:

that shares traits with its counterpart. In both works, Octave is a "sad clown" full of self-doubt and self-pity. The characters' names constantly changed between versions of the script; Renoir said that in an early draft, André Jurieux was an orchestra conductor rather than an aviator.

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was the most expensive film produced in France when it was released. Its original budget had been 2.5 million francs (which already made it the most expensive French film of that year) and was increased by another 2 million francs, costing over 5 million francs total.

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whereas most of the film uses long takes of dialogue or action. Renoir wanted to shoot the film in color to take advantage of the beauty of Sologne in the winter but he was unable to secure funding from Jean Jay. One week before filming began Renoir tried to persuade

1213:, which made him unpopular in the tense weeks before World War II began. Years later Renoir said "there was no question of contrivance; my enemies had nothing to do with its failure. At every session I attended I could feel the unanimous disapproval of the audience." 1970:

has influenced numerous films that feature a group of characters who spend a short time together at a party or gathering – often while hunting animals – during which their true feelings about each other are revealed. Along with

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stated "we are especially anxious to avoid representations of our country, our traditions, and our race that changes its character, lie about it, and deform it through the prism of an artistic individual who is often original but not always sound."

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published in Paris and said 12 were "unqualifiedly unfavorable", 13 were "favorable with reservations", and 10 were "favorable." Many reviews criticized the film for being "unpatriotic, frivolous and incomprehensible." One mixed review came from

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Renoir finished casting the remaining roles by late January 1939. When asked who the main character of the film was, Renoir answered: "There isn't any! My conception at the beginning – and at the end – was to make a

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In the closing moments of the film, Octave and Marceau walk away into the night as Robert brings Schumacher back into the household and explains that he would report the killing to the authorities as nothing more than an unfortunate accident.

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Filming on the sets in Joinville continued at a slow pace. Renoir would often film fifteen to twenty takes of individual shots and change dialogue on the set, making previous takes useless. Film historian Joel Finler said the film "truly

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over each other's lines. One example of the dense soundtrack is the party scene, which includes dialogue over screams, gunfire and music. Except for the opening credits and the very end of the film, all of the music heard in the film is

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was "a reconstructed documentary, a documentary on the condition of a society at a given moment". He believed this depiction was the reason behind the film's disastrous premiere, saying "the audience's reaction was due to my candour".

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was the biggest failure at the time of its release. He also said its failure "so depressed me that I resolved to either give up the cinema or to leave France." During shooting, Renoir was offered the chance to film an adaptation of

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For many years, the 85-minute version was the only one available; even so, its reputation slowly grew. However, in 1956, boxes of original material were discovered, and a reconstructed version of the film premiered that year at the

1902:, and the mixture of genres proved disconcerting to the public." Film critic Claude Beylie called it "the cornerstone of the work of Jean Renoir, the point of arrival and the swan song of the French cinema of the thirties ... 478:

the literary basis for Mozart's opera, they mistake Christine for Lisette because Christine is wearing Lisette's cape and hood. Octave returns to the house for his coat and hat, where Lisette begs him not to leave with Christine.

682:, together with André Zwoboda, Oliver Billiou and Camille François. All five invested 10,000 francs into the company and intended to produce two films per year. The company was modeled after the American film production company 1312:

prints, and sound mixes of the film. With the help and advice of Renoir and Jacques Durand, Gaborit and Maréchal restored most of the cut footage from Renoir's original version and assembled a 106-minute version of the film.

1949:. Henri Cartier-Bresson, who worked on the film before beginning a long career as a photojournalist, called it "one of the summits of art and a premonition of everything that was to happen in the world." Robert Altman said " 955:

The cast and crew arrived in Sologne between February 6 and 15. Renoir's son Alain worked as an assistant camera operator and Dido Freire worked as the script girl. Renoir's assistants on the film were Koch, Zwoboda and

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by Italian producers; he agreed to the deal on July 14, 1939, and saw it as an opportunity to leave France. Renoir and Carl Koch traveled to Rome on August 10 for pre-production, but had to leave on August 23 after the

1683:. Renoir thought the musical organ scene and Dalio's performance in it was the best scene he had ever filmed. He shot the scene several times before he was satisfied with it. The costumes for the film were designed by 1252:, one of the inspirations for the film, had been banned for similar reasons. After the end of World War II, the 85-minute version of the film was re-released in Paris on September 26, 1945, and it was banned again. 1463:

said the film hit a raw nerve with the public by depicting "people, who might have had an influence in shaping the world, did nothing to prevent an advance of Fascism; some of whom, indeed, actually welcomed it".

1842:, who observed that the film "embodies a social world in which there are rules but no values. If you don't know the rules, you are crushed; but if you do know the rules you are cut off from your own nature." 869:

or traitorous roles. Renoir told Dalio that he was the opposite of the cliché of what a Marquis was and that Dalio was the only actor he knew that could portray the character's insecurity. Renoir's brother

403:. Numerous film critics and directors have praised it highly, citing it as an inspiration for their own work. It is the only film to earn a place among the top ten films in the respected Sight & Sound ( 782:

After returning from lecturing in London in January 1939, Renoir left Paris to work on a script. He told a reporter that his next film would be "A precise description of the bourgeois of our age." Renoir,

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and Zwoboda to see her perform in a play. While at the play Renoir noticed Nora Gregor in a box seat in the audience and asked about her during the intermission. He learned that Gregor was the wife of

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events and wrote "in the great set piece of the hunt, the callous cruelty of the guests is laid bare as they fire at any rabbit and bird that moves after the beaters have led the game to slaughter".

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review called it "a satire on French society ... a sharp criticism of social pretenses." The reconstructed version of the film was exhibited in France on April 23, 1965. It won the 1966

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movement. Bazin said "as a conventional love story, the film could have been a success if the scenario had respected the rules of the movie game. But Renoir wanted to make his own style of

3399: 888:, an Austrian nobleman. Renoir became friends with Gregor and her husband, getting to know them over several dinners in Paris. Starhemberg was forced to resign his leadership role in the 3661: 976:

a director his "most stubborn dream has been to be an actor." Renoir rewrote the role of Octave to better suit himself since he and Pierre were physically and personally very different.

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officially was banned in France for being "depressing, morbid, immoral having an undesirable influence over the young." Other films that were similarly banned included Marcel Carné's

1707:, the film has a rating of 97% based on 59 reviews, with an average rating of 9.50/10. The website's consensus reads, "Its genius escaped many viewers at the time, but in retrospect, 1242: 1504:

inspired Renoir to "make a break, and perhaps get away from naturalism completely, to try to touch on a more classical, more poetic genre." While shooting, Renoir began listening to

1910:, who said seeing the film was "the single most overwhelming experience I have ever had at the cinema";and Louis Malle, who said "for all of us, my generation of French filmmakers, 1209:

the Austrian Christine. The Union Sacrée, a French clerical fascist group, organized demonstrations wherever the film was screened. Renoir was a known pacifist and supporter of the

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The film's most-quoted line of dialogue, spoken by Octave, is "You see, in this world, there is one awful thing, and that is that everyone has his reasons". Renoir's sentiment of

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Gregor and Starhemberg fled to France. Renoir said they were "in a state of great disarray. Everything they believed in was collapsing." Gregor was an actress from the Viennese

1368:"We are all 'mystified' – that is to say, fooled, duped, treated as of no account. I had the good fortune to have been taught to see through the trickery in my youth. In 732:

announcing that Renoir and Pagnol were about to sign an agreement to procure a large theatre where they would publicly screen "the films that they would direct from then on".

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in many of its plot elements, including the relationship between wealthy people and their servants as well as the hunting sequence. Italian film critic Francis Vanoye stated

1488:." Renoir's son Alain said the film continues to be relevant and popular because it shows the artificial joy of the modern age in contrast to the rules of that (or any) age. 1295:

called it "one for the buzzards" and stated "the master has dealt his admirers a pointless, thudding punch below the belt." In 1952, the 85-minute version was included in

1172:." Brasillach also praised the technical variation employed by the director and said the film was an unrealized masterpiece. In the United States, a negative review from 1287:, was destroyed. In 1946, a print of the 85-minute version was found in a box, and a new print was made from it. This version was occasionally screened at film clubs, 1036:

During filming, Renoir became disappointed by Gregor's performance. He began to cut her scenes and add new scenes for Paulette Dubost and Mila Parély. Film historian

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In 1956, film enthusiasts Jean Gaborit and Jacques Maréchal founded the Société des Grands Films Classiques, a film restoration company focused on neglected films.

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made it easy for Renoir to secure enough financial backing to form his own production company. In 1938 he founded Nouvelle Édition Française (NEF) with his brother

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and film festivals, and its reputation slowly began to grow. It finally premiered in New York City in April 1950, but it was critically unsuccessful. A review in

4126: 1858:, who called it "so simple and so labyrinthine, so guileless and so angry, so innocent and so dangerous, that you can't simply watch it, you have to absorb it", 5275: 1025:

to start mobilizing in anticipation of a coming war. Shortly afterwards, several of the film's electricians and technicians left to join the army. Set designer

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said "I can think of no other film that is as unfailingly generous – to its audience, its characters, its actors, the milieu and the medium."

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remarked on "Renoir's admission that the director, supposedly the authoritative and manipulating figure, is as much victim as originator of circumstances."

4521: 1929:? Contemporary? I defy anyone to give it a label. This is the kind of innovation that appeals to me." Other notable filmmakers who have praised it include 4037: 3938: 832:, Simone Simon, Jean Gabin and Julien Carette – for the film. Gabin was offered the role of André but rejected it and accepted a role in 775:, which Renoir initially intended to adapt; NEF first announced the film as an adaptation of it. Renoir later said he never intended to directly adapt 4278: 3372: 1156:

called it a "bizarre spectacle" which was "one long succession of errors ... a heavy-handed fantasy with wooly dialogue." In the 1943 edition of

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and the strong possibility of another world war, and wanted to film a "happy dream" to subdue his pessimism. He wrote a synopsis for a film titled

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footage of the rabbit hunting sequence. Hundreds of animals were killed during filming and local people were used as stand-ins for the actors.

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Journalists often visited the set and wrote positively about the production. The film was shot almost chronologically in Sologne and again in

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was highly anticipated, and Zay had expected to award it the prize. Renoir later said he thought the film would be commercially successful.

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DVD, Disc 1. Special Features: Differences between endings: Playing By Different Rules. The Criterion Collection. 2004. Spine Number 216.

3985: 1182:, the film was very disconcerting to audiences at the time because of its peculiar atmosphere, which explains its commercial failure. 5352: 820:

in 1932. Renoir re-wrote the character Christine for the Austrian actress and reportedly fell in love with her during pre-production.

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In 1938 the French film industry was booming, and Renoir was at the height of his career. He had had three consecutive hit films and

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for the film's characters is articulated by Octave's remark and shows his empathy for the people he was simultaneously criticizing.

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Renoir continued shooting additional scenes with some of the actors. The opening scene at the airfield was shot in mid-June at the

865:. Renoir then cast Marcel Dalio as the Marquis. Years later, Dalio asked Renoir why he had been cast after having typically played 661: 1372:, I passed on what I knew to the public. But this is something that people do not like; the truth makes them feel uncomfortable." 5357: 2385: 1317: 1086: 971:

The delays caused Pierre Renoir to pull out of the film because of prior commitments to stage plays in Paris. Renoir then asked

892: – a paramilitary fascist party – because Gregor was Jewish and he was anti-fascist. When Germany 5367: 5172: 4928: 1914:

was the absolute masterpiece." François Truffaut articulated the film's enormous influence and said "it isn't an accident that

1355: 669: 31: 960:. Tony Corteggiani was hired as a technical advisor for the rabbit hunting sequence. The cast and crew stayed at Hotel Rat in 5412: 5397: 4961: 4749: 4687: 4666: 4643: 4624: 4603: 4470: 4395: 4160: 3969: 1715:

magazine ranked it #10 in 1952, elevated it to No. 3 in 1962, and #2 in 1972, 1982 and 1992. In 2002 it fell to No. 3 behind

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were all in attendance and publicly called Renoir their master while praising the reconstructed version of the film. In 1961

762: 407:) decennial critics' poll for every decade from the poll's inception in 1952 through the 2012 list (in 2022 it fell to #13). 1546:, but ones that still gave us considerable depth, so that we could keep our backgrounds in focus almost all the time." This 1459:

remained controversial with the French public shortly after World War II when it was once again banned. Renoir's biographer

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frame, but also an act of historical testimony." Its themes have been analyzed by film scholar and Renoir's biographer

1150:, who called it "a copious work, even too much so, very complex and profoundly intelligent from one end to the other." 1085:

took place on June 28, 1939. It received a poor reaction from the audience. On June 29, the film was screened for the

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praised its depiction of class differences. The complexity of Renoir's storytelling techniques have been examined by

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DVD, Disc 2. Special Features: Jean Renoir, David Thomson Omnibus. The Criterion Collection. 2004. Spine Number 216

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during the rabbit hunt scene. Renoir cut most of his own performance as Octave after the film's negative reception.

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tell a frivolous story. I looked for inspiration to Beaumarchais, to Marivaux, to the classical authors of comedy.

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said Renoir "attempts to crowd too many ideas into 80 minutes of film fare, resulting in confusion." According to

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studios in Joinville. Renoir finally agreed and left Zwoboda, Corteggiani and Cartier-Bresson in Sologne to shoot

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Filming for exterior scenes set in the country began on February 15, 1939, in Sologne and outside the Chateau de

4033: 936:, a film representing a society, a group of persons, almost a whole class, and not a film of personal affairs." 91: 5392: 1756: 877:

François suggested newly famous stage actress Michele Alfa for the role of Christine, and Renoir went with his

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Many contemporary film critics have written favorably about the film. It has been hailed as a masterpiece by

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was among Renoir's most "jumbled" and "confused" films but applauded the biting satire, which he considered "

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DVD, Disc 1. Special Features: Jean Renoir Introduction. The Criterion Collection. 2004. Spine Number 216.

1711:

stands as one of Jean Renoir's—and cinema's—finest works." The decennial poll of international critics by

1455:, an inspiration for the film, had also been considered controversial for its attack on the class system. 924:

and according to film theorist Charles Drazin, a possible inspiration for some characteristics of Octave.

885: 5377: 5337: 5100: 2011: 1819: 1552: 1399: 1268: 379:

and long shots during which the camera is constantly moving, sophisticated cinematic techniques in 1939.

353:. The film depicts members of upper-class French society and their servants just before the beginning of 1834:, who said it was "not only a masterpiece of filmmaking, not only a great work of humanism in a perfect 1271:

made his French citizenship an issue. Koch directed the film instead and Renoir emigrated to Hollywood.

2334: 1768:'s list of the 100 greatest foreign-language films, as voted on by 209 film critics from 43 countries. 1619: 5076: 5060: 4954: 2301: 2268: 2235: 2202: 2169: 2136: 1599: 5132: 4486: 3450:

DVD, Disc 2. Special Features: Gaborit and Durand. The Criterion Collection. 2004. Spine Number 216.

702:. Renoir rallied his friends in the film industry around the company and got financial support from 674: 5269: 5156: 4818:

DVD, Disc 1. Special Features: Production History. The Criterion Collection. 2004. Spine Number 216

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is a rare combination of satire, vaudeville and tragedy." It was a major source of inspiration for

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Renoir said he intended all the characters to be sincere and that the film would have no villains.

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what is interesting about this film, perhaps, is the moment when it was made. It was shot between

1222:

members, Renoir said "I thought I was gentle with them, and they thought I was laughing at them."

855:

was offered the role of the Marquis de la Chesnaye; he refused it and instead acted with Simon in

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stated the film "completely justified its European reputation ... a memorable experience."

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called it "a film that doesn't wear its innovations on its sleeve ... Humanist? Classical?

1803:

included it on a list of "39 Essential Foreign Films for a Young Filmmaker." French film critic

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DVD, Disc 2. Special Features: Oliver Curchod. The Criterion Collection. 2004. Spine Number 216

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wrote about its sense of humanity. Other critics have written about the film's darker themes;

1636: 757:. When conceiving the film, Renoir was inspired by classical French art, such as the works of 5291: 5195: 5164: 4985: 4869: 4824:

DVD, Disc 2. Special Features: Alain Renoir. The Criterion Collection. 2004. Spine Number 216

4490: 2956:

DVD, Disc 2. Special Features: Mila Parély. The Criterion Collection. 2004. Spine Number 216.

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magazine ranked at number 13 in its list of "The 100 Best Films Of World Cinema" in 2010. In

1668: 1428: 979:

To raise additional funding for the over-running production, Zwoboda had used the success of

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Renoir's portrayal of the wise, mournful Octave anchors the fatalistic mood of this pensive

5243: 4947: 4934: 2057: 1807:

praised the film's mobile cinematographic style; he said its depth of field and deep focus

1646: 1513: 1131: 984: 784: 392: 219: 78: 1866:, who said the film "operates on all levels." Critics have praised its farcical elements: 1179: 8: 5332: 5235: 5068: 4885: 4836:

DVD, Disc 2. Special Features: Max Douy. The Criterion Collection. 2004. Spine Number 216

4002: 1930: 1863: 1827: 1517: 1387: 1348:

praised the film for "showing the corruption of French society from top to bottom" and a

908: 903: 458: 3332: 1391: 5281: 5180: 5116: 5092: 5036: 4738: 4548: 4359: 3989: 3656: 3367: 1894:

The film especially was appreciated by filmmakers and film critics associated with the

1407: 1280: 1231: 1174: 1106:

was not a runner-up. Because of the success and popularity of Renoir's previous films,

1098: 1096:

for the best French film. When the awards were announced 10 days later, Marcel Carne's

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in New York City, but this idea was abandoned after the disastrous release in France.

838: 5311: 5219: 4858: 4783: 4764: 4745: 4722: 4702: 4683: 4677: 4662: 4639: 4620: 4614: 4599: 4592: 4576: 4570: 4555: 4466: 4391: 4366: 4193: 4156: 3965: 3480: 3344: 3336: 2434: 2026: 2006: 1938: 1831: 1743: 1680: 1626: 1564: 1521: 1161: 991: 983:

to sell advanced screening rights in large theatres to Jean Jay, the director of the

881: 691: 686:, which was formed in 1919 as a film distribution company for independent artists by 350: 168: 4123:"Martin Scorsese Creates a List of 39 Essential Foreign Films for a Young Filmmaker" 1976: 1679:

used in the film were borrowed from several sources and some are now in a museum in

1446:

Renoir wanted to depict people as they truly were at that point in history; he said

843:

the time; he declined when her salary request was denied and instead took a role in

5306: 5203: 5084: 4993: 4655: 2074: 2016: 1585: 1472: 1415: 1297: 1185: 844: 766: 746: 723: 626: 602: 4914: 4902: 4891: 4007: 3628:; translated by Carol Volk. Cambridge: Cambridge University Press, 1989. p. 238. 2021: 1895: 1800: 1799:. Schrader said the film "has it all ... represents all that film can be." 1788: 1704: 1395: 961: 878: 856: 707: 687: 514: 369: 319: 109: 4051: 1776: 1609: 1386:

the war". This sense of doom began just before shooting started in January when

833: 779:

but only to re-read it and other classics of French literature for inspiration.

5296: 4274: 4012: 1986: 1723: 1656: 1631: 1547: 1509: 1341: 1321: 1201: 917: 861: 829: 793: 683: 596: 559: 544: 526: 343: 335: 331: 139: 129: 124: 4148: 1804: 1741:. It is the only film to have been included on every top ten list since 1952. 565: 538: 323: 114: 5326: 5301: 5211: 4863: 3472: 1946: 1942: 1907: 1884: 1851: 1843: 1809: 1796: 1780: 1588:. The sound engineer was Joseph de Bretagne. Music used in the film includes 1539: 1505: 1460: 1325: 1288: 1218: 921: 913: 871: 797: 719: 699: 695: 679: 372: 311: 155: 1497: 703: 523:

as Robert, Marquis de la Chesnaye, Christine's husband and Geneviève's lover

364:

was the most expensive French film made: Its original budget of 2.5 million

5286: 4907: 2578: 2036: 1996: 1958: 1922: 1867: 1717: 1664: 1651: 1572: 1476: 1403: 995: 972: 965: 715: 550: 520: 365: 354: 339: 327: 303: 280: 187: 134: 119: 1846:

described the film's "complex social criticism" while Kenneth Browser and

800:

and aspects of classical French comedies. Renoir's initial inspiration by

5148: 4970: 4716: 2046: 1934: 1880: 1876: 1855: 1847: 1784: 1737: 1699:

has come to be regarded by many film critics and directors as one of the

1684: 1577: 1329: 1193: 1189: 1037: 1022: 898: 817: 532: 508: 315: 307: 104: 62: 4874: 4852: 5044: 3651: 3484: 3348: 1888: 1872: 1859: 1535: 1197: 1143: 728: 711: 587: 395:, with only a minor scene from Renoir's first cut missing. Since then, 376: 5001: 4060: 1676: 1560: 1543: 1485: 1152: 893: 866: 3187: 718:. NEF's headquarters on the Rue la Grange-Batelière was sublet from 4880: 4365:. New York, NY: The Continuum International Publishing Group, Inc. 3986:"What Makes a French Comedy One of the Greatest Films of All Time?" 2775: 1568: 1410:. Renoir articulated this unmentioned theme of the film by saying: 1089: 1030: 889: 788: 593:

Richard Francœur as Monsieur La Bruyère, a guest at Robert's estate

1754:

2008 list of the greatest films ever made it tied for second with

999: 48: 5017: 2001: 463: 553:

as Edouard Schumacher, Robert's gamekeeper and Lisette's husband

1835: 1551:

changes direction and circles around the subjects. Film critic

1169: 1003: 368:

eventually increased to more than 5 million francs. Renoir and

300: 4939: 1435:(1910). Jean considered hunting to be cruel, and did not film 813: 1262: 968:

began. Paulette Dubost said shooting the film was great fun.

446:— Quotation at the beginning of the film, from Beaumarchais' 357:, showing their moral callousness on the eve of destruction. 1571:. The hunt scene differs from the rest of the film; it uses 1390:

and throughout the production when Prime Minister of France

4575:. Baltimore, Maryland: The Johns Hopkins University Press. 3904: 3902: 3900: 3849: 3575: 3396:"A Film and Its Era: The Rules of the Game, by Jean Renoir" 3070: 2751: 1283:, the G.M. Film Lab, which housed the original negative of 1067:

omit Octave but agreed to remove 13 minutes from the film.

3822: 3810: 3609: 3607: 3605: 3592: 3590: 3284: 3282: 3119: 3117: 3115: 3113: 3111: 3109: 3028: 3026: 2722: 2720: 2718: 2654: 2652: 2650: 2460: 2458: 2456: 2454: 2452: 2450: 1580:

to fund the color cinematography but the company refused.

1049:

half weeks over schedule when it finally wrapped in June.

382:

Renoir's career in France was at its pinnacle in 1939 and

4619:. Jackson, Mississippi: University Press of Mississippi. 3839: 3837: 3491: 3220: 3136: 3134: 3132: 3045: 3043: 3041: 2890: 2703: 2679: 2494: 1765: 1358:/Best European Film (Bedste europæiske film) in Denmark. 1081:

The first preview screening of the 113-minute version of

535:

as Octave, an old friend of Christine and friend of André

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cinematography. Renoir said he and his cinematographer

4721:. Cambridge, Massachusetts: Harvard University Press. 4416: 4404: 4218: 3964:. New York, NY: New American Library. pp. 10–11. 3885: 3834: 3798: 3129: 3038: 2971: 1125:

In France, film attendance was typically low in July;

912:. Gregor's first husband had been the concert pianist 745:

and wanted to make a comedy. He was anxious about the

3914: 3762: 3750: 3733: 3721: 3681: 3679: 3631: 3563: 3551: 3515: 3503: 3426: 3313: 3294: 3244: 3232: 3203: 3163: 3146: 3094: 3055: 2997: 2959: 2914: 2902: 2819: 2791: 2732: 2691: 2664: 2630: 2563: 2548: 2521: 2506: 2470: 2404: 2321: 2319: 2288: 2286: 2255: 2253: 2222: 2220: 2189: 2187: 2156: 2154: 2123: 2121: 2119: 874:

was cast as Octave, and Carette was cast as Marceau.

5276:

Louis Lumière / conversation avec Langlois et Renoir

4682:. Bloomington, London: University of Indiana Press. 4598:. New York, New York: Doubleday & Company, Inc. 2101: 590:

as Monsieur de St. Aubin, a guest at Robert's estate

4326: 4314: 1862:, who labeled it "a dense clockwork mechanism" and 1304:inaugural list of the 10 greatest films ever made. 739:In May 1938, Renoir completed the historical drama 605:

as Madame de la Bruyère, a guest at Robert's estate

529:

as André Jurieux, an aviator in love with Christine

4737: 4654: 4591: 4547: 4358: 3676: 3343:. Pairs, FR: Editions Robert Denoel. p. 347. 3331: 2429:. New York, NY: St. Martin's Paperbacks. pp. 2316: 2283: 2250: 2217: 2184: 2151: 2116: 1771:Critics and directors who have placed it on their 1130:Renoir initially wanted to screen the film at the 1021:, breaking the Munich Agreement, which caused the 599:as Madame de la Plante, a guest at Robert's estate 547:as Marceau, a poacher and Lisette's would-be lover 401:one of the greatest films in the history of cinema 387:"having an undesirable influence over the young". 4930:The Rules of the Game: Everyone Has Their Reasons 4187: 3626:Renoir on Renoir: interviews, essays, and remarks 620:Nicolas Amato as Cava, a guest from South America 5324: 4744:. New York, New York: The H. W. Wilson Company. 4385: 4155:. New York, NY: Simon and Schuster. p. 73. 1029:left because he was Jewish and a communist, and 4192:. Hamburg, GR: Rasch und Röhring. p. 766. 2052:Scenes from the Class Struggle in Beverly Hills 1061: 617:Tony Corteggiani as Monsieur Berthelin, a guest 608:Lise Elina as the radio reporter at the airport 4661:. New York, New York: Farber and Farber, Inc. 4638:. Indiana, Indiana: Indiana University Press. 1919:ultimately became a true commercial success." 1279:In 1942, during one of the Allied bombings of 4955: 4758: 4361:French Cinema: From Beginnings to the Present 3855: 2867: 2865: 2863: 2861: 2584: 4386:Beylie, Claude; Pinturault, Jacques (1990). 2990: 2988: 2986: 2859: 2857: 2855: 2853: 2851: 2849: 2847: 2845: 2843: 2841: 1534:is known for its early and elaborate use of 1087:Minister of National Education and Fine Arts 824:Renoir originally wanted the entire cast of 632:Camille François as a radio reporter (voice) 4554:. Woodstock, New York: The Overlook Press. 4188:Heinzlmeier, Adolf; Schulz, Berndt (1990). 2940: 2938: 2936: 2934: 753:, which had characters similar to those in 736:was the only film produced by the company. 722:'s production company. On December 8, 1938 4962: 4948: 3479:. London, UK: Pelican Books. p. 208. 2883: 2881: 2879: 2877: 2812: 2810: 2808: 2806: 902:and had appeared in some films, including 562:as The General, a guest at Robert's estate 556:Anne Mayen as Jackie, a niece of Christine 47: 4921:Roger Ebert's Great Movies reflection on 4759:Truffaut, François; Bazin, André (1974). 4343: 4341: 4298: 4296: 4255: 4253: 4251: 4190:Filme im Fernsehen, Erweiterte Neuausgabe 4174: 4172: 4088:"The 100 Greatest Foreign Language Films" 4003:"The Rules of the Game - Rotten Tomatoes" 3878: 3876: 3866: 3864: 3087: 3085: 2983: 2838: 649: 611:Eddy Debray as Corneille, Robert's butler 4718:Jean Renoir: The French Films, 1924–1939 4714: 4612: 4434: 4230: 3908: 3792: 3780: 3649: 3613: 3596: 3581: 3545: 3420: 3288: 3273: 3238: 3193: 3181: 3123: 3076: 3032: 3016: 3014: 3012: 2977: 2931: 2769: 2757: 2726: 2658: 2624: 2612: 2600: 2588: 2572: 2542: 2488: 2464: 2388:. British Film Institute. Archived from 2363:. The Fifi Organization. August 30, 2009 2333:. British Film Institute. Archived from 2300:. British Film Institute. Archived from 2267:. British Film Institute. Archived from 2234:. British Film Institute. Archived from 2201:. British Film Institute. Archived from 2168:. British Film Institute. Archived from 2135:. British Film Institute. Archived from 1422: 1184: 1113: 812: 27:1939 French film directed by Jean Renoir 4782:. London: Littlehampton Book Services. 4777: 4735: 4390:. Paris, FR: Bordas. pp. 124–125. 4356: 4212: 4050: 4040:from the original on November 23, 2015. 3941:from the original on September 27, 2016 3471: 3393: 3140: 3049: 2887:DVD, Jean Renoir, David Thomson Omnibus 2874: 2803: 2785: 2422: 1830:, Adolf Heinzlmeier, Berndt Schulz and 1764:. In 2018 the film ranked fifth on the 14: 5325: 4933:an essay by Alexander Sesonske at the 4701:. New York, New York: The Capo Press. 4696: 4652: 4589: 4568: 4545: 4460: 4422: 4410: 4338: 4305: 4293: 4248: 4239: 4224: 4169: 4106: 3891: 3873: 3861: 3843: 3828: 3816: 3804: 3768: 3756: 3744: 3727: 3709:from the original on December 11, 2015 3637: 3569: 3557: 3521: 3509: 3497: 3435: 3319: 3307: 3261: 3226: 3214: 3197: 3169: 3157: 3100: 3082: 3064: 3003: 2925: 2908: 2896: 2832: 2797: 2781: 2745: 2709: 2697: 2685: 2673: 2641: 2557: 2530: 2515: 2500: 2476: 2410: 2380: 2378: 2294:"Sight & Sound Top Ten Poll: 2002" 2261:"Sight & Sound Top Ten Poll: 1992" 2228:"Sight & Sound Top Ten Poll: 1982" 2195:"Sight & Sound Top Ten Poll: 1972" 2162:"Sight & Sound Top Ten Poll: 1962" 2129:"Sight & Sound Top Ten Poll: 1952" 2110: 2022:An Unfinished Piece for a Player Piano 1356:Bodil Award for Best Non-American Film 1033:took over as the film's set designer. 541:as Geneviève de Marras, Robert's lover 32:The Rules of the Game (disambiguation) 4943: 4633: 4268: 4147: 4129:from the original on February 7, 2015 3962:John Kobal Presents the Top 100 Films 3959: 3920: 3650:Thompson, Howard (January 19, 1961). 3009: 1377:— Jean Renoir, from his autobiography 1320:, where it was called a masterpiece. 763:Pierre-Augustin Caron de Beaumarchais 511:as Christine, Marquise de la Chesnaye 4675: 4636:French Cinema—A Critical Filmography 4550:Jean Renoir, Projections of Paradise 4518:"10 Things I Learned: The Big Chill" 4515: 4463:La règle du jeu, film de Jean Renoir 4332: 4320: 4056:"Les cent plus beaux films du monde" 4034:"The 100 Best Films Of World Cinema" 3685: 2965: 1727:. In 2012, it fell to No. 4, behind 886:Prince Ernst Rüdiger von Starhemberg 502: 423:Who shun love whither it does range, 4763:. London: W.H Allen/ Virgin Books. 4594:Jean Renoir: The World of his Films 4524:from the original on August 4, 2014 3402:from the original on March 25, 2015 2375: 1542:"ordered some special lenses, very 1433:Portrait of Jean Renoir as a hunter 1255:Renoir said that of all his films, 1137:Claude Gauteur surveyed reviews of 851:. He was replaced by Gaston Modot. 614:Géo Forster as the effeminate guest 24: 4679:Filmguide to the Rules of the Game 4269:Ebert, Roger (February 29, 2004). 4125:. Open Culture. October 15, 2014. 3664:from the original on July 14, 2014 3375:from the original on July 15, 2014 2042:The Decline of the American Empire 1953:taught me the rules of the game." 1316:restored version premiered at the 629:as André's engineer at the airport 623:Jenny Hélia as Germaine, a servant 419:Sensitive hearts, faithful hearts, 25: 5429: 5252:The Little Theatre of Jean Renoir 4846: 4497:from the original on May 31, 2014 4465:. Paris, FR: Lindau. p. 47. 4281:from the original on July 8, 2014 4068:from the original on May 13, 2014 4036:. Empire Magazine. June 6, 2010. 3984:Kenigsber, Ken (January 7, 2021) 2085:List of films considered the best 5418:Films scored by Roger Désormière 5353:Animal cruelty incidents in film 5228:The Doctor's Horrible Experiment 4509: 4479: 4454: 4428: 4379: 4350: 4262: 4181: 4141: 4115: 4092:British Broadcasting Corporation 4080: 4044: 4026: 3995: 3978: 3953: 3932: 3926: 3363:"Review:'The Rules of the Game'" 2426:The Encyclopedia of Movie Awards 916:, son of the renowned conductor 4969: 4572:Jean Renoir: A Life in Pictures 3691: 3643: 3619: 3527: 3465: 3453: 3441: 3387: 3355: 3325: 2947: 2416: 1092:and for the jury of the annual 457:Aviator André Jurieux lands at 5358:Films about adultery in France 5297:Aline Charigot Renoir (mother) 5292:Pierre-Auguste Renoir (father) 4740:World Film Directors, Volume 1 4516:Tsui, Curtis (July 30, 2014). 4388:Les Maîtres du cinéma français 4357:Lanzoni, Remi Founier (2002). 2349: 1274: 1019:Germany invaded Czechoslovakia 13: 1: 5368:Films directed by Jean Renoir 4435:Vanneman, Alan (April 2002). 3705:. Filmmedarbejderforeningen. 2090: 2080:List of French-language films 1879:wrote about its influence on 894:annexed Austria in March 1938 726:published a press release in 644: 5413:Films scored by Joseph Kosma 5398:French black-and-white films 4715:Sesonske, Alexander (1980). 4520:. The Criterion Collection. 2386:"La Règle du jeu (1939) BFI" 1663:. The music was arranged by 1062:Initial editing and previews 828: – including 517:as Lisette, Christine's maid 7: 5373:Films set in country houses 5363:Films about the upper class 5343:1930s French-language films 5101:The Crime of Monsieur Lange 4913:September 27, 2007, at the 2994:DVD, Jean Renoir, Le Patron 2068: 2061:have also been compared to 2012:Hunting Scenes from Bavaria 1820:The Best Years of Our Lives 1243:Ministry of Foreign Affairs 672:. The financial success of 10: 5434: 5173:The Diary of a Chambermaid 4441:Bright Lights Film Journal 1701:greatest films of all time 1567:and most of the shots are 1056: 939: 808: 210:Nouvelle Édition Française 29: 5408:Rediscovered French films 5403:French comedy-drama films 5282:Catherine Hessling (wife) 5262: 5061:Boudu Saved from Drowning 5028: 4977: 4811:. 2004. Spine Number 216. 4778:Durgnat, Raymond (1975). 3937:. Turner Classic Movies. 3856:Truffaut & Bazin 1974 2585:Truffaut & Bazin 1974 2423:Gerbert, Michael (1996). 1690: 1361: 1318:1959 Venice Film Festival 435:If Cupid was given wings, 275: 267: 259: 249: 225: 215: 201: 180: 161: 151: 97: 87: 68: 58: 53:Theatrical release poster 46: 41: 4809:The Criterion Collection 4653:Drazin, Charles (2011). 4461:Vanoye, Francis (1989). 2357:"The Rules of the Games" 1992:Smiles of a Summer Night 1526:Les Caprices de Marianne 1491: 1442:s hunting scene himself. 1388:Barcelona fell to Franco 1102:won the first prize and 802:Les Caprices de Marianne 777:Les Caprices de Marianne 772:Les Caprices de Marianne 666:National Board of Review 660:had won awards from the 431:Is it a crime to change? 293:(original French title: 5348:1939 comedy-drama films 5302:Pierre Renoir (brother) 5053:Night at the Crossroads 4616:Jean Renoir: Interviews 4613:Cardullo, Bert (2005). 4546:Bergan, Ronald (1997). 4487:"Grand Illusion (1937)" 4271:"The Rules of the Game" 3935:"The Rules of the Game" 3699:"Ikke-amerikanske film" 2816:DVD, Production history 2361:thefifiorganization.net 1813:resembled that seen in 1757:The Night of the Hunter 1695:Since its restoration, 1615:En revenant de la revue 1351:New York Herald Tribune 751:Les Millions d'Arlequin 490: 410: 5383:Films set in the 1930s 5188:The Woman on the Beach 4736:Wakeman, John (1987). 4569:Bertin, Celia (1986). 3394:Kunvari, Anne (2010). 2055:and Lawrence Kasdan's 1975:, these films include 1612:and Eugène Rimbault's 1453:The Marriage of Figaro 1443: 1421: 1374: 1249:The Marriage of Figaro 1205: 821: 650:Background and writing 574:as the English servant 497:British Film Institute 443: 439:Was it not to flitter? 427:Cease to be so bitter: 405:British Film Institute 375:made extensive use of 5393:French aviation films 5141:The Rules of the Game 5010:The Little Match Girl 4986:The Whirlpool of Fate 4923:The Rules of the Game 4898:The Rules of the Game 4887:The Rules of the Game 4876:The Rules of the Game 4865:The Rules of the Game 4854:The Rules of the Game 4840:The Rules of the Game 4834:The Rules of the Game 4828:The Rules of the Game 4822:The Rules of the Game 4816:The Rules of the Game 4805:The Rules of the Game 4697:Renoir, Jean (1974). 4676:Mast, Gerald (1973). 4634:Crisp, Colin (2015). 4491:Turner Classic Movies 4054:(November 17, 2008). 3534:The Rules of the Game 3460:The Rules of the Game 3448:The Rules of the Game 2954:The Rules of the Game 2063:The Rules of the Game 1968:The Rules of the Game 1964:The Rules of the Game 1951:The Rules of the Game 1916:The Rules of the Game 1904:The Rules of the Game 1709:The Rules of the Game 1697:The Rules of the Game 1532:The Rules of the Game 1457:The Rules of the Game 1448:The Rules of the Game 1437:The Rules of the Game 1429:Pierre-Auguste Renoir 1426: 1412: 1400:Italy annexed Albania 1383:The Rules of the Game 1366: 1309:The Rules of the Game 1285:The Rules of the Game 1257:The Rules of the Game 1227:The Rules of the Game 1188: 1166:The Rules of the Game 1139:The Rules of the Game 1127:The Rules of the Game 1119:The Rules of the Game 1114:Release and reception 1108:The Rules of the Game 1104:The Rules of the Game 1083:The Rules of the Game 1071:The Rules of the Game 958:Henri Cartier-Bresson 950:Pierre-Auguste Renoir 816: 755:The Rules of the Game 734:The Rules of the Game 662:New York Film Critics 578:Marguerite de Morlaye 572:Henri Cartier-Bresson 495:Credits adapted from 415: 397:The Rules of the Game 384:The Rules of the Game 362:The Rules of the Game 290:The Rules of the Game 234:7 July 1939 42:The Rules of the Game 5388:Films shot in France 5244:The Elusive Corporal 4935:Criterion Collection 4699:My Life and My Films 4590:Braudy, Leo (1972). 3960:Kobal, John (1988). 2392:on November 29, 2016 1514:Jean-Philippe Rameau 985:Gaumont Film Company 946:la Ferté-Saint-Aubin 787:and Zwoboda went to 670:Venice Film Festival 449:Le Mariage de Figaro 393:Venice Film Festival 220:Gaumont Film Company 30:For other uses, see 5236:Picnic on the Grass 5069:Chotard and Company 3652:"Rules of the Game" 3584:, pp. 438–439. 3229:, pp. 162–163. 3079:, pp. 382–383. 2871:DVD, Oliver Curchod 2760:, pp. 417–418. 2712:, pp. 176–177. 2688:, pp. 199–200. 2503:, pp. 157–158. 2337:on February 7, 2016 1931:Bernardo Bertolucci 1595:Three German Dances 1518:Jean-Baptiste Lully 1017:On March 16, 1939, 904:Carl Theodor Dreyer 792:called the film a " 476:Marriage of Figaro, 459:Le Bourget Airfield 299:) is a 1939 French 5378:Films set in Paris 5338:1930s French films 5287:Alain Renoir (son) 5181:Partie de campagne 5117:La Grande Illusion 5093:Life Belongs to Us 4870:TCM Movie Database 4236:DVD notes, pp. 5–6 4094:. October 29, 2018 3990:The New York Times 3831:, p. 203–204. 3819:, p. 182–183. 3657:The New York Times 3500:, p. 205–206. 3341:Histoire du cinéma 3337:Brasillach, Robert 2899:, p. 200–201. 2304:on October 7, 2014 2271:on October 8, 2014 2238:on October 8, 2014 2205:on October 8, 2014 2172:on October 8, 2014 2139:on October 8, 2014 1473:objective humanism 1444: 1408:Invasion of Poland 1338:The New York Times 1293:The New York Times 1281:Boulogne-sur-Seine 1269:German-Soviet pact 1232:Le Quai des brumes 1206: 1158:Histoire du cinéma 1099:Le Quai des brumes 1094:Louis Delluc Prize 822: 759:Pierre de Marivaux 657:La Grande Illusion 5320: 5319: 5312:Marguerite Renoir 5220:Elena and Her Men 5157:This Land Is Mine 4751:978-0-8242-0757-1 4689:978-0-253-39311-1 4668:978-0-571-21173-9 4645:978-0-253-01703-1 4626:978-1-57806-730-5 4605:978-0-86051-005-5 4472:978-88-7180-623-5 4397:978-2-04-018496-4 4162:978-0-306-80465-6 3971:978-0-452-26146-4 3333:Bardèche, Maurice 2968:, pp. 21–22. 2327:"Critics Top Ten" 2027:Theo Angelopoulos 2007:Peter Fleischmann 1939:Peter Bogdanovich 1832:Penelope Gilliatt 1773:Sight & Sound 1713:Sight & Sound 1681:Neuilly-sur-Seine 1431:, painted him in 1427:Renoir's father, 1298:Sight & Sound 1180:François Truffaut 1162:Robert Brasillach 1132:1939 World's Fair 862:Cavalcade d'amour 796:" for its use of 692:Douglas Fairbanks 641: 640: 483:shoots him dead. 351:comedy of manners 306:film directed by 286: 285: 169:Marguerite Renoir 16:(Redirected from 5425: 5307:Gabrielle Renard 5204:The Golden Coach 5109:The Lower Depths 4964: 4957: 4950: 4941: 4940: 4812: 4793: 4774: 4755: 4743: 4732: 4712: 4693: 4672: 4660: 4649: 4630: 4609: 4597: 4586: 4565: 4553: 4534: 4533: 4531: 4529: 4513: 4507: 4506: 4504: 4502: 4483: 4477: 4476: 4458: 4452: 4451: 4449: 4447: 4432: 4426: 4420: 4414: 4408: 4402: 4401: 4383: 4377: 4376: 4364: 4354: 4348: 4345: 4336: 4330: 4324: 4318: 4312: 4309: 4303: 4300: 4291: 4290: 4288: 4286: 4266: 4260: 4257: 4246: 4243: 4237: 4234: 4228: 4222: 4216: 4210: 4204: 4203: 4185: 4179: 4176: 4167: 4166: 4145: 4139: 4138: 4136: 4134: 4119: 4113: 4110: 4104: 4103: 4101: 4099: 4084: 4078: 4077: 4075: 4073: 4048: 4042: 4041: 4030: 4024: 4023: 4021: 4019: 3999: 3993: 3982: 3976: 3975: 3957: 3951: 3950: 3948: 3946: 3930: 3924: 3918: 3912: 3906: 3895: 3889: 3883: 3880: 3871: 3870:DVD notes, p. 11 3868: 3859: 3853: 3847: 3841: 3832: 3826: 3820: 3814: 3808: 3802: 3796: 3790: 3784: 3778: 3772: 3766: 3760: 3754: 3748: 3742: 3731: 3725: 3719: 3718: 3716: 3714: 3695: 3689: 3683: 3674: 3673: 3671: 3669: 3647: 3641: 3635: 3629: 3623: 3617: 3611: 3600: 3594: 3585: 3579: 3573: 3567: 3561: 3555: 3549: 3543: 3537: 3531: 3525: 3519: 3513: 3507: 3501: 3495: 3489: 3488: 3469: 3463: 3457: 3451: 3445: 3439: 3433: 3424: 3418: 3412: 3411: 3409: 3407: 3398:. Euro Channel. 3391: 3385: 3384: 3382: 3380: 3371:. January 1939. 3359: 3353: 3352: 3329: 3323: 3317: 3311: 3305: 3292: 3286: 3277: 3271: 3265: 3259: 3242: 3236: 3230: 3224: 3218: 3212: 3201: 3191: 3185: 3179: 3173: 3167: 3161: 3155: 3144: 3138: 3127: 3121: 3104: 3098: 3092: 3089: 3080: 3074: 3068: 3062: 3053: 3047: 3036: 3030: 3021: 3018: 3007: 3001: 2995: 2992: 2981: 2975: 2969: 2963: 2957: 2951: 2945: 2944:DVD, Alan Renoir 2942: 2929: 2923: 2912: 2906: 2900: 2894: 2888: 2885: 2872: 2869: 2836: 2830: 2817: 2814: 2801: 2795: 2789: 2779: 2773: 2767: 2761: 2755: 2749: 2743: 2730: 2724: 2713: 2707: 2701: 2695: 2689: 2683: 2677: 2671: 2662: 2656: 2645: 2639: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2582: 2576: 2570: 2561: 2555: 2546: 2540: 2534: 2528: 2519: 2513: 2504: 2498: 2492: 2486: 2480: 2474: 2468: 2462: 2445: 2444: 2420: 2414: 2408: 2402: 2401: 2399: 2397: 2382: 2373: 2372: 2370: 2368: 2353: 2347: 2346: 2344: 2342: 2323: 2314: 2313: 2311: 2309: 2290: 2281: 2280: 2278: 2276: 2257: 2248: 2247: 2245: 2243: 2224: 2215: 2214: 2212: 2210: 2191: 2182: 2181: 2179: 2177: 2158: 2149: 2148: 2146: 2144: 2125: 2114: 2108: 2075:Cinema of France 2017:Nikita Mikhalkov 1753: 1669:Roger Désormière 1623: 1559:Renoir used few 1556:into balances." 1441: 1392:Édouard Daladier 1378: 1303: 1225:In October 1939 845:Maurice Tourneur 767:Alfred de Musset 747:Munich agreement 724:Georges Cravenne 503: 453: 399:has been called 255:110 minutes 241: 239: 193:Roger Désormière 51: 39: 38: 21: 5433: 5432: 5428: 5427: 5426: 5424: 5423: 5422: 5323: 5322: 5321: 5316: 5258: 5133:La Bête Humaine 5125:La Marseillaise 5024: 4973: 4968: 4915:Wayback Machine 4903:Box Office Mojo 4892:Rotten Tomatoes 4849: 4807:(Liner notes). 4803: 4790: 4771: 4752: 4729: 4709: 4690: 4669: 4646: 4627: 4606: 4583: 4562: 4537: 4527: 4525: 4514: 4510: 4500: 4498: 4485: 4484: 4480: 4473: 4459: 4455: 4445: 4443: 4433: 4429: 4421: 4417: 4409: 4405: 4398: 4384: 4380: 4373: 4355: 4351: 4347:DVD notes, p.33 4346: 4339: 4331: 4327: 4319: 4315: 4311:DVD notes, p.30 4310: 4306: 4302:DVD notes, p.29 4301: 4294: 4284: 4282: 4267: 4263: 4259:DVD notes, p.34 4258: 4249: 4245:DVD notes, p.32 4244: 4240: 4235: 4231: 4223: 4219: 4211: 4207: 4200: 4186: 4182: 4178:DVD notes, p.31 4177: 4170: 4163: 4146: 4142: 4132: 4130: 4121: 4120: 4116: 4112:DVD notes, p.28 4111: 4107: 4097: 4095: 4086: 4085: 4081: 4071: 4069: 4049: 4045: 4032: 4031: 4027: 4017: 4015: 4008:Rotten Tomatoes 4001: 4000: 3996: 3983: 3979: 3972: 3958: 3954: 3944: 3942: 3931: 3927: 3919: 3915: 3907: 3898: 3890: 3886: 3882:DVD notes, p.10 3881: 3874: 3869: 3862: 3854: 3850: 3842: 3835: 3827: 3823: 3815: 3811: 3803: 3799: 3791: 3787: 3783:, pp. 378. 3779: 3775: 3767: 3763: 3755: 3751: 3743: 3734: 3726: 3722: 3712: 3710: 3697: 3696: 3692: 3684: 3677: 3667: 3665: 3648: 3644: 3636: 3632: 3624: 3620: 3612: 3603: 3595: 3588: 3580: 3576: 3568: 3564: 3556: 3552: 3544: 3540: 3532: 3528: 3520: 3516: 3508: 3504: 3496: 3492: 3470: 3466: 3458: 3454: 3446: 3442: 3434: 3427: 3419: 3415: 3405: 3403: 3392: 3388: 3378: 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p. 132. 4217: 4215:, p. 934. 4205: 4198: 4180: 4168: 4161: 4140: 4114: 4105: 4079: 4043: 4025: 3994: 3977: 3970: 3952: 3925: 3923:, p. 277. 3913: 3911:, p. 437. 3896: 3894:, p. 157. 3884: 3872: 3860: 3848: 3846:, p. 170. 3833: 3821: 3809: 3807:, p. 172. 3797: 3795:, p. 106. 3785: 3773: 3771:, p. 198. 3761: 3759:, p. 171. 3749: 3747:, p. 203. 3732: 3730:, p. 173. 3720: 3703:bodilprisen.dk 3690: 3675: 3642: 3640:, p. 314. 3630: 3618: 3616:, p. 440. 3601: 3599:, p. 439. 3586: 3574: 3572:, p. 168. 3562: 3560:, p. 165. 3550: 3548:, p. 441. 3538: 3526: 3524:, p. 230. 3514: 3512:, p. 206. 3502: 3490: 3473:Manvell, Roger 3464: 3452: 3440: 3438:, p. 210. 3425: 3423:, p. 415. 3413: 3386: 3354: 3324: 3322:, p. 184. 3312: 3310:, p. 164. 3293: 3291:, p. 438. 3278: 3276:, p. 385. 3266: 3264:, p. 205. 3243: 3231: 3219: 3217:, p. 181. 3202: 3200:, p. 202. 3186: 3184:, p. 417. 3174: 3172:, p. 210. 3162: 3160:, p. 202. 3145: 3143:, p. 936. 3128: 3126:, p. 384. 3105: 3103:, p. 209. 3093: 3081: 3069: 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1342:Archer Winsten 1322:Claude Chabrol 1276: 1273: 1202:Pierre Magnier 1115: 1112: 1063: 1060: 1058: 1055: 941: 938: 918:Arthur Nikisch 853:Claude Dauphin 830:Fernand Ledoux 810: 807: 794:divertissement 684:United Artists 651: 648: 646: 643: 639: 638: 634: 633: 630: 624: 621: 618: 615: 612: 609: 606: 600: 597:Odette Talazac 594: 591: 583: 582: 581: 575: 569: 563: 560:Pierre Magnier 557: 554: 548: 545:Julien Carette 542: 536: 530: 527:Roland Toutain 524: 518: 512: 501: 492: 489: 416: 414: 412: 409: 344:Pierre Magnier 336:Roland Toutain 332:Julien Carette 284: 283: 277: 273: 272: 269: 265: 264: 261: 257: 256: 253: 250: 247: 246: 244: 243: 231: 229: 226: 223: 222: 217: 216:Distributed by 213: 212: 209: 207: 202: 199: 198: 196: 195: 190: 184: 182: 178: 177: 175: 174: 171: 165: 163: 159: 158: 153: 152:Cinematography 149: 148: 146: 145: 142: 140:Pierre Magnier 137: 132: 130:Roland Toutain 127: 125:Julien Carette 122: 117: 112: 107: 101: 99: 95: 94: 89: 85: 84: 82: 81: 76: 72: 70: 66: 65: 60: 56: 55: 52: 44: 43: 26: 9: 6: 4: 3: 2: 5430: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5339: 5336: 5334: 5331: 5330: 5328: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5295: 5293: 5290: 5288: 5285: 5283: 5280: 5278: 5277: 5273: 5271: 5268: 5267: 5265: 5261: 5254: 5253: 5249: 5246: 5245: 5241: 5238: 5237: 5233: 5230: 5229: 5225: 5222: 5221: 5217: 5214: 5213: 5212:French Cancan 5209: 5206: 5205: 5201: 5198: 5197: 5193: 5190: 5189: 5185: 5182: 5178: 5175: 5174: 5170: 5167: 5166: 5162: 5159: 5158: 5154: 5151: 5150: 5146: 5143: 5142: 5138: 5135: 5134: 5130: 5127: 5126: 5122: 5119: 5118: 5114: 5111: 5110: 5106: 5103: 5102: 5098: 5095: 5094: 5090: 5087: 5086: 5082: 5079: 5078: 5077:Madame Bovary 5074: 5071: 5070: 5066: 5063: 5062: 5058: 5055: 5054: 5050: 5047: 5046: 5042: 5039: 5038: 5037:On purge bébé 5034: 5033: 5031: 5027: 5020: 5019: 5015: 5012: 5011: 5007: 5004: 5003: 4999: 4996: 4995: 4991: 4988: 4987: 4983: 4982: 4980: 4976: 4972: 4965: 4960: 4958: 4953: 4951: 4946: 4945: 4942: 4936: 4932: 4931: 4927: 4925: 4924: 4919: 4916: 4912: 4909: 4906: 4904: 4900: 4899: 4895: 4893: 4889: 4888: 4884: 4882: 4878: 4877: 4873: 4871: 4867: 4866: 4862: 4860: 4856: 4855: 4851: 4850: 4841: 4838: 4835: 4832: 4829: 4826: 4823: 4820: 4817: 4814: 4810: 4806: 4802: 4801: 4800: 4799: 4791: 4789:0-289-70291-7 4785: 4781: 4776: 4772: 4770:0-491-01412-0 4766: 4762: 4757: 4753: 4747: 4742: 4741: 4734: 4730: 4728:0-674-47355-8 4724: 4720: 4719: 4710: 4708:0-306-80457-3 4704: 4700: 4695: 4691: 4685: 4681: 4680: 4674: 4670: 4664: 4659: 4658: 4657:French Cinema 4651: 4647: 4641: 4637: 4632: 4628: 4622: 4618: 4617: 4611: 4607: 4601: 4596: 4595: 4588: 4584: 4582:0-8018-4184-4 4578: 4574: 4573: 4567: 4563: 4561:0-87951-537-6 4557: 4552: 4551: 4544: 4543: 4542: 4541: 4523: 4519: 4512: 4496: 4492: 4488: 4482: 4474: 4468: 4464: 4457: 4442: 4438: 4431: 4424: 4419: 4412: 4407: 4399: 4393: 4389: 4382: 4374: 4372:0-8264-1399-4 4368: 4363: 4362: 4353: 4344: 4342: 4335:, p. 77. 4334: 4329: 4323:, p. 71. 4322: 4317: 4308: 4299: 4297: 4280: 4276: 4272: 4265: 4256: 4254: 4252: 4242: 4233: 4226: 4221: 4214: 4209: 4201: 4199:3-89136-392-3 4195: 4191: 4184: 4175: 4173: 4164: 4158: 4154: 4150: 4144: 4128: 4124: 4118: 4109: 4093: 4089: 4083: 4067: 4063: 4062: 4057: 4053: 4052:Neuhoff, Éric 4047: 4039: 4035: 4029: 4014: 4010: 4009: 4004: 3998: 3992: 3991: 3987: 3981: 3973: 3967: 3963: 3956: 3945:September 25, 3940: 3936: 3933:Cady, Brian. 3929: 3922: 3917: 3910: 3909:Sesonske 1980 3905: 3903: 3901: 3893: 3888: 3879: 3877: 3867: 3865: 3857: 3852: 3845: 3840: 3838: 3830: 3825: 3818: 3813: 3806: 3801: 3794: 3793:Cardullo 2005 3789: 3782: 3781:Sesonske 1980 3777: 3770: 3765: 3758: 3753: 3746: 3741: 3739: 3737: 3729: 3724: 3708: 3704: 3700: 3694: 3688:, p. 70. 3687: 3682: 3680: 3663: 3659: 3658: 3653: 3646: 3639: 3634: 3627: 3622: 3615: 3614:Sesonske 1980 3610: 3608: 3606: 3598: 3597:Sesonske 1980 3593: 3591: 3583: 3582:Sesonske 1980 3578: 3571: 3566: 3559: 3554: 3547: 3546:Sesonske 1980 3542: 3535: 3530: 3523: 3518: 3511: 3506: 3499: 3494: 3486: 3482: 3478: 3474: 3468: 3461: 3456: 3449: 3444: 3437: 3432: 3430: 3422: 3421:Sesonske 1980 3417: 3401: 3397: 3390: 3374: 3370: 3369: 3364: 3358: 3350: 3346: 3342: 3338: 3334: 3328: 3321: 3316: 3309: 3304: 3302: 3300: 3298: 3290: 3289:Sesonske 1980 3285: 3283: 3275: 3274:Sesonske 1980 3270: 3263: 3258: 3256: 3254: 3252: 3250: 3248: 3240: 3239:Cardullo 2005 3235: 3228: 3223: 3216: 3211: 3209: 3207: 3199: 3195: 3194:Sesonske 1980 3190: 3183: 3182:Sesonske 1980 3178: 3171: 3166: 3159: 3154: 3152: 3150: 3142: 3137: 3135: 3133: 3125: 3124:Sesonske 1980 3120: 3118: 3116: 3114: 3112: 3110: 3102: 3097: 3091:DVD, Max Douy 3088: 3086: 3078: 3077:Sesonske 1980 3073: 3066: 3061: 3059: 3051: 3046: 3044: 3042: 3034: 3033:Sesonske 1980 3029: 3027: 3017: 3015: 3013: 3005: 3000: 2991: 2989: 2987: 2980:, p. 44. 2979: 2978:Cardullo 2005 2974: 2967: 2962: 2955: 2950: 2941: 2939: 2937: 2935: 2927: 2922: 2920: 2918: 2910: 2905: 2898: 2893: 2884: 2882: 2880: 2878: 2868: 2866: 2864: 2862: 2860: 2858: 2856: 2854: 2852: 2850: 2848: 2846: 2844: 2842: 2834: 2829: 2827: 2825: 2823: 2813: 2811: 2809: 2807: 2799: 2794: 2787: 2783: 2778: 2771: 2770:Sesonske 1980 2766: 2759: 2758:Sesonske 1980 2754: 2747: 2742: 2740: 2738: 2736: 2728: 2727:Sesonske 1980 2723: 2721: 2719: 2711: 2706: 2699: 2694: 2687: 2682: 2675: 2670: 2668: 2660: 2659:Sesonske 1980 2655: 2653: 2651: 2643: 2638: 2636: 2634: 2626: 2625:Sesonske 1980 2621: 2614: 2613:Sesonske 1980 2609: 2602: 2601:Sesonske 1980 2597: 2590: 2589:Sesonske 1980 2586: 2581: 2574: 2573:Cardullo 2005 2569: 2567: 2559: 2554: 2552: 2544: 2543:Sesonske 1980 2539: 2532: 2527: 2525: 2517: 2512: 2510: 2502: 2497: 2490: 2489:Sesonske 1980 2485: 2478: 2473: 2466: 2465:Sesonske 1980 2461: 2459: 2457: 2455: 2453: 2451: 2442: 2440:0-312-95723-8 2436: 2432: 2428: 2427: 2419: 2412: 2407: 2391: 2387: 2381: 2379: 2362: 2358: 2352: 2336: 2332: 2328: 2322: 2320: 2303: 2299: 2295: 2289: 2287: 2270: 2266: 2262: 2256: 2254: 2237: 2233: 2229: 2223: 2221: 2204: 2200: 2196: 2190: 2188: 2171: 2167: 2163: 2157: 2155: 2138: 2134: 2130: 2124: 2122: 2120: 2112: 2107: 2105: 2100: 2098: 2097: 2086: 2083: 2081: 2078: 2076: 2073: 2072: 2066: 2064: 2060: 2059: 2058:The Big Chill 2054: 2053: 2048: 2044: 2043: 2038: 2034: 2033: 2028: 2024: 2023: 2018: 2014: 2013: 2008: 2004: 2003: 1998: 1994: 1993: 1988: 1984: 1983: 1978: 1974: 1969: 1965: 1961: 1960: 1954: 1952: 1948: 1947:Cameron Crowe 1944: 1943:Noah Baumbach 1940: 1936: 1932: 1928: 1924: 1920: 1917: 1913: 1909: 1908:Alain Resnais 1905: 1901: 1897: 1892: 1890: 1886: 1885:Robert Altman 1882: 1878: 1874: 1869: 1865: 1861: 1857: 1853: 1852:Andrew Sarris 1849: 1845: 1844:Dudley Andrew 1841: 1837: 1833: 1829: 1824: 1823: 1821: 1816: 1812: 1811: 1810:mise-en-scène 1806: 1802: 1798: 1797:Paul Schrader 1794: 1793:Steve McQueen 1790: 1786: 1782: 1781:Michel Ciment 1778: 1774: 1769: 1767: 1763: 1759: 1758: 1750: 1746: 1745: 1740: 1739: 1734: 1730: 1726: 1725: 1720: 1719: 1714: 1710: 1706: 1702: 1698: 1688: 1686: 1682: 1678: 1672: 1670: 1666: 1662: 1658: 1654: 1653: 1648: 1644: 1643: 1642:Danse macabre 1638: 1634: 1633: 1628: 1624: 1621: 1616: 1611: 1607: 1606: 1601: 1597: 1596: 1591: 1587: 1581: 1579: 1574: 1573:rapid editing 1570: 1566: 1565:reverse shots 1562: 1557: 1554: 1553:David Thomson 1549: 1545: 1541: 1540:Jean Bachelet 1537: 1533: 1529: 1528:into a film. 1527: 1523: 1519: 1515: 1511: 1507: 1506:baroque music 1503: 1499: 1489: 1487: 1481: 1478: 1474: 1469: 1465: 1462: 1461:Ronald Bergan 1458: 1454: 1449: 1438: 1434: 1430: 1425: 1420: 1417: 1411: 1409: 1406:prepared his 1405: 1401: 1397: 1393: 1389: 1384: 1379: 1373: 1371: 1359: 1357: 1353: 1352: 1347: 1346:New York Post 1343: 1339: 1335: 1331: 1327: 1326:Alain Resnais 1323: 1319: 1313: 1310: 1305: 1300: 1299: 1294: 1290: 1289:cinematheques 1286: 1282: 1272: 1270: 1265: 1264: 1258: 1253: 1251: 1250: 1244: 1240: 1239: 1234: 1233: 1228: 1223: 1220: 1219:Roger Manvell 1214: 1212: 1203: 1199: 1195: 1191: 1187: 1183: 1181: 1177: 1176: 1171: 1167: 1163: 1159: 1155: 1154: 1149: 1145: 1140: 1135: 1133: 1128: 1123: 1120: 1111: 1109: 1105: 1101: 1100: 1095: 1091: 1088: 1084: 1079: 1075: 1072: 1068: 1054: 1050: 1047: 1042: 1039: 1034: 1032: 1028: 1027:Eugène Lourié 1024: 1020: 1015: 1013: 1007: 1005: 1001: 997: 993: 988: 986: 982: 977: 974: 969: 967: 963: 959: 953: 951: 947: 937: 935: 929: 925: 923: 922:Leipzig Opera 919: 915: 914:Mitja Nikisch 911: 910: 905: 901: 900: 895: 891: 887: 883: 880: 875: 873: 868: 864: 863: 858: 854: 850: 846: 841: 840: 835: 831: 827: 819: 815: 806: 803: 799: 798:baroque music 795: 790: 786: 780: 778: 774: 773: 768: 764: 760: 756: 752: 748: 744: 743: 737: 735: 731: 730: 725: 721: 720:Marcel Pagnol 717: 713: 709: 705: 701: 700:Mary Pickford 697: 696:D.W. Griffith 693: 689: 685: 681: 680:Pierre Renoir 677: 676: 671: 667: 663: 659: 658: 637: 631: 628: 627:André Zwoboda 625: 622: 619: 616: 613: 610: 607: 604: 603:Claire Gérard 601: 598: 595: 592: 589: 586: 585: 584: 579: 576: 573: 570: 567: 564: 561: 558: 555: 552: 549: 546: 543: 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 506: 505: 504: 500: 498: 488: 484: 480: 477: 471: 467: 465: 460: 454: 451: 450: 441: 440: 436: 432: 428: 424: 420: 408: 406: 402: 398: 394: 388: 385: 380: 378: 374: 373:Jean Bachelet 371: 367: 363: 360:At the time, 358: 356: 352: 347: 345: 341: 337: 333: 329: 325: 321: 317: 313: 312:ensemble cast 309: 305: 302: 298: 297: 292: 291: 282: 278: 274: 270: 266: 262: 258: 254: 248: 233: 232: 230: 224: 221: 218: 214: 208: 200: 194: 191: 189: 186: 185: 183: 179: 173:Marthe Huguet 172: 170: 167: 166: 164: 160: 157: 156:Jean Bachelet 154: 150: 143: 141: 138: 136: 133: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 106: 103: 102: 100: 96: 93: 92:Claude Renoir 90: 86: 80: 77: 74: 73: 71: 67: 64: 61: 57: 50: 45: 40: 37: 33: 19: 5274: 5270:Bibliography 5250: 5242: 5234: 5226: 5218: 5210: 5202: 5194: 5186: 5171: 5163: 5155: 5147: 5140: 5139: 5131: 5123: 5115: 5107: 5099: 5091: 5083: 5075: 5067: 5059: 5051: 5043: 5035: 5016: 5008: 5000: 4992: 4984: 4978:Silent films 4929: 4922: 4897: 4886: 4875: 4864: 4853: 4839: 4833: 4827: 4821: 4815: 4804: 4797: 4796: 4779: 4760: 4739: 4717: 4698: 4678: 4656: 4635: 4615: 4593: 4571: 4549: 4540:Bibliography 4539: 4538: 4526:. Retrieved 4511: 4499:. Retrieved 4481: 4462: 4456: 4444:. Retrieved 4440: 4430: 4418: 4406: 4387: 4381: 4360: 4352: 4328: 4316: 4307: 4283:. Retrieved 4264: 4241: 4232: 4220: 4213:Wakeman 1987 4208: 4189: 4183: 4152: 4149:Bazin, André 4143: 4131:. Retrieved 4117: 4108: 4096:. Retrieved 4082: 4070:. Retrieved 4059: 4046: 4028: 4016:. Retrieved 4006: 3997: 3988: 3980: 3961: 3955: 3943:. Retrieved 3928: 3916: 3887: 3858:, p. 9. 3851: 3824: 3812: 3800: 3788: 3776: 3764: 3752: 3723: 3711:. Retrieved 3702: 3693: 3666:. Retrieved 3655: 3645: 3633: 3625: 3621: 3577: 3565: 3553: 3541: 3533: 3529: 3517: 3505: 3493: 3476: 3467: 3459: 3455: 3447: 3443: 3416: 3404:. Retrieved 3389: 3377:. Retrieved 3366: 3357: 3340: 3327: 3315: 3269: 3241:, p. 6. 3234: 3222: 3189: 3177: 3165: 3141:Wakeman 1987 3096: 3072: 3050:Wakeman 1987 2999: 2973: 2961: 2953: 2949: 2904: 2892: 2793: 2786:Durgnat 1975 2777: 2765: 2753: 2705: 2693: 2681: 2620: 2608: 2596: 2580: 2575:, p. 4. 2538: 2496: 2484: 2472: 2425: 2418: 2406: 2396:November 28, 2394:. Retrieved 2390:the original 2365:. Retrieved 2360: 2351: 2339:. Retrieved 2335:the original 2330: 2306:. Retrieved 2302:the original 2297: 2273:. Retrieved 2269:the original 2264: 2240:. Retrieved 2236:the original 2231: 2207:. Retrieved 2203:the original 2198: 2174:. Retrieved 2170:the original 2165: 2141:. Retrieved 2137:the original 2132: 2095: 2094: 2062: 2056: 2050: 2040: 2037:Denys Arcand 2030: 2020: 2010: 2000: 1997:Carlos Saura 1990: 1982:Summer Light 1980: 1973:Gosford Park 1972: 1967: 1963: 1959:Gosford Park 1957: 1955: 1950: 1926: 1923:Satyajit Ray 1921: 1915: 1911: 1903: 1899: 1893: 1868:Pauline Kael 1825: 1818: 1815:Citizen Kane 1814: 1808: 1777:Richard Peña 1772: 1770: 1762:Citizen Kane 1761: 1755: 1748: 1742: 1736: 1733:Citizen Kane 1732: 1728: 1722: 1718:Citizen Kane 1716: 1712: 1708: 1696: 1694: 1673: 1665:Joseph Kosma 1660: 1652:Minute Waltz 1650: 1640: 1630: 1613: 1610:Léon Garnier 1605:Le déserteur 1603: 1593: 1582: 1558: 1531: 1530: 1525: 1522:André Grétry 1501: 1495: 1482: 1477:Richard Roud 1470: 1466: 1456: 1452: 1447: 1445: 1436: 1432: 1413: 1404:Adolf Hitler 1382: 1381: 1375: 1369: 1367: 1349: 1345: 1337: 1314: 1308: 1306: 1296: 1292: 1284: 1278: 1261: 1256: 1254: 1247: 1236: 1230: 1226: 1224: 1215: 1207: 1173: 1165: 1157: 1151: 1147: 1138: 1136: 1126: 1124: 1118: 1117: 1107: 1103: 1097: 1082: 1080: 1076: 1070: 1069: 1065: 1051: 1043: 1035: 1016: 1011: 1008: 996:Val-de-Marne 989: 980: 978: 973:Michel Simon 970: 966:World War II 954: 943: 933: 930: 926: 907: 897: 876: 860: 848: 837: 834:Marcel Carné 825: 823: 801: 781: 776: 770: 754: 750: 740: 738: 733: 727: 716:Simone Simon 673: 655: 653: 635: 551:Gaston Modot 521:Marcel Dalio 494: 485: 481: 475: 472: 468: 456: 447: 444: 438: 434: 430: 426: 422: 418: 417: 396: 389: 383: 381: 361: 359: 355:World War II 348: 346:and Renoir. 340:Gaston Modot 328:Marcel Dalio 304:comedy-drama 295: 294: 289: 288: 287: 251:Running time 242: (Paris) 227:Release date 188:Joseph Kosma 135:Gaston Modot 120:Marcel Dalio 36: 5149:Swamp Water 5029:Sound films 4971:Jean Renoir 4908:Janus Films 4780:Jean Renoir 4761:Jean Renoir 4423:Bergan 1997 4411:Drazin 2011 4225:Braudy 1972 4153:Jean Renoir 4133:February 1, 4098:January 10, 3892:Bertin 1986 3844:Renoir 1974 3829:Bergan 1997 3817:Drazin 2011 3805:Renoir 1974 3769:Bergan 1997 3757:Renoir 1974 3745:Bergan 1997 3728:Renoir 1974 3638:Bergan 1997 3570:Bertin 1986 3558:Bertin 1986 3522:Bertin 1986 3510:Bergan 1997 3498:Bergan 1997 3436:Braudy 1972 3320:Drazin 2011 3308:Bertin 1986 3262:Bergan 1997 3227:Bertin 1986 3215:Drazin 2011 3198:Bergan 1997 3170:Bergan 1997 3158:Bergan 1997 3101:Braudy 1972 3065:Bertin 1986 3004:Bertin 1986 2926:Bergan 1997 2909:Bertin 1986 2897:Bergan 1997 2833:Bertin 1986 2798:Renoir 1974 2782:Braudy 1972 2746:Bergan 1997 2710:Drazin 2011 2698:Drazin 2011 2686:Bergan 1997 2674:Bergan 1997 2642:Bertin 1986 2558:Bergan 1997 2531:Bertin 1986 2516:Bergan 1997 2501:Bertin 1986 2477:Bergan 1997 2411:Drazin 2011 2111:Drazin 2011 2047:Paul Bartel 2032:The Hunters 1935:Wim Wenders 1927:Avant-Garde 1881:Woody Allen 1877:J. Hoberman 1856:Roger Ebert 1848:Peter Cowie 1805:André Bazin 1785:David Denby 1738:Tokyo Story 1685:Coco Chanel 1677:music boxes 1637:Saint-Saëns 1618: [ 1578:Technicolor 1544:fast lenses 1394:recognized 1330:Louis Malle 1275:Rediscovery 1194:Jean Renoir 1190:Nora Gregor 1164:wrote that 1038:Gerald Mast 1023:French Army 899:Burgtheater 818:Nora Gregor 568:as the cook 566:Léon Larive 539:Mila Parély 533:Jean Renoir 509:Nora Gregor 324:Mila Parély 316:Nora Gregor 308:Jean Renoir 144:Jean Renoir 115:Mila Parély 105:Nora Gregor 88:Produced by 75:Jean Renoir 63:Jean Renoir 59:Directed by 5333:1939 films 5327:Categories 5045:La Chienne 4917:– Trailer. 3921:Crisp 2015 3485:B0007IWZYE 3349:B0000DOGSC 2341:August 16, 2331:bfi.org.uk 2298:bfi.org.uk 2265:bfi.org.uk 2232:bfi.org.uk 2199:bfi.org.uk 2166:bfi.org.uk 2133:bfi.org.uk 2091:References 1889:Mike Leigh 1873:Amy Taubin 1864:Robin Wood 1860:Lucy Sante 1840:Leo Braudy 1828:Kent Jones 1661:À Barbizon 1586:incidental 1536:deep focus 1498:Émile Zola 1198:Pierre Nay 1144:Nino Frank 882:Marguerite 729:Paris-Soir 712:Jean Gabin 704:René Clair 645:Production 588:Pierre Nay 580:as a guest 377:deep-focus 279:5,500,500 238:1939-07-07 203:Production 69:Written by 5196:The River 5002:Marquitta 4528:August 2, 4333:Mast 1973 4321:Mast 1973 4061:Le Figaro 3686:Mast 1973 2966:Mast 1973 1956:Altman's 1900:drame gai 1760:, behind 1749:Le Figaro 1569:two shots 1561:close-ups 1486:Louis XIV 1170:Proustian 1153:Le Figaro 1148:Pour Vous 1078:tickets. 992:Joinville 867:burlesque 785:Carl Koch 314:includes 301:satirical 162:Edited by 79:Carl Koch 5183:" (1946) 4911:Archived 4881:AllMovie 4522:Archived 4495:Archived 4285:June 11, 4279:Archived 4151:(1973). 4127:Archived 4066:Archived 4038:Archived 4018:March 9, 4013:Fandango 3939:Archived 3707:Archived 3668:June 11, 3662:Archived 3475:(1950). 3400:Archived 3379:June 11, 3373:Archived 3339:(1943). 2069:See also 2002:The Hunt 1600:Monsigny 1496:Filming 1090:Jean Zay 1053:Renoir. 1031:Max Douy 890:Heimwehr 789:Marlotte 769:'s play 668:and the 452:(IV, 10) 268:Language 181:Music by 98:Starring 5263:Related 5018:Le Bled 4868:at the 4501:May 31, 4446:May 24, 4072:May 24, 3713:May 24, 3368:Variety 2367:May 11, 2308:June 8, 2275:June 8, 2242:June 8, 2209:June 8, 2176:June 8, 2143:June 8, 1729:Vertigo 1724:Vertigo 1627:Strauss 1344:of the 1175:Variety 1057:Release 1012:evolved 940:Filming 920:of the 909:Michael 849:Volpone 809:Casting 464:Sologne 260:Country 236: ( 205:company 5255:(1970) 5247:(1962) 5239:(1959) 5231:(1959) 5223:(1956) 5215:(1955) 5207:(1952) 5199:(1951) 5191:(1947) 5176:(1946) 5168:(1945) 5160:(1943) 5152:(1941) 5144:(1939) 5136:(1938) 5128:(1938) 5120:(1937) 5112:(1936) 5104:(1936) 5096:(1936) 5088:(1935) 5080:(1934) 5072:(1933) 5064:(1932) 5056:(1932) 5048:(1931) 5040:(1931) 5021:(1929) 5013:(1928) 5005:(1927) 4997:(1926) 4989:(1925) 4786: 4767: 4748: 4725: 4705: 4686: 4665: 4642: 4623: 4602: 4579: 4558: 4469: 4394: 4369: 4196: 4159: 3968: 3483: 3406:May 8, 3347: 2437: 1836:rococo 1752:'s 1744:Empire 1735:, and 1691:Legacy 1657:Scotto 1647:Chopin 1590:Mozart 1416:Munich 1362:Themes 1302:'s 1241:. The 1004:B-roll 872:Pierre 664:, the 636: 366:francs 310:. The 281:francs 276:Budget 271:French 263:France 2431:85–89 2096:Notes 1703:. 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